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Zeitgeist (2007 Video)
4/10
A contrived, manipulative, and dangerous piece of propaganda
21 January 2008
Warning: Spoilers
We live in a frightening age under a corrupt and increasingly incompetent government, so it little wonder that films like Zeitgeist: The Movie are finding success. Many of the issues it addresses do ask some important questions, particularly those concerning the origins of Christianity and the American Government's connection to 9/11. Zeitgeist flies off the rails, however, when it attempts to answer these questions.

There is ample evidence for a historical man named Yeashua (Jesus in Hebrew) leading followers around the time of Emperor Tiberius. The details of his life, however, were subject to manipulation over the years by numerous different scholars. It is thus hard to separate fact from fiction when examining his life. The film is even further off when addressing the U.S. government's alleged link to 9/11. A prime example of this is the film's support of the theory that the pentagon was hit by a missile and not a plane. This theory has been dismissed by most 9/11 conspiracy theorists themselves as being false. Further theories are presented and backed up with anecdotal evidence, but not much else. There is little or no attempt to present alternative viewpoints on these highly controversial matters.

The final third of the film is perhaps the worst. It presents its own take on the Theory of Electronic Conspiracy as if it were hard fact. A small group of bankers, namely the Federal Reserve Bank, are blamed for most of the world's ills since the mid 1910s. This is a particularly dangerous accusation as many such theories have historically been antisemitic in nature, and it is no coincidence that the film uses testimonies from such questionable sources as Rep. Louis McFadden (a noted racist and supporter of Adolf Hitler).

I won't deny the film was skillfully made. It very cleverly avoided any alternative viewpoints and backed up its own demented world view with just enough evidence to be convincing. It is, however, no more real than "Triumph of the Will" or "Birth of a Nation". At least these movies were better made (why in God's name is its IMDb rating so high?!!)...
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The Toy (1976)
8/10
A newspaper reporter is chosen to be the human toy of his employer's child
30 January 2007
(IMDB summary corrected for grammar and augmented.) When Francois, a journalist, tours a big store for an article, he is chosen by the son of the newspaper's owner, Rambal-Cochet, as his new toy. Needing money and unwilling to quit his job, Francois agrees to this ridiculous assignment. Gradually befriending the spoiled boy, he induces him to play at making a newspaper, unveiling publicly the tyrannical way of life of the father. The powerful emotional climax we experience with the child astonishes both men.

This funny, thoughtful film is much better than its American remake and deserves wider recognition.
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7/10
implausible but fun acting performances
18 January 2007
Sylvia Scarlett is odd but interesting for all the great performances by these great actors--Edmund Gwenn, Katherine Hepburn, Cary Grant, Brian Aherne--and the two uncredited roles of the maid and the Russian woman with the French accent (who actually is some kind of Russian Copuntess.) Since I've seen a lot of Opera I can suspend a lot of disbelief. The movie is wildly implausible, but fun because of what the actors do with it. Grant is great, kind of mean and low class, but if you really want to see Hepburn's full range this is the movie to see. There is a lot of cross-dressing role playing by Hepburn that gives it a contemporary bisexual vibe. A very interesting oldie viewed in retrospect of what Hepburn and Grant's film personas subsequently became.
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All About Eve (1950)
10/10
It doesn't get any better than this.
4 July 2006
It doesn't get any better than this. It takes its time and builds and builds. The story is timeless, almost mythical. The actors are great and perfectly cast. The script is crackling with smart alecky, bitterly funny dialogue--the dialogue is like scratching an itch--you want to hear it over and over. It has the cyclic structure of all the greatest stories--the young actress at the end doing the same thing to Eve that Eve did with Margo. The picture with all the mirror images that ends it is perfect and illustrates the universality of the theme. You couldn't remake it as a movie. It might work as a musical or as an opera. If you haven't seen it, you have a great experience ahead of you. Don't wait--see it now!
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10/10
Gregory-Bujones Black Swan Pas De Deux
3 July 2006
A wonderful record of this pair's performance in San Francisco of the Black Swan Pas De Deux from Tschaikovsky's Swan Lake. Cynthia Gregory is strong and sure and mesmerizing and Bujones is magnificent. A treasure. A marvelous opportunity to see the power of great dance. Having played Swan Lake in pit orchestras for years I remember the tremendous ovations they received night after night. I happened on this video at 4 AM on the Arts Channel on Cable TV and it put my mind in a good place. I hope others will discover it and dance students will get an opportunity to see it. Cynthia, tall for a ballerina, has impeccable rhythm and her arm movements give a beautiful illusion of swan wings. Wherever she is, I hope she is still inspiring others through dance.
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9/10
Without a doubt, the best "teen" movie of all time...
23 March 2006
Forget "American Pie", "The 10 Things I Hate About You", "Can't Hardly Wait", and any other movie Hollywood makes that is supposed to be about teenagers. This movie captures the way it really feels to be young. Angst, loneliness, isolation, and akwardness are subjects rarely associated with teenagers in movies these days (at least, in a serious manner). Anyone who truly remembers high school will know that it wasn't always so pleasant and silly (to many people, it was just the opposite). James Dean's incredible acting and screen presence conveys this perfectly. He manages to be the embodiment of cool without seeming larger than life. Indeed, it is his flaws and vulnerability that ultimately makes him such a great character. The same is true of Natalie Wood and Sal Mineo. No one in this film is a cliché, but a fully-fleshed human being who not only laughs and lusts, but also rages, cries, and shows fear and emotional depth.

What amazes me the most about this film is that it is over 50 years old, and just as relevant today as it was in 1955. The best stories have always been timeless and this is certainly one of them...
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