Five full weeks after the Oscars, the Writers Guild of America finally got around to giving out its awards. Oscar winner Cord Jefferson (“American Fiction”) won the original screenplay prize while David Hemingson (“The Holdovers”) picked up the adapted screenplay trophy; he had lost at the Oscars to “Anatomy of a Fall,” which was ineligible here.
Three other scripts deemed ineligible by the WGA went on to win Oscars in the past decade: “Birdman” (2015; original), “The Father” (2021; adapted), and “Belfast” (2022; original). During that time, 68 of the WGA Awards nominees numbered among the 100 screenplays that reaped Oscar bids.
Two other Oscar contenders — “Poor Things,” and “The Zone of Interest” — were ruled out of the running by the guild before nominations were announced way back on Feb. 21. The WGA included “Barbie” in the original lineup while the academy had it over in adapted. That was the third time in a decade that...
Three other scripts deemed ineligible by the WGA went on to win Oscars in the past decade: “Birdman” (2015; original), “The Father” (2021; adapted), and “Belfast” (2022; original). During that time, 68 of the WGA Awards nominees numbered among the 100 screenplays that reaped Oscar bids.
Two other Oscar contenders — “Poor Things,” and “The Zone of Interest” — were ruled out of the running by the guild before nominations were announced way back on Feb. 21. The WGA included “Barbie” in the original lineup while the academy had it over in adapted. That was the third time in a decade that...
- 4/15/2024
- by Paul Sheehan
- Gold Derby
David Hemingson’s The Holdovers at Focus Features won original screenplay and Cord Jefferson’s Oscar-winning American Fiction from Amazon MGM Studios took adapted honours at the strike-delayed Writers Guild Awards on Sunday.
This was a second major adapted screenplay award in relatively short order for Jefferson after last month’s Oscar win.
The Holdovers prevailed in an original screenplay category that included Barbie and May December, but not the Oscar winner Anatomy Of A Fall, rendered ineligible here because it was not produced under a Writers Guild of America (WGA) contract.
The best documentary screenplay award went to Errol Morris for The Pigeon Tunnel.
This was a second major adapted screenplay award in relatively short order for Jefferson after last month’s Oscar win.
The Holdovers prevailed in an original screenplay category that included Barbie and May December, but not the Oscar winner Anatomy Of A Fall, rendered ineligible here because it was not produced under a Writers Guild of America (WGA) contract.
The best documentary screenplay award went to Errol Morris for The Pigeon Tunnel.
- 4/15/2024
- ScreenDaily
David Hemingson’s The Holdovers at Focus Features won original screenplay and Cord Jefferson’s Oscar-winning American Fiction from Amazon MGM Studios took adapted honours at the strike-delayed Writers Guild Awards on Sunday.
This was a second major adapted screenplay award in relatively short order for Jefferson after last month’s Oscar win.
The Holdovers prevailed in an original screenplay category that included Barbie and May December, but not the Oscar winner Anatomy Of A Fall, rendered ineligible here because it was not produced under a Writers Guild of America (WGA) contract.
The best documentary screenplay award went to Errol Morris for The Pigeon Tunnel.
This was a second major adapted screenplay award in relatively short order for Jefferson after last month’s Oscar win.
The Holdovers prevailed in an original screenplay category that included Barbie and May December, but not the Oscar winner Anatomy Of A Fall, rendered ineligible here because it was not produced under a Writers Guild of America (WGA) contract.
The best documentary screenplay award went to Errol Morris for The Pigeon Tunnel.
- 4/15/2024
- ScreenDaily
Writer/director Cord Jefferson on the set of ‘American Fiction’ (Photo credit: Claire Folger © 2023 Orion Releasing LLC)
The Writers Guild of America (WGA) stretched out the awards season, handing out their annual awards during ceremonies held in Los Angeles and New York on April 14, 2024. Niecy Nash-Betts (Monster: The Jeffrey Dahmer Story) had the honor of hosting the Writers Guild of America West’s ceremony while Josh Gondelman (Desus & Mero) handled hosting duties for the Writers Guild of America East.
The final season of Succession was recognized with Drama Series and Episodic Drama awards, and the first season of The Last of Us snagged the New Series trophy. The Bear and Beef continued their winning streaks, scoring Comedy Series and Limited Series wins.
David Hemingson’s The Holdovers and Cord Jefferson’s American Fiction were recognized as the best original and adapted screenplays of 2023. And Errol Morris’ The Pigeon Tunnel took...
The Writers Guild of America (WGA) stretched out the awards season, handing out their annual awards during ceremonies held in Los Angeles and New York on April 14, 2024. Niecy Nash-Betts (Monster: The Jeffrey Dahmer Story) had the honor of hosting the Writers Guild of America West’s ceremony while Josh Gondelman (Desus & Mero) handled hosting duties for the Writers Guild of America East.
The final season of Succession was recognized with Drama Series and Episodic Drama awards, and the first season of The Last of Us snagged the New Series trophy. The Bear and Beef continued their winning streaks, scoring Comedy Series and Limited Series wins.
David Hemingson’s The Holdovers and Cord Jefferson’s American Fiction were recognized as the best original and adapted screenplays of 2023. And Errol Morris’ The Pigeon Tunnel took...
- 4/15/2024
- by Rebecca Murray
- Showbiz Junkies
With the 2024 Oscars and the 2023 Emmys firmly in the rearview mirror, the film and TV awards calendar is all but ready to return to normalcy after last years Writers Guild of America and SAG-AFTRA strikes disrupted the first half of award season. The last major event to be impacted by the altered schedule is today’s WGA Awards, which took place in an unusual post-Oscars slot after the strikes forced the guild to delay its voting process. As most of Hollywood looks ahead to the 2024 film and TV slate, today’s concurrent ceremonies in Los Angeles’ Hollywood Palladium and New York City’s Edison Ballroom gave award watchers one last chance to celebrate the best screenwriting of 2023.
David Hemingson’s “The Holdovers” won the night’s marquee award for Original Screenplay, beating out heavyweights including Greta Gerwig and Noah Baumbach’s “Barbie” and Celine Song’s “Past Lives.” In the Adapted Screenplay category,...
David Hemingson’s “The Holdovers” won the night’s marquee award for Original Screenplay, beating out heavyweights including Greta Gerwig and Noah Baumbach’s “Barbie” and Celine Song’s “Past Lives.” In the Adapted Screenplay category,...
- 4/15/2024
- by Christian Zilko
- Indiewire
Variety Awards Circuit section is the home for all awards news and related content throughout the year, featuring the following: the official predictions for the upcoming Oscars, Emmys, Grammys and Tony Awards ceremonies, curated by Variety senior awards editor Clayton Davis. The prediction pages reflect the current standings in the race and do not reflect personal preferences for any individual contender. As other formal (and informal) polls suggest, competitions are fluid and subject to change based on buzz and events. Predictions are updated every Thursday.
Visit the prediction pages for the respective ceremonies via the links below:
Oscars | Emmys | Grammys | Tonys
2023 Oscars Predictions:
Best Original Screenplay Past Lives, from left: Teo Yoo, Greta Lee, John Magro, 2023. © A24 / Courtesy Everett Collection
Weekly Commentary: Following its victories at the Golden Globes for best screenplay and the BAFTA for original screenplay, it appears almost inevitable that “Anatomy of a Fall” will secure the Oscar for its co-writers,...
Visit the prediction pages for the respective ceremonies via the links below:
Oscars | Emmys | Grammys | Tonys
2023 Oscars Predictions:
Best Original Screenplay Past Lives, from left: Teo Yoo, Greta Lee, John Magro, 2023. © A24 / Courtesy Everett Collection
Weekly Commentary: Following its victories at the Golden Globes for best screenplay and the BAFTA for original screenplay, it appears almost inevitable that “Anatomy of a Fall” will secure the Oscar for its co-writers,...
