The Works of Director Ron Howard

Writer: Ron Howard Cinematographer: Gary Graver Film Editor: Joe Dante Composer: Peter Ivers Associate Producer & Writer: Rance Howard Executive Producer: Roger Corman ACE Producer: Jon Davidson Cameras: Arriflex 2C, 35 BL, 35 IIA & Mitchell BNCR (35mm) AR: 1.85:1 (4-Perf 35mm Spherical) Budget: 602 Thousand USD Budget AFI (2022): 2.9 Million USD

Executive Producer: Don Kranze Writers: Lowell Ganz, Babaloo Mandel Composer - Original Music: Burt Bacharach Songwriter - Original Lyrics: Carole Bayer Sager Producer: Brian Grazer Film Editors: Robert J. Kern Jr, Dan Hanley ACE, Mike Hill ACE Cinematographer: James Crabe ASC Filming Dates: 26 December 1981 - April 1982 Camera: Panaflex X (35mm Eastman 125T 5247) Lenses: Panavision Ultra Speed MKII SL Primes & Cooke PanaZooms AR: 1.85:1 (4-Perf 35mm Spherical) Budget: 8.1 Million USD Budget AFI (2022): 24.5 Million USD

Producer & Story Writer: Brian Grazer Executive Producer: John Thomas Lenox Composer: Lee Holdridge Song Performer: Rita Coolidge Film Editors: Daniel P. Hanley ACE, Mike Hill ACE Screenwriters: Lowell Ganz, Babaloo Mandel Co-Writer: Bruce Jay Friedman Mermaid Tail Designer: Robert Short Disney Head of Production: Ron W. Miller Filming Dates: 1 March 1983 - 30 June 1983 Camera: Panaflex Gold (35mm Eastman 125T 5247 & 400T 5294) Lenses: Panavision Ultra Speed MKII SL Primes & Cooke PanaZooms AR: 1.85:1 (4-Perf 35mm Spherical) Budget: 11 Million USD Budget AFI (2022): 30.9 Million USD Distributed by: Walt Disney Studios Motion Pictures

Composer & Score Conductor: James Horner Film Editors: Daniel P. Hanley ACE, Mike Hill ACE Cinematographer: Donald Peterman ASC Screenwriter: Tom Beneday Story Writer: David Saperstein Producers: Rich Zanuck, Dave Brown, Lili Zanuck Casting Director: Beverly McDermott Filming Dates: 20 August 1984 - 1 November 1984 Cameras: Arriflex 35 III, ILM Empireflex & Panaflex Gold (35mm Eastman 125T 5247-400T 5294) Lenses: Panavision Ultra Speed MKII SL Primes AR: 1.85:1 (4-Perf 35mm SL)(8-Perf VV: VFX) Budget: 17.5 Million USD Budget AFI (2022): 47.5 Million USD Printed on: Eastman 5384 Distributed by: Walt Disney Studios Motion Pictures

Executive Producer: Ron Howard Composer (Score): Thomas Newman Film Editors: Daniel P. Hanley ACE, Mike Hill ACE Cinematographer: Donald Peterman ASC Co-Writers: Lowell Ganz, Babaloo Mandel Story Writer: Edwin Blum Producers: Tony Ganz, Deborah Blum Filming Dates: 18 July 1985 - October 1985 Camera: Panaflex Gold (35mm Eastman 125T 5247 & 400T 5294) Lenses: Panavision C-Series Anamorphic Primes AR: 2.39:1 (Anamorphic) Budget: 13-18 Million USD Budget AFI (2022): 34.6-48 Million USD Attribute: Filmed in Panavision

Co-Producer: Ron Howard Director (ILM Matte Photography): Craig Barron ASC Special Appearance: Billy Barty Production Designer: Allan Cameron ILM Senior VFX Designers: Dennis Muren ASC, Michael McAlister, Phil Tippett Production Special FX Supervisor: John Richardson Costume Designer: Barbara Lane Cinematographer: Adrian Biddle BSC VFX Cinematographers (ILM): Kim Marks, Harry Walton Film Editors: Daniel P. Hanley ACE, Mike Hill ACE Associate Producer: Joe Johnston Exec Producer-Story Writer: George Lucas Composer: James Horner Screenwriter: Bob Dolman Producer: Nigel Wooll 2nd Unit Director: Michael D. Moore Production Accountant: Jack King 1st Assistant Director: Ken Baker Production Manager: Vicki Manning Production Co-ordinator: Kathy Sykes Make-Up/Creature Designer: Nick Dudman Snow Unit Co-ordinator: Stefan Zürcher Fight Arranger: Bill Hobbs Stunt Co-ordinator: Gerry Crampton Horse Master: Greg Powell Loc. Manager (England): Jill Gutteridge Location Manager (NZ): John Bernard Location Manager (Wales): Rachel Neale Production Choreographer: Eleanor Fazan A Camera Operator: Shaun O'Dell B Camera Operator: Martin Hume A Camera Focus Puller: Martin Kenzie BSC B Camera Focus Puller: Shane O'Neill Video Co-ordinator: Chris Warren Gaffer: Kevin Day A Camera Grip: John Flemming B Camera Grip: Chunky Huse Supervising Prop Master: John Allenby SPFX Workshop Supervisor: Ken Morris Production SPFX Buyer: Stephen Lloyd Location Accountant: Kevin Freemantle Animatronic Technician: Monique Brown Magic Consultant: David Berglas 2nd Film Editor: Richard Hiscott 1st Assistant Editor: Jeremy Gibbs 2nd Assistant Editor: Andrew MacRitchie Music Editor: Jim Henrikson Score Recording & Sound Re-Record Mixer: Shawn Murphy Production Executive (USA): Ian Bryce Sound Designer & Re-Recording Mixer: Ben Burtt Re-Recording Mixer: Gary Summers Foley Artist: Gary Rydstrom Foley & ADR Recordist: Tom Johnson 2nd Unit DoP: Paul Beeson BSC 2nd Unit 1st Assist Dir.: Michael Zimbrich 2nd Unit C Camera Operator: Wally Byatt 2nd Unit C Cam Focus Puller: Keith Blake 2nd Unit C Camera Grip: Jim Kane 2nd Unit 2nd Assistant Director: Lee Cleary 2nd Unit Sr SFX Technician: Joss Williams 3rd Unit DoP: Paul Wilson BSC 3rd Unit 1st Assist Director: Gareth Tandy 3rd Unit D Cam Op: Jonathan Taylor ASC 3rd Unit D Cam Focus Puller: Keith Thomas 3rd Unit D Camera Grip: Mark Ellis 3rd Unit Gaffer: Brian Kemp NZ Unit Prod. Manager: Murray Newey NZ Unit Prod Co-ordinator: Cathy Madigan NZ Unit Art Director: Kim Sinclair NZ Unit Ass't Art Director: Kirsten Shouler NZ Unit A Cam Op: John Mahaffie NZCS NZ Unit B Camera Operator: Mike Fuller NZ Unit C Camera Operator: Rick Allender NZ Unit A Camera Focus Puller: Neil Cervin NZ Unit B Cam Focus Puller: Mark Sullivan NZ Unit C Cam Focus Puller: Mark Olsen NZ Unit A Camera Grip: Geoff Jamieson NZ Unit B Camera Grip: John Wheeler NZ Unit SFX Co-ordinator: Kevin Chisnall NZ Unit Horse Co-ordinator: Russell Olds ILM Opt. Supervisors: Kenneth Smith, John Ellis, Bruce Nicholson ILM Matte Painting Sup: Christopher Evans ILM VFX Art Director: Dave Carson ILM Animation Supervisor: Wes Takahashi ILM Animation A Camera Op: John Knoll ILM Animation B Cam Op: Bruce Walters ILM Animation C Camera Op: Sandy Ford ILM Animation D Camera Operator: Charles Clavadetscher ILM Rotoscope Supervisor: Tom Bertino ILM Chief VFX Editor: Michael Gleason ILM Unit Prod. Supervisor: Janet Mohler ILM Post Prod Supervisor: Patricia Blau ILM VFX Coordinators: Kim Bromley, Ned Gorman ILM Stage Manager: Ed Hirsh ILM Sup. Stage Tech: Patrick Fitzsimmons ILM Special Creature Sup.: David Allen ILM Stop Motion Animator: Tom St. Amand ILM VFX Unit A Camera Op: Pete Kozachik ILM VFX Unit B Camera Op: Terry Chostner ILM VFX Unit C Camera Op: Peter Daulton ILM VFX Unit D Camera Op: Pat Sweeney ILM VFX Unit E Cam Op: Scott Farrar ASC ILM VFX Unit F Cam Op: Marty Rosenberg ILM Unit A Camera Assistant: Pat McArdle ILM Unit B Camera Assistant: Robert Hill ILM Unit C Camera Assistant: Dave Hanks ILM Unit D Camera Assistant: Jo Carson ILM Unit E Camera Ass't: David Hardberger ILM Opt. A Camera Operator: Donald Clark ILM Opt. B Camera Operator: James Lim ILM Optical C Camera Op.: Jon Alexander ILM Opt. D Cam Operator: Selwyn Eddy III ILM Opt. E Camera Operator: Pat Repola ILM Optical F Camera Op.: Keith Johnson ILM Opt. Line-Up Leads: Brad Kuehn, Lori Nelson, Bruce Vecchitto ILM MPP Lead: Wade Childress ILM Matte Artist: Michael Pangrazio ILM Model Shop Supervisor: Jeffrey Mann ILM CG Supervisors: Douglas Scott Kay, George Joblove ILM Storyboard Artist: Dave Lowery ILM Animation Coordinator: Paul Lucas ILM Optical Coordinator: Jennifer Walters Filming Dates: 2 April 1987 - October 1987 Cameras: Panaflex GII & VistaVision (35mm Eastman 400T 5294) Lenses: Panavision C-Series Anamorphic Primes & Cooke Zooms AR: 2.20:1 (70mm Prints), 2.39:1 (Anamorphic)(8-Perf VistaVision: Visual Effects) Budget: 35 Million USD Budget AFI (2022): 85.5 Million USD Printed on: Eastman 5384 Visual Effects Produced at: Industrial Light & Magic Music Score Performed by: The London Symphony Orchestra Music Score Recorded at: EMI Abbey Road Studios Produced & Distributed on: Eastman Kodak Film Distributed by: Walt Disney Studios Motion Pictures Attribute: Filmed in Panavision

