One of the most anticipated and hottest films of 2024 is finally here. We are talking about Zendaya‘s Challengers which was memed to death for a threesome scene that was shown in the trailer but if you have seen the film then you know that the brilliance of the film is much more than that one scene. Directed by Call Me By Your Name‘s Luca Guadagnino from a screenplay by Justin Kuritzkes, the sports romantic drama follows the story of a talented tennis player Tashi, and her twisted relationship with two tennis players, one of whom is her husband now. Challengers stars Zendaya, Mike Faist, and Josh O’Connor in the lead role with Jordan Thompson, Faith Fay, Hailey Gates, and Tierre Diaz starring in supporting roles. So, if you loved the story of ambition and toxic relationships in Challengers you should check out these films with similar themes next.
- 4/29/2024
- by Kulwant Singh
- Cinema Blind
Perspective is one of the building blocks of cinema. It’s often thought of as a visual tool, but it doesn’t stop there. The audience is forfeiting both their visual and auditory senses and it’s the filmmakers’ job to take them on a journey using both images and sound.
In sound world, we aren’t simply creating the literal reality of where a character is currently located; we’re using sound to give a sense of the emotional situation using the naturalistic elements of that location. It’s the process of creating an experience wherein the audience steps into the subjectivity of a character—and to create that, it isn’t always as simple as “see a dog, hear a dog.” The cut is what the audience sees and the sonic-perspective is what they feel.
Case in point: take a stressful scene, one where our hero screams out loud from angst and frustration.
In sound world, we aren’t simply creating the literal reality of where a character is currently located; we’re using sound to give a sense of the emotional situation using the naturalistic elements of that location. It’s the process of creating an experience wherein the audience steps into the subjectivity of a character—and to create that, it isn’t always as simple as “see a dog, hear a dog.” The cut is what the audience sees and the sonic-perspective is what they feel.
Case in point: take a stressful scene, one where our hero screams out loud from angst and frustration.
- 4/12/2024
- by Thomas Ouziel
- Film Independent News & More
Bradley Cooper nearly pulled out of 'The Place Beyond The Pines' because it wasn’t what he signed up for.The 2012 American epic crime drama film starring Ryan Gosling as Luke, a motorcycle stunt rider who supports his family through a life of crime, and Cooper as Avery, a policeman who confronts his corrupt police department underwent a complete rewrite after the latter, whose involvement helped to pay for the flick, made it known he was not happy.Speaking at IndieWire’s Screen Talk live at the New Directors/New Films festival, writer/director Derek Cianfrance recalled: “I had given [Darius Marder] the script and he had a lot of notes for it, and I kind of agreed with a lot of what he was saying. And so we rewrote every word from 10 weeks to six weeks.“I remember giving Bradley Cooper the copy of ‘The Place Beyond the Pines,...
- 4/8/2024
- by Lizzie Baker
- Bang Showbiz
Derek Cianfrance, director of The Place Beyond The Pines, has been talking about the moment the film nearly collapsed.
We’ve never met anybody whose seen 2013’s The Place Beyond The Pines and thought it was anything less than great. The script, the direction and the production design are wonderful and this writer would argue that if there was ever an award for the best opening and closing shot in movie history, The Place Beyond The Pines would definitely be in contention.
However, there was one person who wasn’t impressed with the film, and that was before cameras had even rolled. The project’s director Derek Cianfrance has revealed that at one point, one of the film’s leading men was so unimpressed with a script rewrite that he tried to quit the movie.
Bradley Cooper starred opposite Ryan Gosling in the film, but when Cianfrance brought in screenwriter...
We’ve never met anybody whose seen 2013’s The Place Beyond The Pines and thought it was anything less than great. The script, the direction and the production design are wonderful and this writer would argue that if there was ever an award for the best opening and closing shot in movie history, The Place Beyond The Pines would definitely be in contention.
However, there was one person who wasn’t impressed with the film, and that was before cameras had even rolled. The project’s director Derek Cianfrance has revealed that at one point, one of the film’s leading men was so unimpressed with a script rewrite that he tried to quit the movie.
Bradley Cooper starred opposite Ryan Gosling in the film, but when Cianfrance brought in screenwriter...
- 4/8/2024
- by Dan Cooper
- Film Stories
Bradley Cooper almost quit The Place Beyond the Pines.
During Indiewire’s Screen Talk live at the New Directors/New Films festival, writer/director Derek Cianfrance — who co-wrote the feature with future Sound of Metal director Darius Marder — said Cooper didn’t like what he read after receiving an updated script. That’s because Marder and Cianfrance rewrote “every word.”
Cooper hated the changes to his character, a police officer who kills an empathetic thief (Ryan Gosling) midway through the 2013 film.
“I had given [Darius Marder] the script and he had a lot of notes for it, and I kind of agreed with a lot of what he was saying. And so we rewrote every word from 10 weeks to six weeks,” Cianfrance said. “I remember giving Bradley Cooper the copy of ‘The Place Beyond the Pines,’ the new script, and getting a voice message from him saying, ‘Bro, I just want to...
During Indiewire’s Screen Talk live at the New Directors/New Films festival, writer/director Derek Cianfrance — who co-wrote the feature with future Sound of Metal director Darius Marder — said Cooper didn’t like what he read after receiving an updated script. That’s because Marder and Cianfrance rewrote “every word.”
Cooper hated the changes to his character, a police officer who kills an empathetic thief (Ryan Gosling) midway through the 2013 film.
“I had given [Darius Marder] the script and he had a lot of notes for it, and I kind of agreed with a lot of what he was saying. And so we rewrote every word from 10 weeks to six weeks,” Cianfrance said. “I remember giving Bradley Cooper the copy of ‘The Place Beyond the Pines,’ the new script, and getting a voice message from him saying, ‘Bro, I just want to...
- 4/7/2024
- by Bruce Haring
- Deadline Film + TV
Bradley Cooper is unhesitant and unequivocally bold while listing out his thoughts. Especially when it comes to the projects he takes on, he doesn’t waver to let everyone know his thoughts on the story he has chosen to work on. This is why he was almost willing to quit the very movie that had Ryan Gosling head over heels in love with the actress who later became his wife, Eva Mendes.
Bradley Cooper in The Hangover.
Yes, the film in talks here is none other than the indie masterpiece by Derek Cianfrance from 2013, The Place Beyond the Pines — also the film that started the Gosling-Mendes love story. And the reason why Cooper was so hell-bent on quitting the project after getting on board was the rewrites and the new draft presented to him, which was, quite simply, not what he had in mind for the movie.
The Place Beyond...
Bradley Cooper in The Hangover.
Yes, the film in talks here is none other than the indie masterpiece by Derek Cianfrance from 2013, The Place Beyond the Pines — also the film that started the Gosling-Mendes love story. And the reason why Cooper was so hell-bent on quitting the project after getting on board was the rewrites and the new draft presented to him, which was, quite simply, not what he had in mind for the movie.
The Place Beyond...
- 4/7/2024
- by Mahin Sultan
- FandomWire
The Place Beyond the Pines director Derek Cianfrance revealed that Bradley Cooper nearly quit the 2013 film after receiving a rewritten script.
The filmmaker, who also co-wrote the crime drama starring Ryan Gosling and Eva Mendes, recently told IndieWire at the New Directors/New Films festival that he brought in screenwriter Darius Marder to rewrite “every word” of the movie just before filming began.
However, Cianfrance said once the Star Is Born actor read the updated script, he was not very happy with the changes to his character, Avery, a police officer who kills an empathetic thief (Gosling) halfway through the movie.
“I had given [Marder] the script and he had a lot of notes for it, and I kind of agreed with a lot of what he was saying. And so we rewrote every word from 10 weeks to six weeks,” he recalled. “I remember giving Bradley Cooper the copy of The Place Beyond the Pines,...
The filmmaker, who also co-wrote the crime drama starring Ryan Gosling and Eva Mendes, recently told IndieWire at the New Directors/New Films festival that he brought in screenwriter Darius Marder to rewrite “every word” of the movie just before filming began.
However, Cianfrance said once the Star Is Born actor read the updated script, he was not very happy with the changes to his character, Avery, a police officer who kills an empathetic thief (Gosling) halfway through the movie.
“I had given [Marder] the script and he had a lot of notes for it, and I kind of agreed with a lot of what he was saying. And so we rewrote every word from 10 weeks to six weeks,” he recalled. “I remember giving Bradley Cooper the copy of The Place Beyond the Pines,...
- 4/7/2024
- by Carly Thomas
- The Hollywood Reporter - Movie News
Derek Cianfrance, director and co-writer of “The Place Beyond the Pines,” told IndieWire at the New Directors/New Films festival that Bradley Cooper almost bowed out of the production after receiving a rewritten script.
Just before principle photography began, Cianfrance brought in screenwriter Darius Marder to rewrite “every word” of “The Place Beyond the Pines.” Cooper was not pleased with the changes to his character, a police officer who kills off a compassionate thief (Ryan Gosling) at the film’s halfway mark.