- 3/7/2024
- by Clayton Davis
- Variety Film + TV
As was the case last year, only six of the current 10 Oscar nominees for screenplay achieved similar recognition from the Writers Guild of America. Three of the four films that were excluded from the WGA rosters revealed on February 21 – “Anatomy of a Fall,” “Poor Things,” and “The Zone of Interest” – had been deemed ineligible in January, while “Maestro” simply failed to garner enough support from the guild.
Although it’s competing for the adapted screenplay Oscar, “Barbie” is included in the WGA’s original lineup. This marks the third such instance in 10 years, following the cases of “Whiplash” (2015) and “Moonlight” (2017), the latter of which won the favor of both organizations. The remaining original WGA contenders are “Air” and Oscar hopefuls “The Holdovers,” “May December,” and “Past Lives.”
The films presently running first and second in Gold Derby’s adapted Oscar race – “Oppenheimer” and “American Fiction” – will also face off at the WGA Awards,...
Although it’s competing for the adapted screenplay Oscar, “Barbie” is included in the WGA’s original lineup. This marks the third such instance in 10 years, following the cases of “Whiplash” (2015) and “Moonlight” (2017), the latter of which won the favor of both organizations. The remaining original WGA contenders are “Air” and Oscar hopefuls “The Holdovers,” “May December,” and “Past Lives.”
The films presently running first and second in Gold Derby’s adapted Oscar race – “Oppenheimer” and “American Fiction” – will also face off at the WGA Awards,...
- 2/21/2024
- by Matthew Stewart
- Gold Derby
The strike-delayed nominations for the 2024 Writers Guild Awards are out. Check out the list below.
In a flipping of the script this season, the WGA Awards will be held on April 14 – more than a month after the Academy Awards.
As always, the Writers Guild of America has different eligibility requirements than the Movie Academy, so some awards-season favorite scripts are missing from today’s nominations.
Related: Oscar Nominations: Diversified Voting Throws The Love Around As ‘Oppenheimer’ Tops With 13, With ‘Poor Things’, ‘Killers Of The Flower Moon’ And ‘Barbie’ Close Behind – Full List
The guild and the Oscars mostly are on the same page for Original Screenplay, with both nominating The Holdovers, May December and Past Lives. The WGA also cited Air, while the Academy went with Anatomy of a Fall and Maestro. But the Writers Guild also has Barbie on its Original List, whereas the script for 2023’s No. 1 movie...
In a flipping of the script this season, the WGA Awards will be held on April 14 – more than a month after the Academy Awards.
As always, the Writers Guild of America has different eligibility requirements than the Movie Academy, so some awards-season favorite scripts are missing from today’s nominations.
Related: Oscar Nominations: Diversified Voting Throws The Love Around As ‘Oppenheimer’ Tops With 13, With ‘Poor Things’, ‘Killers Of The Flower Moon’ And ‘Barbie’ Close Behind – Full List
The guild and the Oscars mostly are on the same page for Original Screenplay, with both nominating The Holdovers, May December and Past Lives. The WGA also cited Air, while the Academy went with Anatomy of a Fall and Maestro. But the Writers Guild also has Barbie on its Original List, whereas the script for 2023’s No. 1 movie...
- 2/21/2024
- by Erik Pedersen
- Deadline Film + TV
The nominees for the 2024 Writers Guild of America Awards are finally here.
The Writers Guild of America West (Wgaw) and Writers Guild of America East (Wgae) have announced nominations for outstanding achievement in screenwriting, television, new media, news, radio/audio, and promotional writing for 2023.
Oscar-nominated screenplays for “Barbie,” “The Holdovers,” “May December,” “Past Lives,” “American Fiction,” “Killers of the Flower Moon,” and “Oppenheimer” were expected WGA nominations. However, surprise nods for “Air,” “Are You There God? It’s Me, Margaret,” and “Nyad” prove the WGA Awards still have a few tricks up their sleeve. If you’re wondering, “Poor Things” was not eligible because it wasn’t produced under a WGA contract, per a source close to the project.
Despite now taking place one month after the Academy Awards, the WGA nominations still carry weight this season — and could be a deciding factor for final Oscar voting. As IndieWire’s Anne Thompson predicted,...
The Writers Guild of America West (Wgaw) and Writers Guild of America East (Wgae) have announced nominations for outstanding achievement in screenwriting, television, new media, news, radio/audio, and promotional writing for 2023.
Oscar-nominated screenplays for “Barbie,” “The Holdovers,” “May December,” “Past Lives,” “American Fiction,” “Killers of the Flower Moon,” and “Oppenheimer” were expected WGA nominations. However, surprise nods for “Air,” “Are You There God? It’s Me, Margaret,” and “Nyad” prove the WGA Awards still have a few tricks up their sleeve. If you’re wondering, “Poor Things” was not eligible because it wasn’t produced under a WGA contract, per a source close to the project.
Despite now taking place one month after the Academy Awards, the WGA nominations still carry weight this season — and could be a deciding factor for final Oscar voting. As IndieWire’s Anne Thompson predicted,...
- 2/21/2024
- by Samantha Bergeson
- Indiewire
The Writers Guild of America’s west and east arms have announced nominations for this year’s honors in screenwriting, television, new media, news, radio/audio, and promotional writing during 2023. Delayed due to the Hollywood strikes, this year’s ceremony will take place on Sunday, April 14, 2024. Here are the nominees:
Screenplay Nominees
Original Screenplay
“Air,” Written by Alex Convery; Amazon MGM Studios
“Barbie,” Written by Greta Gerwig & Noah Baumbach; Warner Bros. Pictures
“The Holdovers,” Written by David Hemingson; Focus Features
“May December,” Screenplay by Samy Burch, Story by Samy Burch & Alex Mechanik; Netflix
“Past Lives,” Written by Celine Song; A24
Adapted Screenplay
“American Fiction,” Screenplay by Cord Jefferson, Based upon the novel “Erasure” by Percival Everett; Amazon MGM Studios
“Are You There God? It’s Me, Margaret.,” Screenplay by Kelly Fremon Craig, Based on the book by Judy Blume; Lionsgate
“Killers of the Flower Moon,” Screenplay by Eric Roth and Martin Scorsese,...
Screenplay Nominees
Original Screenplay
“Air,” Written by Alex Convery; Amazon MGM Studios
“Barbie,” Written by Greta Gerwig & Noah Baumbach; Warner Bros. Pictures
“The Holdovers,” Written by David Hemingson; Focus Features
“May December,” Screenplay by Samy Burch, Story by Samy Burch & Alex Mechanik; Netflix
“Past Lives,” Written by Celine Song; A24
Adapted Screenplay
“American Fiction,” Screenplay by Cord Jefferson, Based upon the novel “Erasure” by Percival Everett; Amazon MGM Studios
“Are You There God? It’s Me, Margaret.,” Screenplay by Kelly Fremon Craig, Based on the book by Judy Blume; Lionsgate
“Killers of the Flower Moon,” Screenplay by Eric Roth and Martin Scorsese,...
- 2/21/2024
- by Michael Schneider
- Variety Film + TV
The 2024 Writers Guild Awards nominations have been revealed.
The nominees in the category of original screenplay are Air, Barbie, The Holdovers, May December and Past Lives.
In the adapted screenplay category the nominees are American Fiction, Are You There God? It’s Me, Margaret, Killers of the Flower Moon, Nyad and Oppenheimer.
In an unusual move this year, the WGA Awards will take place after the Oscars, with the winners awarded on April 14.
