One glance at Harold Halibut’s eye-catching stop-motion aesthetics is enough to sell you on the vibe of this peculiar adventure game. But though it walks and talks with the swagger of Wes Anderson’s Fantastic Mr. Fox, the decision from developers Slow Bros. to tell this story in an interactive medium is a deadly one. Harold Halibut dabbles in many things—Kafkaesque scenarios, capitalist critiques, alien philosophies—but the one thing it intentionally eschews are puzzles. And the result is a frictionless walking simulator.
It’s no accident that Harold Halibut begins on Day 18250 A.C. (after crash) with your eponymous character being hauled into the All Water offices by the local constable. Harold is drowning in the rules and regulations of the shipwrecked and submerged Fedora (Federation of Residents in Airspace), and every day is much the same tedious slog as the last. “Only boring people get bored,...
It’s no accident that Harold Halibut begins on Day 18250 A.C. (after crash) with your eponymous character being hauled into the All Water offices by the local constable. Harold is drowning in the rules and regulations of the shipwrecked and submerged Fedora (Federation of Residents in Airspace), and every day is much the same tedious slog as the last. “Only boring people get bored,...
- 4/15/2024
- by Aaron Riccio
- Slant Magazine
Nicholas Gyeney and producer Kelsey Aho of Genie Productions are excited to announce that The Activated Man, Gyeney’s deeply personal latest feature, will make its U.K. debut at the Romford Horror Film Festival. The mind-bending thriller will premiere on Sunday, March 3rd at 8:00 p.m. at the Premier Cinemas in the Mercury Shopping Centre in Romford. Said Aho:
We’re honored to join the exciting lineup of films at the Romford Horror Film Festival. We’re excited to introduce attendees of this year’s festival to Gyeney’s deeply personal and thrilling feature film that is sure to leave audiences on the edge of their seat.
Drawing on the universal theme of grief with a twist that Gyeney’s work has become noted for, The Activated Man stars Jamie Costa as an everyman who loses his beloved dog. His grief spurs disturbing visions that cause him to...
We’re honored to join the exciting lineup of films at the Romford Horror Film Festival. We’re excited to introduce attendees of this year’s festival to Gyeney’s deeply personal and thrilling feature film that is sure to leave audiences on the edge of their seat.
Drawing on the universal theme of grief with a twist that Gyeney’s work has become noted for, The Activated Man stars Jamie Costa as an everyman who loses his beloved dog. His grief spurs disturbing visions that cause him to...
- 2/12/2024
- by Phil Wheat
- Nerdly
Following up her Best Picture-nominated Past Lives, Celine Song has officially unveiled her next feature. Starring Dakota Johnson, Chris Evans, and Pedro Pascal, The Materialists is a romantic comedy that follows “a professional matchmaker who gets involved with a wealthy man but still harbors feelings for the broke actor-waiter she left behind,” Deadline reports. Once again backed by A24, producers Christine Vachon and Pam Koffler of Killer Films, and 2Am’s David Hinojosa, the project is aiming to start shooting this spring, so expect a 2025 release.
Also on the 2025 release calendar is likely Kogonada’s third feature following Columbus and After Yang. Reteaming with Colin Farrell with Margot Robbie also starring, A Big Bold Beautiful Journey is said to be an “imaginative tale of two strangers and the unbelievable journey that connects them,” Deadline reports. With production beginning this spring in California, it’ll be Robbie’s second project after Barbie,...
Also on the 2025 release calendar is likely Kogonada’s third feature following Columbus and After Yang. Reteaming with Colin Farrell with Margot Robbie also starring, A Big Bold Beautiful Journey is said to be an “imaginative tale of two strangers and the unbelievable journey that connects them,” Deadline reports. With production beginning this spring in California, it’ll be Robbie’s second project after Barbie,...
- 2/8/2024
- by Jordan Raup
- The Film Stage
Deadline is reporting on the new project from Stephen Frears, the director of Dangerous Liasons, The Queen and Muhammad Ali’s Greatest Fight. Frears is set to make Wilder & Me, which will be a screen adaptation of Jonathan Coe’s popular novel Mr. Wilder and Me. The screenplay for the film will be penned by two-time Oscar winner Christopher Hampton (The Father), with Oscar winner Jeremy Thomas (The Last Emperor) producing the film. Frears has assembled his impressive cast for the film, which will include Christoph Waltz as legendary movie director Billy Wilder, who has helmed such films as Some Like it Hot and The Apartment. Waltz is set to be joined by Maya Hawke, Jon Hamm and John Turturro.
According to Deadline, “The story starts out during a heady Greek summer, and sees Calista fall in love with cinema and life on a journey of self-discovery. Thrilled by her new adventure,...
According to Deadline, “The story starts out during a heady Greek summer, and sees Calista fall in love with cinema and life on a journey of self-discovery. Thrilled by her new adventure,...
- 2/2/2024
- by EJ Tangonan
- JoBlo.com
Maya Hawke and Jon Hamm have joined Christoph Waltz in the starry cast for Stephen Frears’ upcoming drama, Wilder & Me.
Stephen Frears has managed to assemble quite a formidable cast for his upcoming drama, Wilder & Me, based on Jonathan Coe’s novel Mr Wilder And Me.
Christoph Waltz has long been cast in one of the title roles as the legendary director Billy Wilder, who wrote and directed some of America’s all-time great films across his long career – Double Indemnity, The Lost Weekend, Sunset Boulevard, Some Like It Hot, The Apartment... we could go on, but there’s a news post we ought to be getting on with.
Wilder & Me’s other major role, though, has gone to Maya Hawke, who’ll play the young composer Calista (essentially the ‘Me’ of the title). The film will be set during the latter stages of Wilder’s career – specifically in late 1970s Greece,...
Stephen Frears has managed to assemble quite a formidable cast for his upcoming drama, Wilder & Me, based on Jonathan Coe’s novel Mr Wilder And Me.
Christoph Waltz has long been cast in one of the title roles as the legendary director Billy Wilder, who wrote and directed some of America’s all-time great films across his long career – Double Indemnity, The Lost Weekend, Sunset Boulevard, Some Like It Hot, The Apartment... we could go on, but there’s a news post we ought to be getting on with.
Wilder & Me’s other major role, though, has gone to Maya Hawke, who’ll play the young composer Calista (essentially the ‘Me’ of the title). The film will be set during the latter stages of Wilder’s career – specifically in late 1970s Greece,...
- 2/2/2024
- by Ryan Lambie
- Film Stories
Exclusive: Two-time Oscar winner Christoph Waltz (Inglorious Basterds), Stranger Things and Maestro star Maya Hawke, Cannes Best Actor winner John Turturro (Severance), and Emmy winner Jon Hamm (Mad Men) are set to star in Oscar-nominated director Stephen Frears’ (The Queen) Wilder & Me, which will be a buzzy package at this month’s EFM market.
Hawke will play Calista, a young musician whose life takes on a whole new meaning while working on the set of Billy Wilder’s film Fedora. Waltz will play legendary film director Wilder, known for classics including Some Like It Hot, Sunset Boulevard and The Apartment. Turturro will play his lifelong friend and screenwriting partner I.A.L. Diamond. Hamm will play famed actor William Holden.
Described as a “bittersweet drama”, the project has been adapted for the screen by two-time Oscar winner Christopher Hampton (The Father) with Oscar winner Jeremy Thomas (The Last Emperor) producing and shoot scheduled for early 2025 in Greece.
Hawke will play Calista, a young musician whose life takes on a whole new meaning while working on the set of Billy Wilder’s film Fedora. Waltz will play legendary film director Wilder, known for classics including Some Like It Hot, Sunset Boulevard and The Apartment. Turturro will play his lifelong friend and screenwriting partner I.A.L. Diamond. Hamm will play famed actor William Holden.
Described as a “bittersweet drama”, the project has been adapted for the screen by two-time Oscar winner Christopher Hampton (The Father) with Oscar winner Jeremy Thomas (The Last Emperor) producing and shoot scheduled for early 2025 in Greece.
- 2/2/2024
- by Andreas Wiseman
- Deadline Film + TV
Fedora fashion.
After kicking off 2024 with discussions on the better-than-it-has-any-right-to-be sequel Hellbound: Hellraiser II (listen), the surprisingly progressive Killer Condom (listen) and the very gay (and very terrible) The Covenant, we’re wrapping up January with a conversation about Christian E. Christiansen‘s pseudo-remake of Single White Female: The Roommate.
