French filmmaker Antonin Peretjatko is set to sink his teeth into his fourth feature film and he lassoed some alumni for Vade retro (formerly known as Le vampire du soleil levant). Laure Calamy will topline with players William Lebghil and Vimala Pons in the mix. Lebghil was in Peretjatko’s sophomore feature and Pons was in his first pair of films including his debut The Rendez-Vous of Déjà-Vu (a Directors’ Fortnight selection back in 2013). Vade retro landed some early Cnc support three years back. Comme des cinémas’ Masa Sawada (Kôji Fukada Love Life) is producing the project which will move into production in September.…...
- 6/14/2023
- by Eric Lavallée
- IONCINEMA.com
Broadcasting
Channel 4 and Sky in the U.K. have extended their pre-existing, long-term commercial partnership in a new multi-year agreement which, according to the companies, will facilitate greater opportunity for collaboration, commercial growth and innovation as broadcasting evolves going forward.
Under the terms of the new deal, Sky customers will have access to even more Channel 4 content as more than 1000 hours of All 4 — Channel 4’s VoD platform — exclusives are integrated into Sky’s current and future TV products. Channel 4 will benefit from under the new terms by opening avenues to new digital ad revenue streams which can support its Future4 strategy.
“When we set out our Future4 strategy last year, we made clear that securing strategic distribution partnerships would be a vital part of ensuring we can maximize our reach and impact with viewers in a digital age, grow our revenues and compete more effectively for the future,” said Alex Mahon,...
Channel 4 and Sky in the U.K. have extended their pre-existing, long-term commercial partnership in a new multi-year agreement which, according to the companies, will facilitate greater opportunity for collaboration, commercial growth and innovation as broadcasting evolves going forward.
Under the terms of the new deal, Sky customers will have access to even more Channel 4 content as more than 1000 hours of All 4 — Channel 4’s VoD platform — exclusives are integrated into Sky’s current and future TV products. Channel 4 will benefit from under the new terms by opening avenues to new digital ad revenue streams which can support its Future4 strategy.
“When we set out our Future4 strategy last year, we made clear that securing strategic distribution partnerships would be a vital part of ensuring we can maximize our reach and impact with viewers in a digital age, grow our revenues and compete more effectively for the future,” said Alex Mahon,...
- 7/2/2021
- by Jamie Lang
- Variety Film + TV
Festival unveils competition titles for 2021 edition.
FIDMarseille has unveiled the full line-up for its 2021 edition (July 19-25), which includes a retrospective and honorary award for Thai filmmaker Apichatpong Weerasethakul.
The acclaimed writer/director, who won the Palme d’Or at Cannes in 2010 with Uncle Boonmee Who Can Recall His Past Lives, will attend the festival in France to accept the Grand Prix d’Honneur, introduce several screenings from throughout his career and present a masterclass.
Weerasethakul’s latest feature, Memoria starring Tilda Swinton, is set to play in Competition at Cannes Film Festival and his visit to Marseille will come after that premiere.
FIDMarseille has unveiled the full line-up for its 2021 edition (July 19-25), which includes a retrospective and honorary award for Thai filmmaker Apichatpong Weerasethakul.
The acclaimed writer/director, who won the Palme d’Or at Cannes in 2010 with Uncle Boonmee Who Can Recall His Past Lives, will attend the festival in France to accept the Grand Prix d’Honneur, introduce several screenings from throughout his career and present a masterclass.
Weerasethakul’s latest feature, Memoria starring Tilda Swinton, is set to play in Competition at Cannes Film Festival and his visit to Marseille will come after that premiere.
- 6/24/2021
- by Michael Rosser
- ScreenDaily
The Cnc will also be supporting films by Antonin Peretjatko, Claire Simon, Pablo Berger and the duo Verena Paravel - Lucien Castaing-Taylor, as well as three feature debuts. Ten projects were selected at the 4th 2020 session of the Cnc’s advance on receipts: seven at the second committee, and three at the first. Standing out among them is Les jeunes filles à la peau blanche dans la nuit by Patricia Mazuy. This will be the 5th fiction feature from the director, after Peaux de vaches, The King's Daughters, Of Women and Horses (Piazza Grande in Locarno in 2011) and Paul Sanchez is back! (2018). The pitch for this new film, co-written by the director with Yves Thomas, goes as follows: One night,...
- 10/30/2020
- Cineuropa - The Best of European Cinema
Under the new leadership of industry veteran Kristina Zimmermann, Orange Studio, the film/TV division of the French telco group Orange, is launching three new projects at Berlin’s European Film Market: “Last Film Show,” “Old Fashioned” and “Love Song for Tough Guys.”
Directed by Pan Nalin (“Samsara”), “Last Film Show” follows Samay, a 9-year-old boy living with his family in a remote village in India. One day, he discovers films and is instantly mesmerized. Against his father’s wishes, he returns to the cinema day after day and sets off to become a filmmaker at all costs.
“It’s a personal film for Pan Nalin as it’s inspired by his own life, and it has a beautiful cinematography, because Pan Nalin is also a talented photographer,” said Zimmermann, who joined Orange Studio last July after working for nearly three decades at Canal Plus Group. “‘Last Film Show’ is...
Directed by Pan Nalin (“Samsara”), “Last Film Show” follows Samay, a 9-year-old boy living with his family in a remote village in India. One day, he discovers films and is instantly mesmerized. Against his father’s wishes, he returns to the cinema day after day and sets off to become a filmmaker at all costs.
“It’s a personal film for Pan Nalin as it’s inspired by his own life, and it has a beautiful cinematography, because Pan Nalin is also a talented photographer,” said Zimmermann, who joined Orange Studio last July after working for nearly three decades at Canal Plus Group. “‘Last Film Show’ is...
- 2/21/2020
- by Elsa Keslassy
- Variety Film + TV
La pièce rapportée
For his third feature, Antonin Peretjatko commences on the comedic La pièce rapportée, produced by Thomas and Mathieu Verhaeghe and recruits an impressive cast with Anaïs Demoustier, Josiane Balasko, Philippe Katerine, William Lebghil and Sergi Lopez. Simon Roca (who lensed Peretjatko’s previous two films as well as F.J. Ossang’s 9 Digits and the upcoming Kandisha for Alexandre Bustillo and Julien Maury) returns as cinematographer. Peretjatko’s 2013 debut The Rendezvous of Deja Vous premiered in Directors’ Fortnight at Cannes and scored a Cesar nod for Best First Feature. His sophomore feature Struggle for Life (2016) was programmed in Locarno and named one of the Best 10 Films of the year by Cahiers du Cinema.…...
For his third feature, Antonin Peretjatko commences on the comedic La pièce rapportée, produced by Thomas and Mathieu Verhaeghe and recruits an impressive cast with Anaïs Demoustier, Josiane Balasko, Philippe Katerine, William Lebghil and Sergi Lopez. Simon Roca (who lensed Peretjatko’s previous two films as well as F.J. Ossang’s 9 Digits and the upcoming Kandisha for Alexandre Bustillo and Julien Maury) returns as cinematographer. Peretjatko’s 2013 debut The Rendezvous of Deja Vous premiered in Directors’ Fortnight at Cannes and scored a Cesar nod for Best First Feature. His sophomore feature Struggle for Life (2016) was programmed in Locarno and named one of the Best 10 Films of the year by Cahiers du Cinema.…...
- 12/30/2019
- by Nicholas Bell
- IONCINEMA.com
The director, revealed with The Rendez-Vous of Déjà-Vu, gathers a cast including Anaïs Demoustier, Philippe Katerine, Josiane Balasko, William Lebghil and Sergi Lopez. Shooting on Antonin Peretjatko’s La pièce rapportée, which began on 25 September, will conclude on 5 November. It is the third feature film from the original and offbeat director after The Rendez-Vous of Déjà-Vu (revealed in Directors’ Fortnight 2013 and nominated for the 2014 Best First Feature César) and Struggle for Life (2016). The cast includes Anaïs Demoustier (currently in French cinemas Alice and the Mayor; on 27 November in Gloria Mundi and in 5 February 2020 in The Girl with a Bracelet), Philippe Katerine (winner of the Best Supporting Actor César award in 2019 for Sink or Swim; in cinemas in February 2020 in The Lion), Josiane Balasko (well-received recently in By the Grace of God; in cinemas on 11 December in Spellbound), William Lebghil (starring...