“I had given [Marder] the script and he had a lot of notes for it, and I kind of agreed with a lot of what he was saying. And so we rewrote every word from 10 weeks to six weeks,” Cianfrance explained. “I remember giving Bradley Cooper the copy of ‘The Place Beyond the Pines,’ the new script, and getting a voice message from him saying, ‘Bro, I just want...
Just before principle photography began, Cianfrance brought in screenwriter Darius Marder to rewrite “every word” of “The Place Beyond the Pines.” Cooper was not pleased with the changes to his character, a police officer who kills off a compassionate thief (Ryan Gosling) at the film’s halfway mark.
“I had given [Marder] the script and he had a lot of notes for it, and I kind of agreed with a lot of what he was saying. And so we rewrote every word from 10 weeks to six weeks,” Cianfrance explained. “I remember giving Bradley Cooper the copy of ‘The Place Beyond the Pines,’ the new script, and getting a voice message from him saying, ‘Bro, I just want...
- 4/6/2024
- by Jack Dunn
- Variety Film + TV
Bradley Cooper almost bowed out of “The Place Beyond the Pines.”
Writer/director Derek Cianfrance, who co-wrote the feature with future “Sound of Metal” director Darius Marder, revealed during IndieWire’s Screen Talk live at the New Directors/New Films festival that Academy Award-nominated Cooper wavered after receiving an updated script.
Cianfrance brought writer Marder onboard to help rewrite “every word” of “The Place Beyond the Pines” shortly before shooting began. According to Cianfrance, actor Cooper was less than pleased with the updates to his character, a police officer who kills an empathetic thief (Ryan Gosling) midway through the decade-spanning 2013 film.
“I had given [Darius Marder] the script and he had a lot of notes for it, and I kind of agreed with a lot of what he was saying. And so we rewrote every word from 10 weeks to six weeks,” Cianfrance said during Screen Talk live, co-hosted by Anne Thompson and Ryan Lattanzio.
Writer/director Derek Cianfrance, who co-wrote the feature with future “Sound of Metal” director Darius Marder, revealed during IndieWire’s Screen Talk live at the New Directors/New Films festival that Academy Award-nominated Cooper wavered after receiving an updated script.
Cianfrance brought writer Marder onboard to help rewrite “every word” of “The Place Beyond the Pines” shortly before shooting began. According to Cianfrance, actor Cooper was less than pleased with the updates to his character, a police officer who kills an empathetic thief (Ryan Gosling) midway through the decade-spanning 2013 film.
“I had given [Darius Marder] the script and he had a lot of notes for it, and I kind of agreed with a lot of what he was saying. And so we rewrote every word from 10 weeks to six weeks,” Cianfrance said during Screen Talk live, co-hosted by Anne Thompson and Ryan Lattanzio.
- 4/5/2024
- by Samantha Bergeson
- Indiewire
The Directors Guild of America Awards are on February 10, and while the race for Best Film Director looks like a runaway for Christopher Nolan (“Oppenheimer”), Best First-Time Feature Director could be a little more suspenseful. The top two contenders are also first-time Oscar nominees this year: Celine Song for “Past Lives” and Cord Jefferson for “American Fiction.” They’re both Oscar-nominated for their screenplays, though. So which will be the industry’s choice for their direction?
As of this writing Song is the heavy favorite to win with leading odds of 31/10. Betting on her to win are all 11 of the Expert journalists currently making their predictions, 10 out of the 11 Gold Derby Editors who cover awards year-round, 23 of the Top 24 Users who got the best scores predicting last year’s DGA winners and 23 of the All-Star Top 24 who got the highest scores when you combine multiple years’ results. Jefferson trails in...
As of this writing Song is the heavy favorite to win with leading odds of 31/10. Betting on her to win are all 11 of the Expert journalists currently making their predictions, 10 out of the 11 Gold Derby Editors who cover awards year-round, 23 of the Top 24 Users who got the best scores predicting last year’s DGA winners and 23 of the All-Star Top 24 who got the highest scores when you combine multiple years’ results. Jefferson trails in...
- 2/8/2024
- by Daniel Montgomery
- Gold Derby
Exclusive: LA and London-based management and production company 42 has signed British writer, director and producer Rupert Wyatt for management.
Wyatt is best known for directing 20th Century Fox’s critical and commercial hit Rise of the Planet of the Apes, starring Andy Serkis. He will continue to be represented by UTA.
Wyatt made his directorial debut in 2008 with crime-thriller The Escapist, starring Brian Cox, Damian Lewis, Dominic Cooper and Joseph Fiennes. The Sundance premiere achieved multiple BIFA nominations. He also helmed Paramount Pictures’ The Gambler, starring Mark Wahlberg, Brie Larson, John Goodman, and Jessica Lange; and Captive State for Focus Features, with John Goodman and Vera Farmiga.
Most recently, he co-wrote and directed historical drama Desert Warrior, Mbc Studios’ largest ever feature film, which stars Anthony Mackie, Aiysha Hart, and Sir Ben Kingsley. The movie is due to launch next year.
In TV, Wyatt was pilot director and executive producer...
Wyatt is best known for directing 20th Century Fox’s critical and commercial hit Rise of the Planet of the Apes, starring Andy Serkis. He will continue to be represented by UTA.
Wyatt made his directorial debut in 2008 with crime-thriller The Escapist, starring Brian Cox, Damian Lewis, Dominic Cooper and Joseph Fiennes. The Sundance premiere achieved multiple BIFA nominations. He also helmed Paramount Pictures’ The Gambler, starring Mark Wahlberg, Brie Larson, John Goodman, and Jessica Lange; and Captive State for Focus Features, with John Goodman and Vera Farmiga.
Most recently, he co-wrote and directed historical drama Desert Warrior, Mbc Studios’ largest ever feature film, which stars Anthony Mackie, Aiysha Hart, and Sir Ben Kingsley. The movie is due to launch next year.
In TV, Wyatt was pilot director and executive producer...
- 12/13/2023
- by Andreas Wiseman
- Deadline Film + TV
‘We believe all life is sacred, no matter faith or ethnicity’
Riz Ahmed, Cate Blanchett, Kristen Stewart, Cherien Dabis and Rooney Mara are among Hollywood and entertainment celebrities urging US president Joe Biden to call for a ceasefire in Gaza and Israel.
Andrew Garfield, Jessica Chastain, James Schamus, Joaquin Phoenix, Mahershala Ali, Jon Stewart, and Dua Lipa have also added their names to an open letter on Friday urging Biden and all world leaders to call for “an immediate de-escalation and ceasefire in Gaza and Israel before another life is lost”.
It is estimated that more than 5,000 Palestinians and Israelis...
Riz Ahmed, Cate Blanchett, Kristen Stewart, Cherien Dabis and Rooney Mara are among Hollywood and entertainment celebrities urging US president Joe Biden to call for a ceasefire in Gaza and Israel.
Andrew Garfield, Jessica Chastain, James Schamus, Joaquin Phoenix, Mahershala Ali, Jon Stewart, and Dua Lipa have also added their names to an open letter on Friday urging Biden and all world leaders to call for “an immediate de-escalation and ceasefire in Gaza and Israel before another life is lost”.
It is estimated that more than 5,000 Palestinians and Israelis...
- 10/21/2023
- by Jeremy Kay
- ScreenDaily
A long list of big-name actors released a letter today directed to President Biden asking him to call for a cease fire in Gaza and Israel.
Among the signatories are Mark Ruffalo, Jessica Chastian, Cate Blanchett, Quinta Brunson, Rosario Dawson, Oscar Isaac, Joaquin Phoenix, Alyssa Milano, Jon Stewart and many more. The list includes prominent Jewish, Muslim and Christian actors
The full text of the letter is below.
Dear President Biden,
We come together as artists and advocates, but most importantly as human beings witnessing the devastating loss of lives and unfolding horrors in Israel and Palestine.
We ask that, as President of the United States, you call for an immediate de-escalation and ceasefire in Gaza and Israel before another life is lost. More than 5,000 people have been killed in the last week and a half – a number any person of conscience knows is catastrophic. We believe all life is sacred,...
Among the signatories are Mark Ruffalo, Jessica Chastian, Cate Blanchett, Quinta Brunson, Rosario Dawson, Oscar Isaac, Joaquin Phoenix, Alyssa Milano, Jon Stewart and many more. The list includes prominent Jewish, Muslim and Christian actors
The full text of the letter is below.
Dear President Biden,
We come together as artists and advocates, but most importantly as human beings witnessing the devastating loss of lives and unfolding horrors in Israel and Palestine.
We ask that, as President of the United States, you call for an immediate de-escalation and ceasefire in Gaza and Israel before another life is lost. More than 5,000 people have been killed in the last week and a half – a number any person of conscience knows is catastrophic. We believe all life is sacred,...