Story Writer: Ron Howard Producer: Brian Grazer Composer: Randy Newman Costume Designer: Ruth Morley Film Editors: Michael Hill ACE, Daniel Hanley ACE Production Designer: Todd Hallowell Cinematographer: Donald McAlpine ASC ACS Executive Producer: Joseph M. Caracciolo Co-Writers: Lowell Ganz, Babaloo Mandel Filming Dates: 30 January 1989 - 14 April 1989 Cameras: Panaflex GII & Platinum (35mm Eastman 125T 5247 & 400T 5294) Lenses: Panavision Primo Spherical Primes AR: 1.85:1 (4-Perf 35mm Spherical) Budget: 20 Million USD Budget AFI (2022): 47.1 Million USD

Executive Producer: Brian Grazer Composer: Hans Zimmer Music Supervisors: Becky Mancuso, Tim Sexton Associate Producer: Todd Hallowell Co-Producer: Larry DeWaay Film Editors: Daniel Hanley ACE, Michael Hill ACE Production Designer: Albert Brenner Cinematographer: Mikael Salomon ASC DFF Writer: Gregory Widen Producers: Richard B. Lewis, John Watson Filming Dates: 23 July 1990 - 8 December 1990 Cameras: Arriflex 35 BL4 & 35-III (35mm Kodak EXR 50D 5245-500T 5296-Eastman 250D 5297) Lenses: Zeiss Super Speed Primes AR: 2.20:1 (70mm Prints), 2.39:1 (4-Perf C-Top S35mm) Budget: 40 Million USD Budget AFI (2022): 85.8 Million USD Printed on: Eastman 5384

Producer & Story Writer: Ron Howard Producer: Brian Grazer Composer & Score Conductor: John Williams Costume Designer: Joanna Johnston Co-Producer: Larry DeWaay Co-Producer, Screenplay & Story Writer: Bob Dolman Film Editors: Daniel Hanley ACE, Michael Hill ACE Production Designers: Jack Collis, Allan Cameron Director of Photography: Mikael Salomon ASC DFF Executive Producer: Todd Hallowell A Camera/Steadicam Operator: Greg Lundsgaard A First Assistant Camera: Ian Fox SOC, Josh Bleibtreu ASC B First Assistant Camera: Steve Hiller B Second Assistant Camera: David Luckenbach SOC, Danny Teaze Sound Designer: Chick Ciccolini Supervising Effects Editor: Richard King Sound Effects Editor: Lou Cerberino Mixer: Lee Dichter ADR Editor: Michael Jacobi Staff Foley Artist: Elisha Birnbaum Special Effects Senior Technician, Ireland: Chris Corbould Deluxe Laboratories Color Consultant: Dash Morrison Panavision Technician, Montana: Don Earl Filming Dates: 28 May 1991 - 26 September 1991 Shooting Formats: Panavision Super 70, Arri 765, 4-Perf Anamorphic 35mm & 8-Perf VistaVision 35mm Cameras: Arriflex 765, B+H Eyemo, VistaVision, Panaflex Platinum & System 65 Studio (35mm & 65mm Kodak EXR 50D 5245, 100T 5248, 500T 5296, Eastman 250D 5297) Lenses: Panavision® Primo AL Primes, C-, E-Series AL Primes, System 65 Primes, Zeiss 765 Primes & Canon Zoom AR: 2.20:1 (70mm Prints), 2.28:1 (Negative Ratio), 2.39:1 (35mm Prints & Home Video Releases) Budget: 60 Million USD Budget AFI (2022): 125 Million USD Printed on: Eastman 5384 Attribute: Filmed in Panavision® (as Panavision Super 70)