- 10/25/2019
- Cineuropa - The Best of European Cinema
Colcoa is keeping up with the times. Now in its twenty-first year, the lauded French film festival, sponsored by the Franco-American Cultural Fund, has added a pair of forward-thinking new categories for its newest edition. This year will include a virtual reality program and a web series competition, in addition to its Cinema, Television and Shorts competitions.
“These two new popular formats offer more opportunities to showcase the creativity of French producers and filmmakers as well as the diversity of French production,” said François Truffart, Colcoa Executive Producer and Artistic Director. “While entertainment is still the key word for the program, with a balanced mix of comedies and dramas, several topical issues will cover the program this year, including the environment, discrimination, racism, terrorism, and the role of the artist in society. More than ever, Colcoa will offer a unique opportunity to see these universal topics from different angles.”
Read...
“These two new popular formats offer more opportunities to showcase the creativity of French producers and filmmakers as well as the diversity of French production,” said François Truffart, Colcoa Executive Producer and Artistic Director. “While entertainment is still the key word for the program, with a balanced mix of comedies and dramas, several topical issues will cover the program this year, including the environment, discrimination, racism, terrorism, and the role of the artist in society. More than ever, Colcoa will offer a unique opportunity to see these universal topics from different angles.”
Read...
- 4/6/2017
- by Kate Erbland
- Indiewire
Marion Cotillard stars with Alex Brendemühl and Louis Garrel in Nicole Garcia's From The Land Of The Moon (Mal De Pierres) Photo: Anne-Katrin Titze
New York's Rendez-Vous with French Cinema opens with Étienne Comar’s biopic Django, starring Reda Kateb (Wim Wender's Les Beaux Jours d'Aranjuez) as Django Reinhardt with Cécile de France (Catherine Corsini's Summertime) and closes with Jérôme Salle’s The Odyssey (L'Odyssée) starring Lambert Wilson as Jacques Cousteau with Audrey Tautou and Pierre Niney (Jalil Lespert's Yves Saint Laurent).
Emmanuelle Bercot, Stéphanie Di Giusto, Caroline Deruas, Sébastien Marnier, Marina Foïs, François Ozon, Nicole Garcia, Katell Quillévéré, Justine Triet, Rebecca Zlotowski, Marc Fitoussi, Bertrand Bonello, Julia Ducournau, Christophe Honoré, Antonin Peretjatko, and Martin Wheeler are expected to attend.
La Danseuse (Soko, Lily-Rose Depp, Gaspard Ulliel, Mélanie Thierry); Nocturama (Finnegan Oldfield); Frantz (Paula Beer, Niney), and From The Land Of The Moon (Mal De Pierres - Marion Cotillard,...
New York's Rendez-Vous with French Cinema opens with Étienne Comar’s biopic Django, starring Reda Kateb (Wim Wender's Les Beaux Jours d'Aranjuez) as Django Reinhardt with Cécile de France (Catherine Corsini's Summertime) and closes with Jérôme Salle’s The Odyssey (L'Odyssée) starring Lambert Wilson as Jacques Cousteau with Audrey Tautou and Pierre Niney (Jalil Lespert's Yves Saint Laurent).
Emmanuelle Bercot, Stéphanie Di Giusto, Caroline Deruas, Sébastien Marnier, Marina Foïs, François Ozon, Nicole Garcia, Katell Quillévéré, Justine Triet, Rebecca Zlotowski, Marc Fitoussi, Bertrand Bonello, Julia Ducournau, Christophe Honoré, Antonin Peretjatko, and Martin Wheeler are expected to attend.
La Danseuse (Soko, Lily-Rose Depp, Gaspard Ulliel, Mélanie Thierry); Nocturama (Finnegan Oldfield); Frantz (Paula Beer, Niney), and From The Land Of The Moon (Mal De Pierres - Marion Cotillard,...
- 2/24/2017
- by Anne-Katrin Titze
- eyeforfilm.co.uk
NEWSCahiers du Cinéma has revealed its Top 10 of 2016:Toni Erdmann (Maren Ade)Elle (Paul Verhoeven)The Neon Demon (Nicolas Winding Refn)Aquarius (Kleber Mendonça Filho)Ma Loute (Bruno Dumont)Julieta (Pedro Almodóvar)Rester Vertical (Alain Guiraudie)La loi de la jungle (Antonin Peretjatko)Carol (Todd Haynes)Le bois dont les rêves sont faits (Claire Simon)Slamdance Film Festival has announced its 23rd edition, starting with its narrative and documentary feature film competition lineup. Variety has the full announcement.
Dennis Hopper's personal record collection is now on sale via Moda Operandi.Recommended VIEWINGWes Anderson has delivered a Christmas themed advertisement for H&M. Pietro Marcello's Lost and Beautiful gets a gorgeous new trailer via Grasshopper Film.A welcome meeting between three giants of world cinema: Q&A with Carlos Reygadas & Apichatpong Weerasethakul introduced by Béla Tarr.Recommended READINGThe ambitious new issue of Lola is now available, and it...
Dennis Hopper's personal record collection is now on sale via Moda Operandi.Recommended VIEWINGWes Anderson has delivered a Christmas themed advertisement for H&M. Pietro Marcello's Lost and Beautiful gets a gorgeous new trailer via Grasshopper Film.A welcome meeting between three giants of world cinema: Q&A with Carlos Reygadas & Apichatpong Weerasethakul introduced by Béla Tarr.Recommended READINGThe ambitious new issue of Lola is now available, and it...
- 12/1/2016
- MUBI
Everyone will have to have their say about which films are the "best" of the year and that starts, bizarrely, right now even though it's still November. First up is the famed Cahiers du Cinema, which is the oldest film publication still running stretching back to the early 1950s.
Since they're in France, they have a different timetable on releases so Tfe's primary 2015 obsession factors in -- Why Carol, it's so good to see you again! But because they are Cahiers du Cinema and generally choose at least one polarizing but largely hated picture, Neon Demon is up near the top.
Their Top Ten List
1 Toni Erdmann (Maren Ade)
2 Elle (Paul Verhoeven)
3 The Neon Demon (Nicolas Winding Refn)
4 Aquarius (Kleber Mendonça Filho)
5 Slack Bay (Bruno Dumont)
6 Julieta (Pedro Almodóvar)
7 Staying Vertical (Alain Guiraudie)
8 La Loi de la jungle (Antonin Peretjatko)
9 Carol (Todd Haynes)
10 Le bois dont les rêves sont faits...
Since they're in France, they have a different timetable on releases so Tfe's primary 2015 obsession factors in -- Why Carol, it's so good to see you again! But because they are Cahiers du Cinema and generally choose at least one polarizing but largely hated picture, Neon Demon is up near the top.
Their Top Ten List
1 Toni Erdmann (Maren Ade)
2 Elle (Paul Verhoeven)
3 The Neon Demon (Nicolas Winding Refn)
4 Aquarius (Kleber Mendonça Filho)
5 Slack Bay (Bruno Dumont)
6 Julieta (Pedro Almodóvar)
7 Staying Vertical (Alain Guiraudie)
8 La Loi de la jungle (Antonin Peretjatko)
9 Carol (Todd Haynes)
10 Le bois dont les rêves sont faits...
- 11/30/2016
- by NATHANIEL R
- FilmExperience
Established in the 1950s by André Bazin, Joseph-Marie Lo Duca, and Jacques Doniol-Valcroze, France’s Cahiers du cinéma has long been a bastion for quality film criticism. Year after year their rundown of the top films usually ignites a response, and we doubt 2016 will be any different — at least when it comes to a certain Nicolas Winding Refn inclusion.