- 10/20/2023
- by Tom Tapp
- Deadline Film + TV
Judging by some of the stories to have come out of the production of Greta Gerwig's "Barbie," the making of the movie was a delight for everyone involved. For instance, /Film recently reported that the cast of the film kicked off filming with a slumber party for all the Barbies. Kens were not invited, although they were welcome to visit briefly, send gifts, or call in to say hello. Not surprisingly, Michael Cera, the actor to play the nondescript non-Ken Allan, was not invited to even say hello. Gerwig also held screenings every Sunday morning -- a kind of "movie church" -- to communicate to her cast what vibe she was seeking. The director even wrote a short prayer to Barbie that she recited to Warner Bros. executives. The film was playful and bubbly because the production was playful and bubbly.
Ryan Gosling plays the most prominent Ken in "Barbie,...
Ryan Gosling plays the most prominent Ken in "Barbie,...
- 8/19/2023
- by Witney Seibold
- Slash Film
Toronto — TIFF today unveiled the 10 World Premiere features that comprise the Platform programme for 2023, along with the 2023 Platform jury members: Academy Award–winning filmmaker Barry Jenkins, joined by Cannes Jury Prize–winning director, writer, and actor Nadine Labaki, and 2022 Platform Prize–winning filmmaker Anthony Shim.
Since its introduction in 2015, Platform has celebrated and showcased films with unique directorial perspectives. The 10 films in the 2023 programme are eligible for the Platform Prize, an award of $20,000 Cad given to the best film in the programme, selected by an in-person international jury.
“I am delighted to announce that we have an international dream jury with acclaimed filmmakers Barry Jenkins, Nadine Labaki, and Anthony Shim as jury members for the Platform programme at TIFF,” said Anita Lee, Chief Programming Officer, TIFF. “Together, they represent the bold and independent spirit of the Platform Prize.”
Platform is TIFF’s competitive programme that champions bold directorial visions. The...
Since its introduction in 2015, Platform has celebrated and showcased films with unique directorial perspectives. The 10 films in the 2023 programme are eligible for the Platform Prize, an award of $20,000 Cad given to the best film in the programme, selected by an in-person international jury.
“I am delighted to announce that we have an international dream jury with acclaimed filmmakers Barry Jenkins, Nadine Labaki, and Anthony Shim as jury members for the Platform programme at TIFF,” said Anita Lee, Chief Programming Officer, TIFF. “Together, they represent the bold and independent spirit of the Platform Prize.”
Platform is TIFF’s competitive programme that champions bold directorial visions. The...
- 8/2/2023
- by Movies Martin Cid Magazine
- Martin Cid Magazine - Movies
The Toronto Film Festival is almost a month away and that means there are more films still to be announced as part of the 2023 slate. Today, TIFF revealed the 10 movies selected as part of the competition Platform program. They include works from 12 countries across three continents including Kristoffer Borgli’s follow-up to “Sick of Myself,” “Dream Scenario” which just happens to star Nicholas Cage.
Read More: TIFF 2023: New Films From Taika Waititi, Craig Gillespie, Anna Kendrick, Viggo Mortensen
While the Platform program is entering its eighth year, it has included notable works such as Barry Jenkins’ “Moonlight,” Pablo Larrain’s “Jackie,” William Oldroyd’s “Lady Macbeth,” Armando Iannucci’s “The Death of Stalin,” Darius Marder’s “Sound of Metal,” and Alice Winocour’s “Proxima,” among others.
Continue reading ‘Dream Scenario’ With Nicolas Cage Tops 2023 TIFF Platform Slate at The Playlist.
Read More: TIFF 2023: New Films From Taika Waititi, Craig Gillespie, Anna Kendrick, Viggo Mortensen
While the Platform program is entering its eighth year, it has included notable works such as Barry Jenkins’ “Moonlight,” Pablo Larrain’s “Jackie,” William Oldroyd’s “Lady Macbeth,” Armando Iannucci’s “The Death of Stalin,” Darius Marder’s “Sound of Metal,” and Alice Winocour’s “Proxima,” among others.
Continue reading ‘Dream Scenario’ With Nicolas Cage Tops 2023 TIFF Platform Slate at The Playlist.
- 8/2/2023
- by Gregory Ellwood
- The Playlist
Having already announced documentary as well as gala and special presentation lineups, TIFF now unveils 10 world premiering films selected for this year’s Platform program. The 2023 Platform jury is also revealed today, consisting of of Oscar-winning filmmaker Barry Jenkins, Cannes Jury Prize-winning director, writer, and actor Nadine Labaki and Anthony Shim, whose 2022 film Riceboy Sleeps won the Platform Prize last year. The Platform Prize—consisting of $20,000 Cad—is given to the best film as selected by the jury. Notable past recipients of the Platform Prize also include Hany Abu-Assad’s Huda’s Salon (2021), Kamila Andini’s Yuni (2021), Darius Marder’s Sound of Metal (2019), Alice Winocour’s Proxima (2019), […]
The post TIFF Reveals 2023 Platform Lineup and Jury first appeared on Filmmaker Magazine.
The post TIFF Reveals 2023 Platform Lineup and Jury first appeared on Filmmaker Magazine.
- 8/2/2023
- by Filmmaker Staff
- Filmmaker Magazine - Blog
Having already announced documentary as well as gala and special presentation lineups, TIFF now unveils 10 world premiering films selected for this year’s Platform program. The 2023 Platform jury is also revealed today, consisting of of Oscar-winning filmmaker Barry Jenkins, Cannes Jury Prize-winning director, writer, and actor Nadine Labaki and Anthony Shim, whose 2022 film Riceboy Sleeps won the Platform Prize last year. The Platform Prize—consisting of $20,000 Cad—is given to the best film as selected by the jury. Notable past recipients of the Platform Prize also include Hany Abu-Assad’s Huda’s Salon (2021), Kamila Andini’s Yuni (2021), Darius Marder’s Sound of Metal (2019), Alice Winocour’s Proxima (2019), […]
The post TIFF Reveals 2023 Platform Lineup and Jury first appeared on Filmmaker Magazine.
The post TIFF Reveals 2023 Platform Lineup and Jury first appeared on Filmmaker Magazine.
- 8/2/2023
- by Filmmaker Staff
- Filmmaker Magazine-Director Interviews
The Toronto Film Festival on Wednesday revealed the 10 titles in its Platform program, a sidebar that will tee off with A24’s Kristoffer Borgli comedy Dream Scenario starring Nicolas Cage. This year’s Platform includes movies from 12 countries across three continents, all of which are making their world premiere at TIFF, which this year runs from September 7-17.
In addition, the fest today unveiled this year’s Platform jury, which includes Oscar-winning filmmaker Barry Jenkins as chair; Cannes Jury Prize–winning director, writer, and actor Nadine Labaki; and 2022 Platform Prize–winning filmmaker Anthony Shim.
The Platform program, going into its eighth year, is curated for its bold directorial visions. The movies in the 2023 program are eligible for the Platform Prize, an award of CA$20,000 selected by the in-person international jury.
Barry Jenkins
“I am delighted to announce that we have an international dream jury with acclaimed filmmakers Barry Jenkins, Nadine Labaki,...
In addition, the fest today unveiled this year’s Platform jury, which includes Oscar-winning filmmaker Barry Jenkins as chair; Cannes Jury Prize–winning director, writer, and actor Nadine Labaki; and 2022 Platform Prize–winning filmmaker Anthony Shim.
The Platform program, going into its eighth year, is curated for its bold directorial visions. The movies in the 2023 program are eligible for the Platform Prize, an award of CA$20,000 selected by the in-person international jury.
Barry Jenkins
“I am delighted to announce that we have an international dream jury with acclaimed filmmakers Barry Jenkins, Nadine Labaki,...
- 8/2/2023
- by Anthony D'Alessandro
- Deadline Film + TV
“Dream Scenario,” a bizarre comedy starring Nicolas Cage and directed by Kristoffer Borgli, will be one of 10 films competing in the Platform program at the 2023 Toronto International Film Festival, TIFF organizers announced on Wednesday.
The films will be competing for the Platform Prize, a $20,000 Cad award that will be given to the film chosen as the section’s best by a jury consisting of directors Barry Jenkins, Nadine Labaki and Anthony Shim (who won the Platform Prize last year for “Riceboy Sleeps”).
In a statement released by TIFF, programming director and Platform lead Robyn Citizen singled out “Dream Scenario,” which will serve as the section’s opening-night film, and said, “This surrealist satire-comedy has sharp, timely observations about social media culture — especially ‘going viral’ — and its impact on the way that we interact with others in our day-to-day life. Cage delivers some of his finest work.” She went on to say,...
The films will be competing for the Platform Prize, a $20,000 Cad award that will be given to the film chosen as the section’s best by a jury consisting of directors Barry Jenkins, Nadine Labaki and Anthony Shim (who won the Platform Prize last year for “Riceboy Sleeps”).
