For those of you who are fans of Oscar winner Forest Whitaker, than I recommended you check this one out.
Whitaker plays a man on parole after 18 years of prison, and with the help of Allah, who he finds inside, he makes a great attempt to follow the path and get his life right, but too many things are pulling him down, especially the town sheriff that can't forgive him for killing his partner.
Harvey Kitel plays the Sheriff, adding a little more star power to this small picture. Luis Guzman plays the role of Whitaker's ex-partner who wants to repay him for his loyalty by getting him back in the life.
Kitel and Guzman are fine actors but their purpose is truly just to support Whitaker who barely needs it. It's the type of realness that you would expect from a academy award winning actor, who convinces you of being a man on the verge of redemption without hitting you over the head with a needless moral campus.
The movie itself is not put together as well as Whitaker's award winning turn in The Last King of Scottland. It's all about pointing the camera at this man and watching him go. That's what you want to see and he gives it 100 percent.
Whitaker plays a man on parole after 18 years of prison, and with the help of Allah, who he finds inside, he makes a great attempt to follow the path and get his life right, but too many things are pulling him down, especially the town sheriff that can't forgive him for killing his partner.
Harvey Kitel plays the Sheriff, adding a little more star power to this small picture. Luis Guzman plays the role of Whitaker's ex-partner who wants to repay him for his loyalty by getting him back in the life.
Kitel and Guzman are fine actors but their purpose is truly just to support Whitaker who barely needs it. It's the type of realness that you would expect from a academy award winning actor, who convinces you of being a man on the verge of redemption without hitting you over the head with a needless moral campus.
The movie itself is not put together as well as Whitaker's award winning turn in The Last King of Scottland. It's all about pointing the camera at this man and watching him go. That's what you want to see and he gives it 100 percent.