They’ve released their latest list, which includes a few films that won’t get a U.S. release until 2017 (Slack Bay and Staying Vertical). Also among the selections are some of this year’s finest films, topped by Maren Ade‘s Toni Erdmann and also including Paul Verhoeven‘s Elle, Kleber Mendonça Filho‘s Aquarius, and Pedro Almodóvar‘s Julieta. Since it got a release in France this year, Todd Haynes‘ magnificent Carol also made the cut.
Check out the list below (with a hat tip to Gainsbarough), also including links to reviews where available.
They’ve released their latest list, which includes a few films that won’t get a U.S. release until 2017 (Slack Bay and Staying Vertical). Also among the selections are some of this year’s finest films, topped by Maren Ade‘s Toni Erdmann and also including Paul Verhoeven‘s Elle, Kleber Mendonça Filho‘s Aquarius, and Pedro Almodóvar‘s Julieta. Since it got a release in France this year, Todd Haynes‘ magnificent Carol also made the cut.
Check out the list below (with a hat tip to Gainsbarough), also including links to reviews where available.
- 11/29/2016
- by Jordan Raup
- The Film Stage
The Cannes Film festival was an exceptional edition for French films this year. A focus on the rising generation of French actors and directors that have been highlighted in Cannes and will most certainly be the stars of tomorrow was compiled by Unifrance chief Isabelle Giordano.
They are a force to be reckoned with. Unifrance films is ready to bet that you will certainly hear about these ten talented people. They represent the French cinema of today and will soon be on the screens worldwide.
Emmanuelle Bercot
An actress and a director, Emmanuelle Bercot began by enrolling at the Cours Florent drama school and taking dancing lessons after her baccalaureate. She graduated from Femis in 1998, after winning the Prix du Jury at the Cannes Film Festival for her short film "Les Vacances," in 1997. After her first few roles in the films of Jean-François Richet and Michel Deville, her career as an actress took off when Claude Miller gave her one of the main roles in "La Classe de neige" (1998). The following year, she made the headlines with the medium-length film she directed called "La Puce," presented in the selection of Un Certain Regard at Cannes. This film tells of the love affair between a 35-year-old man and a 14-year-old girl, played by Isild Le Besco.
Her first feature-length film, "Clément" (2001), is about the life of a troubled woman who has one adventure after another with various men until she meets a 14-yearold boy. Her second film, "Backstage" (2004), continues to explore teenage angst through a relationship between a hit singer and a young obsessional fan. She earned her first critical and public acclaim with "On My Way" (2013), the third film written by the director for Catherine Deneuve, in which the star plays a woman who has decided to leave everything behind and hit the road in France.
She was indisputably the most talked about person during the Cannes Film Festival 2015, both as an actress and a director. Thierry Frémaux surprised everyone by announcing that "Standing Tall," Emmanuelle Bercot’s fourth feature-length film would open the 68th Cannes Film Festival. Emmanuelle Bercot says that she has rediscovered the social fiber of her beginnings with this tale of juvenile delinquency. After the enthusiastic and unanimous reception of her film, she won the Best Actress Award for her role as a woman under the influence of love in the film "Mon Roi" by Maïwenn, with whom she co-wrote the script for "Polisse," which won the Prix du Jury at the Cannes Film Festival in 2012
Thomas Bidegain
Thomas Bidegain may well be one of the best known French screenwriters in the profession today, but it took him ten years to achieve this status. His career path in film is anything but ordinary. He started out in the 1990s by distributing and producing independent American films: "Ice Storm" by Ang Lee and "Chasing Sleep" by Michael Walker. He came back to France and joined MK2 where he became director of distribution. In 1999, he returned to production for "Why Not." In 2007, he told the story of his attempt to stop smoking in "Arrêter de fumer tue," a personal diary that was turned into a documentary, then a book.
In the meantime, he began screenwriting and worked on several projects. In 2009, he wrote the screenplay for Jacques Audiard’s film, "A Prophet," alongside Nicolas Peufaillit and Abdel Raouf Dafri, which won the Grand Prix du Jury in 2009. He participated in Audiard’s next film, "Rust and Bone" and "Our Children" by Joachim Lafosse. He was also the co-writer for "Saint Laurent" by Bertrand Bonello. Winning a César for the best original script and a César for the best adaptation, he presented "Cowboys" at the Quinzaine des Réalisateurs in Cannes this year, his first film as a director. He is also co-writer of "Ni le ciel ni la terre" by Clément Cogitore, presented during the Semaine de la Critique, as well as co-writer of the script for Jacques Audiard’s latest film, "Dheepan," which won the Palme d’Or.
Louise Bourgoin
Louise Bourgoin attended the Ecole des Beaux Arts for five years, during which she began her career as a model. After she graduated from art school in 2004, she radically changed direction and became a presenter on cable TV. She was Miss Météo in Le Grand Journal on Canal + from 2006 to 2008. Her slot became essential viewing and attracted a wide audience, including the attention of the film industry.
She began her acting career in "The Girl from Monaco" by Anne Fontaine, and her performance earned her a César nomination for Most Promising Actress. This recognition led to a whole series of roles and launched her career in film. She headed the bill of several films in 2010 ("White as Snow" by Christophe Blanc, "Sweet Valentine" by Emma Luchini, and "Black Heaven" by Gilles Marchand). The same year, Luc Besson selected her for the leading role in "The Extraordinary Adventures of Adèle Blanc-Sec."
Since then, Louise Bourgoin has played in film after film, and has taken her first steps in the international scene with her part in the American film "The Love Punch" by Joel Hopkins. She attracted attention at the Cannes Film Festival this year with her unusual role in Laurent Larivière’s first film, "I Am a Soldier," presented at Un Certain Regard.
Anaïs Demoustier
Her passion for acting started at a very young age and rapidly pushed her to take drama classes. She auditioned, when still a teenager, and got her first role alongside Isabelle Huppert in "Time of the Wolf" by Michael Haneke. After this, her career was launched and she played in a series of films among which "L’Année suivante" by Isabelle Czajka, "Hellphone" by James Huth, "The Beautiful Person" by Christophe Honoré, "Sois sage" by Juliette Garcias, "Sweet Evil" by Olivier Coussemacq, "Dear Prudene" by Rebecca Zlotowski, "Snows of Kilimanjaro" by Robert Guédiguian, "Thérèse Desqueyroux" by Claude Miller, "Quai d’Orsay" by Bertrand Tavernier, "Paris Follies" by Marc Fitoussi, etc.
A filmography rich of 30 films for an actress who isn’t 30 years old yet. In 2014, the press talked about the blooming of Anaïs Demoustier because her face and poise became essential to cinema. Present in "Bird People" by Pascale Ferran, "Caprices" by Emmanuel Mouret, "À trois on y va" by Jérôme Bonnell and "The New Girlfriend" by François Ozon, she is Marguerite in the last Valérie Donzelli’s film, "Marguerite et Julien" screened in Official selection in Cannes.
Louis Garrel
The son of actress Brigitte Sy and the director Philippe Garrel, he began his career in film thanks to his father, who started filming him at the age of six in "Emergency Kisses," alongside his mother and his grandfather, Maurice Garrel. He went onto study drama at the Conservatoire National d’Art Dramatique. He made his real cinema debut in 2001 in the film "Ceci est mon corps" by Rodolphe Marconi. Two years later, he played opposite Michael Pitt and the future Bond girl, Eva Green, in "The Dreamers" by Bernardo Bertolucci.
He then starred in another of his father’s films, "Regular Lovers". His performance earned him the César for the Most Promising Actor in 2005. Since then, he has played alongside the greatest, such as Isabelle Huppert in "Ma mère" by Christophe Honoré. This marked the beginning of a long collaboration between the filmmaker and the actor. They worked together in the film "In Paris" with Romain Duris, then in 2007 in "Love Songs" with Ludivine Sagnier, in "The Beautiful Person" with Léa Seydoux, in "Making Plans" for Lena with Chiara Mostroianni and, finally, in " Beloved" with Catherine Deneuve. He also topped the bill with Valéria Bruni Tedeschi in "Actresses," whom he worked with again in 2013 in "A Castle in Italy."
