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Knives Out (2019)
Mr. Blanc is investigating
Why are criminals good? Or "Who done it" stories in English? Because of the mystery in itself. Because of unknown, undiscovered cases, murders. Enough for these is a good basic story, a couple of exciting characters and an interesting venue. Although crime scenes are more present on television today, mainly due to the high-profile programs of the 90s and 2000s, let's not forget the classics either. Hercule Poirot comes to mind for everyone about Agatha Christie, not by chance. This is what Rian Johnson put into today's environment. The director says the film was inspired by the works of Agatha Christie, and it shows in it, its atmosphere is similar to the villa striking in the Ten Little Negroes. A big house full of secret doors. But even his figures are surrounded by the world of crime. The protagonist, who in this case is the victim, Harlan Trumbley (Christopher Plummer) is a crime writer, and his house is also full of references from his books. Or one of the detectives (Noan Segan) recalls the writer's works all the way like an obsessed fan.
Speaking of the characters, Johnson put together a brilliant guard. Chris Evans, as the grandson of his eyes, who sees through the selfishness of his family, provides a parade shaping. Linda Drysdale, Harlan's daughter, is shaped quite well by Jamie Lee Curtis. I felt a bit throughout the film as if the family was in his hands, not even the men being the directors. The film also features Don Johnson, who plays Linda Drysdale's husband, Richard. We can see Harlan's son, Walt, played by Michael Shanonn, who is the heir to the Trombley book publisher. Or the other grandson, Jacob, played by Jaeden Martell, known from AZ, as the grandson of a pampered oblique Nazi who embodies the trolls fiddling with his phone. He is one of the sources of humor in the film. The other, of course, was Evans played by Ransom. The great-grandmother also represents humor, K. Callan brings the typical senile grandmother, but it is her character who also has a role in loosening the screw. I left the main characters at the end of the list, Ana de Armas brings the innocent nurse captivatingly well; or maybe a certain ability helps him? Daniel Craig, as a private investigator, is an exciting mix of investigators he has met so far. It's reminiscent of Poirot and Holmes, but it has its own line of thought, a certain perforated donut metaphor through which we can get through the film. Chemistry works very well between the two of them. I wonder what they will produce in the next Bond movie.
The script is also worth a few words. The interrogation is structured in such a way that everyone tells what happened from their own point of view, and the work of the cameraman helps with this. This is the most ingenious thing about the nurse, where we can see a complete recollection during a toss of money and the relationship between Harlan and Marta is outlined. The dialogues are well structured and contain a great deal of information for the investigation, so we can also help resolve the matter. The film contains a lot of pop culture references, starting with television crimes such as Killer Lines. series where we can follow the adventures of writer Jessica Fletcher or have a look at the Circle. horror is. In addition to the solution mentioned above, the cinematography adds a lot of classic settings to the film. Such is the scene in the living room of the house when Mr. Blanc is sitting by the fireplace. The big totals shot from the house add the mystique to the whole story. Steve Yedlin's paintings evoke the atmosphere of a classic crime scene.
The roughest part is that family members all set themselves up as loving family members, but Johnson shows them to be selfish people, thus questioning their role in the family. So it's not even a real family, just a congregation of money-hungry, exploiters who aren't as sincere as they show themselves to be. I really liked this multiple change of perspective. In his films so far, Rian Johnson usually caricatures, reverses the elements and structure of the given genre. While this wasn't really the case with The Last Jedi, it's coming up here with new, exciting, fresh ideas that hold their place in the crime genre as well.
Overall, this film is the film of the year on the crime front and a must-see for Craig fans. For those who like crime, it is recommended that they get the film because who knows when we will get such a brilliant work within the genre again.
The Lion King (2019)
Horrible CGI, weak songs
Personal opinion about the film. I saw it pretty much until Simba met Nala and I turned off the movie there. Watching a video, I wrapped around it, looking for iconic scenes.
