The best movies have moments -- scenes so powerful, or simply so note-perfect, that they live on in your memory after the plot is forgotten.
"My Favorite Year" has more than its share of these.
Other reviewers on this page have singled out the dinner at Belle Mae Steinberg Carioca's (Lainie Kazan's) Brooklyn apartment. They might also have mentioned the scene in which a titanically intoxicated Alan Swann (O'Toole)essays to "shimmy down" the side of a building, using a fire hose as rapelling gear, or the farcically climactic fight scene on live 50's TV.
But two other moments resonate even more strongly; they explain completely why Peter O'Toole was cast in this otherwise comedic role.
In the first, O'Toole's character interrupts his own plans for an evening of debauchery to fulfill a fantasy by dancing with an aging, but still glorious Gloria Stuart. Both onscreen and off, the audience is spellbound in the midst of the slapstick as these two senior-citizen actors seize the screen for the duration of their waltz.
Even more compelling is an important scene later in the movie in which Swann makes a quick trip to visit a young daughter whom he hasn't seen in years. He watches her from the car, but can't bring himself to get out and speak to her. The scene is played completely without dialogue. With the camera focused tightly on the warring emotions which play across O'Toole's face, no dialogue is necessary. It's a powerful, lump-in-the-throat moment every divorced dad will recognize.
I join others on this page in urging you to rent this movie for the laughs. As you laugh, however, stay alert for two of the truest moments ever placed on film. Enjoy.
"My Favorite Year" has more than its share of these.
Other reviewers on this page have singled out the dinner at Belle Mae Steinberg Carioca's (Lainie Kazan's) Brooklyn apartment. They might also have mentioned the scene in which a titanically intoxicated Alan Swann (O'Toole)essays to "shimmy down" the side of a building, using a fire hose as rapelling gear, or the farcically climactic fight scene on live 50's TV.
But two other moments resonate even more strongly; they explain completely why Peter O'Toole was cast in this otherwise comedic role.
In the first, O'Toole's character interrupts his own plans for an evening of debauchery to fulfill a fantasy by dancing with an aging, but still glorious Gloria Stuart. Both onscreen and off, the audience is spellbound in the midst of the slapstick as these two senior-citizen actors seize the screen for the duration of their waltz.
Even more compelling is an important scene later in the movie in which Swann makes a quick trip to visit a young daughter whom he hasn't seen in years. He watches her from the car, but can't bring himself to get out and speak to her. The scene is played completely without dialogue. With the camera focused tightly on the warring emotions which play across O'Toole's face, no dialogue is necessary. It's a powerful, lump-in-the-throat moment every divorced dad will recognize.
I join others on this page in urging you to rent this movie for the laughs. As you laugh, however, stay alert for two of the truest moments ever placed on film. Enjoy.