A complete list of this year’s nominees follows.
Screenplay Nominees
Original Screenplay
Air, Written by Alex Convery; Amazon MGM Studios
Barbie, Written by Greta Gerwig & Noah Baumbach; Warner Bros. Pictures
The Holdovers, Written by David Hemingson; Focus Features
May December, Screenplay by Samy Burch, Story by Samy Burch & Alex Mechanik; Netflix
Past Lives, Written by Celine Song; A24
Adapted Screenplay
American Fiction, Screenplay by Cord Jefferson, Based upon the novel Erasure by Percival Everett; Amazon MGM Studios
Are You There God?...
The nominees in the category of original screenplay are Air, Barbie, The Holdovers, May December and Past Lives.
In the adapted screenplay category the nominees are American Fiction, Are You There God? It’s Me, Margaret, Killers of the Flower Moon, Nyad and Oppenheimer.
In an unusual move this year, the WGA Awards will take place after the Oscars, with the winners awarded on April 14.
A complete list of this year’s nominees follows.
Screenplay Nominees
Original Screenplay
Air, Written by Alex Convery; Amazon MGM Studios
Barbie, Written by Greta Gerwig & Noah Baumbach; Warner Bros. Pictures
The Holdovers, Written by David Hemingson; Focus Features
May December, Screenplay by Samy Burch, Story by Samy Burch & Alex Mechanik; Netflix
Past Lives, Written by Celine Song; A24
Adapted Screenplay
American Fiction, Screenplay by Cord Jefferson, Based upon the novel Erasure by Percival Everett; Amazon MGM Studios
Are You There God?...
- 2/21/2024
- by Hilary Lewis
- The Hollywood Reporter - Movie News
Writers Guild Of America has announced its feature nominees and the roster includes The Holdovers, May December and Barbie for original screenplay and American Fiction, Oppenheimer and Killers Of The Flower Moon in the adapted category.
Air is the surprise among the original contenders and takes its place alongside Past Lives. Barbie earned an Oscar nod in the adapted screenplay category.
Anatomy Of A Fall was ineligible as it was not produced under a WGA contract. Justine Triet’s film, like Maestro, which was not in Wednesday’s announcement, earned an Oscar nod.
Competing for the adapted screenplay prize are...
Air is the surprise among the original contenders and takes its place alongside Past Lives. Barbie earned an Oscar nod in the adapted screenplay category.
Anatomy Of A Fall was ineligible as it was not produced under a WGA contract. Justine Triet’s film, like Maestro, which was not in Wednesday’s announcement, earned an Oscar nod.
Competing for the adapted screenplay prize are...
- 2/21/2024
- ScreenDaily
Carla Gutierrez is known in the documentary community for her work as a film editor. She was behind Oscar nominated docs “Rbg” and “La Corona” as well as Emmy winner “Julia.” But in 2022, after two decades of editing, Gutierrez decided to direct “Frida,” a docu about iconic Mexican artist Frida Kahlo, which has its world premiere at Sundance Film Festival this week.
“A few months before we started working on ‘Frida,’ I would say, ‘I’m really content with editing.’ I had no thoughts of directing, but her story really pulled me in and I realized I have to direct this (film). Of course I edited it as well because I couldn’t help myself.”
Told through Kahlo’s own words drawn from her diary, revealing letters, essays and print interviews, “Frida” is an intimate glimpse into the artist’s deepest thoughts, artistic sensibilities and passionate romances.
The film is...
“A few months before we started working on ‘Frida,’ I would say, ‘I’m really content with editing.’ I had no thoughts of directing, but her story really pulled me in and I realized I have to direct this (film). Of course I edited it as well because I couldn’t help myself.”
Told through Kahlo’s own words drawn from her diary, revealing letters, essays and print interviews, “Frida” is an intimate glimpse into the artist’s deepest thoughts, artistic sensibilities and passionate romances.
The film is...
- 1/19/2024
- by Addie Morfoot
- Variety Film + TV
The Cinema Eye Honors announced the winners for its documentary films and series competition Friday in Manhattan, with “32 Sounds” taking the honor for outstanding nonfiction feature. Maite Alberdi won outstanding direction for “The Eternal Memory” together with Kaouther Ben Hania for “Four Daughters,” while “Paul T. Goldman” won outstanding nonfiction series.
See all the winners below:
—Outstanding Nonfiction Feature
32 Sounds
Directed by Sam Green
Produced by Josh Penn and Thomas O. Kriegsmann
—Outstanding Direction
Maite Alberdi
The Eternal Memory
Kaouther Ben Hania
Four Daughters
—Outstanding Editing
Michael Harte
Still: A Michael J. Fox Movie
—Outstanding Production
Mstyslav Chernov, Michelle Mizner, Raney Aronson Rath, Derl McCrudden and Vasilisa Stepanenko
20 Days in Mariupol
—Outstanding Cinematography
Ants Tammik
Smoke Sauna Sisterhood
—Outstanding Original Score
Jd Samson
32 Sounds
—Outstanding Sound Design
Mark Mangini
32 Sounds
—Outstanding Visual Design
Thomas Curtis and Sean Pierce
Going to Mars: The Nikki Giovanni Project
—Outstanding Debut
Kokomo...
See all the winners below:
—Outstanding Nonfiction Feature
32 Sounds
Directed by Sam Green
Produced by Josh Penn and Thomas O. Kriegsmann
—Outstanding Direction
Maite Alberdi
The Eternal Memory
Kaouther Ben Hania
Four Daughters
—Outstanding Editing
Michael Harte
Still: A Michael J. Fox Movie
—Outstanding Production
Mstyslav Chernov, Michelle Mizner, Raney Aronson Rath, Derl McCrudden and Vasilisa Stepanenko
20 Days in Mariupol
—Outstanding Cinematography
Ants Tammik
Smoke Sauna Sisterhood
—Outstanding Original Score
Jd Samson
32 Sounds
—Outstanding Sound Design
Mark Mangini
32 Sounds
—Outstanding Visual Design
Thomas Curtis and Sean Pierce
Going to Mars: The Nikki Giovanni Project
—Outstanding Debut
Kokomo...
- 1/13/2024
- by Jazz Tangcay, Caroline Brew, Jaden Thompson and Diego Ramos Bechara
- Variety Film + TV
Since the academy expanded the Best Picture category at the Oscars in 2010, Best Original Screenplay has gone to writers of a wide-range of genres: dramas; comedies (“Midnight in Paris”); biopics; true-life stories (“Spotlight”); memoirs (“Belfast”); period pictures (“Django Unchained”); war movies (“The Hurt Locker”); sci-fi (“Her”), thrillers horror (“Get Out”) and fantasies (“Everything Everywhere All at Once”) . (Scroll down for the most up-to-date 2023 Oscar predictions for Best Original Screenplay.)
Regardless of the type of film, a nominee needs broad academy support to win this race. Indeed, all 14 of the most recent Best Original Screenplay winners were, at the least, Best Picture nominees. And seven of them won the big prize, bringing the total number of Best Picture champs with Oscar-winning original screenplays to 18. By comparison, 42 films have done this on the adapted side including the 2022 double dipper “Coda.”
In 2023 all five nominees for Best Original Screenplay at the Academy Awards were crafted by writer/directors.
Regardless of the type of film, a nominee needs broad academy support to win this race. Indeed, all 14 of the most recent Best Original Screenplay winners were, at the least, Best Picture nominees. And seven of them won the big prize, bringing the total number of Best Picture champs with Oscar-winning original screenplays to 18. By comparison, 42 films have done this on the adapted side including the 2022 double dipper “Coda.”
In 2023 all five nominees for Best Original Screenplay at the Academy Awards were crafted by writer/directors.