In 2010, he directed a short film, "The Little Tailor," in which he directed Léa Seydoux. He performed once again in one of his father’s films, "A Burning Hot Summer," followed by "Jealousy." In 2014, he starred in Bertrand Bonello’s film "Saint Laurent," a role which led to another César nomination, but this time in the best supporting role category. His first feature-length film, "Two Friends," presented at a Certain Regard, was applauded by the critics. He also starred in "Mon Roi," Maïwenn’s fourth feature-length film, alongside Emmanuelle and Vincent Cassel, presented as part of the official selection.
Guillaume Gouix
After studying at the Conservatoire in Marseille and the Ecole Régionale d’Acteur de Cannes, Guillaume Gouix began his career in television. He played the male lead in "The Lion Cubs," by Claire Doyon, in 2003. Noted for his performance, especially the highly physical aspect of it and his intense gaze, he then played a series of supporting roles as a young hoodlum in "Les Mauvais joueurs" by Frédéric Balekdjian and in "Chacun sa nuit," by Jean-Marc Barr and Pascal Arnold. He featured in the 2007 war film "Intimate Enemies" by Florent Emilio Siri, thus confirming his taste for complex characters.
The following year, he was applauded for his performance in the film "Behind the Walls" by Christian Faure. In 2010, he starred in "22 Bullets" by Richard Berry and in 2011, he established his reputation with roles in "Nobody Else But You" by Gérald Hustache-Mathieu, "Et soudain, tout le monde me manque" by Jennifer Devoldere, and "Jimmy Rivière," Teddy Lussi-Modeste’s film debut.
He also appeared in "Midnight in Paris" by Woody Allen. He more recently starred in "Attila Marcel," by Sylvain Chomet, in which he played the lead role, in "French Women" by Audrey Dana, and "The Connection" by Cédric Jimenez with Jean Dujardin and Gilles Lelouche. He performed in three films presented at Cannes this year ("Les Anarchistes" by Elie Wajeman, which opened the Semaine de la Critique, "La Vie en grand" by Mathieu Vadepied, which closed the week, and in "Enragés" by Eric Hannezo, screened at the Cinéma de la Plage). He also directed his first short film "Alexis Ivanovitch, vous êtes mon héros" in 2011 and will soon start on a feature-length film, which is currently being written. He will be topping the bill in 2015 with "Braqueurs," a thriller by Julien Leclercq.
Ariane Labed
Born in Greece to French parents, Ariane Labed has always navigated between her two countries. She studied drama at the University of Provence and began her acting career treading the boards. After setting up a company combining dance and theater, Ariane Labed returned to live in Greece where she played at the National Theater of Athens. 2010 was the year of her first film, "Attenberg," directed by Athiná-Rachél Tsangári. "Alps" by Yorgos Lanthi-mos, the following year, confirmed the talent of this strangely charming actress. Two years later, she starred in "Before Midnight" by Richard Linklater where she played the role of Anna. The follow-up to "Before Sunrise" and "Before Sunset," this third part of the saga was a great success, making Labed known to a wider audience.
In 2014, she played a young sailor in "Fidelio, Alice’s Odyssey," who is torn between faithfulness and her desire to live her life. Winning the best actress award at the Locarno Film Festival and nominated for a César, the French actress gives a brilliant performance in Lucie Borleteau’s first feature-length film. She joined Yorgos Lanthimos in Cannes in 2015, where he won the Prix du Jury for his film "The Lobster."
Vincent Macaigne
Vincent Macaigne is the leading light in young French cinema. He joined the Conservatoire National Supérieur d’Art Dramatique in Paris in 1999, appearing on stage and assuming the role of director. His free adaptations of the great classics of literature and drama earned him public and critical acclaim. He directed "The Idiot" by Dostoïevski and presented "Au moins j’aurai laissé un beau cadavre in Avignon," inspired by Hamlet. He also rapidly made a name for himself in demanding art-house films. In 2001, he was seen for the first time in "Replay" by Catherine Corsini. In 2007, he starred in "On War" by Bertrand Bonello and in 2010, in "A Burning Hot Summer" by Philippe Garrel.
Since 2011, Vincent Macaigne’s presence in short, medium and full-length films has gradually increased. Faithful to his directors, he has starred in several of their films. As is the case with his friend Guillaume Brac, who directed him in "Le Naufragé," "Tonnerre" and "Un monde sans femmes." He was awarded the Grand Prix and the Prix Télérama at the Clermont-Ferrand International Short Film Festival, and the Prix Lutin for Best Actor in this film. Under the direction of Vincent Mariette, he played in "Les Lézards" then "Fool Circle." In 2013, we find the funny and touching thirty-something in "La fille du 14 juillet" by Antonin Peretjatko, "Age of Panic" by Justine Triet, and "2 Autumns, 3 Winters" by Sébastien Betbeder.
He was discovered by the general public at the 2013 Cannes Film Festival. Considered a figurehead of the revival of French cinema, Vincent has drawn the attention of the Cahiers du Cinéma, and even the British newspaper The Observer, which referred to him as the “new Gérard Depardieu”. In 2011, he directed "What We’ll Leave Behind," a very well-received medium-length film which won the Grand Prix at the Clermont-Ferrand Festival. He also starred in Mia Hansen-løve’s 2014 film "Eden." He plays one of the main roles in the actor Louis Garrel’s first feature-length film, "Two Friends," presented during the Semaine de la Critique. He also featured in his 2011 film, La Règle de trois.
Vimala Pons
From the Conservatoire National Supérieur d’Art Dramatique, where she attended drama classes even though she wanted to be a screenwriter, to circus tents, Vimala Pons is an acrobat in all senses of the word. The 29-year-old actress has established her physical and poetic presence in French art-house films. She began her career in film with Albert Dupontel in "Enfermés dehors" in 2006. She then starred in "Eden Log" by Franck Vestiel in 2007, then in "Granny’s Funeral" by Bruno Podalydès in 2012.
Since then, we have seen her cross France in a little blue dress in "La Fille du 14 juillet," (she plays the girl) by Antonin Peretjatko, and changing into a lioness in "Métamorphoses," by Christophe Honoré. The impetuous muse of French independent film, Vimala Pons played in "Vincent" by Thomas Salvador this year. The actress has made a name for herself in 2015, in particular with "Comme un avion" by Bruno Podalydès, "Je suis à vous tout de suite" by Baya Kasmi, "La vie très privée de Monsieur Sim" by Michel Leclerc, and "L’Ombre des femmes" by Philippe Garrel (presented at the Quinzaine des Réalisateurs this year in Cannes). She has also begun an international career, with a leading role in Paul Verhoeven’s latest film, "Elle."
Alice Winocour
The director Alice Winocour started out at Femis. After going into law, she returned to film and won three prizes for her short film "Kitchen: Prix TV5" for the best French-language short film, best international short film and the Silver Bear at the Festival of Nations (Ebensee). For "Magic Paris," she was awarded the jury prize at the St. Petersburg International Documentary, Short Film and Animated Film Festival.
She continued her career by writing the script for the film "Ordinary," by Vladimir Perisic. At the Cannes Film Festival 2012, Alice Winocour made a marked entry in the international arena with a film by a woman about women and the unchanging way of looking at them. In the film "Augustine," we are told the story of a professor and his patient, played by Vincent Lindon and Soko respectively. In 2015, she brought out her second feature-length film, "Maryland," which was screened in the Un Certain Regard section at the 68th Cannes Film Festival. She is also the co-writer of "Mustang," by Denis Gamze Ergüven, presented at the Quinzaine des Réalisateurs.
They are a force to be reckoned with. Unifrance films is ready to bet that you will certainly hear about these ten talented people. They represent the French cinema of today and will soon be on the screens worldwide.