Producer: Brian Grazer Casting Directors: Jane Jenkins CSA, Janet Hirshenson CSA Composer/Orchestrator: James Horner Vocal Performance: Annie Lennox Costume Designer: Rita Ryack Associate Producer/First Assistant Director: Aldric La'Auli Porter Associate Producer: Michael Bostick Film Editors: Michael Hill, Daniel P. Hanley ACE Production Designer: Michael Corenblith Director of Photography: Dean Cundey ASC Director of Photography, Visual Effects - Digital Domain: Erik Nash Director of Photography, Additional Photography - Digital Domain/Digital Domain Senior Visual Effects Supervisor: Robert Legato ASC Director of Photography, Animation Rephotography - Digital Domain: Chris Dawson SOC Director of Photography, KC-135 Weightless Unit: David Nowell ASC Executive Producer/"Noisy Civilian"/Second Unit Director: Todd Hallowell Technical Consultants: Jim Lovell, Jeffrey Kluger Screenplay Writers: William Broyles Jr, Al Reinert, John Sayles Stunt Coordinators: Mickey Gilbert, Jim Halty Associate Producer: Louisa Velis Unit Production Manager: Carl Clifford Second Assistant Director: Jane Paul Production Associate/Research Supervisor: Julie Donatt Art Directors: David J. Bomba, Bruce Alan Miller Set Decorator: Meredith Boswell Associate Costume Designer: Daniel Orlandi Technical Consultants: Dave Scott, Jerry Bostick, Gerald Griffin, Max L. Ary "A" Camera Operator/Second Unit Director of Photography: Raymond Stella SOC "A" 1st Assistant Camera: Clyde E. Bryan "A" 2nd Assistant Camera: Jolanda Wipfli "B" Camera Operator: Casey Hotchkiss SOC 1st Assistant "B" Camera: Larry B. Davis 2nd Assistant "B" Camera: Stephen Sfetku Panaflex Loader: Trevor Loomis Stills Photographer: Ron Batzdorff Video Assistant: Roger Johnson Video Playback: David Katz Camera Scenic: A.J. Leonardi Sound Mixer: David MacMillan First Assistant Editor: Roger Tweten Score Orchestrations: Steve Bramson Music Contractor: Sandy De Crescent Production Special Effects Coordinator: Matt Sweeney Computer Display Supervisor: John Monsour Second Unit 1st Assistant Director/KC-135 Weightless Unit 1st Assistant Director: Bruce G. Moriarty Second Unit 2nd Assistant Director/KC-135 Weightless Unit 2nd Assistant Director: Susan Pickett Second Unit Helicopter Pilots: Robert M. ("Bobby Z") Zajonc, Alan D. Purwin, Michael Tamburro Digital Domain Visual Effects Producer: Jenny Fulle Digital Domain Visual Effects Line Producer: Cari Thomas Digital Domain Visual Effects Assistant: Craig Caton-Largent Digital Domain Model Supervisor: Patrick McClung Digital Domain Digital Effects Supervisor: Karen E. Goulekas Digital Domain Digital Effects Art Director: Kevin Mack Digital Domain Night Compositing Supervisor: Gray Marshall ASC Digital Domain Visual Effects Supervising Editor: Allen Cappuccilli Digital Domain Mechanical Engineer: Scott Salsa Digital Domain 1st Assistant Camera: Michole Bergstrom Digital Domain MC Camera Operator: Michael Karp SOC Digital Domain Gaffer: Tony Anderson Digital Domain Best Boy Electrician: Rick Petretti Digital Domain Pyrotechnics Supervisor: Joe Viskocil Digital Domain Pyro Technician: Robert Hutchins Digital Domain Production Coordinator: Kelly L'Estrange Digital Domain Model Crew Chief: Leslie Ekker Digital Domain Lead Digital Compositors: Mark O. Forker, Steven J. Scott ASC, Adam Stark, Gary L. Walker II Digital Domain Digital Compositors: Bryan Grill, Pablo Helman Digital Domain Digital Artist: Kelly Port Digital Domain Digital Matte Artist: Martha Snow Mack Digital Domain Scanning & Recording Supervisor: Jeffrey Kalmus Digital Domain Scanning & Recording Manager: Joseph Goldstone Digital Domain Visual Effects Editor: Debra Wolff Digital Domain Technical Assistant: Rocco Passionino Digital Domain Image Data Coordinator: Matthew Butler KC-135 Weightless Unit Production Coordinators: Virginia Diaz, Brooke R. MacDonald KC-135 Weightless Unit Camera Operator: Josh Bleibtreu ASC KC-135 Weightless Unit "A" 1st Assistant Camera: Scott Smith KC-135 Weightless Unit "B" 1st Assistant Camera: Scott Fuller KC-135 Weightless Unit "C" 1st Assistant Camera: Chris Duskin SOC KC-135 Weightless Unit Chief Lighting Technician: Andy Ryan KC-135 Weightless Unit Production Assistant: Jimmy Lindsey ASC Cape Canaveral Unit Production Coordinator: Wendy Haas-Hammond Cape Canaveral Unit Assistant Cameraman: David Campbell Cape Canaveral Unit Add'l 1st Assistant Camera: Steve Latham Cape Canaveral Unit Add'l 2nd Assistant Camera: Chip Byrd Cape Canaveral Unit Loader: John Hynes Cape Canaveral Unit Assistant Prop Master: Bobby Amor Cape Canaveral Unit Wescam Operator: David Norris Cape Canaveral Unit Wescam Technician: Scott Johnson Negative Cutter: Gary Burritt Color Timer: Bill Pine Special Thanks: Walter Cronkite ================================== Budget: 52 Million USD Budget AFI (2024): Special Visual Effects Provided by: Digital Domain Cape Canaveral Unit Wescam Provided by: CRM Group Titles & Opticals Provided by: Pacific Title Color by: Deluxe® Shot on: Eastman Color Film Attribute: Filmed with Panavision® Cameras & Lenses

Director of Photography: Piotr Sobocinski A Camera Operator: Bruce MacCallum Steadicam Operator: Larry McConkey SOC Cameras: Panaflex GII, Lightweight & Platinum (35mm Kodak EXR 500T 5298 & 200T 5293) Lenses: Panavision Primo Spherical Primes AR: 1.85:1 (4-Perf 35mm) Budget: 80 Million USD Budget AFI (2024): Distributed by: Walt Disney Studios Motion Pictures