.The visual is really nice and "realistic", but the songs will be weightless from that. Especially Zordon's song is Be prepare, which was so stripped that I didn't even notice that, this is my favorite song from the movie. Hakuna Matata does not have that clownishness, that joy of life.
I didn't even watch the end, because by then the film was completely out of place
John Wick: Chapter 3 - Parabellum (2019)
John Wick 3- Parabellum, or Alone against the World?
The film continues where the previous one stopped. It is announced that Wick will be out of favor within an hour and a drive hunt will begin against him. The Stahelski-Kolstad couple is already shaking this film out of their little finger. Continuing the myth of assassins, several things emerge from John's past. All of these form a unified mixture that gives the feeling that it is good to fight John, to see him again.
They attach to it all by saying that there are more venues than ever before, there are more opponents, but there are also a few helpers. Such is Sofia, played by Halle Berry, who is Wick's old companion who helps him with a certain matter. Halle Berry superbly brings in the retired, directorial assassin. His dogs also help with the action, in which I think the trainers played a big role. They complement each other fantastically, moving almost as one. Lawrence Fishburne returns as King to spit the Upper Circle specifically in front of him and swear against them for trying to oust him from the Throne. That, however, is impossible because he is the Throne himself.
There is also the appearance of Anjelica Houston, who played an important role in the training of the main character. Houston brings the dignified director attractively. There's also a mystique and mystery in it that just makes it even more interesting.
Then came Jerome Fynn... na, I expected him to bring something very surprising, cool, but I had to be disappointed. A simple piti little boss who selfishly cheats whoever he wants. Even the viewer.
What was still weird and a little worn out during the film was the protagonist's motivation. While he still had the motives in the first part, here he can no longer cover himself by doing what he does just for his wife and his dog. It would be better if the writers started something with this later.
There were so many problems only the others had been better worked out.
Ian McShane is still the lord of life and death, though he is more powerful than him. And this is the Upper Circle. This organization also contributes to strengthening the myth of the film.
What is even stronger in this work are still the action scenes. The equestrian-motor chase scene that took place at the beginning is a miracle in itself. It's so fast-paced and throws the movie that there's no better word for it. Cinematography also reinforces this. The action scenes shown near the party are well choreographed, I could kill you straight for the action scene in the grand total, they are so lousy. The point here is not to split the action scene to make it look more snappy, but the camera shows everything on one level and only moves by scanning.
We can't have a bad word for Keanu Reeves, that is for sure. This man is capable of anything but anything. He has now become one with John Wick, and together they are pushing the underworld criminal into the dust.
This piece perfectly continues Mr. Wick's story, with exciting new characters and familiar old ones, original storytelling, a slightly worn-out motivated but determined protagonist. We must definitely continue this intoxication to see how the fate of Baba Yaga is fulfilled.
John Wick (2014)
John Wick when Keanu Reeves snaps
The action films are all built on a single bar. For the most part, there's a hero who spits into the soup of the bad guys. But John Wick is not like that. He was basically a bad man, meanwhile married and on the right track. But his wife dies, and he gets caught up in it. Only his wife's last gift, a puppy, pulls Wick back into reality. However, members of a Russian criminal association are upset by all this, and John Wick has to take revenge for the lost hope.
This basic concept is simply brilliant. John Wick specifically sucks on clichés. The leader of the criminal organization, Viggo Tarasov, is a true mafia leader, respectable, and no one dares to contradict him. Michael Nyqvist's play helps with that. Every single movement is dignified and absolutely convincing. In contrast, his son Josef is an unfortunate little dick.who lives in the shadow of his father, without whom he cannot even breathe. The casting is completely understandable as to why Alfie Allen was given the role. Specifically, this role Theon Greyjoy is only small. Not only is it not so much mentally ill, but it still brings a correct shaping. Willem Dafoe as Marcus the big old assassin is fantastic. Dafoe's role is very small, but still very important. Ian McShane, as the owner of the Continental Hotel, works here like a real boss who connects the criminals and no one commands him. It has its own rules and acts accordingly. Yet the loosest supporting character, Charlie, is the cleaner, who specifically summons Pulp Fiction's problem solver, Winston Wolf. He is an equally loose yet powerful figure.