- 1/11/2024
- by Paul Sheehan and Jacob Sarkisian
- Gold Derby
Roger Ross Williams is having quite the year. So far, the Oscar-winning director has released his first fiction film, Amazon Studios’ “Cassandro”; the HBO documentary “Love to Love You, Donna Summer”; AppleTV+ docuseries “The Super Models”; and Hulu miniseries “The 1619 Project.”
Joining Williams’ impressive output this year is Netflix’s “Stamped From the Beginning,” an adaptation of the eponymous bestselling book by Ibram X. Kendi about the history of racism and anti-Blackness in the U.S. The film has its European premiere at the International Documentary Film Festival Amsterdam on Tuesday.
To have “Stamped From the Beginning” play at the festival is special to the American director, who now lives in the Dutch capital. “Amsterdam is my home, I love the city so much. IDFA is such an important festival for the Dutch community but it’s also an important festival for me, personally, being a Dutch resident married to a Dutch person,...
Joining Williams’ impressive output this year is Netflix’s “Stamped From the Beginning,” an adaptation of the eponymous bestselling book by Ibram X. Kendi about the history of racism and anti-Blackness in the U.S. The film has its European premiere at the International Documentary Film Festival Amsterdam on Tuesday.
To have “Stamped From the Beginning” play at the festival is special to the American director, who now lives in the Dutch capital. “Amsterdam is my home, I love the city so much. IDFA is such an important festival for the Dutch community but it’s also an important festival for me, personally, being a Dutch resident married to a Dutch person,...
- 11/13/2023
- by Rafa Sales Ross
- Variety Film + TV
Netflix’s trailer for Oscar-winning director Roger Ross Williams’ Stamped From the Beginning features clips of female scholars discussing the connection between the United States’ history of racism and the history of power. The documentary based on Dr. Ibram X. Kendi’s bestselling book will premiere on November 10, 2023 in select theaters, followed by a release on the streaming service on November 20.
“When we started looking at historians and scholars, we came up with a long list. I noticed the pattern that most of the people doing the work around racism in America were Black women,” stated director Williams in an interview on Netflix’s Tudum. “I asked them in pre-interviews, ‘Why do you do this work?’ And many of them said the same thing — that they had no choice. This was their experience and their life. And if they’re going to dedicate their life to something, it’s going...
“When we started looking at historians and scholars, we came up with a long list. I noticed the pattern that most of the people doing the work around racism in America were Black women,” stated director Williams in an interview on Netflix’s Tudum. “I asked them in pre-interviews, ‘Why do you do this work?’ And many of them said the same thing — that they had no choice. This was their experience and their life. And if they’re going to dedicate their life to something, it’s going...
- 10/30/2023
- by Rebecca Murray
- Showbiz Junkies
The Hulu series The 1619 Project and the Showtime feature Nothing Lasts Forever scored a leading three nominations apiece today as the Cinema Eye Honors announced its first round of contenders for the prestigious documentary-focused awards.
The 1619 Project, based on Nikole Hannah-Jones’s Pulitzer Prize-winning examination of slavery in North America and its impact up until the present day, earned nominations for Best Anthology Series, broadcast editing and broadcast cinematography. Oprah Winfrey, Oscar winner Roger Ross Williams and Hannah-Jones are among the producers of the six-part series.
‘Nothing Lasts Forever’
Nothing Lasts Forever, director Jason Kohn’s glittering examination of the world of diamonds – the real kind and the emergence of undetectable “synthetic” diamonds – earned nominations for Best Broadcast Film, broadcast editing and broadcast cinematography. Scroll for the full list of nominations announced today.
Other films and series that scored multiple nominations include Hulu’s Pretty Baby: Brooke Shields...
The 1619 Project, based on Nikole Hannah-Jones’s Pulitzer Prize-winning examination of slavery in North America and its impact up until the present day, earned nominations for Best Anthology Series, broadcast editing and broadcast cinematography. Oprah Winfrey, Oscar winner Roger Ross Williams and Hannah-Jones are among the producers of the six-part series.
‘Nothing Lasts Forever’
Nothing Lasts Forever, director Jason Kohn’s glittering examination of the world of diamonds – the real kind and the emergence of undetectable “synthetic” diamonds – earned nominations for Best Broadcast Film, broadcast editing and broadcast cinematography. Scroll for the full list of nominations announced today.
Other films and series that scored multiple nominations include Hulu’s Pretty Baby: Brooke Shields...
- 10/19/2023
- by Matthew Carey
- Deadline Film + TV
Hulu’s “The 1619 Project” and Showtime’s “Nothing Lasts Forever” lead all broadcast documentaries in nominations for the 17th annual Cinema Eye Honors, which were announced on Thursday during the Cinema Eye Fall Lunch at Redbird in downtown Los Angeles.
Each of the programs received three nominations in the five broadcast categories, with “The 1619 Project” nominated in the Anthology Series, cinematography and editing categories and “Nothing Lasts Forever” singled out in Broadcast film, cinematography and editing categories.
Other programs with multiple nominations include the broadcast movie “Pretty Baby: Brooke Shields,” the nonfiction series “Dear Mama” and “Paul T. Goldman” and the anthology series “Edge of the Unknown With Jimmy Chin” and “Our Planet II.”
Hulu led all networks and platforms with eight nominations, followed by Netflix with five and Showtime with four.
Cinema Eye Honors, a New York-based organization devoted to honoring all facets of nonfiction filmmaking, also...
Each of the programs received three nominations in the five broadcast categories, with “The 1619 Project” nominated in the Anthology Series, cinematography and editing categories and “Nothing Lasts Forever” singled out in Broadcast film, cinematography and editing categories.
Other programs with multiple nominations include the broadcast movie “Pretty Baby: Brooke Shields,” the nonfiction series “Dear Mama” and “Paul T. Goldman” and the anthology series “Edge of the Unknown With Jimmy Chin” and “Our Planet II.”
Hulu led all networks and platforms with eight nominations, followed by Netflix with five and Showtime with four.
Cinema Eye Honors, a New York-based organization devoted to honoring all facets of nonfiction filmmaking, also...
- 10/19/2023
- by Steve Pond
- The Wrap
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
Bottoms (Emma Seligman)
It’s beginning to feel like South By Southwest is the Rachel Sennott Festival. After breaking out there three years ago with Shiva Baby (the movie premiered as a short in 2018 and would have again as a feature in 2020 if not for the pandemic), she made waves last year in Austin with sleeper horror hit Bodies Bodies Bodies. Now Sennott’s back with Bottoms, one of two new movies she’s headlining this week, and which adopts many characteristics of an SXSW offering: it’s gay, it’s bloody, and it’s horny. – Jake K. (full review)
Where to Stream: VOD
Cassandro (Roger Ross Williams)
Rather than reverting to a traditional biopic structure––i.e. a greatest hits (and...
Bottoms (Emma Seligman)
It’s beginning to feel like South By Southwest is the Rachel Sennott Festival. After breaking out there three years ago with Shiva Baby (the movie premiered as a short in 2018 and would have again as a feature in 2020 if not for the pandemic), she made waves last year in Austin with sleeper horror hit Bodies Bodies Bodies. Now Sennott’s back with Bottoms, one of two new movies she’s headlining this week, and which adopts many characteristics of an SXSW offering: it’s gay, it’s bloody, and it’s horny. – Jake K. (full review)
Where to Stream: VOD
Cassandro (Roger Ross Williams)
Rather than reverting to a traditional biopic structure––i.e. a greatest hits (and...