Producers: Ron Howard, Brian Grazer Co-Producers: Jim Carrey, Audrey Geisel Narrator: Anthony Hopkins Composer-Song Writer-Orchestra Conductor: James Horner Music Supervisor:: Bonnie Greenberg Special Makeup Effects Designer: Rick Baker Costume Designer: Rita Ryack Associate Producer & Key 1st AD: Aldric La'Auli Porter Associate Producer: Louisa Velis Associate Producer & Unit Prod Manager: David Womark Film Editors: Daniel P. Hanley ACE, Mike Hill ACE Production Designer: Michael Corenblith Cinematographer: Donald Peterman ASC Executive Producer & 2nd Unit Director: Todd Hallowell Screenwriters: Jeffrey Price, Peter Seaman Dedicated to: Jean Speegle Howard 2nd Assistant Director: David Hyman Production Visual Effects Supervisor: Kevin Mack Production VFX Producer & Add'l Supervisor: Kurt Williams Co-Associate Producer: Linda Fields-Hill Song Writers: Will Jennings, Mariah Carey Song Producer: Byron Gallimore Song Performer & Producer: Haith Hill Voice Actor (Max the Dog): Frank Welker Stunt Coordinator: Charles Croughwell Stunts: Gregg Smrz 2nd Unit Director of Photography: Keith Peterman Supervising Art Director: Dan Webster 2nd Art Director: Lauren Polizzi Set Designers: Kevin Cross, Al Hobbs, Andrea Dopaso, Susan Wexler, Will Hawkins Graphic Designer: Martin Charles Storyboard Artists: Peter Ramsey, Dave Lowery, Tom McGrath Set Decorator: Meredith Boswell Art Dept. Coordinator: Latifa Ouaou Associate Costume Designer: Daniel Orlandi Costume Supervisor: Dan Bronson Costumer (Grinch): David Page Makeup Applier (Jim Carrey): Kazuhiro Tsuji Makeup Artist: Ve Neill A Camera Operator: Ray De La Motte B Camera/Steadicam Operator: Greg Smith C Camera Operator: Richard Walden A Camera 1st Assistant: Brad Peterman A Camera 2nd Assistant: Eric K. Jones B Camera/Steadicam Assistant: Paul Plannette B Camera 2nd Assistant: Paul Gonsoulin C Camera Assistants: Steve Mann, Dave Schreiber Loader: Stacy De La Motte 1st Assistant Editor: Robert Komatsu 1st Apprentice Film Editor: Jeremy Slade Chief Lighting Technician/Add'l DoP: Gary Palmer Asst. Chief Lighting Techs: Lou Ramos, Montey Menapace Dimmer Board Operator: David Slodki Lighting Console Dimmer Board Operator: Scott Barnes Key Grip: Mike Anderson Supervising Prop Master: Emily Ferry Assistant Prop Master: Joy Taylor CIN ST Sculpture/Design Lead: Aaron Sims Key Production Supervisors: Bill Sturgeon, Bart Mixon Production VFX Coordinators: Garv Thorp, R. Scott Shields, David Sanger Visual Effects Asst. Coordinator: Paul V. Pablo Molles Digital Domain Visual Effects Producer: Julian Levi Digital Domain Digital FX CG Supervisor: Matthew Butler Digital Domain Compositing Supervisor: Bryan Grill Digital Domain Character Animation Sup.: Randall J. Rosa Digital Domain Digital Set Ext. Sup.: Vernon R. Wilbert Jr Digital Domain Digital Production Manager: Suzanne Buirgy Digital Domain 3D FX Animators: Sean Andrew Faden, Swen Gillberg, Nikos Kalaitzidis, Danielle Plantec, Ryo Sakaguchi Digital Domain Digital Sleigh Sequence Lead: Markus Kurtz Digital Domain Character Animator: Bernd Angerer Digital Domain 3D Integration Lead: Robert AD Frick Digital Domain Technical Development Lead: Dan Lemmon Digital Domain Digital Shader Lead: Johnny Gibson Digital Domain Technical Developer Digital Domain Digital Compositors: Betsy Cox, Lou Pecora, Kelly Port, Brennan Prevatt, Marc Dominic Rienzo Digital Domain Digital Paint Lead: Shannan Burkley Digital Domain Creative Paint Lead: Martha Snow Mack Digital Domain Digital Rotoscope/Paint Lead: Byron Werner Digital Domain Digital Roto/Paint Artist: Michael Maloney Digital Domain Digital Imaging Supervisor: Jeffrey Kalmus Digital Domain VFX Prod. Coordinator: Mary Loibl-Sobel Digital Domain Digital FX 2D Coordinator: Michelle Reiner Digital Domain Digital FX 3D Coordinator: Karen N. Sickles Digital Domain Digital FX Coordinators: Tom Clary, Siouxsie Stewart Digital Domain Walkthrough Coordinator: Bernardo Jauregui Digital Domain VFX Editor: Debra Wolff Digital Domain VFX Avid Editor: Rob Doolittle Digital Domain 1st Assistant VFX Editor: Cindy LeJeune Digital Domain VFX Executive Producer: Nancy Bernstein R&H Digital Supervisor: Edwin Rivera R&H VFX Producer: Joyce Cox-Weisiger R&H Production Managers: Sharon Holly, Dan Foster R&H Production Coordinator: Carla Muschara R&H Digital Coordinator: Ally Conley R&H Executive Producer: Lee Berger CEFX Executive Producer: Mark Franco CEFX Head of Production: Aaron Kim CEFX Digital Effects Supervisor: Conny Fauser CEFX Visual Effects Producer: Chris Del Conte CEFX Avid Editor: Kosta Saric CEFX Visual Effects Coordinator: Mandy Tankenson CEFX Production Assistant: Mandy Sekelsky Prod Sup., 2nd 2nd AD & Loc Manager: Michael Malone Production Coordinator: Jason McGatlin 2nd 2nd Assistant Director: Kristin Ploucha Additional 2nd Assistant Director: Sonia Bhalla Production Special Effects Coordinator: Allen Hall SFX Asst. Coordinator: Joe Montenegro Shop Foreman (Special Effects): Gary Karas Production Foreman (Special Effects): Richard Lea Welding Foreman & 2nd Unit Tech (SFX): Garth Majors SFX Gang Boss/2nd Unit Special Effects Foreman: Matt Hall Model Maker & Supervisor: Dave Cohen Re-Recording Mixers: Chris Jenkins, Frank A. Montano Supervising ADR Editor: Kimberly Harris Music Scoring Mixer & Recordist: Simon Rhodes Music Contractor: Sandy DeCrescent Production Color Timer: Terry Hagger 2nd Unit Production Supervisor: Michelle Morrissey 2nd Unit Production Coordinator: Mika Saito 2nd Unit 1st Assistant Director: Douglas S. Ornstein 2nd Unit 2nd Assistant Director: Andrew Bernstein 2nd Unit 2nd 2nd Assistant Director: Jack G. Steinberg 2nd Unit Add'l 2nd 2nd Assistant Director: Emily McGovern 2nd Unit A Camera Operator: Michael Chaves 2nd Unit Steadicam Operator: Henry Tirl 2nd Unit A Camera 1st Assistant: Scott Rathner 2nd Unit A Camera 2nd Assistant: Mary Funsten 2nd Unit Chief Lighting Technician: Jeffrey Murrell 2nd Unit Asst. Chief Lighting Technician: Steve Reinhardt 2nd Unit Assistant Prop Master: Angela Whiting Panavision VP of Marketing: Larry Hezzelwood CFI Color Timer: Ron Scott Filming Dates: September 1999 - January 2000 Cameras: Panaflex Platinum & LII (35mm Eastman Kodak EXR 200T 5293, SFX 200T & Vision 500T 5279) Lenses: Panavision Primo SL Primes & Primo Close Focus Primes (6mm, 10mm, 14mm, 21mm, 27mm & 35mm) AR: 1.85:1 (4-Perf 35mm Spherical) Budget: 123 Million USD Budget AFI (2022): 206.5 Million USD Printed on: Kodak Vision 2383 Special Visual Effects & Digital Animation Provided by: Digital Domain, Rhythm & Hues + Centropolis Effects Grinch's Heart & Map Animation Provided by: Virtual Magic & Spaff Animation Color Provided by: Consolidated Film Industries Shot on: Kodak Motion Picture Film Attribute: Filmed with Panavision Cameras & Lenses

Composer, Score Producer, Conductor & Orchestrator: James Horner Cinematographer: Salvatore Totino ASC AIC Film Editors: Daniel P. Hanley ACE, Mike Hill ACE Art Director: Guy Barnes Set Decorator: Wendy Ozols-Barnes Costume Designer: Julie Weiss Associate Producer/Unit Production Manager: Kathleen McGill Executive in Charge of Production: Charles Newirth Executive Producer/2nd Unit Director: Todd Hallowell Senior SFX Supervisor: James L. Roberts Key Sculptor: Robert Clark Senior VFX Supervisor: Joel Hynek VFX Plate Supervisor: Kelly Port Senior VFX Producer: Julian Levi Digital Domain VFX Producer: Todd Isroelit Digital Domain VFX Executive Producer: Nancy Bernstein Stunt Coordinator: Walter Scott A Camera/Steadicam Operator: Will Arnot A Camera Operator/Additional DP: Jesse Green 2nd Unit DP: Keith Peterman 2nd Unit 1st Ass't B-Camera: Chuck Whelan 2nd Unit Gaffer/Chief Lighting Technician: Jeffrey Murrell Aerial Unit SpaceCam Operator: Steve Koster Orchestra Contractor: Sandy DeCrescent Filming Dates: 10 February 2003 - June 2003 Cameras: Arricam LT & ST (35mm Eastman EXR 100T 5248/Kodak Vision 250D 5246/Vision2 500T 5218) Lenses: Cooke S4 Primes AR: 2.39:1 (Super 35mm) Budget: 60 Million USD Budget AFI (2021): 88.59 Million USD Printed on: Kodak Vision 2383 Special Visual Effects & Digital Animation Provided by: Digital Domain Attribute: Camera Equipment Provided by Arri Rental