And Keanu Reeves proves that he can still act as an action hero after the Matrix. The motivation of his character is completely understandable. After all, the dog has a symbolic meaning. It symbolizes attachment and humanity. The film also excels in the technical field. The film cut is tight and well scheduled. The parallel cuts are simply brilliant. The cinematography work is also very nice. Its brilliance goes well with the dark mood of the film. Both the bar scenes and the street fighting photography are very strong.
The screenplay for the film (Derek Kolstad) is very super written. It feels like the screenwriter is at home in the world of action movies. There's a mystique to Wick's character that makes it clear why he's such a good assassin. This film is reforming the world of action movies. Instead of blank visuals, we get a determined, motivated protagonist who makes the entire film himself. The main evil is a loose yet ominous figure. The action scenes are hectic and it's good to watch these scenes. A pleasant fun action dump that nails all the way in front of the screen. An unmissable creation. His sequels are sure to carry on Mr. Wick's revenge campaign and complete revenge.
Love, Death & Robots (2019)
Love, Death & Robots,or the sci-fi,which is reflectionof humanity
The genre of sci-fi has usually always provided the same thing. A world characterized by airplanes, laser weapons.space travel.
This is what Love, death robots is hitting. It tells 18 completely different stories, each featuring one of the words in the title and a variety of sci-fi.Presenting all this in different animation styles, telling stories with different moods. There are farmers occupied by Astronauts living their lives in a corner of Saturn, Soviets fighting aliens, or scientists researching fabulous vampires. These are the more serious stories. There are looser ones, like the three robots who, as the only survivors of an apocalypse, view the buildings and objects left by humans, discuss the flaws of humanity. . We can witness fantastic solutions. The two-character stories are also well put together. This series isn't for kids at all, as it's full of violent scenes, swearing, scary images, and brutality. Only the tension between the characters builds the plot, not just the dialogues. This series praises the handiwork of such brilliant directors as Tim Miller or David Fincher.Animation styles and stories are unified by others. Starting with the anime style, the video game-like 3D animations are equally stunning. Although for some parts the animation is alienated from the story and the part is not so enjoyable. There is a part where the animation is completely lifelike, making the story almost live.
These stories tell about loneliness, society today, human greed, gullibility. About how influential we are, and that causes our loss. About the butterfly effect, that little thing also changes a lot in history. My favorite parts in terms of twists, story and humor are:
1. "Ice Age," where a refrigerator builds up inside, then dies and re-emerges in the hours of an entire civilization.
2. "Three Robots". Here, the character presentation, characters, and dialogues of the robots gave a taste of this episode. As well as humor
3. Beyond the Aquila Rift: here the twist was what surprised me, mainly the character's determination and good faith was what caused his loss. What he has seen so far is only the product of his imagination, and a much more horrible future awaits him.
4. The Witness: The simplicity of the story captivates me, yet I didn't think the twist would eventually tell of parallel dimensions.
5. Alternative Histories: In this episode, the complexity of the script is that it narrates multiple variations of an event and its outcomes in a humorous way with paper-mass figures, both grotesque and wonderful.
This series is definitely a gem in terms of its varied animations, as well as the complexity of its stories. The fate of his figures is all thought-provoking, and the role of some in the story is also entertaining.