Emmanuelle Bercot
An actress and a director, Emmanuelle Bercot began by enrolling at the Cours Florent drama school and taking dancing lessons after her baccalaureate. She graduated from Femis in 1998, after winning the Prix du Jury at the Cannes Film Festival for her short film "Les Vacances," in 1997. After her first few roles in the films of Jean-François Richet and Michel Deville, her career as an actress took off when Claude Miller gave her one of the main roles in "La Classe de neige" (1998). The following year, she made the headlines with the medium-length film she directed called "La Puce," presented in the selection of Un Certain Regard at Cannes. This film tells of the love affair between a 35-year-old man and a 14-year-old girl, played by Isild Le Besco.
Her first feature-length film, "Clément" (2001), is about the life of a troubled woman who has one adventure after another with various men until she meets a 14-yearold boy. Her second film, "Backstage" (2004), continues to explore teenage angst through a relationship between a hit singer and a young obsessional fan. She earned her first critical and public acclaim with "On My Way" (2013), the third film written by the director for Catherine Deneuve, in which the star plays a woman who has decided to leave everything behind and hit the road in France.
She was indisputably the most talked about person during the Cannes Film Festival 2015, both as an actress and a director. Thierry Frémaux surprised everyone by announcing that "Standing Tall," Emmanuelle Bercot’s fourth feature-length film would open the 68th Cannes Film Festival. Emmanuelle Bercot says that she has rediscovered the social fiber of her beginnings with this tale of juvenile delinquency. After the enthusiastic and unanimous reception of her film, she won the Best Actress Award for her role as a woman under the influence of love in the film "Mon Roi" by Maïwenn, with whom she co-wrote the script for "Polisse," which won the Prix du Jury at the Cannes Film Festival in 2012
Thomas Bidegain
Thomas Bidegain may well be one of the best known French screenwriters in the profession today, but it took him ten years to achieve this status. His career path in film is anything but ordinary. He started out in the 1990s by distributing and producing independent American films: "Ice Storm" by Ang Lee and "Chasing Sleep" by Michael Walker. He came back to France and joined MK2 where he became director of distribution. In 1999, he returned to production for "Why Not." In 2007, he told the story of his attempt to stop smoking in "Arrêter de fumer tue," a personal diary that was turned into a documentary, then a book.
In the meantime, he began screenwriting and worked on several projects. In 2009, he wrote the screenplay for Jacques Audiard’s film, "A Prophet," alongside Nicolas Peufaillit and Abdel Raouf Dafri, which won the Grand Prix du Jury in 2009. He participated in Audiard’s next film, "Rust and Bone" and "Our Children" by Joachim Lafosse. He was also the co-writer for "Saint Laurent" by Bertrand Bonello. Winning a César for the best original script and a César for the best adaptation, he presented "Cowboys" at the Quinzaine des Réalisateurs in Cannes this year, his first film as a director. He is also co-writer of "Ni le ciel ni la terre" by Clément Cogitore, presented during the Semaine de la Critique, as well as co-writer of the script for Jacques Audiard’s latest film, "Dheepan," which won the Palme d’Or.
Louise Bourgoin
Louise Bourgoin attended the Ecole des Beaux Arts for five years, during which she began her career as a model. After she graduated from art school in 2004, she radically changed direction and became a presenter on cable TV. She was Miss Météo in Le Grand Journal on Canal + from 2006 to 2008. Her slot became essential viewing and attracted a wide audience, including the attention of the film industry.
She began her acting career in "The Girl from Monaco" by Anne Fontaine, and her performance earned her a César nomination for Most Promising Actress. This recognition led to a whole series of roles and launched her career in film. She headed the bill of several films in 2010 ("White as Snow" by Christophe Blanc, "Sweet Valentine" by Emma Luchini, and "Black Heaven" by Gilles Marchand). The same year, Luc Besson selected her for the leading role in "The Extraordinary Adventures of Adèle Blanc-Sec."
Since then, Louise Bourgoin has played in film after film, and has taken her first steps in the international scene with her part in the American film "The Love Punch" by Joel Hopkins. She attracted attention at the Cannes Film Festival this year with her unusual role in Laurent Larivière’s first film, "I Am a Soldier," presented at Un Certain Regard.
Anaïs Demoustier
Her passion for acting started at a very young age and rapidly pushed her to take drama classes. She auditioned, when still a teenager, and got her first role alongside Isabelle Huppert in "Time of the Wolf" by Michael Haneke. After this, her career was launched and she played in a series of films among which "L’Année suivante" by Isabelle Czajka, "Hellphone" by James Huth, "The Beautiful Person" by Christophe Honoré, "Sois sage" by Juliette Garcias, "Sweet Evil" by Olivier Coussemacq, "Dear Prudene" by Rebecca Zlotowski, "Snows of Kilimanjaro" by Robert Guédiguian, "Thérèse Desqueyroux" by Claude Miller, "Quai d’Orsay" by Bertrand Tavernier, "Paris Follies" by Marc Fitoussi, etc.
A filmography rich of 30 films for an actress who isn’t 30 years old yet. In 2014, the press talked about the blooming of Anaïs Demoustier because her face and poise became essential to cinema. Present in "Bird People" by Pascale Ferran, "Caprices" by Emmanuel Mouret, "À trois on y va" by Jérôme Bonnell and "The New Girlfriend" by François Ozon, she is Marguerite in the last Valérie Donzelli’s film, "Marguerite et Julien" screened in Official selection in Cannes.
Louis Garrel
The son of actress Brigitte Sy and the director Philippe Garrel, he began his career in film thanks to his father, who started filming him at the age of six in "Emergency Kisses," alongside his mother and his grandfather, Maurice Garrel. He went onto study drama at the Conservatoire National d’Art Dramatique. He made his real cinema debut in 2001 in the film "Ceci est mon corps" by Rodolphe Marconi. Two years later, he played opposite Michael Pitt and the future Bond girl, Eva Green, in "The Dreamers" by Bernardo Bertolucci.
He then starred in another of his father’s films, "Regular Lovers". His performance earned him the César for the Most Promising Actor in 2005. Since then, he has played alongside the greatest, such as Isabelle Huppert in "Ma mère" by Christophe Honoré. This marked the beginning of a long collaboration between the filmmaker and the actor. They worked together in the film "In Paris" with Romain Duris, then in 2007 in "Love Songs" with Ludivine Sagnier, in "The Beautiful Person" with Léa Seydoux, in "Making Plans" for Lena with Chiara Mostroianni and, finally, in " Beloved" with Catherine Deneuve. He also topped the bill with Valéria Bruni Tedeschi in "Actresses," whom he worked with again in 2013 in "A Castle in Italy."
In 2010, he directed a short film, "The Little Tailor," in which he directed Léa Seydoux. He performed once again in one of his father’s films, "A Burning Hot Summer," followed by "Jealousy." In 2014, he starred in Bertrand Bonello’s film "Saint Laurent," a role which led to another César nomination, but this time in the best supporting role category. His first feature-length film, "Two Friends," presented at a Certain Regard, was applauded by the critics. He also starred in "Mon Roi," Maïwenn’s fourth feature-length film, alongside Emmanuelle and Vincent Cassel, presented as part of the official selection.
Guillaume Gouix
After studying at the Conservatoire in Marseille and the Ecole Régionale d’Acteur de Cannes, Guillaume Gouix began his career in television. He played the male lead in "The Lion Cubs," by Claire Doyon, in 2003. Noted for his performance, especially the highly physical aspect of it and his intense gaze, he then played a series of supporting roles as a young hoodlum in "Les Mauvais joueurs" by Frédéric Balekdjian and in "Chacun sa nuit," by Jean-Marc Barr and Pascal Arnold. He featured in the 2007 war film "Intimate Enemies" by Florent Emilio Siri, thus confirming his taste for complex characters.