In a statement released by TIFF, programming director and Platform lead Robyn Citizen singled out “Dream Scenario,” which will serve as the section’s opening-night film, and said, “This surrealist satire-comedy has sharp, timely observations about social media culture — especially ‘going viral’ — and its impact on the way that we interact with others in our day-to-day life. Cage delivers some of his finest work.” She went on to say,...
- 8/2/2023
- by Steve Pond
- The Wrap
The Toronto International Film Festival has today announced the 10 world premiere features that comprise its Platform program for the 2023 edition, along with the 2023 Platform jury members: Academy Award–winning filmmaker Barry Jenkins serves as jury chair; joined by Cannes Jury Prize–winning director, writer, and actor Nadine Labaki; and 2022 Platform Prize–winning filmmaker Anthony Shim. Both Jenkins and Shim have previously shown work in the section, and Shim was awarded program’s highest prize in 2022 for his “Riceboy Sleeps.”
Per TIFF, “Since its introduction in 2015, Platform has celebrated and showcased films with unique directorial perspectives.” The section is the fest’s “competitive program that champions bold directorial visions.” The films selected for this year’s lineup come from 12 countries across three continents, all of which will be making their world premiere at TIFF.
This year’s lineup includes new films from Kristoffer Borgli, whose razor-sharp “Sick of Myself” recently hit America,...
Per TIFF, “Since its introduction in 2015, Platform has celebrated and showcased films with unique directorial perspectives.” The section is the fest’s “competitive program that champions bold directorial visions.” The films selected for this year’s lineup come from 12 countries across three continents, all of which will be making their world premiere at TIFF.
This year’s lineup includes new films from Kristoffer Borgli, whose razor-sharp “Sick of Myself” recently hit America,...
- 8/2/2023
- by Kate Erbland
- Indiewire
Film is written by Nathwani and Screen Star of Tomorrow Helen Simmons.
UK-based filmmaker Sasha Nathwani has wrapped his debut feature Last Swim, a day-in-a-life drama featuring a host of rising stars, co-written by Screen 2018 producer Star of Tomorrow Helen Simmons,
The film stars newcomer Deba Hekmat alongside Under The Shadow actress Narges Rashidi, Screen 2022 Star of Tomorrow Solly McLeod, The Batman’s Jay Lycurgo and Denzel Baidoo. Shooting took place from mid-May to early June at locations across London.
Last Swim follows an ambitious Iranian teenager in London who has been diagnosed with a life-changing condition. On A-level results day,...
UK-based filmmaker Sasha Nathwani has wrapped his debut feature Last Swim, a day-in-a-life drama featuring a host of rising stars, co-written by Screen 2018 producer Star of Tomorrow Helen Simmons,
The film stars newcomer Deba Hekmat alongside Under The Shadow actress Narges Rashidi, Screen 2022 Star of Tomorrow Solly McLeod, The Batman’s Jay Lycurgo and Denzel Baidoo. Shooting took place from mid-May to early June at locations across London.
Last Swim follows an ambitious Iranian teenager in London who has been diagnosed with a life-changing condition. On A-level results day,...
- 6/23/2023
- by Ben Dalton
- ScreenDaily
The Oscar category of Best Film Editing is historically dominated by war epics, action pictures, multicharacter dramas and musicals. But two years ago, in a rare and wonderful exception to the rule, the statuette was won by Mikkel E.G. Nielsen for his delicate work on the “Sound of Metal,” a film in which the editing was crucial in synching the audience to its main character’s sonic experience.
Nielsen’s mastery of rhythm and tone also proved invaluable for the sly currents of Martin McDonagh’s “The Banshees of Inisherin,” the acclaimed tragicomedy for which he is nominated this year. The 49-year-old Danish editor made history in 2021 as the first Scandinavian winner in the category, and this year he’s the only previous nominee in the category.
Chatting from London, Nielsen discussed his repeat trip to the Oscars, the difficulty of mixing comedy and tragic tones in the cutting room,...
Nielsen’s mastery of rhythm and tone also proved invaluable for the sly currents of Martin McDonagh’s “The Banshees of Inisherin,” the acclaimed tragicomedy for which he is nominated this year. The 49-year-old Danish editor made history in 2021 as the first Scandinavian winner in the category, and this year he’s the only previous nominee in the category.
Chatting from London, Nielsen discussed his repeat trip to the Oscars, the difficulty of mixing comedy and tragic tones in the cutting room,...
- 2/23/2023
- by Joe McGovern
- The Wrap
Just one year after Maggie Gyllenhaal (“The Lost Daughter”) became the second woman to win the Directors Guild of America’s First-Time Film Director award, Charlotte Wells (“Aftersun”) is set to follow her as the category’s third female champ. The 35-year-old Scottish filmmaker, who helmed three narrative shorts between 2015 and 2017, has already been heavily feted for her feature directing (and writing) debut with accolades such as the Cannes French Touch Prize and the Gotham Award for Best Breakthrough Director. Now, the fact that a whopping 96 of Gold Derby’s 2023 DGA Awards predictions odds-makers have her as their top choice in the rookie race should translate to a decisive win.
This category’s current lineup is the only one in its eight-year history to include just one male nominee. Last year’s unprecedented field of six consisted of two men and four women, including Gyllenhaal. Our odds show Wells far outpacing female contenders Alice Diop,...
This category’s current lineup is the only one in its eight-year history to include just one male nominee. Last year’s unprecedented field of six consisted of two men and four women, including Gyllenhaal. Our odds show Wells far outpacing female contenders Alice Diop,...
- 1/27/2023
- by Matthew Stewart
- Gold Derby
Modern Films, a leading London-based film banner which notably distributed “Drive My Car,” will release Dina Amer’s emotional and thought-provoking character study “You Resemble Me” in the U.K. and Ireland.
The movie, which world premiered at Venice last year, tells the journey of Hasna Aït Boulahcen, a fragile, young Muslim woman who became linked to the November 2015 terrorist attacks in Paris and was wrongly believed to be Europe’s first female suicide bomber.
Exploring the roots of radicalization through a layered coming-of-age story, the movie marks the feature debut of Amer, an Egyptian-American filmmaker and award-winning journalist. The movie is executive produced by Spike Lee, Spike Jonze, Riz Ahmed and Alma Har’el.
“I’m thrilled to be working on this film with such a dedicated and talented team to bring it to audiences in the U.K. and Ireland, tying together the story of the fragility of youth,...
The movie, which world premiered at Venice last year, tells the journey of Hasna Aït Boulahcen, a fragile, young Muslim woman who became linked to the November 2015 terrorist attacks in Paris and was wrongly believed to be Europe’s first female suicide bomber.
Exploring the roots of radicalization through a layered coming-of-age story, the movie marks the feature debut of Amer, an Egyptian-American filmmaker and award-winning journalist. The movie is executive produced by Spike Lee, Spike Jonze, Riz Ahmed and Alma Har’el.
“I’m thrilled to be working on this film with such a dedicated and talented team to bring it to audiences in the U.K. and Ireland, tying together the story of the fragility of youth,...
- 12/7/2022
- by Elsa Keslassy
- Variety Film + TV
The first trailer for “You Resemble Me,” the feature directorial debut of “The Square” associate producer Dina Amer, has been unveiled. The film debuted at Venice in 2021 and has had a stellar festival run since, picking up plaudits on the way.
The film, executive produced by Spike Lee, Spike Jonze, Riz Ahmed and Alma Har’el, tells the true story of Hasna Ait Boulahcen, a woman who was falsely accused of being Europe’s first female suicide bomber. It follows two sisters on the outskirts of Paris and after the siblings are torn apart, the eldest, Hasna, struggles to find her identity, leading to a choice that shocks the world.
The starting point for the film was the Bataclan attacks in Paris, where Amer was a journalist reporting on the scene.
“As a Muslim Egyptian woman living in the West, I’ve struggled to reconcile pieces of my identity that feel contradictory.
The film, executive produced by Spike Lee, Spike Jonze, Riz Ahmed and Alma Har’el, tells the true story of Hasna Ait Boulahcen, a woman who was falsely accused of being Europe’s first female suicide bomber. It follows two sisters on the outskirts of Paris and after the siblings are torn apart, the eldest, Hasna, struggles to find her identity, leading to a choice that shocks the world.
The starting point for the film was the Bataclan attacks in Paris, where Amer was a journalist reporting on the scene.
“As a Muslim Egyptian woman living in the West, I’ve struggled to reconcile pieces of my identity that feel contradictory.
- 10/21/2022
- by Naman Ramachandran
- Variety Film + TV
New Release Wall
“Elvis” (Warner Bros. Home Entertainment): Baz Luhrmann’s obsessions are piled on top of other obsessions that are themselves mashed up with ongoing tendencies toward spectacle, extravagance and emotional extremes — that whole “Moulin Rouge!” ethos of Truth Beauty Freedom Love — and this big loud biopic/love letter to Elvis Presley is a visual and sonic blast, with an uncanny Austin Butler as the King. You don’t even have to like the late legend’s music to enjoy this juggernaut of sensation, just find a friend with a giant-screen TV (this one’s already available in 4K) and very loud sound.