Xiaolin Showdown (2003)
A novel and youthful presentation of an old genre
This series was a defining part of my childhood. Both the basic concept and the characters are well structured. They're largely lovable, all from Kimiko, Raimundo, Clay, Dojo, Master Fung, but even Jack Spicer's "the evil genius kid" is fun. Omi alone is the only one who has worn out from the perspective of so much time and become a little annoyed. I would scratch the wall from his egoistic remarks and remarks. The main villains are well-nuanced, especially Chase Young, who emerges as the main villain for the final season. There are interesting side evils like Katnappe the young sneak thief, PandaBubba the lord of the Tokyo underworld, Malamala Jong the demon of shen gong wu, Hannibal the Bean, the mystical evil striking in the shape of a bean. There are, however, weaker evils, such as Vlad the Russian, Tubbimura the ninja, Cyclops, though he is more responsible for the comedian.
Speaking of comedy, I have to mention that the humor of the series isn't weak at all. Of course, there are recurring sources of humor like the aforementioned Cyclops or Omi's attitude to speeches.Fighting styles are called striking and sometimes funny.
In addition, the series has its seriousness and tension. It is mainly Wuya the rise of the Heylin witch to power and the destruction of Chase Young that is what mainly provides this.
The conflicts between the characters are well sharpened. Thus, their development can also be traced.The animation of the battles with the elements is nicely crafted, the structure of the parts, although predictable, turns twists towards the end of the seasons and gives the show a dramatic arc. All in all, this series is a classic 2000s show from Cartoon Network, with lovable and exciting characters, a well-structured story, andgreat twists and turns.
Jojo Rabbit (2019)
"You're not a Nazi Jojo"
So far, I thought the King of War Satires was the Catch-22 ... I maintain that, and I don't.
Because in book terms it is still that, in terms of film, the Jojo Rabbit out performs. No, he doesn't surpass, he'd rather be on a par with him and Chaplin's eternal Dictator.
This movie is such that you can't know what, coming later, there's a cliché-like situation you're waiting for a cliché reaction to.
But it's not coming. But instead of something tear-jerking or something grotesque, because this movie is indeed grotesque.
In the way the Nazis are portrayed, in the way they behave.
And here comes the scene Johannes Betzler (Jojo), a ten-year-old Nazi fanatical little guy who thinks what the others do. The film already shoots early on that Jojo's mother, geniusly played by Scarlett Johansson, hides a Jewish girl in their house.
The film is really about Jojo and Elsa about the relationship between the Jewish girl. How a little boy undresses the prejudices he chews into his mouth, and deep down he doesn't believe it, just shows it.
No one here is what he shows himself to be, all for the sake of survival. Either referring to Elsa's little secretary or Frau Betzler's views.
The film is fantastic as the script is as visual as it is.
In the script, each word has a meaning in terms of the story, or at least refers in advance to something that only becomes apparent later.
The cameraman plays with symbols that we know only through the textbook.
The editing of the film is also well scheduled, there are no frames that would not be unnecessary.
The characters are also very well hit. Starting with the chubby woman of romantic comedies, Rebel Wilson, who, compared to her characters so far, would make us tear with her lyrics rather than her play (her stature). He always and in every situation sticks to a personal example at best, but that doesn't interest the dog, and that makes his figure as funny, as blinded to the Nazis as the other adults, but much smarter than them.Sam Rockwell's character Herr K, if he had lived, would surely have been Hitler's favorite.
A true bloody Nazi who is one of the sons, so much so that he designs for himself an ornamental uniformist for the victorious battle. Sam Rockwell brings the figure brilliantly. Every character thinks about him, he's the best and he just considers himself that. There are also paternal feelings swirling in him that he expresses toward Jojo, though not a typical paternal figure.
If you're already a parent figure, Scarlett Johannson will be competing for the Oscar as the female lead and supporting character with two mother characters, and with this film she's in her pocket for that particular prize...
Scarlett flashes the serene side of motherhood, which in a situation like II. world war, quite important, especially for his son.
The humor of the film is not a bug at all, but is so whimsical, full of cinematic and pop cultural pictorial references. I'm not saying anything about it, just that it's always in original language like English beats, especially if there's a visual joke next to it.