The Roommate sees Sara (Minka Kelly), a young design student from Iowa, arrive for college in Los Angeles. Her wealthy roommate, Rebecca (Leighton Meester), is more than eager to take Sara under her wing and show her the ropes. The two become close, but when Sara begins to branch out and make more friends on campus, Rebecca becomes resentful. This brings out her more psychotic tendencies as she embarks on a mission to prove that Sara only needs one best friend: her.
Be sure to subscribe to the podcast to get a new episode every Wednesday. You can subscribe on iTunes/Apple Podcasts,...
After kicking off 2024 with discussions on the better-than-it-has-any-right-to-be sequel Hellbound: Hellraiser II (listen), the surprisingly progressive Killer Condom (listen) and the very gay (and very terrible) The Covenant, we’re wrapping up January with a conversation about Christian E. Christiansen‘s pseudo-remake of Single White Female: The Roommate.
The Roommate sees Sara (Minka Kelly), a young design student from Iowa, arrive for college in Los Angeles. Her wealthy roommate, Rebecca (Leighton Meester), is more than eager to take Sara under her wing and show her the ropes. The two become close, but when Sara begins to branch out and make more friends on campus, Rebecca becomes resentful. This brings out her more psychotic tendencies as she embarks on a mission to prove that Sara only needs one best friend: her.
Be sure to subscribe to the podcast to get a new episode every Wednesday. You can subscribe on iTunes/Apple Podcasts,...
- 1/30/2024
- by Trace Thurman
- bloody-disgusting.com
Mr. Wilder And Me author Jonathan Coe on Billy Wilder’s Private Life Of Sherlock Holmes after speaking with Paul Diamond (Ial Diamond’s son): “They shot all the footage but a lot of it was never scored, never dubbed, never graded. So the three-hour-version, which so many of us yearn for, never did exist in fact.” Photo: Anne-Katrin Titze
In the second instalment, Mr. Wilder And Me author Jonathan Coe and I discuss how key scenes happen while characters are eating and why a dumpling was changed for the German edition of the novel. Also: Marthe Keller with her Bobby Deerfield (directed by Sydney Pollack) co-star Al Pacino and the infamous cheeseburger ordered at Bayerischer Hof in Munich; Billy Wilder’s Fedora, Greece, and brie; Bewitched, overdressing and underdressing; yearning for unattainable movies, Orson Welles and The Other Side Of The Wind (documented in Morgan Neville's They’ll Love Me When I’m Dead...
In the second instalment, Mr. Wilder And Me author Jonathan Coe and I discuss how key scenes happen while characters are eating and why a dumpling was changed for the German edition of the novel. Also: Marthe Keller with her Bobby Deerfield (directed by Sydney Pollack) co-star Al Pacino and the infamous cheeseburger ordered at Bayerischer Hof in Munich; Billy Wilder’s Fedora, Greece, and brie; Bewitched, overdressing and underdressing; yearning for unattainable movies, Orson Welles and The Other Side Of The Wind (documented in Morgan Neville's They’ll Love Me When I’m Dead...
- 7/21/2023
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Mr. Wilder And Me author Jonathan Coe on Billy Wilder’s Private Life Of Sherlock Holmes after speaking with Paul Diamond (Ial Diamond’s son): “They shot all the footage but a lot of it was never scored, never dubbed, never graded. So the three-hour-version, which so many of us yearn for, never did exist in fact.”
In the second instalment, Mr. Wilder And Me author Jonathan Coe and I discuss how key scenes happen while characters are eating and why a dumpling was changed for the German edition of the novel. Also: Marthe Keller with her Bobby Deerfield (directed by Sydney Pollack) co-star Al Pacino and the infamous cheeseburger ordered at Bayerischer Hof in Munich; Billy Wilder’s Fedora, Greece, and brie; Bewitched, overdressing and underdressing; yearning for unattainable movies, Orson Welles and The Other Side Of The Wind (documented in Morgan Neville's They’ll Love Me When I’m Dead...
In the second instalment, Mr. Wilder And Me author Jonathan Coe and I discuss how key scenes happen while characters are eating and why a dumpling was changed for the German edition of the novel. Also: Marthe Keller with her Bobby Deerfield (directed by Sydney Pollack) co-star Al Pacino and the infamous cheeseburger ordered at Bayerischer Hof in Munich; Billy Wilder’s Fedora, Greece, and brie; Bewitched, overdressing and underdressing; yearning for unattainable movies, Orson Welles and The Other Side Of The Wind (documented in Morgan Neville's They’ll Love Me When I’m Dead...
- 7/21/2023
- by Jennie Kermode
- eyeforfilm.co.uk
Mr. Wilder And Me author Jonathan Coe with Anne-Katrin Titze: “I love Powell and Pressburger, so I was very happy to get in a reference to them.”
With Film Forum’s Written and Directed By Billy Wilder tribute, programmed by Bruce Goldstein, starting next week in New York, Jonathan Coe’s Mr. Wilder And Me is the perfect summer read.
Jonathan Coe on Fedora: “The imagery always reminds me of that Georges Franju film Eyes Without A Face.”
In the first instalment with the author we discuss Christoph Waltz as Billy Wilder in Stephen Frears’ yet-to-be-filmed adaptation of Jonathan’s novel; meeting Volker Schlöndorff just before the Covid lockdown; the images of Nicolas Roeg’s Don’t Look Now staying with him; a connection between Georges Franju’s [film id=13604]Eyes Without A...
With Film Forum’s Written and Directed By Billy Wilder tribute, programmed by Bruce Goldstein, starting next week in New York, Jonathan Coe’s Mr. Wilder And Me is the perfect summer read.
Jonathan Coe on Fedora: “The imagery always reminds me of that Georges Franju film Eyes Without A Face.”
In the first instalment with the author we discuss Christoph Waltz as Billy Wilder in Stephen Frears’ yet-to-be-filmed adaptation of Jonathan’s novel; meeting Volker Schlöndorff just before the Covid lockdown; the images of Nicolas Roeg’s Don’t Look Now staying with him; a connection between Georges Franju’s [film id=13604]Eyes Without A...
- 7/8/2023
- by Anne-Katrin Titze
- eyeforfilm.co.uk
William Holden may have won his only Academy Award for Billy Wilder’s “Stalag 17,” but he wasn’t the first choice to play Sefton, the cynical sergeant who is a one-man black market at a German Pow camp. Originally, Charlton Heston was going to headline the film. Heston was red-hot at the time coming off his flashy starring role in Cecil B. DeMille’s Oscar winning 1952 circus epic “The Great Show on Earth.” But as Wilder and co-writer Edwin Blum were working on the script for the film, which premiered on July 1, 1953 in New York and two weeks later in Los Angeles, the character became darker and more disparaging; They realized Heston wasn’t right for the part
The AFI catalog noted that supposedly Wilder went to Kirk Douglas who had starred in Wilder’s 1951 “Ace in the Hole,” a masterpiece that flopped badly when released. After he turned...
The AFI catalog noted that supposedly Wilder went to Kirk Douglas who had starred in Wilder’s 1951 “Ace in the Hole,” a masterpiece that flopped badly when released. After he turned...
- 7/3/2023
- by Susan King
- Gold Derby
Robert Englund says Freddy Krueger deserves to be among horror icons such as Dracula and The Wolfman
Robert Englund says Freddy Krueger deserves his place amongst horror icons such as Dracula and The Wolfman.The 76-year-old actor was the name behind the mask who was responsible for bringing to life the scarred supernatural killer in the ‘A Nightmare On Elm Street’ franchise, which started in 1984 with Wes Craven's horror classic.Englund insists Freddy deserves to be treated with the same reverence in pop culture as other classic horror characters such as the two Universal monsters who have frightened audiences in countless movies.Speaking to Cbr, he said: “Along with the merchandising, and along with Freddy being a theatrical hit in movies, and then a video hit for a generation, and then a DVD hit for another generation, and then a cable hit, and now a Halloween holiday hit, and having existed as a film hit for 20 straight years -10 years boom, boom, boom. From '84 to...
- 7/2/2023
- by Clara Hill
- Bang Showbiz
Volker Schlöndorff, director of the Oscar and Palme d’Or winning The Tin Drum (adapted from Günter Grass’s novel Die Blechtrommel) with Anne-Katrin Titze on Jonathan Coe’s research on a Billy Wilder film for Mr. Wilder And Me: “I told him everything I knew about Fedora and the shooting of Fedora in Munich.” Photo: Anne-Katrin Titze
Jonathan Coe’s imaginative and savvy novel, Mr. Wilder & Me, which centres on the making of Billy Wilder’s penultimate movie, Fedora, seen through the lens of a fictional Greek composer named Calista, credits Volker Schlöndorff as an important source.
