When we first meet Rodrigo Borgia at a papal election, little prepare us for what this man would turn out to be after he gets to be Pope. His main rivals were Ascanio Sforza and Giuliano Della Rovere. The time was the last part of the XV century. Rodrigo, who was born in Spain, under a the name of Jofre LLancol, changed the name to Borja after his uncle Alfonso Borja was elected as Pope earlier in the century. His ambitions were enormous, and having served five different pontiffs before his own elevation, gave him a taste for power. After his election, Rodrigo took the name Alexander VI.
It was common practice at that time that Popes, as well as members of the Catholic elite had families on the side. No one objected because it was a reality as members of that select group came usually from rich and powerful families. Rodrigo was no exception. After being enthroned, he set out right away to consolidate his power because his ambition was to rule the church as well as the rest of Italy. He sired four children, Cesare, Giovanni, Goffredo, and Lucrezia. For purposes of this film, the names of the children were changed to the Spanish version, thus they became Cesar, Juan, Jofre, and Lucrecia.
Rodrigo had formidable enemies, but being a sly operator, he decided to marry his favorite daughter, Lucrecia to Giovanni Sforza, a match that should have consolidated his powers. Rodrigo was rumored had incestuous relations with his own daughter. Lucrecia in turn seemed to be quite taken with her brother Cesar. In the meantime, Rodrigo was happily distracted by Giulia Farnese, a gorgeous creature.
The Borgias were one of the earliest dysfunctional families in history. The behind the scene machinations were the order of the day in the Rome of those days. All what mattered was how much power anyone had and whose loyalties the people in power had. In turn, their own ambition did them in. Rodrigo died poisoned and the children's fates are well known.
Antonio Hernandez, the director of this ambitious film, centered the action around Rodrigo, who had his hands in everything imaginable. This is a biographic account of a family that was doomed because they had it all, but misused their power. Mr. Hernandez, who co-wrote the screen treatment presents a great spectacle to dazzle the viewer. Working with his cinematographer, Javier Salmones, he places the action in palaces and castles that lend themselves to the story.
Sergio Peris-Mencheta makes a good impression with his take on Cesar. He casts a fine figure as the favorite son of Rodrigo. LLuis Homar's Rodrigo is perhaps the most dominant appearance in the film. Mr. Homar does a good job convincing the viewer he is the villain everyone felt he was. Maria Valverde makes a delicious Lucrecia, but Paz Vega has nothing to do.
"Los Borgia" is a spectacle for history buffs. Although running more than two hours, it packs so much action so no one will feel bored.
It was common practice at that time that Popes, as well as members of the Catholic elite had families on the side. No one objected because it was a reality as members of that select group came usually from rich and powerful families. Rodrigo was no exception. After being enthroned, he set out right away to consolidate his power because his ambition was to rule the church as well as the rest of Italy. He sired four children, Cesare, Giovanni, Goffredo, and Lucrezia. For purposes of this film, the names of the children were changed to the Spanish version, thus they became Cesar, Juan, Jofre, and Lucrecia.
Rodrigo had formidable enemies, but being a sly operator, he decided to marry his favorite daughter, Lucrecia to Giovanni Sforza, a match that should have consolidated his powers. Rodrigo was rumored had incestuous relations with his own daughter. Lucrecia in turn seemed to be quite taken with her brother Cesar. In the meantime, Rodrigo was happily distracted by Giulia Farnese, a gorgeous creature.
The Borgias were one of the earliest dysfunctional families in history. The behind the scene machinations were the order of the day in the Rome of those days. All what mattered was how much power anyone had and whose loyalties the people in power had. In turn, their own ambition did them in. Rodrigo died poisoned and the children's fates are well known.
Antonio Hernandez, the director of this ambitious film, centered the action around Rodrigo, who had his hands in everything imaginable. This is a biographic account of a family that was doomed because they had it all, but misused their power. Mr. Hernandez, who co-wrote the screen treatment presents a great spectacle to dazzle the viewer. Working with his cinematographer, Javier Salmones, he places the action in palaces and castles that lend themselves to the story.
Sergio Peris-Mencheta makes a good impression with his take on Cesar. He casts a fine figure as the favorite son of Rodrigo. LLuis Homar's Rodrigo is perhaps the most dominant appearance in the film. Mr. Homar does a good job convincing the viewer he is the villain everyone felt he was. Maria Valverde makes a delicious Lucrecia, but Paz Vega has nothing to do.
"Los Borgia" is a spectacle for history buffs. Although running more than two hours, it packs so much action so no one will feel bored.
