On my first viewing, this film got a "fair" rating because there were not enough memorable roles and the story was confusing to me. I lost track of which person was telling their particular story at the moment. (There are eight stories woven into this two hour, 19 minute movie). I think it would be confusing to most one-time viewers to get confused here if you don't know the stories or the actors. It also got a little soap-opera-ish, too, but then again, this film was based on a best-selling book that was ready primarily by women.
On the second viewing, almost two years later, I liked it a lot more and upgraded my "star" rating considerably. It's still a "chick flick" and a feminist one. The young women are that way, the Americanized women, while their mothers, those all born in China, are quite. The older ladies are a bit too strict and their daughters are a bit too liberal. That included general morals and language - a big difference between the two generations and cultures. The feminist angle I didn't like was that in almost every relationship the man is painted as the bad guy (the abuser, the non-loving type, etc.) That kind of story bias was too much.
The more memorable of the stories turned out to be the ones with the older women, such as the one who left her two babies at the base of a tree, or the one who had to marry a young boy.
For me, the best part of the film was the cinematography. There were some beautiful scenes and great colors: bright oranges, yellows, reds and browns. Some of the young women were beautiful, too. The lady narrating in the beginning, "June" (Melanie Chang as a nine-year- old and then Ming-Na as an adult) was very appealing and had a great voice. Her story is the one that begins and ends the film. That ending, by the way, is almost guaranteed to bring a few tears.
Overall, a wonderful visual movie and a great venue for Chinese-American actresses, all of whom I found fascinating to watch.
On the second viewing, almost two years later, I liked it a lot more and upgraded my "star" rating considerably. It's still a "chick flick" and a feminist one. The young women are that way, the Americanized women, while their mothers, those all born in China, are quite. The older ladies are a bit too strict and their daughters are a bit too liberal. That included general morals and language - a big difference between the two generations and cultures. The feminist angle I didn't like was that in almost every relationship the man is painted as the bad guy (the abuser, the non-loving type, etc.) That kind of story bias was too much.
The more memorable of the stories turned out to be the ones with the older women, such as the one who left her two babies at the base of a tree, or the one who had to marry a young boy.
For me, the best part of the film was the cinematography. There were some beautiful scenes and great colors: bright oranges, yellows, reds and browns. Some of the young women were beautiful, too. The lady narrating in the beginning, "June" (Melanie Chang as a nine-year- old and then Ming-Na as an adult) was very appealing and had a great voice. Her story is the one that begins and ends the film. That ending, by the way, is almost guaranteed to bring a few tears.
Overall, a wonderful visual movie and a great venue for Chinese-American actresses, all of whom I found fascinating to watch.