Jonathan Coe’s Mr. Wilder And Me (Europa Editions), collection Anne-Katrin Titze Photo: Anne-Katrin Titze
I met Volker at the Austrian Cultural Forum’s Hedy Lamarr: Actress. Inventor. Viennese exhibition to discuss his role in the research for the novel, which led us into a wide-ranging conversation that included his documentary series Billy,...
Jonathan Coe’s imaginative and savvy novel, Mr. Wilder & Me, which centres on the making of Billy Wilder’s penultimate movie, Fedora, seen through the lens of a fictional Greek composer named Calista, credits Volker Schlöndorff as an important source.
Jonathan Coe’s Mr. Wilder And Me (Europa Editions), collection Anne-Katrin Titze Photo: Anne-Katrin Titze
I met Volker at the Austrian Cultural Forum’s Hedy Lamarr: Actress. Inventor. Viennese exhibition to discuss his role in the research for the novel, which led us into a wide-ranging conversation that included his documentary series Billy,...
- 5/25/2023
- by Anne-Katrin Titze
- eyeforfilm.co.uk
It's not easy for every film to be a hit, but Quentin Tarantino wants his body of work to be as close to perfect as possible. Almost every movie he's ever made has been met with widespread critical acclaim, and he plans to keep it that way. Although there's no surefire way to make every movie a success, there is one method that Tarantino's sticking to — quit while you're ahead.
Two of Tarantino's favorite directors are old Hollywood auteurs Howard Hawks and Billy Wilder. Both have a diverse set of hits in their extensive filmography, from noirs like "The Big Sleep" to musicals like "Some Like it Hot" and Westerns like "Rio Bravo." They also churned out successful movies for decades, but Tarantino and most critics would agree that they continued working past their prime. Making a film like "Rio Lobo," the sequel to "Rio Bravo," is Tarantino's worst nightmare as an artist.
Two of Tarantino's favorite directors are old Hollywood auteurs Howard Hawks and Billy Wilder. Both have a diverse set of hits in their extensive filmography, from noirs like "The Big Sleep" to musicals like "Some Like it Hot" and Westerns like "Rio Bravo." They also churned out successful movies for decades, but Tarantino and most critics would agree that they continued working past their prime. Making a film like "Rio Lobo," the sequel to "Rio Bravo," is Tarantino's worst nightmare as an artist.
- 3/19/2023
- by Shae Sennett
- Slash Film
Hampton gave updates on ‘Heart of A Soldier’, ‘White Chameleon’ and ‘Dalila’.
Stephen Frears’ Billy Wilder And Me is looking at a 2024 shoot due to other commitments from cast and crew, according to writer Christopher Hampton.
Speaking to Screen in Doha, Qatar, where he is a master at the Qumra incubator, Hampton said, “We’re in a good space because Stephen Frears is going to direct it, and Christoph Waltz is going to be playing Billy Wilder.”
He said didn’t believe that a shoot this year would be possible, with next year looking most likely.
First announced by Screen in May last year,...
Stephen Frears’ Billy Wilder And Me is looking at a 2024 shoot due to other commitments from cast and crew, according to writer Christopher Hampton.
Speaking to Screen in Doha, Qatar, where he is a master at the Qumra incubator, Hampton said, “We’re in a good space because Stephen Frears is going to direct it, and Christoph Waltz is going to be playing Billy Wilder.”
He said didn’t believe that a shoot this year would be possible, with next year looking most likely.
First announced by Screen in May last year,...
- 3/13/2023
- by E. Nina Rothe
- ScreenDaily
Hong Kong High
Already the highest grossing local film in its home market, courtroom drama, “A Guilty Conscience” has broken into Hong Kong’s all-time top ten box office ranking with a cumulative of Hk$107 million ($13.7 million). Data from Hong Kong Box Office Ltd. shows the film achieving the feat after just 41 days in cinemas and coming within Hk$1 million of overtaking “Top Gun: Maverick.” The data firm noted that the last time a Hong Kong film got this far was with fantasy-action-comedy “Kung Fu Hustle” in 2004. Since then, it has been overtaken by a fleet of Hollywood titles. Hong Hong’s current top ten is headed by “Avengers: Endgame” and includes six Marvel movies, the two “Avatar” titles and “Titanic.”
Streamer Encourages Churn
With its shares buoyed by recent more positive results, Chinese video streamer iQiyi is returning to the capital markets – again. The Nasdaq-listed company is issuing $600 million...
Already the highest grossing local film in its home market, courtroom drama, “A Guilty Conscience” has broken into Hong Kong’s all-time top ten box office ranking with a cumulative of Hk$107 million ($13.7 million). Data from Hong Kong Box Office Ltd. shows the film achieving the feat after just 41 days in cinemas and coming within Hk$1 million of overtaking “Top Gun: Maverick.” The data firm noted that the last time a Hong Kong film got this far was with fantasy-action-comedy “Kung Fu Hustle” in 2004. Since then, it has been overtaken by a fleet of Hollywood titles. Hong Hong’s current top ten is headed by “Avengers: Endgame” and includes six Marvel movies, the two “Avatar” titles and “Titanic.”
Streamer Encourages Churn
With its shares buoyed by recent more positive results, Chinese video streamer iQiyi is returning to the capital markets – again. The Nasdaq-listed company is issuing $600 million...
- 3/3/2023
- by Patrick Frater
- Variety Film + TV
Oscar-winner Christoph Waltz will portray legendary Old Hollywood director Billy Wilder in a biographical film from director Stephen Frears, the film’s producer Jeremy Thomas announced Monday.
“Billy Wilder and Me” is part coming-of-age-story and part true-life portrait about a young woman who begins working with Wilder during the filming of “Fedora” on a Greek island in 1977. But as she continues with him to Germany to continue the shoot, she finds herself joining him on a journey into the memory of his family history. The Austrian-Hungarian born Wilder is the director of such masterpieces as “Sunset Blvd.,” “The Apartment,” “Some Like It Hot,” “Double Indemnity” and many more.
Christopher Hampton, who is collaborating with Frears for the third time after working together on “Dangerous Liaisons” and “Cheri,” wrote the script based on the novel “Mr. Wilder and Me” from author Jonathan Coe.
Also Read:
Sarah Silverman Joins Bradley Cooper’s...
“Billy Wilder and Me” is part coming-of-age-story and part true-life portrait about a young woman who begins working with Wilder during the filming of “Fedora” on a Greek island in 1977. But as she continues with him to Germany to continue the shoot, she finds herself joining him on a journey into the memory of his family history. The Austrian-Hungarian born Wilder is the director of such masterpieces as “Sunset Blvd.,” “The Apartment,” “Some Like It Hot,” “Double Indemnity” and many more.
Christopher Hampton, who is collaborating with Frears for the third time after working together on “Dangerous Liaisons” and “Cheri,” wrote the script based on the novel “Mr. Wilder and Me” from author Jonathan Coe.
Also Read:
Sarah Silverman Joins Bradley Cooper’s...
- 6/6/2022
- by Brian Welk
- The Wrap
If there’s one thing Hollywood likes almost as much as superheroes, it’s Hollywood itself. Continuing the tradition, a new drama is now in the works telling the story of one of cinema’s most iconic writer-directors.
Variety reports that Stephen Frears will direct Christoph Waltz in Billy Wilder & Me, a drama that follows the Sunset Blvd. filmmaker (as played by Waltz) during the making of his 1978 feature Fedora. Based on Jonathan Coe’s book, as adapted by Christopher Hampton, the film is set in the summer of 1977 and tells both a coming-of-age story and a portrait of Wilder. The film follows an innocent young woman who begins working for Wilder and his screenwriter I. A. L. Diamond on a Greek island during the filming of Fedora. “When she follows Wilder to Germany to continue the shoot, she finds herself joining him on a journey of memory into the heart of his family history,...
Variety reports that Stephen Frears will direct Christoph Waltz in Billy Wilder & Me, a drama that follows the Sunset Blvd. filmmaker (as played by Waltz) during the making of his 1978 feature Fedora. Based on Jonathan Coe’s book, as adapted by Christopher Hampton, the film is set in the summer of 1977 and tells both a coming-of-age story and a portrait of Wilder. The film follows an innocent young woman who begins working for Wilder and his screenwriter I. A. L. Diamond on a Greek island during the filming of Fedora. “When she follows Wilder to Germany to continue the shoot, she finds herself joining him on a journey of memory into the heart of his family history,...