The following year, he was applauded for his performance in the film "Behind the Walls" by Christian Faure. In 2010, he starred in "22 Bullets" by Richard Berry and in 2011, he established his reputation with roles in "Nobody Else But You" by Gérald Hustache-Mathieu, "Et soudain, tout le monde me manque" by Jennifer Devoldere, and "Jimmy Rivière," Teddy Lussi-Modeste’s film debut.
He also appeared in "Midnight in Paris" by Woody Allen. He more recently starred in "Attila Marcel," by Sylvain Chomet, in which he played the lead role, in "French Women" by Audrey Dana, and "The Connection" by Cédric Jimenez with Jean Dujardin and Gilles Lelouche. He performed in three films presented at Cannes this year ("Les Anarchistes" by Elie Wajeman, which opened the Semaine de la Critique, "La Vie en grand" by Mathieu Vadepied, which closed the week, and in "Enragés" by Eric Hannezo, screened at the Cinéma de la Plage). He also directed his first short film "Alexis Ivanovitch, vous êtes mon héros" in 2011 and will soon start on a feature-length film, which is currently being written. He will be topping the bill in 2015 with "Braqueurs," a thriller by Julien Leclercq.
Ariane Labed
Born in Greece to French parents, Ariane Labed has always navigated between her two countries. She studied drama at the University of Provence and began her acting career treading the boards. After setting up a company combining dance and theater, Ariane Labed returned to live in Greece where she played at the National Theater of Athens. 2010 was the year of her first film, "Attenberg," directed by Athiná-Rachél Tsangári. "Alps" by Yorgos Lanthi-mos, the following year, confirmed the talent of this strangely charming actress. Two years later, she starred in "Before Midnight" by Richard Linklater where she played the role of Anna. The follow-up to "Before Sunrise" and "Before Sunset," this third part of the saga was a great success, making Labed known to a wider audience.
In 2014, she played a young sailor in "Fidelio, Alice’s Odyssey," who is torn between faithfulness and her desire to live her life. Winning the best actress award at the Locarno Film Festival and nominated for a César, the French actress gives a brilliant performance in Lucie Borleteau’s first feature-length film. She joined Yorgos Lanthimos in Cannes in 2015, where he won the Prix du Jury for his film "The Lobster."
Vincent Macaigne
Vincent Macaigne is the leading light in young French cinema. He joined the Conservatoire National Supérieur d’Art Dramatique in Paris in 1999, appearing on stage and assuming the role of director. His free adaptations of the great classics of literature and drama earned him public and critical acclaim. He directed "The Idiot" by Dostoïevski and presented "Au moins j’aurai laissé un beau cadavre in Avignon," inspired by Hamlet. He also rapidly made a name for himself in demanding art-house films. In 2001, he was seen for the first time in "Replay" by Catherine Corsini. In 2007, he starred in "On War" by Bertrand Bonello and in 2010, in "A Burning Hot Summer" by Philippe Garrel.
Since 2011, Vincent Macaigne’s presence in short, medium and full-length films has gradually increased. Faithful to his directors, he has starred in several of their films. As is the case with his friend Guillaume Brac, who directed him in "Le Naufragé," "Tonnerre" and "Un monde sans femmes." He was awarded the Grand Prix and the Prix Télérama at the Clermont-Ferrand International Short Film Festival, and the Prix Lutin for Best Actor in this film. Under the direction of Vincent Mariette, he played in "Les Lézards" then "Fool Circle." In 2013, we find the funny and touching thirty-something in "La fille du 14 juillet" by Antonin Peretjatko, "Age of Panic" by Justine Triet, and "2 Autumns, 3 Winters" by Sébastien Betbeder.
He was discovered by the general public at the 2013 Cannes Film Festival. Considered a figurehead of the revival of French cinema, Vincent has drawn the attention of the Cahiers du Cinéma, and even the British newspaper The Observer, which referred to him as the “new Gérard Depardieu”. In 2011, he directed "What We’ll Leave Behind," a very well-received medium-length film which won the Grand Prix at the Clermont-Ferrand Festival. He also starred in Mia Hansen-løve’s 2014 film "Eden." He plays one of the main roles in the actor Louis Garrel’s first feature-length film, "Two Friends," presented during the Semaine de la Critique. He also featured in his 2011 film, La Règle de trois.
Vimala Pons
From the Conservatoire National Supérieur d’Art Dramatique, where she attended drama classes even though she wanted to be a screenwriter, to circus tents, Vimala Pons is an acrobat in all senses of the word. The 29-year-old actress has established her physical and poetic presence in French art-house films. She began her career in film with Albert Dupontel in "Enfermés dehors" in 2006. She then starred in "Eden Log" by Franck Vestiel in 2007, then in "Granny’s Funeral" by Bruno Podalydès in 2012.
Since then, we have seen her cross France in a little blue dress in "La Fille du 14 juillet," (she plays the girl) by Antonin Peretjatko, and changing into a lioness in "Métamorphoses," by Christophe Honoré. The impetuous muse of French independent film, Vimala Pons played in "Vincent" by Thomas Salvador this year. The actress has made a name for herself in 2015, in particular with "Comme un avion" by Bruno Podalydès, "Je suis à vous tout de suite" by Baya Kasmi, "La vie très privée de Monsieur Sim" by Michel Leclerc, and "L’Ombre des femmes" by Philippe Garrel (presented at the Quinzaine des Réalisateurs this year in Cannes). She has also begun an international career, with a leading role in Paul Verhoeven’s latest film, "Elle."
Alice Winocour
The director Alice Winocour started out at Femis. After going into law, she returned to film and won three prizes for her short film "Kitchen: Prix TV5" for the best French-language short film, best international short film and the Silver Bear at the Festival of Nations (Ebensee). For "Magic Paris," she was awarded the jury prize at the St. Petersburg International Documentary, Short Film and Animated Film Festival.
She continued her career by writing the script for the film "Ordinary," by Vladimir Perisic. At the Cannes Film Festival 2012, Alice Winocour made a marked entry in the international arena with a film by a woman about women and the unchanging way of looking at them. In the film "Augustine," we are told the story of a professor and his patient, played by Vincent Lindon and Soko respectively. In 2015, she brought out her second feature-length film, "Maryland," which was screened in the Un Certain Regard section at the 68th Cannes Film Festival. She is also the co-writer of "Mustang," by Denis Gamze Ergüven, presented at the Quinzaine des Réalisateurs.
- 7/5/2015
- by Sydney Levine
- Sydney's Buzz
Following the great success of myFrenchFilmFestival.com last year (750,000 film viewings registered in 189 countries, with a 25% increase in paid viewings) the leading worldwide French film festival on the Internet now in its 4th edition returns this coming January 17th.
For one month, Us Internet users will have access to 10 features and 10 shorts in French with English subtitles. A selection of first and second feature films, theatrically released in France during the year, offers worldwide showcasing of a new generation of filmmakers, highlighting the diversity of young French production.
New features of the 2014 edition
- The festival will be accessible in the Us on the website myFrenchFilmFestival.com, iTunes (through Under the Milky Way) and TV5 Monde’s Cinema on Demand during one month (Jan 17-Feb 17 2014).
For more information:
www.tv5.org/cms/USA/Cinema-on-demand/p-22481-lg3-TV5MONDE-Cinema-On-Demand-in-November.htm
www.itunes.com
- La Fille Du 14 Juillet (The Rendez-Vous of Déjà-Vu) will be the closing film of the Museum of Moving Image’s First Look festival on January 19th, with director Antonin Peretjatko in attendance.
- A selection of 9 features will be screened in theatres throughout the Us starting January 2nd, thanks to our partnership with SpectiCast. View full schedule here: http://www.specticast.com/myfff.jsp
- The films will also be proposed to 400 airline companies via our partner Skeye for in-flight viewings.
4 prizes will be awarded at the end of the festival:
The Filmmakers Award , presided by Jean-Pierre Jeunet, and composed of foreign directors
Lynne Ramsay (United Kingdom), Marco Bellocchio (Italy), Anurag Kashyap (India) and Frédéric Fonteyne (Belgium).
