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1/10
The film makers must have paid for good ratings.
21 December 2015
Warning: Spoilers
The only explanation for this movie having such a high start rating, considering both how bad it was and how many negative reviews have been posted, is that the makers must have people who go on IMDb and flood the site with 10 star scores. Seriously, what other possibility is there? I blame IMDb for this as much as the people who made the movie.

As for the movie itself, it is what should be expected from anything put out by Disney. Political correctness and girl power taking precedence over story and believability. It was irrelevant that the main character had no reason to be as competent as she was, except that she was a cute little girl, so nothing else mattered. Unlike Luke, who had to work hard at becoming a good at using the force, our brave heroine simply pulls it out of her pretty little butt and beats the stuffing out of the main villain. But then who cares? She's cute, right?

And as for Finn, is this the best they could come up with for the first black lead in the Star Wars films? A flaky sidekick to the main character? It's like the writers simply started with the idea of having a little girl and a black dude as the leads, then used a plot from a previous movie for the story. It's almost as if they followed what they thought was a can't miss formula that failed miserably in almost every way possible.

The only good aspects of the film came out of what they brought in from the previous movies. Han, Leia and the Millennium Falcon. But that and some awesome special effects are not enough to save it from becoming a festering pimple on the butt of the Star Wars franchise. One can only hope that they give up on making any additional movies and stop the bleeding before it is too late.
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2/10
A cute little girl is put into a survival situation and comes out on top.
17 February 2013
Warning: Spoilers
The title for this review is exactly what I thought when I first saw the poster for this movie before ever seeing it. Hollywood's predictability did not leave much to the imagination and it turns out I was dead on target. The plot basically centers around a female descendant of Rambo who is put into a modified version of the Running Man games, but with a twist. In this version kids brutally slaughter each other for the enjoyment of the masses – including you the movie goer. Now that's entertainment!

The story starts off in some bizarre post apocalyptic future where the powers that be hold an annual contest that pits children of various ages against one another in a battle to the death. Many of them are violently killed right at the beginning with several being viciously beaten to death by their larger opponents. But being in Hollywood's era of girl-power, our pretty little protagonist makes her escape, at which point the rest of the competitors should have just given up. And despite being in the wilds for at least several days, she manages to never look more than a little tired and maintains her fragile beauty as if she just stepped out of a shower and dressed in clean, but wet clothes.

But nonetheless this movie is a blockbuster, mostly because male viewers are aroused by the main character and female viewers actually think that she is somehow a realistic vision of what girls can do. And for these reasons, audiences will ignore the fact that they are watching a story - with a rating that allows any age to see it - about children killing children and never once wonder why society is so screwed up today.

On a final note, I have to wonder how IMDb has such a high rating for this movie considering the staggering amount of negative reviews that have been posted. Unfortunately, I think the rating system here has become somewhat compromised as it seems pretty easy for anyone to stack the votes early on.
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9/10
We could live underground, and use bacon for clothes.
19 May 2011
In 2009, two of the best cartoons ever made were released. One is Up, the other is Cloudy with a Chance of Meatballs. This movie was just amazing.

Animation - I have never seen a cartoon so detailed, even in a Pixar film. Sony went all out to create a level of quality that has to be watched more than once to appreciate. From the reflection in characters eyes, to the movement of their hair and clothing to the simulation of falling food, the production team spared no effort to make everything as realistic as possible. And if you mute the sound, you can actually read lips when someone is talking.

Voice Acting - A superb performance was given by every actor, especially Bill Hader. Although most cartoons have gotten really good at this, it is still worth mentioning here.

Humor - This is without a doubt the funniest animated film I have ever seen. A lot of slapstick coupled with hilarious lines and comical facial expressions. Again, more than one viewing will reveal something that you may have missed the first time around.

Story - A lot of people were disappointed that the story was so far off from the book. And although I respect that point of view, it shouldn't distract from what is a great story in it's own right. It had some good messages, such as the effects of over indulgence, being who you are despite your appearance and keeping your goals in life simple. And it does it without coming across the least bit preachy.

But as no movie is perfect, so it is the same with Cloudy with a Chance of Meatballs. I think it could of done with a little less of the Baby Brent character and the end wasn't quite as funny as the rest of the movie. But maybe the biggest disappointment was the use of mild foul language. I am not sure why they had to include the phrase "Holy crap balls" or even "hell hole" when making a movie that has kids as it's target audience. It cheapens the movie a little for lines that could have easily been omitted.

Regardless of it's minor drawbacks, I still highly recommend seeing this movie. And then seeing it again.
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Zombieland (2009)
7/10
Not too shabby
15 February 2011
Not being a big fan of Zombie movies, I have to admit I had a blast watching Zombieland. It's the kind of movie that doesn't take itself too seriously, but doesn't get plain goofy on the way either. Somewhat like an American version of Shawn of the Dead (the only other zombie movie I like), it has a good amount of both action and comedy. There is even an intensely sad scene as well, but it is brief enough that it doesn't take much away from the flow of the story while giving a touch of humanity to one of the main characters at the same time. There are a couple of plugs for soda and junk food shoved in there, but overall watching Zombieland is not a bad way to spend an evening.
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Alice in Wonderland (I) (2010)
3/10
What were they thinking??
13 February 2011
Warning: Spoilers
When you have what seems like a perfect combination of actors (Johnny Depp, Helena Bonham Carter), director (Tim Burton) and story (Alice in Wonderland, what else needs to be said), you would expect something phenomenal. Yet somehow they managed to totally screwed it up.