Co-Directors & EPs: Phil Lord, Christopher Miller Writer & Co-Producer: Jonathan Kasdan Writer & Executive Producer: Lawrence Kasdan Producer: Allison Shearmur Producer & Unit Prod Manager: Simon Emanuel Executive Producer: Jason McGatlin Cinematographer: Bradford Young ASC Cinematographer (Add'l VFX): Mark Weingartner ASC Production Designer: Neil Lamont Film Editors: Pietro Scalia ACE, Chris Dickens ACE Production VFX Supervisor & Co-Producer: Rob Bredow Composer (Han Solo Theme & Original Star Wars Music): John Williams Composer-Arranger (Original Score): John Powell Composers & Arrangers (Add'l Music): Anthony Willis, Batu Sener, Paul Mounsey Costume Designers: David Crossman, Glyn Dillon Co-Producer & Unit Prod Manager: Susan Towner Additional 2nd Unit Director (Splinter Unit) & Co-Producer: John Swartz Special Creature FX Supervisor: Neal Scanlan Production VFX Producers: Janet Lewin, TJ Falls, Erin Dusseault O'Connor Key 1st AD-Associate Producer: Toby Hefferman Key 2nd Assistant Director: Andy Madden Supervising Stunt Coordinator, Action Designer & 2nd Unit Director: Bradley James Allen Additional Film Editor: Christopher Rouse ACE Production Special FX Supervisor: Dominic Tuohy Supervising Art Director: Alastair Bullock Production Design Supervisor: James Clyne ILM Senior Visual FX Supervisor: Patrick Tubach ILM Sr Animation Supervisor: Matthew Shumway Second Visual Effects Producer: Daniel Carbo Post Prod Supervisors: David E. Hall, Mark Harris Post Prod Leads: Pippa Anderson, Mike Blanchard Supervising Sound Editor: Matthew Wood Sup Sound Editor, Designer & Re-Record Mixer: Tim Nielsen Re-Record Mixers: Chris Scarabosio, Dave Parker Stunt Coordinators: Mark Ginther, Steve Griffin, Roy Taylor Supervising Fight Coordinator: Guillermo Grispo Assistant Fight Coordinator: Brendan Huor Action Designer: Chris Cowan Action Arranger & Stunt-Viz Designer: Yung Lee Head Stunt Rigger: Leonard Woodcock Stunt Dept. Coordinators: Simon Whyman, Jane Batey, Ben Production Controller: Nathan Woods Production Managers: Karl Caffrey, Ben Dixon Key Production Manager: Adam Teeuw Production Coordinator: Katie Byles Senior Art Director: Gary Tomkins Set Decorator: Lee Sandales Construction Manager: Paul Hayes A Camera Operator: Sylvaine Dufaux Chief Lighting Technician: Perry Evans Key Grip: Gary Hymns 2nd Unit Director of Photography: Tim Wooster 2nd Unit Production Manager: Damian Anderson 2nd Unit 1st Assistant Director: Dominic Fysh Sup. Prop & Weapon Master: Jamie Wilkinson Art Directors: Peter Dorme, Ashley Lamont Digital Art Directors: Oliver Carroll, Andy Palmer, Stephen Swain Standby Art Director: Matthew Kerly Concept Artists (US): Patrick Faulwetter, Thom Tenery Digital Asset Managers (US): Genevieve Elkin, Zack Bunker Art Department Coordinator (US): Andrea Carter Art Department Assistant (US): Susan Peters Assistant Art Coordinator (US): Alex Gustaveson Illustrators (US): Aaron McBride, Brett Northcutt, Chris Voy, Stephen Zavala Lead Ass't Set Decorator: Ben Barrington-Groves 2nd Assist Set Decorators: Jo Graysmark, Julie Graysmark Set Dec Art Director (Props): Oliver Roberts Set Dec Lead Graphic Designer: Laura Dishington Set Dec Assistant Art Director: Alex Bowens Set Dec Concept Artist: Christopher Caldow Set Dec 2nd Graphic Designer: Dominic Sikking Set Dec Assist Graphic Designer: Hannah Kons Blind Senior CG Supervisor: Andrew Booth Blind Senior CG Producer: Helen Baker Costume Effects Coordinator: Mark Woollard Studio Coordinator: Anna Ringuet Senior Production Accountant: Chris Norman Production Accountant (US): Joe Beckwith AP Supervisor: Joanna Price Post Production Accountant (US): Troy McGatlin Hair Designer: Lisa Tomblin-Fitzpatrick Makeup Designer: Amanda Knight A Camera 1st Assistant Camera: Jake Marcuson A Camera 2nd Assistant Camera: Dan Henderson B Cam Ops: Oliver Loncraine, Simon Finney ACO B Camera 1st Assistant Camera: Phil Smith B Camera 2nd Assistant Camera: Tom Lane Central Loader: Alasdair Boyce DITs: Dan Carling, Peter Marsden DIT Assistant: Mark Dempsey Camera Trainee: Charlie Hughes Camera Production Assistant: Nathan Lloyd Supervising Location Manager: Mark Somner Unit Location Manager: Peter Bardsley Location Scout: David O'Reilly Locations Dept. Coordinator: Kate Seymour Unit Manager (Studio): Jon Hills Assistant Studio Unit Manager: Sean Logan Studio Trainee: Siona Davis 2nd Additional Film Editor: Cheryl Potter Production Visual Effects Editor: Phil Eldridge 1st Assembly Editor: Daniel Gethic 1st Assistant Visual Effects Editor: Kristin Derella 1st AEs: Dylan Firshein, Mark Fitzgerald, Thomas Kemplen, Laurence Johnson, Christine Kim Production 3D Editor: Brett Schlaman 3D 1st Assistant Editor: Patrick Barry 3D 2nd Assistant Editor: Stephen M. Rickert Jr Post Prod Coordinators: Tien Nguyen, Kat Jensen 2nd AEs: Cara Harvey, James Barham, Elliott Traeger, Elaine Walrath 3rd Assistant Editor: Laura Mountford Visual FX Associate Producer: Benjamin Aghdami VFX Prod Managers: Nat Lovatt, Greg DiGiacomo Production VFX Coordinators: Cecy Falls, James Yeoman, Simon Bennett-Leyh VFX Assistant Coordinator: Tatchiana Whalley Visual Effects Post Coordinator: Kris Sundberg Visual FX Production Assistant: Maddison Gannon VFX Supervising Data Wrangler: Felix Pomeranz VFX Post Production Assistant: Andrew Zeko Production VFX Data Wrangler: Edward Price VFX Assistant Data Wrangler: Miran Delberovic Virtual A Camera Operator: Hugh MacDonald Virtual B Camera Operator (VFX): Mark O'Kane Virtual A Camera Assistant: Laura Jean Healey Virtual B Camera Assistant: Samuel Harding Production Postviz Compositor: William Wright ILM VFX Supervisors: Greg Kegel, Julian Foddy, Nigel Sumner ILM Animation Supervisors: Alexander K. Lee, Chris Lentz ILM VFX Producers: Kacy McDonald, Christopher Bannister, Sophie Dawes Cullen ILM CG Supervisors: Christoph Ammann, Daniel Lobl, Nihal Friedel, Celia Jepson ILM Comp Supervisors: Jay Cooper, Nic Caillier, Denis Scolan, Aleksei Chernogorod, Abishek Nair ILM Visual Effects Art Director: Jason Horley ILM Lead VFX Prod Assistant: Pam Sinsheimer ILM Dedicatee: Rob Ward ILM Visual Effects Editor: Greg Hyman ILM Associate VFX PMs: Jeen Yee, Pearlyn Yo ILM Exec in Charge of Finance: Khuyen Dang ILM Public Relations Director: Greg Grusby ILM Sydney Head of Prod.: Luke Hetherington ILM Cons. VFX Supervisors: John Knoll, Dennis Muren ASC ILM London Head of Production: Sue Lyster ILM VP of Marketing: Luke O'Byrne ILM Executive Visual FX Producer: Randal Shore ILM VP of Operations: Jessica Teach Hybride President & HOP: Pierre Raymond Hybride VFX Executive Producer: Thierry Delattre Hybride VFX Supervisors: Jo Kasparian, François Lambert Hybride CG Supervisor: Philippe Theroux Lola VFX Exec Producers: Tom Nittmann, Mark Stern Lola VFX Composite Supervisor: Edson Williams Lola Visual Effects Producers: Max Leonard, Mare McIntosh Lola VFX Supervisor: Jeremiah Sweeney T3F Visualization Supervisors: Al Cheng, Barry Howell, Faraz Hameed T3F Visualization Leads: Scott Hankel, Matthew Smart T3F Previz Editor: Ian Differ T3F Virtual Production Supervisor: Casey Schatz T3F Previz Production Manager: Elizabeth Montes T3F Postviz Production Manager: Lori Talley T3F Previz Coordinator: Leigh Freedman T3F Postviz Coordinator: Christopher Thellas T3F Exec Producer (London): Duncan Burbidge T3F Executive Producer (LA): Chris Edwards T3F Head of Prod (London): Sarah Cauchois T3F Head of Production (LA): Charlotte Nelson T3F Head of Finance: Allie Koppel T3F Head of IT: Jeremy Oddo T3F Head of Pipeline: Addison Bath T3F Head of Marketing: Lauren Puntillo Stereo D Stereographer: Yoichiro "Yo" Aoki Stereo D Producer (3D): Timmy Broderick Stereo D Stereo Supervisors: Jeremy Carroll, Sashwata Das Stereo D Stereo Prod. Supervisor: Pietro