The International Press Award , with a jury of 11 foreign journalists
The Audience Award , for which Internet users are invited to vote on-line
The Social Networks Award , chosen by 100 film buffs, influential on Facebook and Twitter
The winning films will then be shown on Air France flights during 6 months.
The full pass to watch the 10 features and 10 shorts online will be available for $22, features-only pass for $16.5, shorts-only pass for $8.2, single feature for $2.7 and single short $1.4.
The 2014 Myfff Selection
I – Features
- In a Rush, directed by Louis Do Lencquesaing
- Augustine, directed by Alice Winocour
- Little Lion, directed by Samuel Collardey
- Maddened by His Absence, directed by Sandrine Bonnaire
- The Virgin, the Copts and Me, directed by Namir Abdel Messeeh
- The Rendez-Vous of Déjà-Vu, directed by Antonin Peretjako
- The Day of the Crows, directed by Jean-Christophe Dessaint
- Welcome to Argentina, directed by Edouard Deluc
- Mobile Home, directed by François Pirot
- Pauline détective, directed by Marc Fitoussi
II – Shorts
- Just Before Losing Everything, directed by Xavier Legrand
- The Lobster's Cry, directed by Nicolas Guiot
- Clay, directed by Michaël Guerraz
- The Runaway, directed by Jean-Bernard Marlin
- The Lizards, directed by Vincent Mariette
- Mademoiselle Kiki et les Montparnos, directed by Amélie Harrault
- Solitudes, directed by Liova Jedlicki
- In Seventh Heaven, directed by Guillaume Foirest
- A la française, directed by Morrigane Boyer, Julien Hazebroucq, Ren-Hsien Hsu, Emmanuelle Leleu, William Lorton
- Le premier pas, directed by Jonathan Comnène...
For one month, Us Internet users will have access to 10 features and 10 shorts in French with English subtitles. A selection of first and second feature films, theatrically released in France during the year, offers worldwide showcasing of a new generation of filmmakers, highlighting the diversity of young French production.
New features of the 2014 edition
- The festival will be accessible in the Us on the website myFrenchFilmFestival.com, iTunes (through Under the Milky Way) and TV5 Monde’s Cinema on Demand during one month (Jan 17-Feb 17 2014).
For more information:
www.tv5.org/cms/USA/Cinema-on-demand/p-22481-lg3-TV5MONDE-Cinema-On-Demand-in-November.htm
www.itunes.com
- La Fille Du 14 Juillet (The Rendez-Vous of Déjà-Vu) will be the closing film of the Museum of Moving Image’s First Look festival on January 19th, with director Antonin Peretjatko in attendance.
- A selection of 9 features will be screened in theatres throughout the Us starting January 2nd, thanks to our partnership with SpectiCast. View full schedule here: http://www.specticast.com/myfff.jsp
- The films will also be proposed to 400 airline companies via our partner Skeye for in-flight viewings.
4 prizes will be awarded at the end of the festival:
The Filmmakers Award , presided by Jean-Pierre Jeunet, and composed of foreign directors
Lynne Ramsay (United Kingdom), Marco Bellocchio (Italy), Anurag Kashyap (India) and Frédéric Fonteyne (Belgium).
The International Press Award , with a jury of 11 foreign journalists
The Audience Award , for which Internet users are invited to vote on-line
The Social Networks Award , chosen by 100 film buffs, influential on Facebook and Twitter
The winning films will then be shown on Air France flights during 6 months.
The full pass to watch the 10 features and 10 shorts online will be available for $22, features-only pass for $16.5, shorts-only pass for $8.2, single feature for $2.7 and single short $1.4.
The 2014 Myfff Selection
I – Features
- In a Rush, directed by Louis Do Lencquesaing
- Augustine, directed by Alice Winocour
- Little Lion, directed by Samuel Collardey
- Maddened by His Absence, directed by Sandrine Bonnaire
- The Virgin, the Copts and Me, directed by Namir Abdel Messeeh
- The Rendez-Vous of Déjà-Vu, directed by Antonin Peretjako
- The Day of the Crows, directed by Jean-Christophe Dessaint
- Welcome to Argentina, directed by Edouard Deluc
- Mobile Home, directed by François Pirot
- Pauline détective, directed by Marc Fitoussi
II – Shorts
- Just Before Losing Everything, directed by Xavier Legrand
- The Lobster's Cry, directed by Nicolas Guiot
- Clay, directed by Michaël Guerraz
- The Runaway, directed by Jean-Bernard Marlin
- The Lizards, directed by Vincent Mariette
- Mademoiselle Kiki et les Montparnos, directed by Amélie Harrault
- Solitudes, directed by Liova Jedlicki
- In Seventh Heaven, directed by Guillaume Foirest
- A la française, directed by Morrigane Boyer, Julien Hazebroucq, Ren-Hsien Hsu, Emmanuelle Leleu, William Lorton
- Le premier pas, directed by Jonathan Comnène...
- 12/30/2013
- by Sydney Levine
- Sydney's Buzz
Indiewire has an exclusive first look at...First Look, the Museum of the Moving Image's annual showcase for inventive new international cinema that runs on weekends from Jan. 10-19. This year's program is comprised of 16 films from 10 countries. Opening the third edition is the U.S. premiere of Alexandre Rockwell's "Little Feet," a tale of two young siblings on their own, starring the filmmaker's own children. The U.S. premiere of Antonin Peretjatko's "The Rendez Vous of Deja Vu (La Fille du 14 Juillet)" -- recently listed by Indiewire's critic as one of the top undistributed films of 2013 -- will close the event. Chief Curator David Schwartz, who programmed First Look with Assistant Curator of Film Aliza Ma, said: "Between the delightfully free-spirited opening and closing night films, 'Little Feet' and 'The Rendez-Vous of Déjà Vu,' is an eclectic selection of films that offer fascinating...
- 12/16/2013
- by Nigel M Smith
- Indiewire
★★★☆☆ There's a quiet movement happening among young French cinephiles in 2013. Films such as Justine Triet's La Bataille de Solférino and Antonin Peretjatko's La Fille du 14 Julliet come from a new generation of filmmakers, often working like repertory companies with their friends, making dynamic, fresh works that actively engage with the struggles of contemporary France. Multi-hyphenate Vincent Macaigne, serving almost as an unofficial figurehead for the group, stars in Sébastian Betbeder's 2 Autumns, 3 Winters (2013), a sprightly, cineliterate comedy announcing itself as the movement's Annie Hall.
2 Autumns, 3 Winters is structured into multiple short chapters mixing explanatory soliloquies with more straightforward dramatic scenes that play almost like vignettes. The aforementioned Macaigne plays Arman, a 33-year-old art school graduate who, deciding he needs a change in his life, starts jogging in a local park. One Saturday he meets Amélie (Maud Wyler) and quickly becomes obsessed with her. Consequently, events inevitably conspire to bring them together.
2 Autumns, 3 Winters is structured into multiple short chapters mixing explanatory soliloquies with more straightforward dramatic scenes that play almost like vignettes. The aforementioned Macaigne plays Arman, a 33-year-old art school graduate who, deciding he needs a change in his life, starts jogging in a local park. One Saturday he meets Amélie (Maud Wyler) and quickly becomes obsessed with her. Consequently, events inevitably conspire to bring them together.
- 10/12/2013
- by CineVue UK
- CineVue
The face of a fresh new wave in French cinema is intriguing a public fed up with their former hero's antics
Lovers of French cinema who have been desperately seeking a new hero since Gérard Depardieu took Russian citizenship may finally have found one. "Gérard Depardieu can go ride his scooter chez Putin," wrote one critic. "An actor of 34 years has just succeeded him. His name is Vincent Macaigne."
Macaigne may be unknown across the cultural divide known as the English Channel, but even in France he is hardly a household figure. And that suits this hyperactive director, actor and writer, who has become one of the leaders of the new "young French cinema" wave. On the French big screen, a changing of the guard appears to be taking place, and Macaigne is in the vanguard.
