The Beguiled (2017)
6/10
Stylish if lethargic remake of the 1971 film of the same name
15 November 2020
In Civil War Virginia, wounded Union soldier McBurney (Colin Farrell) seeks shelter in the plantation house of Miss Martha (Nicole Kidman) who runs a school for young women. The war has reduced the student body to a handful of young girls and teenagers, and only one remaining teacher, Edwina (Kirsten Dunst). Vowing to nurse the injured man back to health before turning him in to the Confederate authorities, Miss Martha and the other girls all become enamored of the handsome soldier, with dire consequences.

Director Sofia Coppola seems to be striving for a Barry Lyndon-esque natural light look, with no artificial lighting used at all, resulting in lots of gloomy and shadows during the evening scenes. The sound design also goes for an antiquated natural quiet, with the sounds of crickets and wind moving through the trees dominating, adding to a sleepy, dreamy atmosphere. The performers are all fine, and I even thought Farrell fit the manipulative soldier role better than Clint Eastwood did in the previous film. The three central women characters are noticeably different, though, and I felt they were each less compelling than those in the earlier movie (Kidman = Geraldine Page, Kirstin Dunst = Elizabeth Hartman, and Elle Fanning = Jo Ann Harris). This isn't a terrible film, but there's not a lot to recommend going out of your way for it, either.
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