The film is definitely human, it's mostly child actors, and to see the aforementioned Johansson character best, their mindset is completely different from the other characters.
The figure of Frau Beltzer, it represents the purity that every little child has. I can't praise Waiti's screenplay enough times where, for both female characters and kids, there's room for the play, not just background dancers, or the romantic thread, and the jokes are drawn to the film.
The film features several quoted texts that have a very message. Such is Elsa's sentence in the trailer, "You're not a Nazi Jojo. He's just a ten-year-old boy who likes to wear a funny costume and wants to belong somewhere. " This is the sentence used to describe the figure of little Jojo.
Roman Griffin Davis, as the title character, is a promising new talent among children's actors and could make him another good character actor.
Overall, this is the film of the month and / or the year of the year in terms of film, comedy and satire, I think. Not to be missed. It is not a thought-provoking work, it can be talked about in retrospect.
Simply captivating. If I were to score, I would give him a 9, but only because of the predecessors mentioned above.
Once Upon a Time in... Hollywood (2019)
Tarantino's Hollywood, or the Once Upon a Time... Hollywood
Quentin Tarantino is one if not the most visionary director. She loves Hollywood and her older movies. He also makes references to them in his own works, be it the Kung fu films he cites in the Kill Bill films, inspired by Fellini's 8 1/2 film in the Dance Scene. It spins exciting or just thought-provoking lyrics into the mouths of its actors, which everyone then quotes without context. He pushes action scenes in front of us where he spares no blood and brutality. He selects his actors, but he still has favorites like old Samuel L. Jackson, Harvey Keitel, Steve Buscemi, Uma Turman, Tim Roth or just Michael Madsen. Not even working with today's big guns like Christoph Waltz, Michael Fassbender, Eli Roth, or just Leonardo DiCaprio, Margot Robbie, Brad Pitt.
Tarantino loves to fetch a mystique for his films, such as what's in the bag that the two thugs keep, or whether Cliff Booth killed his wife or not.
This is where we get to the Once Upon a ... Hollywood. The film, which takes place in the late 60s, is the era when Quentin fell in love with cinema, for that was when he was a child. There's everything that mattered then, western (like in a movie, like a series, actors and directors like Steve McQueen or Roman Polanski, and the actor's wife Sharon Tate. Related to that is a sad and horrible concept, the Manson murders). .
According to the story, a downtrodden actor Rick Dalton (Leonardo DiCaprio), who plays only the main villains of the series, is just a neighbor of the Polanski, we can follow his everyday life with his stuntman Cliff Both (Brad Pitt), that's pretty much the story, of course. Manson family, how it would get into the picture would already be spoiler, so I'll just touch on their role in the film. Margot Robbie as Sharon Tate plays Tate with the simple but innocent, clownish charm, almost lubricating the role. After watching the movie, I said DiCaprio and Pitt would be there at the Oscars. Their pair is best put together. Brad Pitt's portrayal is restrained yet expressive. And Dicaprio plays with as much intensity, hysteria as a child whose toy has been taken away.
It may also be surprising that the series did not count as a high-volume format here as it does today. Today, the actors are killing for a good series role, at the time the series was considered a career cemetery.
The story of the film is not very voluminous, simple, but still easy to follow. The lyrics aren't as percussive as they used to be. Maybe there is only one monologue or scene, and that too can be linked to Dicaprio. That may be the only negative for me. The fact is that cinematography here (Robert Richardson) is what has a lot, more weight in the film than ever before. Because it mainly tells about street scenes, the backstage of a shoot, the screening of a film, how the people of that time lived their lives. There are few settings that are always there at Tarantino, but there are a couple. Such is the pointing of the legs. Let's not expect anything else from the foot fetish Tarantino. Not to mention the famous rear seat setup.