- 9/22/2023
- by Jordan Raup
- The Film Stage
This festival season brought with it a pair of ambitious adaptations of scholarly texts. In Venice, Ava DuVernay premiered Origin, a narrative take on Isabel Wilkerson’s tome, Caste: The Origins of Our Discontents. The Selma director anchored her adaptation in a tender love story, using Wilkerson’s personal life to understand the intellectual and emotional labor supporting the book’s framework. And at the Toronto International Film Festival, Roger Ross Williams debuted his own film translation of an influential text on race.
In Stamped From the Beginning, Williams uses Ibram X. Kendi’s book of the same name to recast the narrators of Black history. The documentary, which will premiere on Netflix in November, convenes contemporary Black women scholars and organizers to synthesize and contextualize Kendi’s central thesis. The author makes the briefest appearances throughout the film, attesting to Williams’ mission to center Black women.
There’s a...
In Stamped From the Beginning, Williams uses Ibram X. Kendi’s book of the same name to recast the narrators of Black history. The documentary, which will premiere on Netflix in November, convenes contemporary Black women scholars and organizers to synthesize and contextualize Kendi’s central thesis. The author makes the briefest appearances throughout the film, attesting to Williams’ mission to center Black women.
There’s a...
- 9/19/2023
- by Lovia Gyarkye
- The Hollywood Reporter - Movie News
There are a few documentarians who dabble in feature filmmaking: R.J. Cutler (“If I Stay”), Matt Heineman (“A Private War”), even Werner Herzog (there are many). To their ranks we can now add Oscar-winner Roger Ross Williams (“Music By Prudence”), and he’s all in on making it work.
At Telluride, Williams screened his well-reviewed Sundance feature “Cassandro”; saw the world premiere of “Stamped from the Beginning” at the Toronto International Film Festival; and Apple TV+ will air his four-part docuseries “The Super Models” September 20.
It’s an eclectic and vibrant collection of work and none of it was straightforward or easy. “Cassandro” is based on the true story of Luchador Saúl Armendáriz (Gael García Bernal in a career-best performance) who finds his true identity as the cross-dressing El Exotico on the Mexico wrestling circuit. Williams met his subject on the Amazon documentary short “The Man Without a Mask” (2016).
“I knew that story inside out,...
At Telluride, Williams screened his well-reviewed Sundance feature “Cassandro”; saw the world premiere of “Stamped from the Beginning” at the Toronto International Film Festival; and Apple TV+ will air his four-part docuseries “The Super Models” September 20.
It’s an eclectic and vibrant collection of work and none of it was straightforward or easy. “Cassandro” is based on the true story of Luchador Saúl Armendáriz (Gael García Bernal in a career-best performance) who finds his true identity as the cross-dressing El Exotico on the Mexico wrestling circuit. Williams met his subject on the Amazon documentary short “The Man Without a Mask” (2016).
“I knew that story inside out,...
- 9/15/2023
- by Anne Thompson
- Indiewire
While our massive, 60-film fall movie preview gives a hint at what to expect this season, it’s time to dive deeper into September. With films from Ethan Coen, Yorgos Lanthimos, and Luca Guadagnino being ripped off the month’s release calendar because studios don’t want to pay actors and writers fairly, it means the fall’s first offerings are a bit lighter––thankfully giving some truly independent productions further room to shine.
12. The Storms of Jeremy Thomas (Mark Cousins; Sept. 22 in theaters)
What do films like David Cronenberg’s Crash, Jonathan Glazer’s Sexy Beast, Jerzy Skolimowski’s Eo, Jim Jarmusch’s Only Lovers Left Alive, Bernardo Bertolucci’s The Last Emperor, Nagisa Ôshima’s Merry Christmas Mr. Lawrence, and (many) more have in common? They were produced by Oscar winner Jeremy Thomas. A new documentary by cinephile Mark Cousins, The Storms of Jeremy Thomas, explores the making of his most notable films.
12. The Storms of Jeremy Thomas (Mark Cousins; Sept. 22 in theaters)
What do films like David Cronenberg’s Crash, Jonathan Glazer’s Sexy Beast, Jerzy Skolimowski’s Eo, Jim Jarmusch’s Only Lovers Left Alive, Bernardo Bertolucci’s The Last Emperor, Nagisa Ôshima’s Merry Christmas Mr. Lawrence, and (many) more have in common? They were produced by Oscar winner Jeremy Thomas. A new documentary by cinephile Mark Cousins, The Storms of Jeremy Thomas, explores the making of his most notable films.
- 8/31/2023
- by Jordan Raup
- The Film Stage
With the summer movie season now quietly winding down, the fall movie season is upon us and while we expect a handful of release dates to change as writers and actors fight for what they deserve, it’s time to look at what’s on the horizon. As we do each year, after highlighting the best films offered thus far, we’ve set out to provide an overview of the titles that should be on your radar.
Featuring 40 films, the below preview includes both the best we’ve already seen (with full reviews where available) and the anticipated with (mostly) confirmed release dates over the next four months. A good amount will premiere over the next few weeks at Telluride, Venice, TIFF, and NYFF, so check back for our reviews. Dates below are theatrical releases unless otherwise noted.
Astrakan (David Depesseville; Sept. 1)
Astrakhan fur is unique: dark, beautiful, and stripped exclusively from newborn lambs,...
Featuring 40 films, the below preview includes both the best we’ve already seen (with full reviews where available) and the anticipated with (mostly) confirmed release dates over the next four months. A good amount will premiere over the next few weeks at Telluride, Venice, TIFF, and NYFF, so check back for our reviews. Dates below are theatrical releases unless otherwise noted.
Astrakan (David Depesseville; Sept. 1)
Astrakhan fur is unique: dark, beautiful, and stripped exclusively from newborn lambs,...
- 8/25/2023
- by The Film Stage
- The Film Stage
An iconic queer luchador and Bad Bunny? Sign us up. On Tuesday, Amazon Prime Video debuted the trailer for Cassandro, a biopic about the Lucha Libre superstar, starring Gael García Bernal as the protagonist and featuring a kissing scene with the Puerto Rican reggaetonero.
The trailer follows the life of Saúl Armendáriz — the queer luchador who used the stage name Cassandro — on his journey to becoming a title-winning Lucha Libre fighter, despite being an “exótico,” a term used for male fighters who take on gay mannerisms during their fights.
The...
The trailer follows the life of Saúl Armendáriz — the queer luchador who used the stage name Cassandro — on his journey to becoming a title-winning Lucha Libre fighter, despite being an “exótico,” a term used for male fighters who take on gay mannerisms during their fights.
The...
- 8/22/2023
- by Tomás Mier
- Rollingstone.com
Even if professional wrestling may not be everyone’s cup of tea, numerous stories behind the sports entertainment phenomena are usually quite engaging. Darren Aronofsky has been able to give a heartbreaking look into the complex life using various real-life inspirations for his film, The Wrestler. We will also be getting an equally rough drama with the upcoming Von Erich biopic, The Iron Claw. Even a lighter, more inspiring film like Fighting with My Family can prove to be just as compelling. Prime Video has just released a trailer for a film that gives us a look at the Mexican legacy of pro wrestling, the Lucha Libre, with Cassandro. The film is a biopic of real-life luchador, Saúl Armendáriz.
The official synopsis from Prime Video reads,
“Saúl Armendáriz, a gay amateur wrestler from El Paso, rises to international stardom after he creates the character ‘Cassandro,’ the “Liberace of Lucha Libre.
The official synopsis from Prime Video reads,
“Saúl Armendáriz, a gay amateur wrestler from El Paso, rises to international stardom after he creates the character ‘Cassandro,’ the “Liberace of Lucha Libre.
