"Jesse Stone: No Remorse" is a 2010 movie based on the character created by Robert B. Parker.
I like a lot of things about these movies, one of which is how incidental characters are carried through to the next story, for instance, Emily Bishop, now working in a convenience store; and Hasty, now out of prison and still in love with his ex-wife.
In this film, Jesse has been suspended by the town council and isn't supposed to be talking to Suitcase or to Rose. And now he has a cell phone and Rose has the number, if he could only figure out how to work it.
Healy (Steven McHattie) hires Jesse as a consultant to look into a series of murders. Jesse gets the word that everyone on the police force is going to be fired, and the council plans on using these unsolved murders as an excuse. So Jesse points out it would behoove everyone involved to get them solved.
My problem with these movies, though I think the stories are good, is Tom Selleck. I happen to be a fan of his. What I like about him is his smile, his flair for comedy, and his immense charm. None of which he displays here. He has a sad, depressed look on his face and mumbles his lines, and it's supposedly called ACTING. It's a generic, monotone performance. If a more complex actor were playing this role it would help the movies.
I read a story from a woman who gave EST-type courses to actors, in which she promised them a result - not stardom, but something. There was this one guy in the class who would get close to roles but never get them. She called his agent and told the actor, I have wonderful news. You have no talent.
Now, the actor was very upset, but the teacher pointed out to him that now, he didn't have to worry - all he had to do was use his charm and his winning personality to sell the role and not worry about the other stuff.
She ends her chapter in this book by saying the actor became a household name. Given that this was written at the time that Magnum was so big, I have always suspected the actor was Selleck.
Whether it was or not, this role does not play to his strong points. He's not Al Pacino and he shouldn't pretend he is.
I like a lot of things about these movies, one of which is how incidental characters are carried through to the next story, for instance, Emily Bishop, now working in a convenience store; and Hasty, now out of prison and still in love with his ex-wife.
In this film, Jesse has been suspended by the town council and isn't supposed to be talking to Suitcase or to Rose. And now he has a cell phone and Rose has the number, if he could only figure out how to work it.
Healy (Steven McHattie) hires Jesse as a consultant to look into a series of murders. Jesse gets the word that everyone on the police force is going to be fired, and the council plans on using these unsolved murders as an excuse. So Jesse points out it would behoove everyone involved to get them solved.
My problem with these movies, though I think the stories are good, is Tom Selleck. I happen to be a fan of his. What I like about him is his smile, his flair for comedy, and his immense charm. None of which he displays here. He has a sad, depressed look on his face and mumbles his lines, and it's supposedly called ACTING. It's a generic, monotone performance. If a more complex actor were playing this role it would help the movies.
I read a story from a woman who gave EST-type courses to actors, in which she promised them a result - not stardom, but something. There was this one guy in the class who would get close to roles but never get them. She called his agent and told the actor, I have wonderful news. You have no talent.
Now, the actor was very upset, but the teacher pointed out to him that now, he didn't have to worry - all he had to do was use his charm and his winning personality to sell the role and not worry about the other stuff.
She ends her chapter in this book by saying the actor became a household name. Given that this was written at the time that Magnum was so big, I have always suspected the actor was Selleck.
Whether it was or not, this role does not play to his strong points. He's not Al Pacino and he shouldn't pretend he is.