Also available:
“Batman: The Long Halloween” (Deluxe Edition) (Warner Bros. Home Entertainment): The Caped Crusader has to hunt down a killer that strikes on various holidays in this two-part animated feature.
“The Black Phone” (Universal): A resourceful boy (with assistance from his visions-having...
“Elvis” (Warner Bros. Home Entertainment): Baz Luhrmann’s obsessions are piled on top of other obsessions that are themselves mashed up with ongoing tendencies toward spectacle, extravagance and emotional extremes — that whole “Moulin Rouge!” ethos of Truth Beauty Freedom Love — and this big loud biopic/love letter to Elvis Presley is a visual and sonic blast, with an uncanny Austin Butler as the King. You don’t even have to like the late legend’s music to enjoy this juggernaut of sensation, just find a friend with a giant-screen TV (this one’s already available in 4K) and very loud sound.
Also available:
“Batman: The Long Halloween” (Deluxe Edition) (Warner Bros. Home Entertainment): The Caped Crusader has to hunt down a killer that strikes on various holidays in this two-part animated feature.
“The Black Phone” (Universal): A resourceful boy (with assistance from his visions-having...
- 9/15/2022
- by Alonso Duralde
- The Wrap
Toronto announced the 10 world premieres in its Platform program, a section comprised of first-time feature filmmakers and vets whose voices are emerging in the cinematic landscape.
“We launched Platform to shine a brighter light on some of the most original films and distinct voices at our Festival,” said Cameron Bailey, TIFF CEO. “Now in year seven, it’s become a true home for international auteurs on the rise.”
Named after Jia Zhang-ke’s groundbreaking second feature, Platform is curated by TIFF Chief Programming Officer Anita Lee; Director, Festival Programming Robyn Citizen; and Senior Manager, Festival Programming Ravi Srinivasan.
“Eclectic in vision, this year’s selection not only represents all World Premieres of exciting, on-the-rise voices from around the world, but it also reflects the very timely and unique perspectives of racialized filmmakers from diasporic communities broadening the canvas,” said Lee.
Of the ten Platform titles making their world premiere at TIFF,...
“We launched Platform to shine a brighter light on some of the most original films and distinct voices at our Festival,” said Cameron Bailey, TIFF CEO. “Now in year seven, it’s become a true home for international auteurs on the rise.”
Named after Jia Zhang-ke’s groundbreaking second feature, Platform is curated by TIFF Chief Programming Officer Anita Lee; Director, Festival Programming Robyn Citizen; and Senior Manager, Festival Programming Ravi Srinivasan.
“Eclectic in vision, this year’s selection not only represents all World Premieres of exciting, on-the-rise voices from around the world, but it also reflects the very timely and unique perspectives of racialized filmmakers from diasporic communities broadening the canvas,” said Lee.
Of the ten Platform titles making their world premiere at TIFF,...
- 8/3/2022
- by Anthony D'Alessandro
- Deadline Film + TV
The Toronto International Film Festival today revealed the 10 feature films that will make up its Platform section. The festival, which runs September 8 through 18 this year, annually hosts the Platform vertical to shine a light on first-time and veteran filmmakers and their bold directorial visions from around the globe.
The program’s opening night selection is the directorial debut of actor Frances O’Connor, “Emily,” which centers on author Emily Brontë and the years leading up to the publication of her novel “Wuthering Heights.” Notably the selection also includes two Canadian films as well as the latest movie from Maïmouna Doucouré, the director of 2020’s controversial “Cuties.” All 10 films in the program are world premieres.
“We launched Platform to shine a brighter light on some of the most original films and distinct voices at our Festival,” said Cameron Bailey, the CEO of the Toronto International Film Festival. “Now in year seven, it...
The program’s opening night selection is the directorial debut of actor Frances O’Connor, “Emily,” which centers on author Emily Brontë and the years leading up to the publication of her novel “Wuthering Heights.” Notably the selection also includes two Canadian films as well as the latest movie from Maïmouna Doucouré, the director of 2020’s controversial “Cuties.” All 10 films in the program are world premieres.
“We launched Platform to shine a brighter light on some of the most original films and distinct voices at our Festival,” said Cameron Bailey, the CEO of the Toronto International Film Festival. “Now in year seven, it...
- 8/3/2022
- by Ryan Lattanzio
- Indiewire
The Toronto International Film Festival (TIFF) unveiled the 10 films that will make up the 2022 Platform section, with Frances O’ Connor’s directorial debut, “Emily,” a biopic about “Wuthering Heights” author Emily Brontë, serving as the opening night feature. The “Mansfield Park” actress’ first feature film behind the camera will star Emma Mackey (“Sex Education”) as the storied author.
All 10 films will be making their world premiere at TIFF and include titles from Canada, Iran, France, Switzerland, Brazil and India. Previous films that have debuted in the Platform section include Barry Jenkins’ Best Picture Oscar winner “Moonlight,” Darius Marder’s Best Picture–nominated “Sound of Metal” and Armando Iannucci’s “The Death of Stalin.”
Also Read:
TIFF 2022 Lineup: Films From Tyler Perry, Peter Farrelly, Sam Mendes and Catherine Hardwicke to Premiere
Along with “Emily,” other titles include “How to Blow Up a Pipeline,” an environmental thriller from Daniel Goldhaber that shares...
All 10 films will be making their world premiere at TIFF and include titles from Canada, Iran, France, Switzerland, Brazil and India. Previous films that have debuted in the Platform section include Barry Jenkins’ Best Picture Oscar winner “Moonlight,” Darius Marder’s Best Picture–nominated “Sound of Metal” and Armando Iannucci’s “The Death of Stalin.”
Also Read:
TIFF 2022 Lineup: Films From Tyler Perry, Peter Farrelly, Sam Mendes and Catherine Hardwicke to Premiere
Along with “Emily,” other titles include “How to Blow Up a Pipeline,” an environmental thriller from Daniel Goldhaber that shares...
- 8/3/2022
- by Jeremy Fuster
- The Wrap
There was little suspicion that Jane Campion would not win the Directors Guild of America Award for Outstanding Achievement for Direction of a Theatrical Feature Film for “The Power of the Dog.” Usually at this stage of the game, with the Oscars two weeks away, director Campion’s Golden Globe statuette would have already been followed by more awards that, in this pandemic-delayed year, are still to come: the Critics Choice and BAFTA awards will be handed out on Sunday, March 13, with the PGA next week.
Academy voters will file their ballots between March 17 and 22. Campion follows last year’s winner Chloe Zhao (“Nomadland”) as the third woman to win the DGA award (along with Kathryn Bigelow for “The Hurt Locker”) and the first to be nominated twice, as she is for the Oscar.
When “The Power of the Dog” did not land a SAG Ensemble nomination, that opened the...
Academy voters will file their ballots between March 17 and 22. Campion follows last year’s winner Chloe Zhao (“Nomadland”) as the third woman to win the DGA award (along with Kathryn Bigelow for “The Hurt Locker”) and the first to be nominated twice, as she is for the Oscar.
When “The Power of the Dog” did not land a SAG Ensemble nomination, that opened the...
- 3/13/2022
- by Anne Thompson
- Indiewire
Nearly three decades after making her film acting debut at age 14, Maggie Gyllenhaal has now added her first feature writing and directing credits to her resume. Since its Venice International Film Festival premiere last September, her “The Lost Daughter” has won her numerous accolades, from the festival’s Golden Osella to the Independent Spirit Awards for Best Feature, Best Director and Best Screenplay. Gyllenhaal is also nominated for the Directors Guild of America’s First-Time Film Director award. According to our DGA Awards odds, she is widely expected to prevail and thereby become only the second woman to receive the honor.
This particular glass ceiling was broken by Alma Har’el, who took the 2020 prize for helming “Honey Boy.” Since the category’s establishment in 2015, 11 women and 25 men have vied for the award, making for a 1:2.3 ratio. The first female contender was inaugural nominee Marielle Heller. Aside from her and Har’el,...
This particular glass ceiling was broken by Alma Har’el, who took the 2020 prize for helming “Honey Boy.” Since the category’s establishment in 2015, 11 women and 25 men have vied for the award, making for a 1:2.3 ratio. The first female contender was inaugural nominee Marielle Heller. Aside from her and Har’el,...
- 3/10/2022
- by Matthew Stewart
- Gold Derby
West Side Story‘s Steven Spielberg, The Power of the Dog‘s Jane Campion, Dune‘s Denis Villeneuve, Licorice Pizza‘s Paul Thomas Anderson and Kenneth Branagh of Belfast have been nominated for the top feature film prize as the Directors Guild unveiled nominations Thursday for its 74th annual DGA Awards.