The music was also well sorted, here's everything, from Simon and Garfunkel to Mrs. Robinson, from Deep Purple to Kentucky Woman, the list would still be long, with a total of 22 tracks on the soundtracklist. It's good music, though it doesn't match the opening music of the Tarpaulin Novel with Misourlo or Kill Bill vol. For his 1st closing chord for The lonely Sheperd
I now turn to the questionable and or more important parts of the film. First to the Bruce Lee case. When the film came out, the film caused immense astonishment to Shanonn Lee, the daughter of Bruce Lee. For he said that the scene in which his father was portrayed desecrated his person, that his father did not behave in that way. My view of this is that, on the one hand, Tarantino tended to knit together only the characteristics of the characters played by Lee and the figure emerged from it. On the other hand, there can be no complaint about the portrayal of actor Leet Mike Moh, no matter how strangely his character has been created.
The other one I want to deal with is the Manson sect. Tarantino only displays a scene to the extent of Charles Manson, not much to deal with. It deals all the more with his followers, who are generally young girls in their 20s and 30s, and a few guys. They are set up for simple hippies compared to being a serial killer sect. Although at the end of the film, they're pushing a bloodbath worthy of a Tarantino movie, not in any way. Their motivation, exceptional, is to kill as they saw it on television as an anno child. This is entirely true of Tarantino. It turns reality on its own. I would not say more about this part.
Overall, it's an enjoyable comedy drama that, when viewed as a Tarantino film, isn't his best work, but it's not as immersive as the Grinhouse. Those who expect fast-paced dialogues, nerve-wracking action scenes one by one may be disappointed. In any case, I look forward to the master with excitement,
Hunt for the Wilderpeople (2016)
Adventures of two eccentric people in the wilderness
Taika Waititi tells a rather interesting story about how two different people can learn from each other, from each other. While Hector, played by Sam Neil, teaches the young boy about wildlife, the guy teaches lessons about today's world and pop culture. This film is less funny for Waititi, it is more about life, about relationships with each other. Ricky's figure just craves one family for nothing else. You'll find that, too, but the guardianship gets in and they want to take you back to the correctional facility. The relationship between the two characters is well structured, neither suppressing the other. The film's humor is more based on figuring out the contrasts between the two characters, so we can follow the two unfortunate frantic chases along with crying and laughing.The film is about responsibility for each other and ourselves, trust, exclusion from society.
Oldeuboi (2003)
Oldboy or revenge campaign to infinity
In the late '80s, Oh Dae-soo, the utterly average father of the family, was abducted from his own house and held for years in a private cell where the only connection to the outside world was for him to be a television. This is how he learns that his wife has been killed and the police suspect him. His pointless and incomprehensible detention reaches a determined inner revenge after initial despair. He is released 15 years later, without any explanation. This basic story could be, done badly full of clichés, or it could be the way Park Chan-wook staged this revenge movie going on indefinitely. The main concept is based on trust. The protagonist Oh Dae-soo doesn't know who to trust and who will help someone who has been detained for 15 years for his own entertainment. The amount of gore and violence the director brought to the screen was never so faithfully shown. All nudity, all tooth extractions, self-tattoos, injuries, are all portrayed realistically.
Min sik-choi fantastically brings the desperate average man who, in the midst of all ordeals, is trying to survive and take revenge.
The cinematography work is brilliant. Especially the one-minute scene where Oh Dae-soo handles it alone or 50 people and 15 more are waiting for him in the elevator. Fantastic scene, already in itself is why you watch the movie.
Unforgiven (1992)
Twilight of Western Myth
Clint Eastwood has always been equal to Western heroes. If we take the Dollar trilogy, or the Tramp of the Plateaus. He has always played the figures of well-meaning, decent revolver heroes. In contrast, there is no fairness in Unforgiven. There are no mythical pistol duels. Every pistol turner is a mortal man. There is nothing sublime here, nothing pathotic in the murders. Sheriff Gene Hackman follows his own truth, he says there is no problem if a woman is beaten half-dead and mutilated, especially if they are joy girls.
