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The Exorcist (1973)
Intensely
Though veering more to the eerie and intensely creepy rather than truly terrifying, this film is a superb study of what can make and remake horror in all its many forms. It's menace lies in the depths of the mind and our perception of it rather than a physical entity with which one must battle, thereby broadening the spectrum of our reality. Best watched in the dark with a cat to cuddle.
Bonnie and Clyde (1967)
Reckless Abandon
While not completely historically accurate, it is easy to see what makes this film one of the greats, both in it's time and today. Truly revolutionary in the way it portrayed violence and a criminal lifestyle, there is a sensationalism to this title that many others have tried and failed to capture. It is not unimaginable the appeal Bonnie and Clyde exuded to the disenfranchised young masses of the 60's and 70's- and appeal that I believe is still a beacon for the young people of today as well.
Pulp Fiction (1994)
The 90s bound up in a single DVD
With such an amazing cast and phenomenal creation staff it's no wonder I was blown away. I had flashbacks left and right while the dazzlingly twisting and interacting subplots kept me by turns confused and entertained. It's humorous without being slapstick, engagingly violent, and endlessly enthralling. Highly recommended!!
'G' Men (1935)
Average
The filming is very nice but the pacing and plot leaves some to be desired. Though not by any means a bad movie, I found it hard to remain interested throughout. As far as gangster movies go, particularly the early ones, I find "G" Men lacking.
Rebecca (1940)
Danvers all the way.
Judith Anderson is the true star as Mrs. Danvers. She brings a soft menace and haughty condescension to the role that makes her a joy to watch. The cinematography is excellent- as is to be expected of Hitchcock's exacting labors. A tad long but well worth viewing.
The Bad Seed (1956)
Subtly Terrifying.
Patty McCormack's Rhoda is disturbingly exquisite. It is amazing to me that a little girl as she was then to have the unfaltering ability to unnerve and intrigue. She far out-shines Nancy Kelly who portrays the sociopathic little girls increasingly hysterical and pathetic mother. My only complaint is that the ending felt too abrupt to me, the resolution not quite as up to par as the rest of the film. I would absolutely recommend this movie to anyone!
Out of the Past (1947)
Typical film noir.
It was alright. Engaging enough but not amazing. I probably would not watch it again. I felt that the ending was dissatisfying and that the flashbacks could have been used more effectively. An average movie.
Citizen Kane (1941)
All hail Toland
Breathtaking. What Welles and Toland collaborated to create is a stunning masterpiece that deserves to be watched as a study in magnificence alone. Though the plot itself left much to be desired, and the movie seemed to drag on so much longer than it actually lasted, the camerawork is fantastic. The things they pulled off with light and shadow, their incredible use of flashback, and the ingenious editing throughout make this movie an absolute treasure.
The Maltese Falcon (1941)
Bogart is great in anything.
One of the classics, and well worth watching for the umpteenth time. A second watching frees the viewer to notice all the nuances that they lose the first time around while following the plot. Watching the characters dance circles around one another was truly entertaining and the lighting was really nicely done. A noir that everyone should see at least once.
Young Mr. Lincoln (1939)
Loved it.
There is nothing about this title that I didn't like. From the beginning to the end this movie kept me enthralled with it's sublime characters and intriguing plot. Fonda makes an excellent Lincoln, and brings a level of sincerity and humility to the character that highlights his Lincoln's fair justice sense. Though the courtroom battles were expertly done, I believe the sequences highlighting the nearly familial interaction between Lincoln and Abigail Clay (Brady) were the cornerstones of the movie, lending a depth that might have otherwise been lost.
Girl Shy (1924)
Adorably Funny
Lloyd is perfect in this film, wowing the audience with his awkward lack of social graces and his amusing escapades. The ending sequence of events, which I shall not repost so as not to spoil the film for others, grew ever more hilarious. As the film ended, I was completely satisfied with it. Better than expected.
Dracula (1931)
Classic!
My first ever black and white film was Nosferatu and I absolutely loved comparing that movie to this one. Bela Lugosi portrays my favorite Dracula ever. I am particularly enthralled (no pun intended!) with his predatory stare even as I have to contain a giggle at the way his hands crook as he moves toward his next target. This movie is absolutely fantastic, one of my favorites, and never gets old! I can see how this film became the inspiration for the many, many, horror films that came after and it really does deserve to be recognized as the masterpiece that I consider it to be.
His Girl Friday (1940)
You can't take the journalist out of the girl.
Witty and fast-paced, this movie was really a delight to watch! Having never seen this movie before it was a blast watching Walter's plans unfold as he tried to keep Hildy at his side where she truly belongs. The interactions between characters were perfectly portrayed and the plot never became bogged down in semantics. It was a good, light-hearted movie that I would not mind watching again.