- 8/22/2023
- by EJ Tangonan
- JoBlo.com
It's a question that has plagued professional wrestling for decades as it fought for legitimacy in the eyes of wider audiences: Can a sport with a predetermined outcome even be considered a sport in the first place? As those who follow /Film know, avid proponents of the larger-than-life storylines featured in wrestling would undoubtedly say yes, but perhaps there's a better way to approach that concern. What if a wrestling movie used such low perceptions from outsiders to challenge traditionally held beliefs about gender, sexuality, and expression?
That's exactly what seems to be happening with "Cassandro," the newest film from Prime Video, directed by Roger Ross Williams. The story follows Saúl Armendáriz, a gay aspiring wrestler who struggles to carve out a niche for himself in the Mexican wrestling scene. Starring "Y tu mamá también" heartthrob and scene-stealer in both "Old" and Marvel's "Werewolf by Night" Gael García Bernal, the...
That's exactly what seems to be happening with "Cassandro," the newest film from Prime Video, directed by Roger Ross Williams. The story follows Saúl Armendáriz, a gay aspiring wrestler who struggles to carve out a niche for himself in the Mexican wrestling scene. Starring "Y tu mamá también" heartthrob and scene-stealer in both "Old" and Marvel's "Werewolf by Night" Gael García Bernal, the...
- 8/22/2023
- by Jeremy Mathai
- Slash Film
Gael García Bernal transformed into an iconic gay amateur wrestler, luchador Saúl Armendáriz, for “Cassandro,” based on Armendáriz’s legacy as the “Liberace of Lucha Libre.”
“Cassandro” follows Armendáriz as he upends not just the macho wrestling world but also his own life. The film is based on a true story, with “Life, Animated” Oscar winner Roger Ross Williams directing from a script he co-wrote with David Teague. The real-life Armendáriz served as a consultant on the film.
In addition to Bernal, Roberta Colindrez, Perla de la Rosa, Joaquín Cosío, and Raúl Castillo also star, with with special appearances from El Hijo del Santo and Benito Antonio Martínez Ocasio.
Director Williams previously collaborated with Armendáriz for 2016 Prime Video documentary short “The Man Without a Mask.” Williams was inspired to fictionalize Armendáriz’s story to showcase the dichotomy of macho Mexican culture along with Armendáriz’s fandom.
“All of these macho guys were embracing him backstage,...
“Cassandro” follows Armendáriz as he upends not just the macho wrestling world but also his own life. The film is based on a true story, with “Life, Animated” Oscar winner Roger Ross Williams directing from a script he co-wrote with David Teague. The real-life Armendáriz served as a consultant on the film.
In addition to Bernal, Roberta Colindrez, Perla de la Rosa, Joaquín Cosío, and Raúl Castillo also star, with with special appearances from El Hijo del Santo and Benito Antonio Martínez Ocasio.
Director Williams previously collaborated with Armendáriz for 2016 Prime Video documentary short “The Man Without a Mask.” Williams was inspired to fictionalize Armendáriz’s story to showcase the dichotomy of macho Mexican culture along with Armendáriz’s fandom.
“All of these macho guys were embracing him backstage,...
- 8/22/2023
- by Samantha Bergeson
- Indiewire
The same month Roger Ross Williams premieres his new documentary Stamped from the Beginning at TIFF, his first feature of the year will arrive across the world. Set for a theatrical release on September 15 followed by a Prime Video global debut on September 22, Cassandro follows Saúl Armendáriz (Gael García Bernal), a gay amateur wrestler from El Paso who rises to international stardom, upending not just the macho wrestling world, but also his own life. Based on a true story, the first trailer has now arrived for the Sundance selection.
Jose Solís said in his review, “Rather than reverting to a traditional biopic structure––i.e. a greatest hits (and losses) in someone’s life––Williams and co-screenwriter David Teague open almost in media res as we meet Saúl (Gael García Bernal), a wide-eyed young man who is head over heels in love with lucha libre. He spends his days crafting...
Jose Solís said in his review, “Rather than reverting to a traditional biopic structure––i.e. a greatest hits (and losses) in someone’s life––Williams and co-screenwriter David Teague open almost in media res as we meet Saúl (Gael García Bernal), a wide-eyed young man who is head over heels in love with lucha libre. He spends his days crafting...
- 8/22/2023
- by Jordan Raup
- The Film Stage
Although it takes less than half an hour to drive from Ciudad Juárez to El Paso, the cities might as well be located on different planets. Mexico’s Ciudad Juárez is constantly on the news for its high number of murders, with women being killed at an alarming rate, and is often considered one of the most dangerous cities in the world. In El Paso, Texas, your biggest threats might be heat and dryness, and in 2020 the city was ranked among the five safest places to live in the United States.
For people born in El Paso to immigrant Mexican parents, the opportunity of free mobility between both worlds can provide something akin to constant cultural shock, life and death separated by a literal bridge. In Roger Ross Williams’ feature-length narrative debut Cassandro, the director plays with this dynamic without ever recurring to sensationalism to tell the story of the title luchador,...
For people born in El Paso to immigrant Mexican parents, the opportunity of free mobility between both worlds can provide something akin to constant cultural shock, life and death separated by a literal bridge. In Roger Ross Williams’ feature-length narrative debut Cassandro, the director plays with this dynamic without ever recurring to sensationalism to tell the story of the title luchador,...
- 1/31/2023
- by Jose Solís
- The Film Stage
Editor’s note: This review was originally published at the 2023 Sundance Film Festival. Prime Video releases the film in select theaters on Friday, September 15 and on its streaming platform on Friday, September 22.
At once hypermasculine and flamboyant, Mexican lucha libre has for long been a popular form of entertainment for the masses. An escape from the burdens of poverty and real violence, the spectacle features brightly clad heroes known as técnicos who personify the forces of good. Their adversaries, the rudos, play easily recognizable bad guys one can also cheer for. Their duels inside the ring display as much artistry as they do physical prowess.
In this larger-than-life performance of testosterone-fueled fracas, of bodies flying through the air, choreographed uppercuts, and arranged victories; the emergence of gay wrestler Saúl Armendáriz (stage name: Cassandro) in the 1980s, came as a shockwave against homophobia. Deceptively delicate in appearance, reclaiming stereotypes with colorful defiance,...
At once hypermasculine and flamboyant, Mexican lucha libre has for long been a popular form of entertainment for the masses. An escape from the burdens of poverty and real violence, the spectacle features brightly clad heroes known as técnicos who personify the forces of good. Their adversaries, the rudos, play easily recognizable bad guys one can also cheer for. Their duels inside the ring display as much artistry as they do physical prowess.
In this larger-than-life performance of testosterone-fueled fracas, of bodies flying through the air, choreographed uppercuts, and arranged victories; the emergence of gay wrestler Saúl Armendáriz (stage name: Cassandro) in the 1980s, came as a shockwave against homophobia. Deceptively delicate in appearance, reclaiming stereotypes with colorful defiance,...
- 1/21/2023
- by Carlos Aguilar
- Indiewire
Gael García Bernal nails his best role in years, giving a performance steeped in cheeky humor, resilience and radical self-belief — not to mention some amazingly nimble moves — as groundbreaking lucha libre wrestler Saúl Armendáriz in Cassandro. Seasoned documentarian Roger Ross Williams, who profiled Armendáriz in 2016 for the Amazon series The New Yorker Presents, makes an assured transition into narrative features with this entertaining biopic, which doubles as a gorgeous depiction of mother-son love and an exhilarating exploration of fearless queer identity in a macho environment.
While Williams (Life, Animated) and co-screenwriter David Teague (who adapted Ta-Nehesi Coates’ Between the World and Me for HBO) slightly fumble the ending, this is a film with enormous heart, vivid immersion into its culturally specific milieu and celebratory admiration for its flamboyant subject, images of whom both in and out of the ring grace the end credits. It should prove popular with both LGBTQ...