Gallo Stereo D Stereo EPs: Will Sherak, Lindsey Kaiser, Mike Gunter, Aaron Parry Stereo D Line Producer (3D): Jessica Sharp Stereo D Finaling Manager: Noelle Cyr Stereo D Assistant Stereo Sup.: Banpreet Singh Stereo D Depth Manager: Melissa Espina Stereo D Roto QC Supervisor: Nesar Ahamed Stereo D Finaling Sup.: Varuna Darensbourg Stereo D Assistant Depth Manager: Kyle Whaley Stereo D Depth Supervisor: Roy Mann Stereo D Assistant EQC Manager: Cara Hindley Stereo D Roto Manager: Akbar Shaikh Stereo D Post Prod Sup (3D): Jason Pomerantz Stereo D Assistant Depth Supervisor: Lizz Miller Stereo D Stereo Editors: Ryan Faulkner, Dave Watro Stereo D Assistant Finaling Manager: Teodora Ilie Stereo D Sr Pipeline TD (3D): Andrew Kennedy Stereo D IT Manager (3D): Mike Knox Stereo D Final QC Lead: Chris Myerchin Stereo D EQC Sr Coordinator: Vuk Despotovic Stereo D I/D Manager (3D): Jake Dee-McKoy Stereo D Software Dev Lead (3D): Ronald Choi Stereo D VR Stereo Comp Sup: Russell McCoy Stereo D VFX Augmentation Lead: Alex Heffner Stereo D Line Producer (VFX Crew): Andrew Eick Stereo D Visual FX Supervisor: Mike F. Hedayati Stereo D VFX Stereo Supervisor: Adam Fisk Stereo D VFX Roto Supervisor: Daniel Schrepf Stereo D VFX Paint Lead: Amol T. Nanaware Additional Sound Designer: David Acord Dialogue/ADR Supervisor: Richard Quinn Assistant Supervising Sound Editor: Trey Turner Head of Sound Production: Jon Null General Manager (Sound Dept.): Josh Lowden Sup. Score Orchestrator: John Ashton Thomas Score Orchestra Conductor: Gavin Greenaway Score Orchestrations Lead: Rick Giovinazzo Head of Music Prep & Add'l Orchestrations: Mark Graham Music Editor: Ramiro Belgardt Score Recordist & Mixer: Shawn Murphy Rigging Gaffer: Raymond "Ossa" Mills Hand Props Supervisor: Simon Wilkinson Workshop Supervisor (Props): Toby Wagner Action Vehicles Supervisor: Warren Stickley Special Effects Workshop Supervisor: Jem Lovett Special Effects Floor Supervisor: Jamie Weguelin SFX Prod Buyers/Coordinators: Jess Lewington, Alicia Davies SFX Buyers/Asst. Coordinators: Claire Walker, Kelly Taylor-Dias Lead SFX Sr Techs: Phil Ashton, Ian Biggs, David Ford SFX Sr Techs: Chris Corbould II, Jamie Corbould Creature FX Production Supervisor: Katie Newitt Co-Producer: Will Allegra Set 2nd Assistant Director: Clare Glass Crowd 2nd Assistant Director: Robert Madden Set 3rd Assistant Director: Donald Bentley Base 3rd ADs: Cathy Laine, Stephanie Whitehead Assistant to Alden Ehrenreich: Felicity Corbould Casting Associate (UK): Martin Ware Casting Associate (US): Leslie Woo CSA BTS 1st Assistant Editor: Jason Morrow Pinewood Senior Dailies Colorist: Darren Rae Pinewood Dailies Producer: John Bush Pinewood Add'l Dailies Colorist: Carl Thompson Pinewood Dailies Prod Coord: Abigail Duncan EFilm/CO3 Senior Finishing Colorist: Joe Gawler EFilm/CO3 Finishing Producer: Vanessa Galvez Finishing Editors: Patrick Clancey, Jen Raymond EFilm/CO3 Finishing Color Assist: Joel McWilliams Finishing Assistant Producer: Kelsea Williams EFilm/CO3 Imaging Science Lead: John Quartel EFilm/CO3 Executive Finishing Producer: Stefan Sonnenfeld ASC Production EVP & GM: Lynwen Brennan Production VP & Head of Design: Doug Chiang 2nd Unit Prod. Coordinator: Emma Dunleavy 2nd Unit Asst. Prod. Coord: Lauren Broderick 2nd Unit 2nd Assistant Director: Scott Bunce 2nd Unit FL. 2nd ADs: Ben Quirk, Mark Cockren 2nd Unit 3rd ADs: Glen Carroll, Emily Thomas 2nd Unit Visual Effects Supervisor: Richard Bain 2nd Unit Costume Assistant: Camille Moohan 2nd Unit Makeup Supervisor: Julia Wilson 2nd Unit Hair Supervisor: Catherine Hays 2nd Unit A Cam Ops: Graham Hall ACO, Stefan Stankowski 2nd Unit A Camera 1st Asst. Cam.: Sean Connor 2nd Unit B Cam 1st ACs: Simon Heck, Ray Meere 2nd Unit A Camera 2nd Assist: Glenn Coulman 2nd Unit B Camera 2nd Asst. Cam: Richard Davis 2nd Unit DIT: James Metcalfe 2nd Unit DIT Assistant: Alex McCormack 2nd Unit VFX Lead Data Wrangler: Jack George 2nd Unit Visual FX Data Wrangler: Louis Falcon 2nd Unit VFX Assistant Data Wrangler: Oliver Wolstencroft 2nd Unit Central Loader: Russel Torode 2nd Unit A Camera Trainee: Mia Castle 2nd Unit B Camera Trainee: Tom Gamble 2nd Unit Standby Art Director: Steve Ritchie 2nd Unit Gaffer: Mark 'Rocky' Evans 2nd Unit SFX Floor Supervisors: Luke Murphy, Stuart Prior 2nd Unit SFX Sr Techs: Jody Eltham, Dean Ford 2nd Unit Stunt Driver-Camera Car: Tom Erickson Splinter Unit DoP: Jeffrey Kim Splinter Unit Prod. Coordinator: Danielle Steiners Splinter Unit 1st Asst. Director: Tom Edmondson Splinter Unit 2nd ADs: Joey Coughlin, David Keadell Splinter Unit VFX Supervisor: Mark Bakowski Splinter Unit 3rd Asst. Dir.: Thomas DM Bentley Splinter Unit A Camera Operator: Chris Bain Splinter Unit A Camera 1st Assistant: Julia Green Splinter Unit A Camera 2nd Assistant: Sam Irwin Splinter Unit DIT: Iain Thompson Splinter Unit VFX Data Wrangler: Simon Chiu Splinter Unit A Cam Trainee: Julian Zarzoso-Lowe Splinter Unit Standby Art Director: Joseph Dalton Splinter Unit Gaffer: Jamie Mills Splinter Unit SFX Floor Sup.: Patrick O'Sullivan Splinter Unit Lead SFX Senior Tech: Ryan Conder Splinter Unit SFX Senior Technic.: Richard Cheal Aerial Unit Pilots: Will Samuelson, Marc Wolff Aerial Unit DoP: Hans Bjerno ASC Aerial Unit Eclipse Tech: Will Handley Aerial Unit Shotover Camera Technician: Steven Desbrow Aerial Unit Ground Safety Leads: Steven North, Ian Purnell Spain Unit PM (Loc. Units): Juan Cano Trujillo PM (Loc Units; Canary Islands): Beatriz Fluxa Fuerteventura Unit PC (Loc Units): Andrew Surry PC (Location Units; Canary Islands): Xavi Tio Fuerteventura Unit APC (Loc Unit): Chloe Warren Fuerteventura Unit Crowd 2nd AD (Loc Units): Katharina Hoffman Fuerteventura Unit 3rd AD (Loc Units): Oscar Santamaria Fuerteventura Unit LM (Loc Units): Chris Moore LM (Loc Units; Canary Islands): Yanira De Armas Tosco Fuerteventura Unit Loc OC (Location Unit): Laura Gonzales Fuerteventura Unit Loc Scout (Loc Units): Maria Sanz UM (Loc Units; Fuerteventura): Jose Luis Arya Fuerteventura Unit AUM (Loc Units): Juan DK Pujol Fuerteventura Unit LA (Loc Units): Paul Murphy Fuerteventura Unit LAA (Loc Units): Adam Hutchings Fuerteventura Unit A Camera Trainee (Loc Unit): Sirma Castellano Fuerteventura Unit BCT (Loc Units): Jessica Rios Fuerteventura Unit DIT Asst. (Loc Units): Luis Martinez Dolomites Unit LP (Loc Units): Marco V. Pugini Dolomites Unit LP & UPM (Location Units): Fabio Massimo Dell'Orco Dolomites Unit PM (Location Units): Nick Fulton Dolomites Unit IT PM (Location Units): Federico Santangelo Dolomites Unit Asst. IT PM (Loc Units): Jacopo Marras Dolomites Unit AA (Loc Units; UK): Laura Mateos Sanvicens Dolomites Unit 2nd AD (Loc Units): Federica Durgion Dolomites Unit ALM (Loc Units): Stella Delleani Dolomites Unit LC (Loc Units): Gloria Zanette Dolomites Unit UFM (Loc Units): Renato Latella Dolomites Unit LKPA (Loc Units): Nevio De Conti Filming Dates: 30 January 2017 - 15 June 2017 (Original Photography), 29 June 2017 - 17 October 2017 (Reshoots) Cameras: Alexa 65, Mini & XT Plus (3.4K/6.5K ARRIRAW) Lenses: Hasselblad Prime DNA, Zeiss Super Speed Primes & CamTec Falcon Full Frame Primes AR: 2.39:1 (4-Perf S35mm & Arri 765) Budget: 275-300 Million USD Visual Effects-Animation-Computer Graphics Design-3D Conversion Provided by: Industrial Light & Magic, Blind LTD, Hybride, Lola VFX + Stereo D Visualization Provided by: The Third Floor In-Camera VFX Projection Provided by: Lux Machina Consulting Post Production Sound Services Provided by: Skywalker Sound Score Recorded at: Abbey Road Studios, London Digital Color Grading & Mastering Provided by: EFilm Company 3 Filmed at: Pinewood Studios, London, England Distributed by: Walt Disney Studios Motion Pictures Attribute: Alexa 65 Serviced by Arri Rental