- 6/6/2022
- by Jordan Raup
- The Film Stage
Christoph Waltz has signed up to play the iconic filmmaker Billy Wilder in the Stephen Frears directed ‘Billy Wilder and Me.’
A part coming-of-age story, part true-life portrait of the beloved Billy Wilder (Waltz), the film is set during the summer of 1977, when an innocent young woman begins working for the famed director and his screenwriter Iz Diamond on a Greek island during the filming of Fedora. When she follows Wilder to Germany to continue the shoot, she finds herself joining him on a journey of memory into the heart of his family history.
Based on Jonathan Coe’s much-loved 2020 book ‘Mr Wilder and Me’, Christopher Hampton is adapting for the big screen.
Also in news – Liam Neeson to reprise role as Qui-Gon Jinn in ‘Star Wars: Tales of the Jedi’
Jeremy Thomas is producing alongside Reinhard Brundig and Christos V. Konstantakopoulos, who previously partnered with Thomas on Jim Jarmusch’s ‘Only Lovers Left Alive.
A part coming-of-age story, part true-life portrait of the beloved Billy Wilder (Waltz), the film is set during the summer of 1977, when an innocent young woman begins working for the famed director and his screenwriter Iz Diamond on a Greek island during the filming of Fedora. When she follows Wilder to Germany to continue the shoot, she finds herself joining him on a journey of memory into the heart of his family history.
Based on Jonathan Coe’s much-loved 2020 book ‘Mr Wilder and Me’, Christopher Hampton is adapting for the big screen.
Also in news – Liam Neeson to reprise role as Qui-Gon Jinn in ‘Star Wars: Tales of the Jedi’
Jeremy Thomas is producing alongside Reinhard Brundig and Christos V. Konstantakopoulos, who previously partnered with Thomas on Jim Jarmusch’s ‘Only Lovers Left Alive.
- 6/6/2022
- by Zehra Phelan
- HeyUGuys.co.uk
Christoph Waltz will play Hollywood legend Billy Wilder in a new project from producer Jeremy Thomas.
“Billy Wilder & Me” will be adapted by Christopher Hampton from Jonathan Coe’s book, with Stephen Frears directing. Billed as part coming-of-age story and part true-life portrait of Wilder, the film looks to capture “a heroic icon of Hollywood’s golden era for all cinema lovers.”
Wilder’s directing credits include “Sunset Blvd.,” “The Apartment” and “The Seven Year Itch.”
Here’s an official synopsis for the pic: In the summer of 1977, an innocent young woman begins working for famed director Billy Wilder and his screenwriter Iz Diamond on a Greek island during the filming of “Fedora.” When she follows Wilder to Germany to continue the shoot, she finds herself joining him on a journey of memory into the heart of his family history.
Frears has again teamed with two-time Oscar winning screenwriter Hampton,...
“Billy Wilder & Me” will be adapted by Christopher Hampton from Jonathan Coe’s book, with Stephen Frears directing. Billed as part coming-of-age story and part true-life portrait of Wilder, the film looks to capture “a heroic icon of Hollywood’s golden era for all cinema lovers.”
Wilder’s directing credits include “Sunset Blvd.,” “The Apartment” and “The Seven Year Itch.”
Here’s an official synopsis for the pic: In the summer of 1977, an innocent young woman begins working for famed director Billy Wilder and his screenwriter Iz Diamond on a Greek island during the filming of “Fedora.” When she follows Wilder to Germany to continue the shoot, she finds herself joining him on a journey of memory into the heart of his family history.
Frears has again teamed with two-time Oscar winning screenwriter Hampton,...
- 6/6/2022
- by Manori Ravindran
- Variety Film + TV
Christoph Waltz is to lead Stephen Frears and Christopher Hampton’s adaptation of Billy Wilder & Me.
The No Time to Die and Inglorious Basterds star will play Wilder in the part coming-of-age story, part true-to-life portrait of the Hollywood icon, which is adapted from a book by Jonathan Coe. In the summer of 1977, an innocent young woman begins working for famed director Billy Wilder and his screenwriter Iz Diamond on a Greek island during the filming of Fedora. When she follows Wilder to Germany to continue the shoot, she finds herself joining him on a journey of memory into the heart of his family history.
The film sees Frears and two-time Oscar-winning screenwriter Hampton reunited for their third collaboration after Dangerous Liaisons and Cheri.
Production will commence in Greece, Munich and Paris, with casting of further principal roles coming shortly.
Waltz said: “Christoph Waltz said: “Billy Wilder said “You have...
The No Time to Die and Inglorious Basterds star will play Wilder in the part coming-of-age story, part true-to-life portrait of the Hollywood icon, which is adapted from a book by Jonathan Coe. In the summer of 1977, an innocent young woman begins working for famed director Billy Wilder and his screenwriter Iz Diamond on a Greek island during the filming of Fedora. When she follows Wilder to Germany to continue the shoot, she finds herself joining him on a journey of memory into the heart of his family history.
The film sees Frears and two-time Oscar-winning screenwriter Hampton reunited for their third collaboration after Dangerous Liaisons and Cheri.
Production will commence in Greece, Munich and Paris, with casting of further principal roles coming shortly.
Waltz said: “Christoph Waltz said: “Billy Wilder said “You have...
- 6/6/2022
- by Max Goldbart
- Deadline Film + TV
Film is based on Jonathan Coe’s 2020 novel of the same name.
UK director Stephen Frears is set to reunite with writer Christopher Hampton on Mr. Wilder & Me, an adaptation of Jonathan Coe’s 2020 novel of the same name about the struggles of legendary US director Billy Wilder to make his penultimate film Fedora.
The film is in development and is being co-produced Germany’s Pandora Film which has received €75,000 in development funding from Bavarian regional film fund Fff Bayern’s latest funding round.
Mr. Wilder And Me takes place in Germany and Greece in 1977. It tells the story of...
UK director Stephen Frears is set to reunite with writer Christopher Hampton on Mr. Wilder & Me, an adaptation of Jonathan Coe’s 2020 novel of the same name about the struggles of legendary US director Billy Wilder to make his penultimate film Fedora.
The film is in development and is being co-produced Germany’s Pandora Film which has received €75,000 in development funding from Bavarian regional film fund Fff Bayern’s latest funding round.
Mr. Wilder And Me takes place in Germany and Greece in 1977. It tells the story of...
- 5/19/2022
- by Martin Blaney
- ScreenDaily
Film is based on Jonathan Coe’s 2020 novel of the same name.
UK director Stephen Frears is set to reunite with writer Christopher Hampton on Mr. Wilder & Me, an adaptation of Jonathan Coe’s 2020 novel of the same name about the struggles of legendary US director Billy Wilder to make his penultimate film Fedora.
The film is in development and is being co-produced Germany’s Pandora Film which has received €75,000 in development funding from Bavarian regional film fund Fff Bayern’s latest funding round.
Mr. Wilder And Me takes place in Germany and Greece in 1977. It tells the story of...
UK director Stephen Frears is set to reunite with writer Christopher Hampton on Mr. Wilder & Me, an adaptation of Jonathan Coe’s 2020 novel of the same name about the struggles of legendary US director Billy Wilder to make his penultimate film Fedora.
The film is in development and is being co-produced Germany’s Pandora Film which has received €75,000 in development funding from Bavarian regional film fund Fff Bayern’s latest funding round.
Mr. Wilder And Me takes place in Germany and Greece in 1977. It tells the story of...
- 5/19/2022
- by Martin Blaney
- ScreenDaily
All sorts of hype is being given to the upcoming Indiana Jones movie at this point, and the set photos that are being doled out between sites are showing old man Indy at this point in his customary outfit, looking like he’s ready to head to the retirement home. There’s one reason why it’s not easy to get too excited about this movie any longer and it has a lot to do with the fact that Harrison Ford is well into the latter part of his 70s and heading on to his 80s, meaning that his days of being the
Harrison Ford is Back in the Fedora in New Indiana Jones 5 Set Photo...
Harrison Ford is Back in the Fedora in New Indiana Jones 5 Set Photo...
- 6/17/2021
- by Tom
- TVovermind.com
The U.K.’s Sheffield Doc/Fest has announced 55 projects for pitching forum MeetMarket and 22 projects for the Arts Talent Market.