Winners will be announced March 12 during a planned in-person ceremony at the Beverly Hilton.
The guild, a strong predictor of Oscar success historically, missing the eventual Best Director winner only eight times in 73 years, also handed out noms for its First-Time Feature Film category. Nominees there include Lin-Manuel Miranda for Tick, Tick…Boom!, Maggie Gyllenhaal for The Lost Daughter, Rebecca Hall for Passing, Michael Sarnoski for Pig, Emma Seligman for Shiva Baby and Tatiana Huezo for Mexico’s Oscar International Feature-shortlisted Prayers for the Stolen.
Last year, the guild awarded Chloé Zhao its top film prize for Nomadland, which...
Winners will be announced March 12 during a planned in-person ceremony at the Beverly Hilton.
The guild, a strong predictor of Oscar success historically, missing the eventual Best Director winner only eight times in 73 years, also handed out noms for its First-Time Feature Film category. Nominees there include Lin-Manuel Miranda for Tick, Tick…Boom!, Maggie Gyllenhaal for The Lost Daughter, Rebecca Hall for Passing, Michael Sarnoski for Pig, Emma Seligman for Shiva Baby and Tatiana Huezo for Mexico’s Oscar International Feature-shortlisted Prayers for the Stolen.
Last year, the guild awarded Chloé Zhao its top film prize for Nomadland, which...
- 1/27/2022
- by Patrick Hipes
- Deadline Film + TV
After a stampede of awards announcements that include Ace Eddies, Producers Guild and Writers Guild of America Awards, the prestigious Directors Guild of America Awards has finally weighed in with their own set of nominees that recognizes achievements in directing.
In the motion pictures category, the group nominated Kenneth Branagh for “Belfast” (Focus Features), Jane Campion for “The Power of the Dog” (Netflix), Paul Thomas Anderson for “Licorice Pizza” (MGM/United Artists Releasing), Steven Spielberg for “West Side Story” (20th Century Studios) and Denis Villeneuve for “Dune” (Warner Bros).
Notable snubs included Joel Coen (“The Tragedy of Macbeth”), Adam McKay (“Don’t Look Up”), Siân Heder (“Coda”), Guillermo del Toro (“Nightmare Alley”) and Ryûsuke Hamaguchi (“Drive My Car”).
Campion is the second woman ever to receive a second nod from the Directors Guild. Her first came nearly 20 years ago for “The Piano” (1993), for which she went on to become the second...
In the motion pictures category, the group nominated Kenneth Branagh for “Belfast” (Focus Features), Jane Campion for “The Power of the Dog” (Netflix), Paul Thomas Anderson for “Licorice Pizza” (MGM/United Artists Releasing), Steven Spielberg for “West Side Story” (20th Century Studios) and Denis Villeneuve for “Dune” (Warner Bros).
Notable snubs included Joel Coen (“The Tragedy of Macbeth”), Adam McKay (“Don’t Look Up”), Siân Heder (“Coda”), Guillermo del Toro (“Nightmare Alley”) and Ryûsuke Hamaguchi (“Drive My Car”).
Campion is the second woman ever to receive a second nod from the Directors Guild. Her first came nearly 20 years ago for “The Piano” (1993), for which she went on to become the second...
- 1/27/2022
- by Clayton Davis
- Variety Film + TV
Feature and first-time feature nominees to be announced on Thursday.
Ascension, Attica, Exterminate All The Brutes, Summer Of Soul and The Rescue have been nominated in the Directors Guild of America documentary category announced on Wednesday (26).
Jessica Kingdon is in the running for Ascension, Stanley Nelson for Attica, Raoul Peck for Exterminate All The Brutes, Ahmir “Questlove” Thompson for Summer Of Soul, and Elizabeth Chai Vasarhelyi and Jimmy Chin for The Rescue.
The Guild also unveiled nominees in a number of TV categories. Feature and first-time feature nominees will be announced on Thursday and the winners will be unveiled at...
Ascension, Attica, Exterminate All The Brutes, Summer Of Soul and The Rescue have been nominated in the Directors Guild of America documentary category announced on Wednesday (26).
Jessica Kingdon is in the running for Ascension, Stanley Nelson for Attica, Raoul Peck for Exterminate All The Brutes, Ahmir “Questlove” Thompson for Summer Of Soul, and Elizabeth Chai Vasarhelyi and Jimmy Chin for The Rescue.
The Guild also unveiled nominees in a number of TV categories. Feature and first-time feature nominees will be announced on Thursday and the winners will be unveiled at...
- 1/26/2022
- by Jeremy Kay
- ScreenDaily
19 films on international, 14 on documentary list.
Julia Ducournau’s Palme d’Or winner Titane and Andrea Arnold’s Cow have made the longlists for best international independent film and best documentary respectively at the 2021 British Independent Film Awards (Bifa).
Titane is one of 19 titles on the international list, alongside fellow Cannes 2021 titles A Chiara, Compartment No. 6, Drive My Car, Great Freedom, Paris, 13th District and Red Rocket.
Scroll down for the full list of titles
Six of the 19 international titles hail from North America, with 12 from Europe and one from Japan. Nine of the 19 directors are women.
Alongside Cow on...
Julia Ducournau’s Palme d’Or winner Titane and Andrea Arnold’s Cow have made the longlists for best international independent film and best documentary respectively at the 2021 British Independent Film Awards (Bifa).
Titane is one of 19 titles on the international list, alongside fellow Cannes 2021 titles A Chiara, Compartment No. 6, Drive My Car, Great Freedom, Paris, 13th District and Red Rocket.
Scroll down for the full list of titles
Six of the 19 international titles hail from North America, with 12 from Europe and one from Japan. Nine of the 19 directors are women.
Alongside Cow on...
- 10/26/2021
- by Ben Dalton
- ScreenDaily
Acclaimed producer Christina Oh is joining Annapurna Pictures as an executive vice president.
Oh moves to Megan Ellison’s company as co-head of film, where she’ll work alongside the recently installed Adam Paulsen. She will report to Ellison, chief creative officer Sue Naegle and chief operating officer Chris Corabi.
Oh joins the shop from Plan B, Brad Pitt’s production company, which was previously engaged in a distribution pact with Annapurna. Oh worked with Pitt and principals Jeremy Kleiner and Dede Gardner to produce Annapurna projects, including Miranda July’s “Kajillionaire,” Adam McKay’s “Vice” and Barry Jenkins’ “If Beale Street Could Talk.”
The two parties are also developing several new projects, including Alex Michaelides’ best-selling novel “The Silent Patient,” M.T. Anderson’s “Landscape With Invisible Hand” with Cory Finley directing for MGM, and a feature by “Sound of Metal” director Darius Marder.
“It is such a special privilege...
Oh moves to Megan Ellison’s company as co-head of film, where she’ll work alongside the recently installed Adam Paulsen. She will report to Ellison, chief creative officer Sue Naegle and chief operating officer Chris Corabi.
Oh joins the shop from Plan B, Brad Pitt’s production company, which was previously engaged in a distribution pact with Annapurna. Oh worked with Pitt and principals Jeremy Kleiner and Dede Gardner to produce Annapurna projects, including Miranda July’s “Kajillionaire,” Adam McKay’s “Vice” and Barry Jenkins’ “If Beale Street Could Talk.”
The two parties are also developing several new projects, including Alex Michaelides’ best-selling novel “The Silent Patient,” M.T. Anderson’s “Landscape With Invisible Hand” with Cory Finley directing for MGM, and a feature by “Sound of Metal” director Darius Marder.
“It is such a special privilege...
- 9/28/2021
- by Matt Donnelly
- Variety Film + TV
Oscar-nominated Minari producer Christina Oh has been hired by Megan Ellison’s Annapurna as EVP, Co-Head of Film.
She’ll work alongside Adam Paulsen who was recently also named EVP and Co-Head of Film, and Oh will report to Ellison, Cco Sue Naegle and COO Chris Corabi.
Oh joins Annapurna from Brad Pitt’s Plan B which Annapurna previously had a deal with. Under that deal, Annapurna and Plan B produced Miranda July’s Kajillionaire, Adam McKay’s Oscar-winning Vice, Barry Jenkins’ Oscar-winning If Beale Street Could Talk and are now adapting and developing several other projects including Alex Michaelides’ best-selling novel The Silent Patient, M.T. Anderson’s Landscape With Invisible Hand with Cory Finley directing for MGM and a feature film by Sound of Metal director Darius Marder, among others.
“It is such a special privilege to be able to miss something, and I can say without a doubt...
She’ll work alongside Adam Paulsen who was recently also named EVP and Co-Head of Film, and Oh will report to Ellison, Cco Sue Naegle and COO Chris Corabi.