Granted, the actress who played Alice was a little one dimensional and Anne Hathaway as the White Queen just plain gave me the creeps, but there is an overall shortcoming here that goes beyond any of the cast. Some of the blame would have to go to Burton for what seems to be a restrained attempted at creating Wonderland. It could have been a little darker in atmosphere (not so much to freak out kids of course) while at the same time do a better job at capturing the feel of Lewis's version with weird and magical creatures at every turn. But to be fair a considerable amount of fault has to lie on the script itself.

Something that strikes you from the start is the idea of someone coming back to a fairy tale world without ever recalling being there before. Didn't Robin Williams already do this in Hook? But more importantly, why did they feel it necessary to make it some sort of sequel to the original, especially when there has been nothing made on a scale like this before. But even if you accept it as the next step in the story, it seems odd that they would contradict so much of the original story.

One of the things that sticks out to me is the inclusion of the Jabberwock. It's existence was only in a fable with in the story. And even if one was expecting to stretch this as to the fable actually being some sort of prophecy, then Alice killing it is a total contradiction as it was killed by a boy in the original telling.

Another aspect is the handling of the White Queen. As described by Lewis, the White Queen was stupid, fat and helpless as an infant. Instead, in the movie she was thin and majestic with a bizarre habit of holding her hands up like she was about to field a punt.

As for Alice herself, she was for some reason written as a grumpy little brat who was pretty rude to most people (and animals), then in the end turns into supergirl, so much to the point that it's just plain goofy.

There is some good stuff here. Carter's portrayal of the Red Queen was perfect. And how they did that with her head is beyond me. Depp did an pretty good job, but I would have preferred that he looked a tad older, though it's not a big deal. Overall, the voice acting was great. The Cheshire Cat, Catapillar, The White Rabbit and even the little servant frogs all sounded dead on.

Perhaps I am just ticked off at the missed opportunity for making a grand scale retelling of the original story, but I honestly did go into this with high hopes anyway. I would love to see the same group (at least Burton, Depp and Carter) take a shot at the story the way Carrol originally wrote it, with a new screen writer and a less reserved Burton behind the camera. But that will never happen
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District 9 (2009)
5/10
Gobs of unanswered questions
13 February 2011
Warning: Spoilers
District 9 is a good example of what happens when filmmakers are more concerned about their political message than they are making a good movie. Not to say that it is totally bad, but there are too many questions without sensible answers. I've listed some, but not all that I could come up with:

  • Why did the space ship end up where it did? Was it simply a transport for sub-par aliens with the goal of just dumping them off on another planet? I suppose this is an analogy of humans being packed into boats and shipped off to another country that doesn't want them either. I would be fine with this, but it is never adequately explored in the movie.


  • Were the aliens criminals or just really stupid? They briefly addressed this, but they never actually find out despite having learned their language.


  • Once humans breached the hull of the spacecraft, why did they not set up shop after the aliens were brought down to the surface? Wouldn't there be a permanent research group of some kind in there?


  • Why is a multinational corporation (MNU) put in charge of this as opposed to some new multi-governmental body or even the UN?


  • Why did MNU put a cross between Inspector Clouseau and Basil Fawlty in charge of the eviction process?


  • If the aliens are unintelligent rejects from another planet, why did they get a big honkin arsenal of weapons, including one that turns living flesh into red pudding in less than a second?


  • After the live film documentation of the eviction process, why is the rest of the movie still shot the same way as if someone was there following the main character with a camera?


  • How come the fluid that is used to power the spaceship also mutates people into aliens if it sprays in their face?


  • Were the aliens originally 'prawns' or did they get a blast of the same magic fluid and transform from something else too?


  • Why were tribal gangs allowed to trade cat food for advanced alien weaponry unchecked?


I know there are some messages in here, like big corporations are evil, humanity is still made up of insensitive barbarians and big men with guns are mean, but how about a little subtlety? Not to mention the obvious reference to apartheid since the whole thing took place in South Africa. This could have been a much better movie had they been concerned about the quality of the story as much as they were the quantity of the political statements.