"I've been busy since I was 20 years old. It's just that now the film critics have discovered me,...
Lovers of French cinema who have been desperately seeking a new hero since Gérard Depardieu took Russian citizenship may finally have found one. "Gérard Depardieu can go ride his scooter chez Putin," wrote one critic. "An actor of 34 years has just succeeded him. His name is Vincent Macaigne."
Macaigne may be unknown across the cultural divide known as the English Channel, but even in France he is hardly a household figure. And that suits this hyperactive director, actor and writer, who has become one of the leaders of the new "young French cinema" wave. On the French big screen, a changing of the guard appears to be taking place, and Macaigne is in the vanguard.
"I've been busy since I was 20 years old. It's just that now the film critics have discovered me,...
- 9/21/2013
- by Kim Willsher
- The Guardian - Film News
Young directors from Paris to Athens are tackling the existential woes of 'adulescent' twentysomethings
July is not normally a month for seminal cinema in France. But even the summer lull and the heatwave in France haven't managed to eclipse totally the release of Juliette, the first film by 24-year-old director Pierre Godeau, which is being heralded as the latest example of a new wave of European films dealing with youth and the eurozone meltdown.
Featuring the 27-year-old Franco-Spanish actress Astrid Bergès-Frisbey, known for her role as Syrena in Pirates of the Caribbean: On Stranger Tides, Juliette tells the story of a young woman who keeps postponing the moment when she'll have to make choices in life.
It is a far cry from the carefree atmosphere of films such as Cédric Klapisch's L'Auberge Espagnole (Pot Luck) in 2002, and its follow-up, Russians Dolls. Describing pre-euro-crisis European youngsters on the Erasmus exchange...
July is not normally a month for seminal cinema in France. But even the summer lull and the heatwave in France haven't managed to eclipse totally the release of Juliette, the first film by 24-year-old director Pierre Godeau, which is being heralded as the latest example of a new wave of European films dealing with youth and the eurozone meltdown.
Featuring the 27-year-old Franco-Spanish actress Astrid Bergès-Frisbey, known for her role as Syrena in Pirates of the Caribbean: On Stranger Tides, Juliette tells the story of a young woman who keeps postponing the moment when she'll have to make choices in life.
It is a far cry from the carefree atmosphere of films such as Cédric Klapisch's L'Auberge Espagnole (Pot Luck) in 2002, and its follow-up, Russians Dolls. Describing pre-euro-crisis European youngsters on the Erasmus exchange...
- 7/20/2013
- by Agnès Poirier
- The Guardian - Film News
First film in 20 years from Alejandro Jodorowsky, as Clio Barnard and Paul Wright fly flag for Britain
The line-up of this year's Cannes film festival is now complete after the announcement of the Directors' Fortnight and Critics' Week selections.
The Director's Fortnight has added 20 titles to its already-announced opener, The Congress, from Ari "Waltz With Bashir" Folman, a part-animated adaptation of Stanislaw "Solaris" Lem's sci-fi novel The Futurological Congress.
Highlights include La Danza de la Realidad, the first film for more than two decades from cult Chilean director Alejandro Jodorowsky (best known for El Topo), and a complementary documentary, Jodorowsky's Dune, about the director's disastrous attempt to film Frank Herbert's giant novel. Two more Chilean directors, Sebastian Silva, with his Sundance hit Magic Magic, starring Michael Cera, and Marcela Said with The Summer of the Flying Fish, have had films selected alongside.
Directors Fortnight artistic director Edouard Waintrop has...
The line-up of this year's Cannes film festival is now complete after the announcement of the Directors' Fortnight and Critics' Week selections.
The Director's Fortnight has added 20 titles to its already-announced opener, The Congress, from Ari "Waltz With Bashir" Folman, a part-animated adaptation of Stanislaw "Solaris" Lem's sci-fi novel The Futurological Congress.
Highlights include La Danza de la Realidad, the first film for more than two decades from cult Chilean director Alejandro Jodorowsky (best known for El Topo), and a complementary documentary, Jodorowsky's Dune, about the director's disastrous attempt to film Frank Herbert's giant novel. Two more Chilean directors, Sebastian Silva, with his Sundance hit Magic Magic, starring Michael Cera, and Marcela Said with The Summer of the Flying Fish, have had films selected alongside.
Directors Fortnight artistic director Edouard Waintrop has...
- 4/24/2013
- by Andrew Pulver
- The Guardian - Film News
Although there may be a few more surprise announcements, Cannes 2013 is pretty much in place with the lineups for the Fortnight and Critics' Week announced:
Directors' Fortnight
Opening Night: The Congress (Ari Folman)
Les Apaches (Thierry de Peretti)
A Strange Course of Events (Raphaël Nadjari)
Blue Ruin (Jeremy Saulneir)
La danza de la realidad (Alejandro Jodorowsky)
L'escale (Kaveh Bakhtiari)
La fille du 14 juillet (Antonin Peretjatko)
Henri (Yolande Moreau)
Ilo Ilo (Anthony Chen)
Jodorowsky's Dune (Frank Pavish)
Last Days on Mars (Ruairi Robinson)
Les garcons et Guillaume, a table! (Guillaume Gallienne)
Magic Magic (Sebastian Silva)
On the Job (Erik Matti)
The Selfish Giant (Clio Barnard)
Tip Top (Serge Bozon)
Ugly (Anurag Kashyap)
Un voyageur (Marcel Ophuls)
El verano de los peces voladores (Marcela Said)
We Are What We Are (Jim Mickle)
Critics' Week
Opening Night: Suzanne (Katell Quillevere)
Séances spéciales:
Les rencontres d'apres minuit (Yann Gonzalez)
Ain't Them Bodies Saints...
Directors' Fortnight
Opening Night: The Congress (Ari Folman)
Les Apaches (Thierry de Peretti)
A Strange Course of Events (Raphaël Nadjari)
Blue Ruin (Jeremy Saulneir)
La danza de la realidad (Alejandro Jodorowsky)
L'escale (Kaveh Bakhtiari)
La fille du 14 juillet (Antonin Peretjatko)
Henri (Yolande Moreau)
Ilo Ilo (Anthony Chen)
Jodorowsky's Dune (Frank Pavish)
Last Days on Mars (Ruairi Robinson)
Les garcons et Guillaume, a table! (Guillaume Gallienne)
Magic Magic (Sebastian Silva)
On the Job (Erik Matti)
The Selfish Giant (Clio Barnard)
Tip Top (Serge Bozon)
Ugly (Anurag Kashyap)
Un voyageur (Marcel Ophuls)
El verano de los peces voladores (Marcela Said)
We Are What We Are (Jim Mickle)
Critics' Week
Opening Night: Suzanne (Katell Quillevere)
Séances spéciales:
Les rencontres d'apres minuit (Yann Gonzalez)
Ain't Them Bodies Saints...
- 4/23/2013
- by Notebook
- MUBI
Building upon Canadian author Craig Davidson’s short story of the same title, Rust and Bone sees director Jacques Audiard in search of amourous authenticism between lives initially divided by ego, affluence and acumen. He calls the film ‘melo-trash’, a description somewhere between ‘realist’ and ‘expressionist’ that initially seems a harsh critique, but after being baptized in the toiling ground zero world that his characters inhibit, it seems a fitting delineation that explores side dealings and back alleys while shouldering the weight of bracingly exposed emotion. With this in mind, Audiard’s, Cannes selected sixth feature film is often hard to watch. It’s raw portrayal of physical bereavement centers a densely layered narrative that rests on the question of where trust and friendship bleed into love.
Anchoring the film with a pair of the best performances of last year, Marion Cotillard and Matthias Schoenaerts are shallowly set as opposing attractions.
Anchoring the film with a pair of the best performances of last year, Marion Cotillard and Matthias Schoenaerts are shallowly set as opposing attractions.
- 3/20/2013
- by Jordan M. Smith
- IONCINEMA.com
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