Producers: Ron Howard, Brian Grazer Music Supervisor: Joe Rudge Composer & Score Producer: Hans Zimmer Composer: David Fleming Composer (Add'l Music): Ben Powell Costume Designer: Virginia Johnson Film Editor: James D. Wilcox ACE Production Designer: Molly Hughes Cinematographer: Maryse Alberti Executive Producer: JD Vance Writer: Vanessa Taylor Unit Production Manager: Lyn Pinezych 1st AD & Post Producer: William M. Connor 2nd Assistant Director: Woodrow Travers Sup Stunt Coordinator: Monique Ganderton Casting (ATL): Tara Feldstein Bennett CSA, Chase Paris CSA Sup. Art Director: Gregory A. Weimerskirch 2nd Art Director: Shawn D. Bronson 1st Assistant Art Director: Chris Yoo Set Designer: Yolande Thame Graphic Designer: Heath Hancock Art Department Coordinator: Jep Wyatt Set Decorator: Merissa Lombardo Set Decorator (Add'l Photog) & 1st ASD: Laura Wallgren Belle Set Dec Coordinator: Meredith Carroll Supervising Prop Master: Kirk Corwin 1st Assistant Prop Master: Gregory Edgar 3rd Props Lead: Nathan S. Alexander Additional Props Lead: Miles Logan A Cam/Steady Operator: Chris TJ McGuire A Camera Op (Add'l Photog) & B Cam Op: Thomas Lappin SOC Underwater Unit DoP (Splinter & 2nd Units): Ian S. Takahashi SOC A Camera 1st Assistant: Gregory Erwin A Cam (Add'l Photog) & B Cam 1st Assist: Sean Hunter Moe C Camera 1st Assistant: Tom Jordan A Camera 2nd Assistant: Jamie Pair B Camera 2nd Assistant: Victoria K. Warren C Camera 2nd Assistant: Eric James Olsen Camera Loader: DJ Phillips Camera Utility Lead: Torey Lenart DIT: Patrick Cecilian UPM (Add'l Photog)-1st AD (Splinter Unit): Kirsten Ploucha 2nd 2nd Assistant Director: R. Ben Parker 1st Assistant Editor: Ulysses Guidotti 2nd Assistant Editor: Nolan Jennings PA (Post Production): Hillary Carrigan Aerial Unit MOB: Tony Carmean Aerial Unit Drone A Cam Op: Gabriel De La Parra Aerial Unit Lead: Anthony Thompson Drone Unit B Cam Op: Scott Montgomery Gaffer: William Newell Rigging Gaffer: Michael Tyson Key Grip: Bill Merrill Best Boy Grip: Tim Driscoll Key Rigging Grip: Thomas Brown Best Boy Rigging Grip: Clayton Nichols A Dolly Grip: Jeremy Wisham B Dolly Grip: Michael Kel Bonsignore Prosthetic Designer (Amy Adams): David Leroy Anderson Prosthetic Designer (Glenn Close): Matt Mungle Plate Unit 1st Assist Director: Jason Inman Plate Unit 2nd Assist Director: Zack Smith Prod. Office Coord.: Rachael Lin Gallaghan Assistant POC: Jenny Kissoon Sup. Loc. Manager: Matthew B. Chamberlin Location Coordinator: Annie Davis Production SPFX Supervisor: Jeremy Hays Production SPFX Technician: Katie Riggs Special Effects Shop Foreman: Chris Ward Special FX Rigging Foreman: Matt Lillis Splinter Unit Captain: Dave Pittman Picture Car Coordinator: Justin Barnes Picture Car Consultant: Cyril O'Neil Ohio Unit Prod. Supervisor: Karri O'Reilly Ohio Unit Location Manager: Bill Garvey Ohio Unit Assistant POC: Pauline Storms Ohio Unit Rigging Gaffer: Scott Lipez Connecticut Unit Loc. Man.: Michael Kriaris Connecticut Unit Key ALM: Ellen Athena Catsikeas Connecticut Unit Camera Scenic Lead: Christopher Hebel Connecticut Unit Digital Loader: Ty Swanek Connecticut Unit 2nd 2nd AD: George Kotsopoulos Connecticut Unit PA: Joel Jimenez 2nd AD (Add'l Photog): Paul Schmitz Stunt Coord (Add'l Photog): Loyd Bateman Art Dept. Coordinator (Add'l Photog): Ron Hammond Prop Master (Add'l Photog): Gay Perello 1st Ass't Prop Master (Add'l Photog): Julie Witherington 2nd Ass't Props Lead (Add'l Photog): Eliza Walston 3rd Props Assist (Add'l Photog): Lawson Bruen A Cam 2nd Assist (Add'l Photog): Sterling Wiggins B Cam & Steady Op (Add'l Photog): Matt Petrosky SOC B Cam 1st Ass't (Add'l Photog): Trey Twitty B Cam 2nd Assistant (Add'l Photog): Bees Johnson DIT (Add'l Photog): Qais Karadsheh Digital Loader (Add'l Photography): Kat Soulagnet Cam Utility Lead (Add'l Photog): Spencer Drake SPFX Supervisor (Add'l Photog): Wes Aylor Production Visual Effects Supervisor: Richard Baker Visual Effects Set Supervisor: Jess Chamberlin Crafty Apes Senior Visual FX Producer: Wes Dorough Crafty Apes Sr VFX Supervisors: Christian Wood, Sean Thigpen, Mark LeDoux Crafty Apes Senior VFX Coordinator: Bailey Johnson Crafty Apes Senior CG Supervisor: Jon Balcome Crafty Apes VFX Editors: Heather Taylor, Kate Staudhar Crafty Apes Visual FX Executive Producer: Chris LeDoux CO3 DI Sr Finishing Colorist: Tim Stipan CO3 DI Color Finishing Assist: Emily Bailey CO3 Sr Finishing Producer: Anna Kelman CO3 Finishing Editor: Chad Schermerhorn CO3 Head of Production: Margaret Lewis CO3 Exec Finishing Producer: Stefan Sonnenfeld ASC CO3 Additional Finishing Producer: Moises Cruz CO3 Additional Finishing Editor: John Diesso CO3 Dailies Producer: Charlie Leighton CO3 Dailies Colorist: Karli Windischmann Filming Dates: 12 June 2019 - 8 August 2019 Camera: Sony CineAlta Venice (6K AXS-R7) Lenses: Cooke S4 Primes, Hawk V-Lite Anamorphic Primes & Arri Master Primes AR: 2.39:1 (Anamorphic & FF S35mm) Budget: 45 Million USD Score Mixed at: Remote Control Productions, Santa Monica, CA Visual Effects Provided by: Crafty Apes Picture Finishing, Dailies & Avid Editing Systems Provided by: Company 3 Attribute: Camera & Lenses by Otto Nemenz

