Well, I didn't much care for the original film; however, I had a glimmer of hope for the sequel. I felt the original lacked ambition as though it just ran through the motions (and did a pretty damn good job of running through said motions) but ultimately didn't deliver anything new. Superficial? Sure. Genuine? No.
Saw II commits my ultimate pet-peeve of horror sequels. It explains and explains and explains. Great, we get it. The Jigsaw killer does what he does to make people appreciate their life. Did you see what I just did? I explained the entirety of the Jigsaw's motive in a single sentence. Saw II spends the bulk of its running time explaining that one sentence. And you know what? I distinctly remember the first Saw over-explaining how technically the Jigsaw has never pulled the trigger himself, yadda, yadda, yadda.
Honestly, who gives a damn about John the Jigsaw being a cancer patient and his attempted suicide when there's poisoned characters running around through a trap-filled house looking for the antidote? When one of these characters is a complete psychopathic nutcase who will inevitably snap and start killing everyone else (a la Cube)? It's great that the villain isn't a faceless killing machine, and indeed Tobin Bell brings great charisma to the mastermind role (side note: he might be the only character in the film with charisma). It's great that he has an actual motive and a logic behind what he does (regardless of how warped said logic may be.) That makes Saw II all the more depressing. It's not that the writers did not give their killer a reason, it's the fact they don't know when to shut up about it.
What's the point of that expository montage at the end when the entire movie is an elongated expository montage? I know, I know it's not supposed to be great literature. Cut it some slack for at least trying, right? Well, if a die-hard fan has made it this far before clicking "No, this review was not helpful" out of spite, then here's the good news: this ain't no sissy PG13 "horror" flick. Saw II knows exactly who its fans are, and delivers the gore along with scenarios that make the squirm-inducing original look like a day at the spa. From the thought of someone cutting open their own eye, to a pit full of syringes, to a character cutting off a large chunk of his own flesh, again Saw II delivers the bloody goods. And here's a bonus: most of the trapped characters hits those annoying archetypes the scenario demands, making their deaths all the more satisfying.
Also to its credit Saw II is slick and polished, but at the end of the day all Saw II has done for horror is trade in the 80s-naivety/motiveless killers gimmick and the 90s hyper-self aware "Scream" rip off gimmick for the current fad: the trendier over-explained "gotcha" twist ending gimmick.
And, who knows, maybe I wouldn't be complaining too much if the film would have actually, you know, surprised me. Then again, the first Saw actually did surprise me, and I still wasn't impressed. Oh well
Saw II commits my ultimate pet-peeve of horror sequels. It explains and explains and explains. Great, we get it. The Jigsaw killer does what he does to make people appreciate their life. Did you see what I just did? I explained the entirety of the Jigsaw's motive in a single sentence. Saw II spends the bulk of its running time explaining that one sentence. And you know what? I distinctly remember the first Saw over-explaining how technically the Jigsaw has never pulled the trigger himself, yadda, yadda, yadda.
Honestly, who gives a damn about John the Jigsaw being a cancer patient and his attempted suicide when there's poisoned characters running around through a trap-filled house looking for the antidote? When one of these characters is a complete psychopathic nutcase who will inevitably snap and start killing everyone else (a la Cube)? It's great that the villain isn't a faceless killing machine, and indeed Tobin Bell brings great charisma to the mastermind role (side note: he might be the only character in the film with charisma). It's great that he has an actual motive and a logic behind what he does (regardless of how warped said logic may be.) That makes Saw II all the more depressing. It's not that the writers did not give their killer a reason, it's the fact they don't know when to shut up about it.
What's the point of that expository montage at the end when the entire movie is an elongated expository montage? I know, I know it's not supposed to be great literature. Cut it some slack for at least trying, right? Well, if a die-hard fan has made it this far before clicking "No, this review was not helpful" out of spite, then here's the good news: this ain't no sissy PG13 "horror" flick. Saw II knows exactly who its fans are, and delivers the gore along with scenarios that make the squirm-inducing original look like a day at the spa. From the thought of someone cutting open their own eye, to a pit full of syringes, to a character cutting off a large chunk of his own flesh, again Saw II delivers the bloody goods. And here's a bonus: most of the trapped characters hits those annoying archetypes the scenario demands, making their deaths all the more satisfying.
Also to its credit Saw II is slick and polished, but at the end of the day all Saw II has done for horror is trade in the 80s-naivety/motiveless killers gimmick and the 90s hyper-self aware "Scream" rip off gimmick for the current fad: the trendier over-explained "gotcha" twist ending gimmick.
And, who knows, maybe I wouldn't be complaining too much if the film would have actually, you know, surprised me. Then again, the first Saw actually did surprise me, and I still wasn't impressed. Oh well