William Munny, on the other hand, no longer kills only when necessary.
With this film, Eastwood closes his own and western heroism.
The Life Aquatic with Steve Zissou (2004)
The Life Aquatic orthe story of a strange documentary
Wes Anderson has always dealt in his films human to dissect the human soul. To understand the other person's spiritual crises. This was represented by Darjeeling Limited or at the Grand Budapest Hotel.Yet Life Aquatic with Steve Zissou is a different kind of journey into the human soul. That's how we find our other half. In this case, the one who can set an example for us. An abbot.
The cast is also great. Bill Murray as Steve Zissou is brilliant, this is the best role of his life I think.Owen Wilson's character is a true adventurous soul, portrayed by the actor with the right emotions.
Willem Dafoe is a real old sea bear.He always knew where his place is, what he wants, his goals are accurate and well understood. he visual world is brilliant. The sea shots are nicely recorded. And the documentary parts are done precisely and precisely. We feel like we're there underwater with the diving team or living life on board with them.The scenario is fantastic. Wes Anderson has always looked after the story, and especially the drama, and here it is no different.Overall, this is a very good movie, sometimes towed at the pace, but still an enjoyable piece. Bill Murray offers his best portrayal in it. No wonder Wes Anderson worked with him after all.
Treasure Planet (2002)
Treasures and pirates in the galaxy or a classic reinterpretation
For me, this movie is simply indefatigable. An actual reinterpretation of a classic, so that it loses nothing of its value. The characters are well structured, like Jim, like Silver is a well-written figure. The source of humor there is Dr. Dopler, BEN is the island's native robot, and Morph is the cute animal replacing the parrot. His animation is simply a fantastic structure of 2D figures, with 3-dimensional backgrounds still standing still today. The lyrics are easy to quote, especially if you've seen the movie 200 times. I know the film almost with accents, but I'm still goosebumps from it today.
Cats (2019)
Cats sing quite well in CGI fur
I was very curious about this film because adapting it to a Webber musical is a pretty serious thing. The Phantom of the Opera House is a good adaptation for example. Well, Cats ... I don't know. Luckily, the basic story wasn't very poked. Although there are a couple of new songs that aren't the best, but the other songs sound good nonetheless. They were good at re-arranging. The actors sing well with three singers and actors (James Corden, and Jennifer Hudson, Taylor Swift) stand out, but the other actors also sing well. The script complements the original work well. For example, the theatrical cat, one of the roles of McDouglas, the pirate cat also comes to life. The choreography also hit well. Macavity's motivation is understandable and well-crafted. Jason Derulo as Rum Rum Tugger is a whimsical flirtatious male as he should be. Gus, in the role of the theatrical cat Ian McKellen
So much for the positives. CGI is something terrible. Putting faces on a fur coat makes it not a real cat yet. He's more of a nightmare monster than Freddy Krueger's right hand man. Especially Macavity looks pretty chilling. The sliding Skimblesanks figure in the casting was damn not hit.
Overall not a disappointment, but not so good, really few. I'd rather watch the musical online or in the theater.
The Shining (1980)
Shining or the Hotel of Madness
Stephen King made a lasting impression in the horror genre this is not in dispute. However, the adaptations are quite ambiguous. Brilliance was not satisfied with Kubrick's adaptation, I don't understand why. Kubrick created a brilliant atmosphere, which he added with an exciting cast. Jack Nicholson brilliantly plays Torrance's figure, not to mention the boy playing Danny, as well as Shelley Duvall as Wendy, who fully immerses himself in the figure. Kubrick is the most partisan director, having only recorded the baseball scene 137 times. The cinematography work is stunningly beautiful. The inner recordings are etched in our memory forever. It's enough to think of the twin scene, or the eternal classic Here's Johnny scene.
Overall, this film is a true horror classic, with a genius Jack Nicholson portrayal, a true mystical underlying story. Highly recommended for horror fans.