Oh joins Annapurna from Brad Pitt’s Plan B which Annapurna previously had a deal with. Under that deal, Annapurna and Plan B produced Miranda July’s Kajillionaire, Adam McKay’s Oscar-winning Vice, Barry Jenkins’ Oscar-winning If Beale Street Could Talk and are now adapting and developing several other projects including Alex Michaelides’ best-selling novel The Silent Patient, M.T. Anderson’s Landscape With Invisible Hand with Cory Finley directing for MGM and a feature film by Sound of Metal director Darius Marder, among others.
“It is such a special privilege to be able to miss something, and I can say without a doubt...
- 9/28/2021
- by Anthony D'Alessandro
- Deadline Film + TV
Executive was at Plan B for a decade.
Minari producer Christina Oh has left Plan B and joined Annapurna as EVP and co-head of film alongside Adam Paulsen.
Oh, who shepherded and produced Lee Isaac Chung’s Oscar-nominated Minari, will report to Annapurna head Megan Ellison, Cco Sue Naegle and COO Chris Corabi.
‘Minari’ producer Christina Oh on her personal connection to the Korean immigrant story
Oh was at Plan B for a decade and also helped produce Okja and The Last Black Man In San Francisco. She is currently serving as executive producer on Lego Masters for Fox and...
Minari producer Christina Oh has left Plan B and joined Annapurna as EVP and co-head of film alongside Adam Paulsen.
Oh, who shepherded and produced Lee Isaac Chung’s Oscar-nominated Minari, will report to Annapurna head Megan Ellison, Cco Sue Naegle and COO Chris Corabi.
‘Minari’ producer Christina Oh on her personal connection to the Korean immigrant story
Oh was at Plan B for a decade and also helped produce Okja and The Last Black Man In San Francisco. She is currently serving as executive producer on Lego Masters for Fox and...
- 9/28/2021
- by Jeremy Kay
- ScreenDaily
FIlmThe Academy added 395 new members from 50 countries to its existing list.Tnm StaffActor Vidya Balan, film producer Ekta Kapoor and Ekta Kapoor’s mother Shobha have been invited to join the Academy of Motion Picture Arts and Sciences for the year 2021. The three are among 395 new members invited this year by the Academy. “It's time to announce our new members! Meet the Class of 2021,” the Academy announced in a tweet on its official handles. The Academy has said that this includes artistes and executives from 50 countries who have distinguished themselves by their contributions to theatrical motion pictures. Vidya Balan, who was recently seen in Amazon Prime Video movie ‘Sherni’ joins the class of 2021, which also features Hollywood big names such as Janet Jackson, Robert Pattinson, Henry Golding and others. Meanwhile, mother-daughter duo Ekta Kapoor and Shobha Kapoor, who have produced Hindi movies The Dirty Picture, Udta Punjab and Once Upon a Time in Mumbai,...
- 7/2/2021
- by AjayR
- The News Minute
The Academy of Motion Pictures Arts and Sciences has announced the 395 artists and executives that have been invited to join this year — about half the number of last year’s class. The 2021 class is comprised of 46% women, 39% underrepresented ethnic/racial communities and 53% international from 49 countries outside the United States. Of the 395 invitees, 89 are former Oscar nominees, including 25 winners.
Eight individuals have been invited to join by multiple branches and must select one branch upon acceptance. They include Leslie Odom Jr, Kaouther Ben Hania, Craig Brewer, Lee Isaac Chung, Emerald Fennell, Shaka King, Alexander Nanau, Florian Zeller.
Other big names among the newly invited include Walt Disney CEO Bob Chapek, “Promising Young Woman” original screenplay winner Emerald Fennell and “Minari” stars Steven Yeun, Ye-ri Han and recently crowned supporting actress Yuh-Jung Youn.
In the directing category, new invitees include Janicza Bravo, Nia DaCosta, Cathy Yan, Darius Marder, Michael Almereyda, Lizzie Borden,...
Eight individuals have been invited to join by multiple branches and must select one branch upon acceptance. They include Leslie Odom Jr, Kaouther Ben Hania, Craig Brewer, Lee Isaac Chung, Emerald Fennell, Shaka King, Alexander Nanau, Florian Zeller.
Other big names among the newly invited include Walt Disney CEO Bob Chapek, “Promising Young Woman” original screenplay winner Emerald Fennell and “Minari” stars Steven Yeun, Ye-ri Han and recently crowned supporting actress Yuh-Jung Youn.
In the directing category, new invitees include Janicza Bravo, Nia DaCosta, Cathy Yan, Darius Marder, Michael Almereyda, Lizzie Borden,...
- 7/1/2021
- by Clayton Davis
- Variety Film + TV
Oscar-nominated actors Leslie Odom Jr., Maria Bakalova and Steven Yeun are among the 395 people who have been invited to join the Academy of Motion Picture Arts and Sciences, the Academy announced on Thursday.
Also on the list of invites: actors Yahya Abdul-Mateen, Nicole Beharie, Kingsley Ben-Adir, Carrie Coon, Laverne Cox, Andra Day, Vanessa Kirby, Nathan Lane, Jonathan Majors, Robert Pattinson and Issa Rae; directors Lee Isaac Chung, Sean Durkin, Emerald Fennell, Jonathan Glazer, Shaka King, Darius Marder and Florian Zeller; and musicians Jon Batiste, H.E.R., Janet Jackson and Emile Mosseri.
Eight people were invited by two different branches: Chung, Fennell, King, Zeller, Kaouther Ben Hania and Craig Brewer were invited by both the directors and writers branches, while Alexander Nanau was invited by the directors and documentary branches, and Odom Jr. by both the actors and music branches. If they accept the invitations, double invitees must choose a single branch...
Also on the list of invites: actors Yahya Abdul-Mateen, Nicole Beharie, Kingsley Ben-Adir, Carrie Coon, Laverne Cox, Andra Day, Vanessa Kirby, Nathan Lane, Jonathan Majors, Robert Pattinson and Issa Rae; directors Lee Isaac Chung, Sean Durkin, Emerald Fennell, Jonathan Glazer, Shaka King, Darius Marder and Florian Zeller; and musicians Jon Batiste, H.E.R., Janet Jackson and Emile Mosseri.
Eight people were invited by two different branches: Chung, Fennell, King, Zeller, Kaouther Ben Hania and Craig Brewer were invited by both the directors and writers branches, while Alexander Nanau was invited by the directors and documentary branches, and Odom Jr. by both the actors and music branches. If they accept the invitations, double invitees must choose a single branch...
- 7/1/2021
- by Steve Pond
- The Wrap
The 74th Annual Directors Guild of America (DGA) Awards are set to take place on March 12, the guild announced Tuesday.
The DGA National Board also reinstated its requirement of an exclusive theatrical run, which was temporarily suspended due to pandemic-related theater closures, for the DGA Theatrical Feature Film Award.
The rule, which was first introduced in 2019, requires that films released after June 15, 2021 have an exclusive theatrical run of at least seven days prior to any other exhibition. Movies released via other distribution platforms, such as streaming services, on the same “day and date” they hit theaters, are not eligible for the Guild’s top award. For theatrical feature films released between March 1 and June 14, 2021, the pandemic exception will still apply.
The DGA also announced that the eligibility period for the top award runs from March 1 to Dec. 31, 2021.
“After over a year of darkness, theater marquees lighting up across our nation...
The DGA National Board also reinstated its requirement of an exclusive theatrical run, which was temporarily suspended due to pandemic-related theater closures, for the DGA Theatrical Feature Film Award.
The rule, which was first introduced in 2019, requires that films released after June 15, 2021 have an exclusive theatrical run of at least seven days prior to any other exhibition. Movies released via other distribution platforms, such as streaming services, on the same “day and date” they hit theaters, are not eligible for the Guild’s top award. For theatrical feature films released between March 1 and June 14, 2021, the pandemic exception will still apply.
The DGA also announced that the eligibility period for the top award runs from March 1 to Dec. 31, 2021.
“After over a year of darkness, theater marquees lighting up across our nation...
- 6/29/2021
- by Ethan Shanfeld
- Variety Film + TV
It was 48 hours before the Oscar ceremony and Darius Marder was walking around Los Angeles. “This is one of the few times I’m just wandering around, getting the hell out,” he said.
The “Sound of Metal” writer and director, who was up for two awards and would win neither, had spent the last few days in a last-minute campaign sprint for his drama about a deaf addict while jugging a few commercial shoots. Talking on the phone while he wandered the streets, Marder spoke breathlessly about the psychological effect of getting an 11-year passion project made, only to reiterate that story in the endless zooming of a pandemic awards season.
“You spent a lot of time thinking about this final frontier of recognition, this peer acknowledgement. But here’s what I know,” he said. “What I know is that this film is what it is because I could give...
The “Sound of Metal” writer and director, who was up for two awards and would win neither, had spent the last few days in a last-minute campaign sprint for his drama about a deaf addict while jugging a few commercial shoots. Talking on the phone while he wandered the streets, Marder spoke breathlessly about the psychological effect of getting an 11-year passion project made, only to reiterate that story in the endless zooming of a pandemic awards season.