While Williams (Life, Animated) and co-screenwriter David Teague (who adapted Ta-Nehesi Coates’ Between the World and Me for HBO) slightly fumble the ending, this is a film with enormous heart, vivid immersion into its culturally specific milieu and celebratory admiration for its flamboyant subject, images of whom both in and out of the ring grace the end credits. It should prove popular with both LGBTQ...
- 1/21/2023
- by David Rooney
- The Hollywood Reporter - Movie News
The Sundance Institute has named the participants and projects set for the 2023 editions of a pair of its flagship programs: the Screenwriters Lab and Screenwriters Intensive.
Lab participants will include Joseph Sackett (Cross Pollination), Sean Wang (Dìdi (弟弟)), Abinash Bikram Shah (Elephants in the Fog), Gabriela Ortega (Huella), Walter Thompson-Hernández (If I Go Will They Miss Me), Hadas Ayalon (In a Minute You’ll Be Gone), Bernardo Cubría, John Hibey & Joshua Penn Soskin (Kill Yr Idols), Dania Bdeir & Bane Fakih (Pigeon Wars), Rashad Frett & Lin Que Ayoung (Ricky), Farida Zahran (The Leftover Ladies), Masami Kawai (Valley of the Tall Grass) and Audrey Rosenberg (Wild Animals).
Those set for the Intensive are Keisha Rae Witherspoon & Jason Fitzroy Jeffers (Arc), Shireen Alihaji (Blue Veil), Spencer Cook & Parker Smith (Lame), Jesahel Newton-Bernal (Leche), Cynthia Lowen (Light Mass Energy), Rebin Zangana (Qareen), David Liu (Santa Anita), Urvashi Pathania (Skin), Ciara Leina`ala Lacy (Untitled...
Lab participants will include Joseph Sackett (Cross Pollination), Sean Wang (Dìdi (弟弟)), Abinash Bikram Shah (Elephants in the Fog), Gabriela Ortega (Huella), Walter Thompson-Hernández (If I Go Will They Miss Me), Hadas Ayalon (In a Minute You’ll Be Gone), Bernardo Cubría, John Hibey & Joshua Penn Soskin (Kill Yr Idols), Dania Bdeir & Bane Fakih (Pigeon Wars), Rashad Frett & Lin Que Ayoung (Ricky), Farida Zahran (The Leftover Ladies), Masami Kawai (Valley of the Tall Grass) and Audrey Rosenberg (Wild Animals).
Those set for the Intensive are Keisha Rae Witherspoon & Jason Fitzroy Jeffers (Arc), Shireen Alihaji (Blue Veil), Spencer Cook & Parker Smith (Lame), Jesahel Newton-Bernal (Leche), Cynthia Lowen (Light Mass Energy), Rebin Zangana (Qareen), David Liu (Santa Anita), Urvashi Pathania (Skin), Ciara Leina`ala Lacy (Untitled...
- 1/13/2023
- by Matt Grobar
- Deadline Film + TV
2023 is shaping up to be quite the year at the movies for fans of professional wrestling, with Zac Efron and Jeremy Allen White bulking up to portray the legendary Von Erichs wrestling dynasty in Sean Durkin’s A24 film “The Iron Claw.” But American entertainment wrestlers are not the only ones getting the cinematic treatment next year.
“Cassandro,” a new scripted film from Oscar-winning documentary filmmaker Roger Ross Williams, tells the story of one of Mexican wrestling’s most unique heroes. Saúl Armendáriz was an American-born luchador wrestler who grew up near the U.S.-Mexican border in El Paso, Texas. As a young man with dreams of competing at the highest levels in wrestling, he soon moved to Mexico and began training in Ciudad Juarez. But while some thought his homosexuality would be a hindrance in such a machismo-driven industry, he soon rose to the top of the Mexican...
“Cassandro,” a new scripted film from Oscar-winning documentary filmmaker Roger Ross Williams, tells the story of one of Mexican wrestling’s most unique heroes. Saúl Armendáriz was an American-born luchador wrestler who grew up near the U.S.-Mexican border in El Paso, Texas. As a young man with dreams of competing at the highest levels in wrestling, he soon moved to Mexico and began training in Ciudad Juarez. But while some thought his homosexuality would be a hindrance in such a machismo-driven industry, he soon rose to the top of the Mexican...
- 12/6/2022
- by Christian Zilko
- Indiewire
In 2019 filmmaker Roger Ross Williams contended for an Emmy with his VR documentary Traveling While Black, a sensory experience that told the true story of the Negro Motorist Green Book.
With final 2020 Emmy voting now underway, Williams is back in contention with The Apollo, another documentary that speaks forcefully to the African-American journey. The HBO film, nominated for Outstanding Documentary or Nonfiction Special, is at once an exploration of the historic theater in Harlem—the premiere showcase of Black entertainment talent for generations—and a monument to a people refusing to be erased despite systemic oppression.
“We succeed in spite of racism. We flourish in spite of racism,” Williams tells Deadline. “There’s a line in The Apollo that I think says it all, where Ta-Nehisi [Coates] says, ‘Our music is so beautiful that even those with their boots...
With final 2020 Emmy voting now underway, Williams is back in contention with The Apollo, another documentary that speaks forcefully to the African-American journey. The HBO film, nominated for Outstanding Documentary or Nonfiction Special, is at once an exploration of the historic theater in Harlem—the premiere showcase of Black entertainment talent for generations—and a monument to a people refusing to be erased despite systemic oppression.
“We succeed in spite of racism. We flourish in spite of racism,” Williams tells Deadline. “There’s a line in The Apollo that I think says it all, where Ta-Nehisi [Coates] says, ‘Our music is so beautiful that even those with their boots...
- 8/24/2020
- by Matthew Carey
- Deadline Film + TV
Exclusive: Gael García Bernal will don the mask and the tights of Cassandro, an independent feature from Oscar winning and two-time Emmy nominee filmmaker Roger Ross Williams.
Cassandro tells the true story of Saúl Armendáriz, a gay amateur wrestler from El Paso who rises to international stardom after he creates the “exotico” character Cassandro, the “Liberace of Lucha Libre,” and in the process upends not just the macho wrestling world but also his own life.
Armendáriz at the age of 15 quit school and began training for Lucha Libre, beginning his professional wrestling career in 1988 under the mask as Mister Romano. Ultimately he would abandon the character and take on the exotico character of Baby Sharon. Exoticos are male wrestlers who dress in drag.
Ultimately, Armendáriz would take the new ring name of Cassandro, from a Tijuana brothel keeper Cassandra whom he appreciated. In January 1991, after bad press that he was...
Cassandro tells the true story of Saúl Armendáriz, a gay amateur wrestler from El Paso who rises to international stardom after he creates the “exotico” character Cassandro, the “Liberace of Lucha Libre,” and in the process upends not just the macho wrestling world but also his own life.
Armendáriz at the age of 15 quit school and began training for Lucha Libre, beginning his professional wrestling career in 1988 under the mask as Mister Romano. Ultimately he would abandon the character and take on the exotico character of Baby Sharon. Exoticos are male wrestlers who dress in drag.
Ultimately, Armendáriz would take the new ring name of Cassandro, from a Tijuana brothel keeper Cassandra whom he appreciated. In January 1991, after bad press that he was...