The events run in parallel June 9-11 as part of the wider festival, which runs June 4-13. The MeetMarket will see projects presented to industry partners and consisting of a mix of emerging talent and experienced filmmakers. The emerging talents include Agustina Comedi, Cassie Quarless, Cyril Aris, Madeleine Hunt-Ehrlich, Tom Fassaert and Usayd Younis. There are also several seasoned players, such as Andre Singer (“Meeting Gorbachev”), Andreas Voit (“Leipzig in The Fall”), Diane Quon (“Minding the Gap”), Göran Hugo Olsson (“The Black Power Mixtape”), Kellen Quinn (“Time”), Riel Roch-Decter (“All Light”), Sean Mcallister (“A Syrian Love Story”) and Sierra Pettengill (“The Reagan Show”)
The Arts Talent Market will connect 22 creatives and teams with industry representatives. The work is an almost equal split between immersive VR/Ar, and video art or installation pieces,...
The events run in parallel June 9-11 as part of the wider festival, which runs June 4-13. The MeetMarket will see projects presented to industry partners and consisting of a mix of emerging talent and experienced filmmakers. The emerging talents include Agustina Comedi, Cassie Quarless, Cyril Aris, Madeleine Hunt-Ehrlich, Tom Fassaert and Usayd Younis. There are also several seasoned players, such as Andre Singer (“Meeting Gorbachev”), Andreas Voit (“Leipzig in The Fall”), Diane Quon (“Minding the Gap”), Göran Hugo Olsson (“The Black Power Mixtape”), Kellen Quinn (“Time”), Riel Roch-Decter (“All Light”), Sean Mcallister (“A Syrian Love Story”) and Sierra Pettengill (“The Reagan Show”)
The Arts Talent Market will connect 22 creatives and teams with industry representatives. The work is an almost equal split between immersive VR/Ar, and video art or installation pieces,...
- 4/27/2021
- by Naman Ramachandran
- Variety Film + TV
The 55 projects selected for the pitching forum have been revealed.
Documentary projects about corruption in football, black representation in the arts and the explosion in Beirut are among those selected for Sheffield Doc/Fest’s 2021 pitching forum MeetMarket.
The UK documentary market will take place virtually, as it did last year as a result of the pandemic, and will run from June 9-11. The public-facing festival will include physical screenings but the market has gone online-only due to travel restrictions for the mainly international delegates.
A total of 55 projects were selected from more than 570 applications and includes productions from 31 countries,...
Documentary projects about corruption in football, black representation in the arts and the explosion in Beirut are among those selected for Sheffield Doc/Fest’s 2021 pitching forum MeetMarket.
The UK documentary market will take place virtually, as it did last year as a result of the pandemic, and will run from June 9-11. The public-facing festival will include physical screenings but the market has gone online-only due to travel restrictions for the mainly international delegates.
A total of 55 projects were selected from more than 570 applications and includes productions from 31 countries,...
- 4/26/2021
- by Michael Rosser
- ScreenDaily
One Shot is a series that seeks to find an essence of cinema history in one single image of a movie.The Lubitsch throwaway, it’s fleeting, two seconds. A fugitive joke. Nicole (Claudette Colbert), deco-tropique on the French Riviera laments these times to her pal, Albert (David Niven): “Right in the middle of a manicure the proprietor came in and presented me with last month’s bill.” “Did you pay?” “What do you think?” In a gap of dialogue, her half-manicured hand. Flung into purely pictorial space, transported off the beach, the visual field flattens, figure abstracts. The punchline: an optical passage in rapport with contemporary Surrealists. Alongside the moody and erotic disembodiment of Dora Maar’s Main-coquillage and Magritte’s playful paratext resides this destabilizing frame. The invisible hand of Lubitsch. A touché. A “This is not a —.” These artistic interrogations of language and reality responded to heady anxieties of the time.
- 4/5/2021
- MUBI
A selection of the films below are showing on Mubi in the series Perfect Failures.I hate to tell you, mister, but only dead men are free— Bob Dylan, "Murder Most Foul"Failure is on a lot of people’s minds right now. I know I’m thinking about it a whole lot. Failure to make the most of a societal shutdown, a ceasing of regular activity; failure to adequately capitalize on time that would certainly be better spent reading long novels or doing fifty push-ups before breakfast. Failure to stave off boredom and uncertainty, misery and fear, at least to the extent that you can do anything with yourself or go on living. These movies are different kinds of failures. They are baldly audacious projects rejected by the public or movie critics or both, not just failures to corral your own emotions into doing a reasonable day's work. We...
- 5/7/2020
- MUBI
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSThe on-demand success of Trolls: World Tour, and subsequent comments made by NBCUniversal CEO Jeff Shell, has led to a significant development in the friction between studios and cinemas: AMC Theatres announced it will no longer play any Universal movies. The ongoing dispute speaks to the many changes likely to take place as response to the Coronavirus pandemic. Recommended VIEWINGThe Walker Art Center has made available more than 60 "in-depth portraits of directors, actors, writers, and producers who were celebrated in the Walker Cinema at pivotal moments in their careers." This abundant archive includes Bong Joon-ho, Apichatpong Weerasethakul, Stan Brakhage, Julie Dash, and even Tom Hanks. Grasshopper's official trailer for Dan Sallitt's Fourteen, which stars Tallie Mehdel and Norma Kuhling as two long-time friends in New York. Read our review of the film here.
- 5/6/2020
- MUBI
Close-Up is a feature that spotlights films now playing on Mubi. Billy Wilder's Fedora (1978) is now showing May 3 - June 2, 2020 in most countries in the series Perfect Failures.In the diaries of Charles Brackett (1892-1969), Billy Wilder’s first major Hollywood collaborator, we discover much—even if cryptically notated—about the art and craft of screenwriting. For instance, Brackett frequently refers to how he and Wilder would rework scenes over and over, in a process he calls “three-dimentionalization” [sic]. Above all, Brackett worried over what he enigmatically called the “dissolves” in any filmic storyline. He didn’t mean literal, visual, on-screen dissolves; I suspect he was referring to any unwieldy “hole” or ellipsis in a plot where something needed to be skipped, but still had to be somehow explained, accounted for. The more direct, linear, and un-holey a screenplay could be, the better for Brackett.But Wilder—who parted company...
- 5/4/2020
- MUBI
Our 75th guest! The legendary filmmaker John Sayles joins Josh and Joe to explore some of his favorite movies.
Show Notes: Movies Referenced In This Episode
Ulzana’s Raid (1972)
Django (1966)
The Birth Of A Nation (1915)
City Of Hope (1991)
Return of the Secaucus 7 (1980)
The Challenge (1982)
Avalanche (1978)
Eight Men Out (1988)
Piranha (1978)
The Howling (1981)
The Wizard Of Oz (1939)
The Killers (1964)
The King And I (1956)
Time Without Pity (1957)
The Incredible Mr. Limpet (1964)
Ben-Hur (1957)
The Ten Commandments (1956)
Two Women (1960)
Sunset Boulevard (1950)
Citizen Kane (1941)
Spartacus (1960)
Fixed Bayonets! (1951)
The Steel Helmet (1951)
Merrill’s Marauders (1962)
Targets (1968)
Touch Of Evil (1958)
2001: A Space Odyssey (1968)
Woodstock (1970)
Crime In The Streets (1956)
The Bad Seed (1956)
The Abominable Dr. Phibes (1971)
Fedora (1978)
Dune (1984)
The Cotton Club (1984)
Choose Me (1984)
Raising Arizona (1987)
El Norte (1983)
Yellow Sky (1948)
Apocalypse Now (1979)
The Irishman (2019)
A Beautiful Day In The Neighborhood (2019)
The Thing (1982)
Chinatown (1974)
Manhattan (1979)
Duck Amuck (1953)
Goodfellas (1990)
Humanoids Of The Deep (1980)
Cockfighter (1974)
Dynamite Women a.k.a. The Great Texas Dynamite Chase...