“You spent a lot of time thinking about this final frontier of recognition, this peer acknowledgement. But here’s what I know,” he said. “What I know is that this film is what it is because I could give...
- 4/26/2021
- by Eric Kohn
- Indiewire
How the History-Making 2021 Oscars Went Down, from Chloé Zhao to Anthony Hopkins’ No-Zoom Anticlimax
However low the ratings turn out to be for the two-month-delayed 2021 Oscars, the three rookie Oscar show producers, Steven Soderbergh, Stacey Sher, and Glenn Collins, took advantage of their pandemic limitations to apply a fresh twist to the tried-and-true awards-show formula. They wanted viewers to escape into a cinematic experience miles away from the trapped-at-home feel of watching television and Zoom. Soderbergh’s watch-a-movie Oscars deployed roving wide-angle lenses, 24 fps images, and a live Questlove soundtrack to take audiences closer to attendees, sitting two by two at plush banquettes and small tables in the blue-curtained intimate amphitheatre erected inside iconic Union Station. As Soderbergh promised beforehand, “I want the whole thing to announce itself out of the gate as different.”
Sure enough, right off the bat, actress-turned-director Regina King strode into Union Station in a dazzling blue gown clutching an Oscar like she owned the place. She was covered by...
Sure enough, right off the bat, actress-turned-director Regina King strode into Union Station in a dazzling blue gown clutching an Oscar like she owned the place. She was covered by...
- 4/26/2021
- by Anne Thompson
- Indiewire
How the History-Making 2021 Oscars Went Down, from Chloé Zhao to Anthony Hopkins’ No-Zoom Anticlimax
However low the ratings turn out to be for the two-month-delayed 2021 Oscars, the three rookie Oscar show producers, Steven Soderbergh, Stacey Sher, and Glenn Collins, took advantage of their pandemic limitations to apply a fresh twist to the tried-and-true awards-show formula. They wanted viewers to escape into a cinematic experience miles away from the trapped-at-home feel of watching television and Zoom. Soderbergh’s watch-a-movie Oscars deployed roving wide-angle lenses, 24 fps images, and a live Questlove soundtrack to take audiences closer to attendees, sitting two by two at plush banquettes and small tables in the blue-curtained intimate amphitheatre erected inside iconic Union Station. As Soderbergh promised beforehand, “I want the whole thing to announce itself out of the gate as different.”
Sure enough, right off the bat, actress-turned-director Regina King strode into Union Station in a dazzling blue gown clutching an Oscar like she owned the place. She was covered by...
Sure enough, right off the bat, actress-turned-director Regina King strode into Union Station in a dazzling blue gown clutching an Oscar like she owned the place. She was covered by...
- 4/26/2021
- by Anne Thompson
- Thompson on Hollywood
It has been another strange and uncertain year for Hollywood, with the pandemic hitting cinemas hard and streaming services rising to hold the fort. It has also been a year in which we’ve seen a growing diversity in front of, and behind the camera, with an increasing focus on new voices and new stories being told.
Last year saw Bong Joon-ho ‘s Parasite achieve Oscar greatness and, for a brief pre-covid moment, it seemed that the world of cinema was beginning to embrace a wider world. The 2021 BAFTAs showed signs this was continuing with Minari, Another Round and Promising Young Woman taking home a clutch of awards each.
This year’s American Academy Awards will be a strange affair, certainly one to remember.
Here is the full list of nominations with Winners in bold.
Best Picture
“The Father” (Sony Pictures Classics)
“Judas and the Black Messiah” (Warner Bros.)
“Mank...
Last year saw Bong Joon-ho ‘s Parasite achieve Oscar greatness and, for a brief pre-covid moment, it seemed that the world of cinema was beginning to embrace a wider world. The 2021 BAFTAs showed signs this was continuing with Minari, Another Round and Promising Young Woman taking home a clutch of awards each.
This year’s American Academy Awards will be a strange affair, certainly one to remember.
Here is the full list of nominations with Winners in bold.
Best Picture
“The Father” (Sony Pictures Classics)
“Judas and the Black Messiah” (Warner Bros.)
“Mank...
- 4/26/2021
- by Jon Lyus
- HeyUGuys.co.uk
Australia is toasting its newest Academy Award winner in Andrew Jackson, recognised as part of the visual effects team on Christopher Nolan’s Tenet.
The UK-based visual effects supervisor joined colleagues David Lee and Andrew Lockley in London while Scott Fisher accepted the Visual Effects Oscar on behalf of the group at a subdued ceremony in Los Angeles.
They beat out Australia’s other hope in the category – Love and Monsters‘ Matt Sloan, Genevieve Camilleri, Matt Everitt, and Brian Cox – as well as teams from George Clooney’s Midnight Sky, Nick Caro’s Mulan, and Thea Sharrock’s The One and Only Ivan.
It’s the first win and second nomination for Jackson, who was part of VFX team for Mad Max: Fury Road that lost out to Ex Machina in 2016.
The unprecedented impact of the pandemic on the film industry was reflected in the 93rd Academy Awards, which featured...
The UK-based visual effects supervisor joined colleagues David Lee and Andrew Lockley in London while Scott Fisher accepted the Visual Effects Oscar on behalf of the group at a subdued ceremony in Los Angeles.
They beat out Australia’s other hope in the category – Love and Monsters‘ Matt Sloan, Genevieve Camilleri, Matt Everitt, and Brian Cox – as well as teams from George Clooney’s Midnight Sky, Nick Caro’s Mulan, and Thea Sharrock’s The One and Only Ivan.
It’s the first win and second nomination for Jackson, who was part of VFX team for Mad Max: Fury Road that lost out to Ex Machina in 2016.
The unprecedented impact of the pandemic on the film industry was reflected in the 93rd Academy Awards, which featured...
- 4/26/2021
- by Sean Slatter
- IF.com.au
Netflix wrapped up the longest Oscar season in history by dominating the craft awards Sunday night, splitting four prizes between “Ma Rainey’s Black Bottom”, starring Oscar nominee Viola Davis as the trailblazing, ’20s blues singer, and David Fincher’s monochromatic “Mank,” (cinematography and production design), the biopic about Herman J. Mankiewicz’ frenzied scripting of “Citizen Kane.” Overlooked, though, was Aaron Sorkin’s “The Trial of the Chicago 7.”
The two Oscars for “Ma Rainey’s” were expected for the bold and gritty verisimilitude demanded by Davis and supplied by 89-year-old costume designer Ann Roth (a two-time winner), makeup stylist Sergio Lopez Rivera, and hair stylists Mia Neal and Jamika Wilson (who made Oscar history as the first Black female winners from their category). They made her sexy and subversive with a flashy wardrobe, gold teeth, charcoal-like makeup, and a wig made of horsehair.
However, “Mank” cinematographer Erik Messerschmidt pulled his second...
The two Oscars for “Ma Rainey’s” were expected for the bold and gritty verisimilitude demanded by Davis and supplied by 89-year-old costume designer Ann Roth (a two-time winner), makeup stylist Sergio Lopez Rivera, and hair stylists Mia Neal and Jamika Wilson (who made Oscar history as the first Black female winners from their category). They made her sexy and subversive with a flashy wardrobe, gold teeth, charcoal-like makeup, and a wig made of horsehair.
However, “Mank” cinematographer Erik Messerschmidt pulled his second...
- 4/26/2021
- by Bill Desowitz
- Indiewire
The 93rd Annual Academy Awards were presented on Sunday night, April 25. So who won in this most unusual year? Scroll down for the complete Oscar winners list in all 23 categories, updated live throughout the night.
These Oscars had originally been scheduled for February 28, but then the Covid-19 pandemic upended the entire entertainment industry. Movie productions were put on hold. Movie releases were delayed. And award shows across various entertainment industry switched to virtual or hybrid formats with limited or no in-person audiences in attendance.
SEEWhere to watch all the 2021 Oscar nominees
In addition to moving the airdate, the academy also expanded the eligibility rules. Instead of considering movies just from the 2020 calendar year, these awards considered films that opened through February 28, 2021. And they also opened the door to streaming movies without the need for a theatrical release.
The resulting Oscar nominations were led by a Netflix film, the Hollywood biopic “Mank,...
These Oscars had originally been scheduled for February 28, but then the Covid-19 pandemic upended the entire entertainment industry. Movie productions were put on hold. Movie releases were delayed. And award shows across various entertainment industry switched to virtual or hybrid formats with limited or no in-person audiences in attendance.
SEEWhere to watch all the 2021 Oscar nominees
In addition to moving the airdate, the academy also expanded the eligibility rules. Instead of considering movies just from the 2020 calendar year, these awards considered films that opened through February 28, 2021. And they also opened the door to streaming movies without the need for a theatrical release.
The resulting Oscar nominations were led by a Netflix film, the Hollywood biopic “Mank,...
- 4/26/2021
- by Daniel Montgomery
- Gold Derby
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