- 7/30/2020
- by Anthony D'Alessandro
- Deadline Film + TV
Spaceship Earth Radical Media Reviewed by: Tami Smith, Film Reviewer for Shockya Grade: B+ Director: Matt Wolf Editor: David Teague Cast: John Allen, Tony Burgess, Freddy Dempster, Kathelin Gray, Linda Leigh, Mark Nelson, Sally Silverstone, Marie Harding, Kathy Dyhr, Larry Winokour Release Date: May 8th, 2020 On an early dry Arizona morning during the first […]
The post Spaceship Earth Movie Review appeared first on Shockya.com.
The post Spaceship Earth Movie Review appeared first on Shockya.com.
- 5/6/2020
- by Tami Smith
- ShockYa
In 1991, a Texas oil tycoon funded an experimental project meant to test the limits of America’s technology when it came to space exploration (and colonization). Known as Biosphere 2, the project consisted of sealing eight people in an airtight terrarium in the Arizona desert meant to perfectly replicate the Earth’s natural atmosphere. Many of the findings of this project have been long destroyed, but documentarian Matt Wolf used a medley of archival footage and interviews with surviving Biospherians in order to capture the daily realities of those enclosed in Biosphere 2. Editor David Teague speaks to Filmmaker about the […]...
- 1/28/2020
- by Filmmaker Staff
- Filmmaker Magazine - Blog
In 1991, a Texas oil tycoon funded an experimental project meant to test the limits of America’s technology when it came to space exploration (and colonization). Known as Biosphere 2, the project consisted of sealing eight people in an airtight terrarium in the Arizona desert meant to perfectly replicate the Earth’s natural atmosphere. Many of the findings of this project have been long destroyed, but documentarian Matt Wolf used a medley of archival footage and interviews with surviving Biospherians in order to capture the daily realities of those enclosed in Biosphere 2. Editor David Teague speaks to Filmmaker about the […]...
- 1/28/2020
- by Filmmaker Staff
- Filmmaker Magazine-Director Interviews
Exclusive: The Tribeca Film Institute and ESPN have awarded three grants in their annual Short Documentary Program.
This year’s recipients are Jessie Adler for The Boxers of Brule, Matt Kay for Little Miss Sumo and Taylor Hess and Erin Sanger for Mack Wrestles. All three of the 2018 grantees showcase athletes as fighters overcoming battles of various kinds both in and out of the ring.
Each filmmaking team chosen will receive a grant ranging from $15,000 to $20,000 to use towards the development, production, or post-production of their film, as well as receive year-round consultation and mentorship.
Academy Award-winning documentary filmmaker Roger Ross Williams, whose credits include Life, Animated and God Loves Uganda, will mentor Kay for Little Miss Sumo. Editor David Teague will mentor Adler for Boxers of Brule. Mack Wrestles’ mentor will be selected this summer.
“Opportunities for young filmmakers to receive this level of mentorship are rare,...
This year’s recipients are Jessie Adler for The Boxers of Brule, Matt Kay for Little Miss Sumo and Taylor Hess and Erin Sanger for Mack Wrestles. All three of the 2018 grantees showcase athletes as fighters overcoming battles of various kinds both in and out of the ring.
Each filmmaking team chosen will receive a grant ranging from $15,000 to $20,000 to use towards the development, production, or post-production of their film, as well as receive year-round consultation and mentorship.
Academy Award-winning documentary filmmaker Roger Ross Williams, whose credits include Life, Animated and God Loves Uganda, will mentor Kay for Little Miss Sumo. Editor David Teague will mentor Adler for Boxers of Brule. Mack Wrestles’ mentor will be selected this summer.
“Opportunities for young filmmakers to receive this level of mentorship are rare,...
- 6/7/2018
- by Dade Hayes
- Deadline Film + TV
RADiUS-twc, the multi-platform label from the Weinstein Company, has acquired North American and French rights to Sundance documentary, "Cutie and the Boxer." Directed by first-time feature filmmaker Zachary Heinzerling, below, the film focuses on the 40-year love story of Ushio and Noriko Shinohara, two Japanese artists who met and married in New York in the early 1970s. Heinzerling won the U.S. Documentary Directing Award on Saturday night at Sundance's awards ceremony. The film was produced by Lydia Dean Pilcher, Patrick Burns and Sierra Pettengill. Kiki Miyake is the executive producer. David Teague is the editor and...
- 1/27/2013
- by Lew Harris
- The Wrap
RADiUS-twc announced today that it has acquired North American and French rights to the U.S. Documentary Directing Award Winner Cutie and the Boxer , one of the best-reviewed films at the Sundance Film Festival that premiered in the U.S. Documentary Competition. Directed by first-time feature filmmaker Zachary Heinzerling, Cutie and the Boxer is a soulful and unsentimental exploration of life and art via the 40-year love story of Ushio and Noriko Shinohara, two Japanese artists who met and married in New York in the early 1970s. The film was produced by Lydia Dean Pilcher, Patrick Burns and Sierra Pettengill. Kiki Miyake is the executive producer. David Teague is the editor and Yasuaki Shimizu is the composer. RADiUS has slated a 2013 release. As a rowdy young...
- 1/26/2013
- Comingsoon.net
Flicker NYC, "New York's only all Super 8mm film festival," celebrates its 10th anniversary at the Southpaw in Brooklyn tonight. "The event is the brainchild of David Teague, editor of the Academy Award-winning doc short Cynthia Wade's Freeheld and Jennifer Redfearn's Sun Come Up, which was nominated in the same category at this past year's Oscars," writes Peter Knegt, introducing his interview at indieWIRE. Daniel Walber previews several of the films to be screened at Spout. More from Joe Bendel.
Tonight in Los Angeles, The Intensity of the World: An Evening with Tomonari Nishikawa. What's more, his Tokyo - Ebisu is part of The Deep End, a program of experimental shorts screening April 24 and 27 at the San Francisco International Film Festival, and Shibuya - Tokyo screens at Hot Docs in Toronto on May 4 and 6.
For news and tips throughout the day every day, follow @thedailyMUBI on Twitter and/or the RSS feed.
Tonight in Los Angeles, The Intensity of the World: An Evening with Tomonari Nishikawa. What's more, his Tokyo - Ebisu is part of The Deep End, a program of experimental shorts screening April 24 and 27 at the San Francisco International Film Festival, and Shibuya - Tokyo screens at Hot Docs in Toronto on May 4 and 6.
For news and tips throughout the day every day, follow @thedailyMUBI on Twitter and/or the RSS feed.
- 4/17/2011
- MUBI
Filed under: 'Fone Finds
Today on indieWIRE: Celebrating Super 8, Sean Penn as Robert Smith, the Titanic encourages bad taste and more.
This Sunday marks the 10th anniversary of Flicker NYC, New York's only Super 8 film festival. indieWIRE spoke with festival programmer David Teague about why he believes so strongly in the medium. "Super 8 provides a look you just can't approximate digitally," Teague said. "It offers something that can't be done in any other way."
Continue Reading...
Today on indieWIRE: Celebrating Super 8, Sean Penn as Robert Smith, the Titanic encourages bad taste and more.
This Sunday marks the 10th anniversary of Flicker NYC, New York's only Super 8 film festival. indieWIRE spoke with festival programmer David Teague about why he believes so strongly in the medium. "Super 8 provides a look you just can't approximate digitally," Teague said. "It offers something that can't be done in any other way."
Continue Reading...
- 4/15/2011
- by The Editors at IndieWire
- Moviefone
This Sunday at the Southpaw in Brooklyn, Flicker NYC - the only Super 8 film festival in New York - will celebrate its 10th anniversary. The event is the brainchild of David Teague, editor of the Academy Award-winning doc short Cynthia Wade’s “Freeheld” and Jennifer Redfearn’s “Sun Come Up,” which was nominated in the same category at this past year's Oscars. Teague himself is no stranger to Super 8 filmmaking. ...
- 4/15/2011
- Indiewire
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