User Reviews

Great acting, solid filmmaking considering the apparently tiny/non-existent budget. Story is very simple and the dialogue is a bit cringy. When it comes down to it it's really just another manic-pixie unique-haired white-girl who speaks in limericks and appears out of nowhere with no backstory cures mentally-unstable white-man of his troubles movie. But fun to watch! and exciting to see something homegrown make it all the way to MIFF.

Look it won't blow your eyeballs out but it's a decent movie. I personally did not like the ending. The actors where loveable and I genuinely had feelings for them. This movie could've gone to 10 it could've gone a 1 for me it was a 5. Good wake up call for some people.

I'd heard nothing about this film when I happened upon it on Stan (Australian streaming platform) but liked the look

It's nicely shot, with rich moody colours, and features two strong naturalistic performers that you can't take your eyes off. Suitably low key soundtrack too.

It's a bittersweet story about feelings gone bad which tries to cleverly jump around in time but doesn't always land this aspect - but I respect the filmmaker for being true to their vision.

At just over 70 mins, it's not a big investment, so take the time to check it out if you can. I am hopeful that we see more from the people involved in this.

(One small question - what was the scene in the garage at night all about? Just a red herring?)

Switched it off half way - worst acting i've ever seen

Unfortunately the movie has no true beginning and has no proper ending. There is no climax, there is just slow boring road trip of two people kind of getting to know each other with flashbacks being played showing a little insight of the mental health of the protagonists to the viewers. You never truly understand either of their backgrounds and what has developed them into the characters they are now. The storyline is weak, both story could have been exasperated for interest and been made more exciting, people do t watch a movie to watch mundane everyday life events. No one cares, people want sex drugs and rock and roll. At least I do.

Movies that leave you deep in thought after the credits roll are far and few between. I felt qt little robbed wt the end as i was expecting the kind of conclusion we are used too and then realised it had a profound effect on my emotions. The acting was fantastic with few words spoken yet a lot said. The body language of the actors told the story, this is very hard to do. At the end it left me excited about his next movie. Not for all. I will not forget it for a very long time for all the right reasons.

The great thing about Melbourne International Film Festival is the chance to view new films for upcoming directors. The first film from Aussie director Adrian Ortega is a road trip movie about love and self-discovery. The movie is held together by a great story, outstanding performances from its lead actors and breathtaking cinematography delivering one of my favourite films of the festival and the year.

The story follows Alex (Jack Michel) a closed off loner who is driving the scenic route to Melbourne. Along the way his trip gets crashed by Lily (Senie Priti) who is an outgoing sanguine needing a ride. Along the way they run into car trouble and plenty of heart to heart discussions about life, love and their past and future.

The cinematography is breathtaking, the film showcases sweeping landscapes, wistful waterfalls and lagoons contrast against small country towns, petrol stations and cheap motel rooms. The camera work is incredible in the road trip scenes with shots switching between in car conversations and rolling hills and green fields on each leg of the trip.

Performances from Muchel and Priti are the standout of this film. They each play their own personality side to a tee. The introduction scene where Alex is purchasing petrol and the attendant is a voice coming from the floor, apparently from slipping over. The extreme caution and hesitation are showcased through this scene, similarly Priti jumping out in front of the car and hiding in the boot, with a sense of determined curiosity about Alex and how he operates. It does take a while for Alex to respond to Lily and break down his walls. This exploration of two polar opposites is worth the watch alone.

Cerulean Blue is the surprise of 2019, it offers an insightful look into two opposite travellers heading in the same direction. As the story reveals more of their past, it helps sell the premise and in turn grow affection for each of these wayward travellers. The film allows the characters to breathe and lets the cinematography tell part of the story. This film is a spectacular introduction for director Adrian Ortega and is one of the highlights of the Melbourne International Film Festival.

4 stars

Review by Alaisdair Leith