Show Notes: Movies Referenced In This Episode
Ulzana’s Raid (1972)
Django (1966)
The Birth Of A Nation (1915)
City Of Hope (1991)
Return of the Secaucus 7 (1980)
The Challenge (1982)
Avalanche (1978)
Eight Men Out (1988)
Piranha (1978)
The Howling (1981)
The Wizard Of Oz (1939)
The Killers (1964)
The King And I (1956)
Time Without Pity (1957)
The Incredible Mr. Limpet (1964)
Ben-Hur (1957)
The Ten Commandments (1956)
Two Women (1960)
Sunset Boulevard (1950)
Citizen Kane (1941)
Spartacus (1960)
Fixed Bayonets! (1951)
The Steel Helmet (1951)
Merrill’s Marauders (1962)
Targets (1968)
Touch Of Evil (1958)
2001: A Space Odyssey (1968)
Woodstock (1970)
Crime In The Streets (1956)
The Bad Seed (1956)
The Abominable Dr. Phibes (1971)
Fedora (1978)
Dune (1984)
The Cotton Club (1984)
Choose Me (1984)
Raising Arizona (1987)
El Norte (1983)
Yellow Sky (1948)
Apocalypse Now (1979)
The Irishman (2019)
A Beautiful Day In The Neighborhood (2019)
The Thing (1982)
Chinatown (1974)
Manhattan (1979)
Duck Amuck (1953)
Goodfellas (1990)
Humanoids Of The Deep (1980)
Cockfighter (1974)
Dynamite Women a.k.a. The Great Texas Dynamite Chase...
- 4/7/2020
- by Kris Millsap
- Trailers from Hell
Specialist streaming service Mubi has teamed up with fashion label Prada’s Fondazione Prada foundation on “Perfect Failures,” a curated selection of movies deemed to have been “widely misunderstood” upon their release.
The joint project will launch on both the Mubi platform and the Fondazione Prada’s website on April 5 with U.S. director Richard Kelly’s 2006 flop “Southland Tales” (pictured) which Variety at the time called “A pretentious, overreaching, fatally unfocused fantasy about American fascism, radical rebellion, nuclear terrorism and apocalypse” in its Cannes festival review.
The overall selection will also include “A Countess from Hong Kong” (1967) by Charlie Chaplin; “Fedora,” (1978) by Billy Wilder; Kelly Reichardt’s “Night Moves (2013); “Un divan à New York” (A Couch in New York), (1996) by Chantal Akerman; and Paul Verhoeven’s “Showgirls” (1995).
The idea is to bring to the fore box office flops, critical disappointments, “shocking divergences from a beloved artist” or pics burdened with production woes,...
The joint project will launch on both the Mubi platform and the Fondazione Prada’s website on April 5 with U.S. director Richard Kelly’s 2006 flop “Southland Tales” (pictured) which Variety at the time called “A pretentious, overreaching, fatally unfocused fantasy about American fascism, radical rebellion, nuclear terrorism and apocalypse” in its Cannes festival review.
The overall selection will also include “A Countess from Hong Kong” (1967) by Charlie Chaplin; “Fedora,” (1978) by Billy Wilder; Kelly Reichardt’s “Night Moves (2013); “Un divan à New York” (A Couch in New York), (1996) by Chantal Akerman; and Paul Verhoeven’s “Showgirls” (1995).
The idea is to bring to the fore box office flops, critical disappointments, “shocking divergences from a beloved artist” or pics burdened with production woes,...
- 3/31/2020
- by Nick Vivarelli
- Variety Film + TV
In the past few days our good friends at Eureka! Entertainment have announced a bevy of new titles, which they will be releasing in the coming months. Chief among these are new additions to their Masters of Cinema series, including Ken Loach’s seminal tale of working class adolescence in Northern England, Kes, which arrives on Blu-ray for the first time in the UK on 7 November. Before that, Robert Aldrich’s Twilight’s Last Gleaming, starring Burt Lancaster and Richard Widmark, gets a dual-format release on 17 October. These titles join the previously announced Fedora from Billy Wilder, starring William Holden, which also gets the dual-format treatment on 19 September, with Stanley Kubrick's Paths of Glory arriving on Blu-ray the same day, while another Aldrich classic, Flight...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 8/8/2016
- Screen Anarchy
Billy Wilder’s Buddy Buddy (1981) might be one of the most obvious go-to examples in the annals of conventional wisdom when it comes to the cinephile’s parlor game of pointing out a great director’s greatest foible. Upon release the movie was summarily dismissed by critics and ignored by audiences—it managed a paltry $7 million domestically, three million less than its production budget.
Roger Ebert, in his review, called Buddy Buddy “a comedy without laughs,” one apparently so vile that it could inspire not only audience indifference but also one of the revered reviewer’s laziest pieces of criticism. Ebert’s short piece quickly degenerates into name-calling-- “This movie is appalling” is the first sentence of the review, and the movie’s name goes unmentioned until the second paragraph—sans much in the way of actual insight. And unfortunately the critic’s disdain ends up functioning as a substitute...
Roger Ebert, in his review, called Buddy Buddy “a comedy without laughs,” one apparently so vile that it could inspire not only audience indifference but also one of the revered reviewer’s laziest pieces of criticism. Ebert’s short piece quickly degenerates into name-calling-- “This movie is appalling” is the first sentence of the review, and the movie’s name goes unmentioned until the second paragraph—sans much in the way of actual insight. And unfortunately the critic’s disdain ends up functioning as a substitute...
- 2/20/2016
- by Dennis Cozzalio
- Trailers from Hell
How would you program this year's newest, most interesting films into double features with movies of the past you saw in 2014?
Looking back over the year at what films moved and impressed us, it is clear that watching old films is a crucial part of making new films meaningful. Thus, the annual tradition of our end of year poll, which calls upon our writers to pick both a new and an old film: they were challenged to choose a new film they saw in 2014—in theatres or at a festival—and creatively pair it with an old film they also saw in 2014 to create a unique double feature.
All the contributors were given the option to write some text explaining their 2014 fantasy double feature. What's more, each writer was given the option to list more pairings, with or without explanation, as further imaginative film programming we'd be lucky to catch...
Looking back over the year at what films moved and impressed us, it is clear that watching old films is a crucial part of making new films meaningful. Thus, the annual tradition of our end of year poll, which calls upon our writers to pick both a new and an old film: they were challenged to choose a new film they saw in 2014—in theatres or at a festival—and creatively pair it with an old film they also saw in 2014 to create a unique double feature.
All the contributors were given the option to write some text explaining their 2014 fantasy double feature. What's more, each writer was given the option to list more pairings, with or without explanation, as further imaginative film programming we'd be lucky to catch...
- 1/5/2015
- by Notebook
- MUBI
Welcome back to The Stack. This is the final episode before I kick off our Holiday Gift Guide this Tuesday November 25. This is also the beginning of a new, shorter format. But The Stack is still packed with home entertainment goodness. A favorite release is Space Station 76 (2014), directed by Jack Plotnick, whom you might remember from Rubber (2010) and Wrong (2012). Olive Films releases Fedora (1978), which many consider to be Billy Wilder's late career followup to Sunset Boulevard (1950). I also take a look at one of their back catalog titles, the nearly forgotten William Castle science fiction spy thriller Project X (1968). Lastly and quite excitedly, I tease the gift guide coverage by revealing one of this year's great TV Blu-ray box...
[Read the whole post on twitchfilm.com...]...
[Read the whole post on twitchfilm.com...]...
- 11/21/2014
- Screen Anarchy
When Louis B. Mayer saw Sunset Boulevard, he cursed Billy Wilder as a "man who bites the hand that feeds him." He was misguided, of course, about that cool, beautiful, piercing movie.
But 1978's Fedora, made by Wilder nearly 30 years later — again starring William Holden — does show evidence of the bitterness Meyer alluded to; it could have been made by Norma Desmond. Holden stars as an aging producer fallen on hard times who hopes to revisit his past by luring a reclusive former star, the supposedly fabulous Fedora (Marthe Keller) out of retirement.
He tracks her down to Corfu, where she lives in a musty-genteel mansion with a withered old countess (Hildegard Knef) and a quack doctor (José Ferrer). Fedora, who hasn't aged...
But 1978's Fedora, made by Wilder nearly 30 years later — again starring William Holden — does show evidence of the bitterness Meyer alluded to; it could have been made by Norma Desmond. Holden stars as an aging producer fallen on hard times who hopes to revisit his past by luring a reclusive former star, the supposedly fabulous Fedora (Marthe Keller) out of retirement.
He tracks her down to Corfu, where she lives in a musty-genteel mansion with a withered old countess (Hildegard Knef) and a quack doctor (José Ferrer). Fedora, who hasn't aged...
- 9/3/2014
- Village Voice
Germany has a large number of films in Cannes this year both as coproducer and single producer. Three German co-productions are in the competition including Heli by Amat Escalante (Mexico/ Germany/ France/ Netherlands), the adaptation of the Heinrich von Kleist novella Michael Kohlhaas by Arnaud des Pallières (France, Germany) and Jim Jarmusch's Only Lovers Left Alive (Germany, U.K., France, Cyprus), which has always been supported by the German producer Karl Baumgartner of Pandora. U.S. gets bragging rights but has no actual credit in the film.