Producer: Ron Howard Co-Writer: William Nicholson Story Writer: Don MacPherson Producer: Brian Grazer Executive Producer & UPM: Jon Kuyper Cinematographer: Sayombhu Mudeeprom Underwater Cinematographer, 2nd Unit: Simon Christidis ACS Production Designer: Molly Hughes Film Editor: James D. Wilcox ACE Costume Designer: Tess Schofield Composer & Music Producer: Benjamin Wallfisch First Assistant Director: William M. Connor Key Second Assistant Director: Woodrow Travers Line Producer: Sharon Miller Production Visual FX Producer: Thomas Horton On-Set Tech Advisors: John Mallinson, Richard Stanton Stunt Coordinator/Second Unit Director: Charles Croughwell Stunt Coordinator: Keir Beck Assistant Stunts Coordinator: Nathan Lawson Key Stunt Rigger: Daniel Weaver Stunt Rigger: Tim Frost Associate Producer: Jesse Ross Line Producer, Thailand: Chris Lowenstein Production Visual FX Supervisor; Jason Billington Production Manager: Deanne Stratford Post Production Supervisor: Michael Solinger Associate Film Editor: Simon Davis Supervising Art Director: Brandt Gordon Assistant Art Director: Brian Nickless Set Designers: Rach Van Baarle, Mackenzie Platt Third Set Designer: Scott Hegarty Art Department Coordinator: Cindy Maurice Production Illustrator: Liam Beck Head Graphic Artist: George Kabot Graphic Artist: Samantha Dabrowski Design Assistant: Elle Patterson Art Department Assistant: Alex Power Set Design Production Assistant: Amy O'Connor Supervising Set Decorator: Emma Rudkin Assistant Set Decorator: Laura Drummond Thai Advisor: Noi Franks Set Decoration/Props Coordinator: Lauren Evans Supervising Prop Master: Lisa Brennan Assistant Prop Master: Richard Mansfield Props Manufacturing Coord.: Samantha Lyttle Makeup & Hair Designer: Rick Findlater B Camera/Steadicam Operator: Jason Ellson ACO C Camera Operator: Andrew Condor ACS A Camera First Assistant Camera: Chris Child B Camera First Assistant Cam.: Robbie McKinnon C Camera First Assistant Cam.: Warren Lazarides A Camera Second Assistant Cam.: Audra Murray B Camera Second Assist. Cam: Jeremy Wheatley DIT: Thianrawee Temcharoensuk DIT Assistant: James Southam Data Wrangler, Camera Dept.: Diana Mandic Dailies Supervisor: Sally Wortley Additional Film Editor: David Freeman Production VFX Editor: Tina Richardson Smith Second AEs: Sarah Bowden, Calum Peters Post Prod. Coord.: Juan Carlos Alvarez Vasquez Second Unit VFX Supervisor: Derek Wentworth VFX Prod Managers: Kath Smith, Katie E. Mills Production VFX Coordinator: Kasha Parkinson VFX Assistant Coordinator: Ellie Nicole Bones VFX In-House Artists: Joe Pavlo, Sarah Downey Visual FX Lead Data Wrangler: Alexander Schultz Production VFX Wranglers: Callum Richardson, Dean Melink VFX Asst DWs: Marnie Pankowski, Jamie Sallows Production Sound Designer: Michael Fentum Production Foley Supervisor: Hugo Adams First Assistant Sound Editor: Aran Clifford ADR Supervisor - Thailand: Alex Boyesen GPP Audio Producer: Lizzie Campbell-Kelly ADR Coordinator - Thailand: Napat Wiangkao ADR Assistant - Thailand: Termpol Wannarat Chief Lighting Technician: Matthew Slattery Assist. Chief Lighting Technician: Jamie Garside System Designer & Lighting Programmer: Andy Mutton Sr Lighting Technics: Trevor Gillen, Harry Fleet Junior Lighting Technician: Seamus Slattery Chief Rigging Technician: Nick Sowter Assistant Chief Rigging Technician: Jason Hunter Junior Rigging Technician: Hunter Skene Head of Practical Lighting: Sam MacKinnon Production Special Effects Supervisor: Brian Cox Special Effects Assistant Supervisor: Bruce Bright Special Effects Rigging Supervisor: Ray Purkis Special Effects Workshop Foreperson: James Paul SPFX On-Set Foreperson: Patrick Carmiggelt Production SPFX Coordinator: Teri Richardson Dummy Wrangler, Special Effects: Stan Pacarva Production Coordinator: Zoe McLachlan Equipment Coordinator: Aaron Dexter Unit Manager: Damian Eggins Assistant Unit Manager: Jamie Whitfield On-Set Unit Coordinator: Tim O'Bank Second Second Assistant Director: Jay Corry Crowd Second Assistant Director: Gregory Tynan On-Set Third Assistant Director: Simon Green Basecamp Third Assistant Director: Ruby Tucker Additional Assistant Director: Dan Cole AD Production Assistant: John Wichaison Key Set Production Assistant: Fletcher Donohue Set Production Assistant: Arun Ketsirat Basecamp Prod Assist: Edward McWilliam-Kerry Supervising Location Manager: Nick Smith Assistant Location Manager: Alice Gracie Production Location Coordinator: Justin Allan Production Location Scout: Tony Brown Dive Supervisor: Andrew Allen Military Consultant: Jordan Daams Picture Vehicle Supervisor: Bill Goodes Assist. Picture Vehicle Supervisor: Joel Medland Picture Vehicle Coordinator: Melaini Lewis Second Unit DoP: Andrew Rowlands SOC 2nd Unit 1st Asst Director: Rach Bagley O'Brien 2nd Unit 2nd Assistant Director: Rebecca Keros Second Unit Stunt Coordinator: Bradd Buckley Second Unit Assistant Stunt Coord: Leon Stripp Second Unit Stunt Rigger: Nathan Kannegiesser Second Unit Underwater A Camera Op: Jonathan Heighes Second Unit Steadicam Operator: Greg Gilbert Second Unit A Camera First AC: Jason Binnie Second Unit B Camera First AC: Frank Hruby Second Unit A Cam 2nd AC: Dermot McNamara Second Unit B Camera Second AC: Kelvin Chan Second Unit DIT & Data Wrangler: Erin Gulas Second Unit SPFX Set Supervisor: Mitchell Cox Thailand Unit B Cam Op: Thititun Lerdkijsakul Thailand Unit VFX Supervisor: Brynley Cadman Mr. X Visual FX Executive Producer: Gillian Howe Mr. X Visual Effects Producer: Nigel Venning Mr. X CG Supervisor: Denis Baudin Mr. X 2D Supervisor: Michael Harrison Digital Domain 2D Supervisor: Dhiraj Brahma Digital Domain Comp Supervisor: Mukesh Kumar DD1.0 Integration Supervisor: Hanumantha Kao Digital Domain VFX Producer: Devarshi Thakkar DD1.0 PCs: Harshith Kompally, Jitesh Morde Digital Domain 2D Lead: Srinivasreddy Vontela GPP Senior Finishing Colorist: Adam Glasman GPP DI Finishing Producer: Suhaila Mahmoud GPP Head of Post Production: Rob Farris GPP Head of Data IO: Fiorenza Bagnariol GPP DI Technical Supervisor: Lawrence Hook GPP Head of Extraction & Delivery: Tom Corbett GPP DI Finishing Technologist: Laurent Treherne Titles & Graphics Designer: Matt Curtis Score Orchestrator: David Krystal Score Recordist: Peter Cobbin Orchestra Conductor: Christopher Egan Cameras: Alexa LF, Mini LF, Sony Alpha FX3 & Red Komodo (4.5K ARRIRAW & 6K Redcode Raw) Lenses: Panavision Primo SL Primes, SLZ11 LF 40-470mm Zoom, P70 200-400 Zoom, Primo Artiste Primes, Sigma Cine FF High Speed Primes, Tokina Cinema ATX 11-20mm Zoom & Laowa PeriProbe AR: 2.39:1 (3- & 4-Perf Super 35mm) Budget: 55 Million USD Sound Re-Recording & Digital Intermediate Color by: Goldcrest Post Production Visual Effects by: Digital Domain & Mr. X Music Score Recorded at: Air Studios, London Attribute: Filmed in Panavision