Ada (1961)
7/10
"Thumbs up" on an underrated film
25 November 2011
Warning: Spoilers
For me, this film started off with a leg up because of the two stars. I'm a huge Dean Martin fan, and Susan Hayward has always been a favorite. Having said that, I still think this film is under-appreciated.

I've heard people say that the plot's not really believable. It's about as believable as the plots of most films. And, it's loosely based on some real southern history -- multiple times in fact, and most recently in the case of Lurleen Wallace, wife to George Wallace. However -- despite the modernity of Hayward's attire in the film -- this film was set during the Great Depression...and in the deep South. So I think the basic plot is quite believable.

As much as I enjoy Dean on film, a better southern accent would have helped (which he certainly achieved in "Some Came Running"). However, he's supposed to be a bit of a bumpkin in this role, and I think he plays it as needed. Susan Hayward...well, she has "spunk", and it really showed in this film. When you went to a Susan Hayward film, this is exactly the kind of portrayal you wanted to see.

There are also a couple of superb supporting performances. Wilfred Hyde-White is brilliant as the dirty politician. True, his British accent showed through a tad, but his delight in playing the villainous role more than made up for that. An actor I usually don't really appreciate -- Ralph Meeker -- ably portrays the sleazy "colonel" in the state police and militia -- a wonderful performance. Martin Balsam is also very good as the speech writer/college boy working for the governor, but his role needed to be expanded just a bit. Balsam was one of those reliable character actors throughout much of the latter half of the 1900s. Frank Maxwell also has a good role as the lieutenant governor here, and joins a number of recognizable character actors in support of the primary cast.

I also have to mention the direction of the film. It would have been very easy to overdo it with the southern aspect of the film, and shove that southern malaise down our throats (as Lillian Hellman sometimes did). Director Daniel Mann resisted that temptation, and also "the South" was always there, it didn't overwhelm the story.

The Warner Archives has recently (2012) released this film, although it has not been restored. My biggest complaint with the DVD is a lack of crispness (though not bad), and variations in skin tone throughout the film...often too red. But, it's still nice to have it out in reasonable quality.

Yup, I'm a bit prejudiced here, but this has always been a particular favorite of mine. I highly recommend it, soap-sudsy as it may seem.
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