The Matrix (1999)
Matrix or Keanu Reeves goes to heaven
It is not in vain that this film has become a cult Classic. It has the spectacle that makes it sci-fi film,but the philosophical reflections from existence also affect your mind. The philosophy of the Matrixinfluenced pop culture. For example,the explanation of Inception consciousness can be traced back there. It was not in vain that Keanu became the most defininig action star of the era. Combat choreography is percussive. The interactions between the characters are interesting. Athough Agent Smith's character is one-sided,and robotic,he was what makes him an iconic evil. There is good coherence among the members of Morpheus's team. This is also felt in the texts of the figures.
Gisaengchung (2019)
From poverty to total madness
This film has deservedly been nominated for awards this season. It is shocking how the director presents the differences between social strata. Shades the characters. There is nothing good or bad in this movie. People are the actors. Mortal, simple ordinary people. The film cannot be classified in a single genre. Sometimes drama or comedy. Towards the end, it taps into a thriller. Displaying rich people is pretty simple. They have no problems. Unlike poorer people. Filming the film is brilliant. The film operates with very strong images. The atmosphere is breathtaking. The movie hangs in front of the screen all the way. The turns are screwed. They ignore the clichés. Simply put, this film has been well-deserved because it raises and answers social questions that are very serious today.
Jay and Silent Bob Reboot (2019)
Bluntman and Chronic Strikes back again or Kevin Smith movie orgy
Jay and Silent Bob Reboot is actually the reboot of Jay and Silent Bob, the star is pretty much the same just here in Hollywood and Kevin Smith in the net of the two screwed figures. Justis has little role, but it is significant because Jay's daughter Millennium Falcon teaches Jay to take responsibility. Actually, that would be the lesson of the film if it weren't for a Kevin Smith film. It's full of pop culture references, from Marvel to Star Wars, everyone gets the arc. Plus it's a summary of Kevin Smith's oeuvre. It shows Ben Affleck, Matt Damon as Loki (no, not that Loki but the other one.) So this movie is recommended for Kevin Smith and Jay and Silent Bob universe fans.
Bloodshot (2020)
Fighting with our memory
A story jerked out of nowhere, terribly simple characters, the cut is hectic in places, Guy Pierce has little to save the film, but Vin Diesel brings his form, but nothing more. Its visual world is nicely recorded in places, CGI can be seen in places. It may have some message about injury healing, trauma processing, lust for power, and control, but unfortunately it gets lost in the hustle and bustle of action scenes.
Miracle Workers (2019)
Divine machinery and the dirt of the Middle Ages
The basic concept of season one is brilliantly put together. Everything has an efgy department (weather, beetles, environment ... and wishes) The characters are well written. Starting with Steve Buscemi's alcoholic, hopeless God who doesn't even know what's going on in the world. In contrast, his two angels, Craig (Daniel Radciffe) and Eliza (Geraldine Wiswanathan), do their best, and the world is constantly dying as their friendship grows stronger. This episode is very serious and gives the viewers strong moments. We are in a medieval small town where we can follow a feces shovel girl Alexandra and her family. Alexandra is the only one who has read and is more enlightened than the others. All of the characters were completely upset. The King (Peter Serafinowicz) is a crazy conservative tyrant who completely ignores the Poor people. His son (Daniel Radcliffe) is the Prince of the Gingerbread who plays with the Ducks instead of the reigns. The series plays well with modern elements like news, quiz shows, rock concerts. This season is completely separate and perfectly enjoyable without the first one.
Midsommar (2019)
Para factor at maximum
A creepy, totally cliché movie that pulls our nerves all the way. And in the end, we stare in awe.
The Man Who Killed Don Quixote (2018)
Good story,terrible interpretation
The good basics that they made horrible, the scenario clashed. Don Qouixote's character is exaggerated most often annoying. Adam Driver as the ultimate hero is loved. I don't understand how this film was made for 25 years ???