Screening in Un Certain Regard are Tore Tanzt, the debut feature film of German director Katrin Gebbe ♀ which is eligible for the Camera d'Or as are first films from all sections, the co-productions My Sweet Pepper Land by Hiner Saleem (France, Germany) and Bastards by Claire Denis (France, Germany).
A digitally remastered version of Fedora by Billy Wilder will be shown in Cannes Classics along with four more German co-productions.
The German short Come And Play by Daria Belova ♀ is in Semaine de la Critique which will also present the German co-production The Lunchbox by Ritesh Batra (India, Deutschland, France).
Directors Fortnight is screening The Congress by director Ari Folmann (Israel, Germany, Poland, Luxembourg, France, Belgium).
The debut feature Summer Outside by Friederike Jehn (Germany, Switzerland) will be shown in Ecrans Juniors / Cannes Cinephiles which is curated by Cannes Cinema during the festival. The Strange Little Cat by Ramon Zürcher (Dffb) will be presented in the L'Acid-series, a special program by the Association du Cinéma Indépendant pour sa Diffusion during the festival.
German Films will be presenting a total of 30 New German Films to professional visitors at Cannes' Marché du Film from 17 to 22 May. Furthermore, this will be the 13th time that German Films joins forces with Focus Germany, the amalgamation of the seven major regional film funds, to run the German Pavilion in the International Village of the Marché du Film. The German Pavilion has been a popular platform for many years for people to get know one another personally and to foster an exchange between the accredited festival delegates from the German and international film industries in Cannes.
Screening in Un Certain Regard are Tore Tanzt, the debut feature film of German director Katrin Gebbe ♀ which is eligible for the Camera d'Or as are first films from all sections, the co-productions My Sweet Pepper Land by Hiner Saleem (France, Germany) and Bastards by Claire Denis (France, Germany).
A digitally remastered version of Fedora by Billy Wilder will be shown in Cannes Classics along with four more German co-productions.
The German short Come And Play by Daria Belova ♀ is in Semaine de la Critique which will also present the German co-production The Lunchbox by Ritesh Batra (India, Deutschland, France).
Directors Fortnight is screening The Congress by director Ari Folmann (Israel, Germany, Poland, Luxembourg, France, Belgium).
The debut feature Summer Outside by Friederike Jehn (Germany, Switzerland) will be shown in Ecrans Juniors / Cannes Cinephiles which is curated by Cannes Cinema during the festival. The Strange Little Cat by Ramon Zürcher (Dffb) will be presented in the L'Acid-series, a special program by the Association du Cinéma Indépendant pour sa Diffusion during the festival.
German Films will be presenting a total of 30 New German Films to professional visitors at Cannes' Marché du Film from 17 to 22 May. Furthermore, this will be the 13th time that German Films joins forces with Focus Germany, the amalgamation of the seven major regional film funds, to run the German Pavilion in the International Village of the Marché du Film. The German Pavilion has been a popular platform for many years for people to get know one another personally and to foster an exchange between the accredited festival delegates from the German and international film industries in Cannes.
- 5/13/2013
- by Sydney Levine
- Sydney's Buzz
A still from “Charulata”
Satyajit Ray’s Charulata (The Lonely Wife) is one among the twenty feature films to be presented at Cannes Classics, as part of the Official Selection.
Based on a story by Rabindranath Tagore about a lonely housewife, the film features Soumitra Chatterjee, Madhabi Mukherjee and Shailen Mukherjee. It won Satyajit Ray a Silver Bear for Best Director at Berlin international film festival in 1965.
Cannes Classics was created in 2004 to present old films and masterpieces from cinematographic history that have been carefully restored. It is also a way to pay tribute to the essential work being down by copyrightholders, film libraries, production companies and national archives throughout the world.
This year’s programme of Cannes Classics is made up of twenty feature-length films and three documentaries.
Restored Prints
Borom Sarret (1963, 20’) by Ousmane Sembène
Charulata (Charluta: The Lonely Wife) (1964, 1:57) by Satyajit Ray
Cleopatra (1963, 4:03) by Joseph L. Mankiewicz...
Satyajit Ray’s Charulata (The Lonely Wife) is one among the twenty feature films to be presented at Cannes Classics, as part of the Official Selection.
Based on a story by Rabindranath Tagore about a lonely housewife, the film features Soumitra Chatterjee, Madhabi Mukherjee and Shailen Mukherjee. It won Satyajit Ray a Silver Bear for Best Director at Berlin international film festival in 1965.
Cannes Classics was created in 2004 to present old films and masterpieces from cinematographic history that have been carefully restored. It is also a way to pay tribute to the essential work being down by copyrightholders, film libraries, production companies and national archives throughout the world.
This year’s programme of Cannes Classics is made up of twenty feature-length films and three documentaries.
Restored Prints
Borom Sarret (1963, 20’) by Ousmane Sembène
Charulata (Charluta: The Lonely Wife) (1964, 1:57) by Satyajit Ray
Cleopatra (1963, 4:03) by Joseph L. Mankiewicz...
- 4/30/2013
- by NewsDesk
- DearCinema.com
There are too many great movies playing at Cannes to catch everything. Now they’ve just announced their Classics series. Restored Prints Borom Sarret (1963, 20’) by Ousmane Sembène Charulata (Charluta: The...
- 4/29/2013
- by Sasha Stone
- AwardsDaily.com
Cannes Classics, the festival's sidebar that screens new restorations of canonical films, has announced its lineup of twenty features films and three documentaries. Among the films selected are French arthouse favorites such as Jean Cocteau's black-and-white "Beauty and the Beast" (1946), Alain Resnais' "Hiroshima Mon Amour" (1959) and Jacques Demy's "The Umbrellas of Cherbourg" (1964). It's like a film studies refresher course without the homework! Plenty of American films will be featured as well, including Billy Wilder's late-career "Fedora" (1978) Joseph L. Mankiewicz's "Cleopatra" (1963) and Alfred Hitchcock's "The Birds" (1963), a new print of which just screened at the TCM Classic Film Festival. Cannes has chosen a perfectly creepy venue for "The Birds," which will screen on the beach as part of the festival's Cinema de la Plage sidebar. It was previously announced that Kim Novak will present a newly restored "Vertigo." One of the most highly anticipated events will be a 3-D.
- 4/29/2013
- by Ryan Lattanzio
- Thompson on Hollywood
The 2013 Cannes Film Festival lineup continues to grow, today with the announcement of the films playing in the Cannes Classics selection as well as the titles playing on the beach at night as part of the Cinema de la Plage selection. It was already announced Kim Novak would be in attendance to present the restored version of Alfred Hitchcock's Vertigo, but the restorations that will be screening don't end there. In addition to Vertigo a restored print of Joseph L. Mankiewicz's Cleopatra will screen along with restorations of Billy Wilder's Fedora, Yasujir? Ozu's An Autumn Afternoon, Hal Ashby's The Last Detail starring Jack Nicholson and a 3-D conversion of Bernardo Bertolucci's The Last Emperor. Additional notable names include films from Alain Resnais, Marco Ferreri, Chris Marker and Rene Clement. In addition to those titles a special presentation of Jean Cocteau's La Belle et La Bete...
- 4/29/2013
- by Brad Brevet
- Rope of Silicon
The Cannes Film Festival today announced the 23 film screening in the tenth edition of its Cannes Classics sidebar, which screens restored films that the festival deems essential to the history of the medium. Highlights include Satyajit Ray's "Charulata: The Lonely Wife," Bernardo Bertolucci's "The Last Emperor 3D," and Billy Wilder's "Fedora." The festival previously announced that Kim Novak will present a new restoration of Alfred Hitchcock's "Vertigo." The full Cannes Classics lineup can be found below. Restored Prints Borom Sarret (1963, 20’) by Ousmane Sembène Charulata (Charluta: The Lonely Wife) (1964, 1:57) by Satyajit Ray Cleopatra (1963, 4:03) by Joseph L. Mankiewicz Fedora (1978, 1:50) by Billy Wilder Goha (1957, 1:18) by Jacques Baratier Hiroshima Mon Amour (1959, 1:32) by Alain Resnais Il Deserto Dei Tartari (The Desert Of Tartars) (1976, 2:20) by Valerio Zurlini La Grande Abbuffata (La Grande Bouffe) (1973, 2h05) de Marco Ferreri La Reine Margot (1994, 2:39)...
- 4/29/2013
- by Indiewire Staff
- Indiewire
A film director can work for decades and never make anything approaching a good film. Often within the movie industry, wannabe directors can strive for years and years and never get close to making a feature film – that’s what makes the directors on this list so extraordinary. They have been extraordinarily consistent over a substantial amount of time, never allowing the quality of their art to shrink.
Some of the very greats have made poor films. Hitchcock made numerous clangers such as Family Plot, Topaz and Lifeboat amongst his formidable filmography. Francis Ford Coppola, director of the greatest film of all time (The Godfather Part II) has not made a good film for a while now and Billy Wilder did his best to taint his legacy with his late career output of Fedora and Buddy Buddy.
I decided a certain criteria was needed for a list like this, so put simply,...
Some of the very greats have made poor films. Hitchcock made numerous clangers such as Family Plot, Topaz and Lifeboat amongst his formidable filmography. Francis Ford Coppola, director of the greatest film of all time (The Godfather Part II) has not made a good film for a while now and Billy Wilder did his best to taint his legacy with his late career output of Fedora and Buddy Buddy.
I decided a certain criteria was needed for a list like this, so put simply,...
- 1/19/2013
- by Sam Moore
- Obsessed with Film
Quentin Tarantino Says Death Proof Is the “Worst” Film He’s Ever Made; Watch Full Directors Roundtable Interview
THR‘s roundtable interviews are always entertaining and this year’s director’s roundtable is one of the best. It’s a one-hour conversation that involves Quentin Tarantino, Ben Affleck, Ang Lee, Tom Hooper, David O. Russell, and Gus Van Sant. There are a few highlights but the Internet is buzzing with Tarantino’s comments about retiring and his film Death Proof.
“I’m really well versed on a lot of directors’ careers, you know, and when you look at those last five films when they were past it, when they were too old, and they’re really out of touch with the times, whether it be William Wyler and ‘The Liberation of L.B. Jones’ or Billy Wilder with ‘Fedora’ and then ‘Buddy Buddy’ or whatever the hell. To me, it’s all about my filmography,...
THR‘s roundtable interviews are always entertaining and this year’s director’s roundtable is one of the best. It’s a one-hour conversation that involves Quentin Tarantino, Ben Affleck, Ang Lee, Tom Hooper, David O. Russell, and Gus Van Sant. There are a few highlights but the Internet is buzzing with Tarantino’s comments about retiring and his film Death Proof.
“I’m really well versed on a lot of directors’ careers, you know, and when you look at those last five films when they were past it, when they were too old, and they’re really out of touch with the times, whether it be William Wyler and ‘The Liberation of L.B. Jones’ or Billy Wilder with ‘Fedora’ and then ‘Buddy Buddy’ or whatever the hell. To me, it’s all about my filmography,...
- 11/29/2012
- by Graham McMorrow
- City of Films
John Patterson: He's made some classics and is seen as the godfather of modern Hollywood but the world is still not wild about Billy Wilder
I've never quite forgiven the critic Andrew Sarris for backing down on his famously negative assessment of Billy Wilder's movies in his 1968 auteur-based survey The American Cinema. Far from placing Wilder in his pantheon of the greatest directors, Sarris quarantined him within his starkly named Less Than Meets The Eye section, alongside other figures of contestable quality such as John Huston, Lewis Milestone and Fred Zinnemann. The book contains dozens of imperishable phrases and judgments, but few stick in the mind like the opening of his Wilder demolition: "Billy Wilder is too cynical to believe even his own cynicism." Oof. And still true.
Sarris later conceded most of his ground, possibly because even bad 60s Wilder (the shriller stuff that was in the...
I've never quite forgiven the critic Andrew Sarris for backing down on his famously negative assessment of Billy Wilder's movies in his 1968 auteur-based survey The American Cinema. Far from placing Wilder in his pantheon of the greatest directors, Sarris quarantined him within his starkly named Less Than Meets The Eye section, alongside other figures of contestable quality such as John Huston, Lewis Milestone and Fred Zinnemann. The book contains dozens of imperishable phrases and judgments, but few stick in the mind like the opening of his Wilder demolition: "Billy Wilder is too cynical to believe even his own cynicism." Oof. And still true.
Sarris later conceded most of his ground, possibly because even bad 60s Wilder (the shriller stuff that was in the...
- 6/8/2012
- by John Patterson
- The Guardian - Film News
James Wolcott's right on this one: "Even if, like me, you thought you never needed or wanted to read another votive offering to Marilyn Monroe, lay aside thy doubts and reservations and attend to Jacqueline Rose's essay in the London Review of Books, 'A Rumbling of Things Unknown,' a full-course meal of a meditation." He quotes a couple of passages, but the gist is this: "It is something of a truism for psychoanalysis that one member of a family can carry the unconscious secrets of a whole family, can fall sick, as it were, on their behalf. My question is: for whom or what in 1950s and early 1960s America was Marilyn Monroe carrying the can?"
More reading. Sean O'Hagan interviews William Klein for the Guardian.
DVD/Blu-ray. Dave Kehr reviews three releases for the New York Times this week, the first from Olive Films: "Often overlooked...
More reading. Sean O'Hagan interviews William Klein for the Guardian.
DVD/Blu-ray. Dave Kehr reviews three releases for the New York Times this week, the first from Olive Films: "Often overlooked...
- 4/29/2012
- MUBI
"I want to thank three persons,” said Michel Hazanavicius, accepting the 2012 Best Picture Oscar for “The Artist.” “I want to thank Billy Wilder, I want to thank Billy Wilder and I want to thank Billy Wilder.” He wasn’t the first director to namecheck Wilder in an acceptance speech. In 1994, Fernando Trueba, accepting the Foreign Language Film Oscar for "Belle Epoque" quipped, "I would like to believe in God in order to thank him. But I just believe in Billy Wilder... so, thank you Mr. Wilder." Wilder reportedly called the next day "Fernando? It's God."
So just what exactly was it that inspired these men to expend some of the most valuable seconds of speechifying airtime they'll ever know, to tip their hats to Wilder? And can we bottle it?
Born in a region of Austria/Hungary that is now part of Poland, Wilder's story feels like an archetype of...
So just what exactly was it that inspired these men to expend some of the most valuable seconds of speechifying airtime they'll ever know, to tip their hats to Wilder? And can we bottle it?
Born in a region of Austria/Hungary that is now part of Poland, Wilder's story feels like an archetype of...
- 3/27/2012
- by Oliver Lyttelton
- The Playlist
Denzel Washington, Dionne Warwick, Armin Mueller-Stahl, Scarlett Johansson, Morgan Freeman, Dietmar Bär: Golden Camera Awards Initially a television award, the German weekly Hörzu's Golden Camera Award now covers a variety of categories, including movies, music, sports, pop culture, and even activism. Unlike the German Film Academy's prestigious Lola Awards — Germany's equivalent of the Oscars — the Golden Camera is basically a pop award. At a ceremony held Saturday, Feb. 4, at the Berlin headquarters of Hörzu's publishing house Axel Springer, this year's winners in the international movie categories were Scarlett Johansson and Denzel Washington, while Morgan Freeman received a Lifetime Achievement trophy. A couple of weeks ago, Freeman received a similar honor — the Cecil B. DeMille Award — from the Hollywood Foreign Press Association. Additionally, Dionne Warwick received her own Lifetime Achievement Golden Camera in the music category. Now, not that the U.S. media would know or care about this little detail,...
- 2/6/2012
- by Andre Soares
- Alt Film Guide
Veteran actress Marthe Keller, among whose credits are Claude Lelouch's And Now My Love and John Schlesinger's Marathon Man, will be inducted as a chevalier ("knight") in the French Legion of Honor, a civilian distinction that has been around since the early 1800s. Born in Basel, Switzerland, Keller will turn 67 next Jan. 28. In the last 45 years, she has appeared in more than 40 films, whether in leading or supporting roles. Apart from the aforementioned — ludicrous but financially successful — Marathon Man, in which she was featured opposite Dustin Hoffman and Laurence Olivier, Keller wasn't very lucky in her several Hollywood try-outs in the late '70s. She was a terrorist in John Frankenheimer's thriller Black Sunday (1977); romanced Al Pacino in Sydney Pollack's expensive autoracing flop Bobby Deerfield (1977); and was a mysterious Greta Garbo-like former actress pursued by William Holden in Billy Wilder's bomb Fedora (1978). Keller's last...
- 1/4/2012
- by Anna Robinson
- Alt Film Guide
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