I don't want to say it is a total loss though. The overall concept was interesting. And the amount of different alien weapon types obviously took some time to come up with. I'll even go as far as to say that I still somewhat liked the main character, but just not all the time. I could also comment on the quality of the special effects, but today that should be a given in a modern motion picture. I guess the upshot is, see Distrct 9 for the fun of it, but don't take it too seriously. You'll just end up with a list of questions that should have been answered.
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Moon (2009)
6/10
Brings back memories
12 February 2011
Somewhat reminiscent of the old science fictions from 30-40 years ago, Moon will bring back memories of such movies as 2001 or Outland. And although special effects are a big part for movies like these, they rely far more on the story and performances of the actors than a lot of other films from this genre. Sam Rockwell adequately pulls off his role despite the closet thing he had to co-stars was himself and Kevin Spacey in a box. While the plot kind of peaks towards the middle, it still holds interest beyond that point and is something you'll want to watch till the end.

There is one unfortunate downfall however. For some reason the makers seemed to intentionally shoot for an R rating when writing the script, as F-bombs are delivered in sorties of three or more every five minutes, likely making it the most common word in the entire film. Why they found this necessary is beyond me, since it adds nothing to the overall movie and could have easily been done differently without losing anything. So what could have been something that I might watch with my kids or even my folks, gets relegated to late night viewing when no one else is around.
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Up (2009)
9/10
Glad I was talked into seeing this
8 February 2011
I've never really been much into the modern animation movies with their predictable plots and politically correct characters, but Up really was worth seeing. Although I do agree with a lot of reviewers that there is a very sad overtone to the story, I found that their was enough to distract from this to still make it very amusing and entertaining.

Unless I simply missed other voice acting performances by Ed Asner, I can't imagine why I have never seen a role like this for him before. Combined with spot on facial expressions, Carl Fredricksen was simply hilarious throughout the entire movie. And Christopher Plummer, who I seem to be seeing in quite a few movies lately, was almost unidentifiable in his roll, which shows how much effort he put into the part. Even young Jordan Nagai never went off the mark with his performance.

All in all, this was a great movie. But it may be wise to consider the depressing aspects of the story before showing it to younger kids.
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1/10
Bad in so many ways.
8 February 2011
It is very apparent that the people who made this movie are totally clueless as to how things really are in the military. To believe that there is such a lack of leadership and that soldiers are uncontrolled hot shots is an insult not only to the army itself, but to the men in uniform as well. The Hurt Locker takes what is in reality, a very organized and professional group of soldiers, and transforms them into authority hating, testosterone driven psychotics. I have to admit, I really have no idea what the point was, but I think it was to show how much Hollywood doesn't respect our military.

In addition to the disrespectful portrayal of our troops, the film just lacks the basic quality that you would expect. One of the main things is the camera movement, which I assume was an attempt to give a more gritty feel too the movie, but instead became much more of a distraction than anything else. That and other unoriginal directing gimmicks as well as being too long for what material there was makes this 'must miss' film experience.
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2012 (I) (2009)
3/10
Roland Emmerich - what else is there to say
8 February 2011
Would somebody PLEASE, for the sake of good movie making, take the directors chair away from Roland Emmerich. Along with Shia Labeouf, Emmerich ranks as one of the two most inexplicable people coming out of Hollywood in my entire lifetime. All they would have to do is get together for a project and "Plan 9 from Outer Space" will no longer be the worst movie ever made.

To be honest, I did not even know that this film was directed by him at first. But it didn't take long before it became obvious who was behind the camera. It had the same warm fuzzy feeling that all other Emmerich movies have, yet still manages to fail at making an emotional connection with the viewer. He just puts a few basic dramatic elements together, adds a shallow attempt at political commentary, dubs in some melodramatic music, then pours on the special effects. That in a nutshell is the official Emmerich formula (also see Independence Day, Godzilla, The Day After Tomorrow).

As for the characters, there are basically four types in the majority of his films. The first three are unbelievable a-holes in power, cool old men who are fathers of the protagonists and crazy, but intelligent nut cases. Most others fall into the third category as passionate and sensitive wimps who always do just the right thing even if it is completely stupid. Makes me feel all furry inside just thinking about it.

If I had to say anything positive about 2012, it would be that it is at least better than Godzilla. But not by much.
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Religulous (2008)
2/10
Michael Moore Lite
13 November 2010
Along with Michael Moore's Bowling for Columbine, Religulous ranks as one of the most deceptive portrayals of any subject matter as presented in a modern day mockumentary. Since he seems incapable of simply presenting a compelling case directly, he relies on video manipulation and sarcasm to pretend he is making a irrefutable point. Many times Maher asks someone what he wants viewers to think is a "gotcha" question, then cuts the scene before the person can fully reply or even reply at all. Other times it is apparent that a scene has been modified so that the person he is interviewing just sits dumbfounded and speechless after another Maher "zinger", when it is obvious that a clip from a different part of the interview has been edited in instead of the response.

Add to this using some of the kookiest representatives for different religions, as well as overlaying mocking text to distract from a half complete interview and you have one of the most pointless attempts of examining a subject that really does need a deeper look.

Viewers who are fans of Bill Maher or those who already follow his philosophy will be profoundly moved by this massive cow pie. But anyone who is looking to further understand the topic of religion and it's flaws will likely be staring at the screen with their mouths agape by the time the end credits roll.
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5/10
Near perfection, but only in two scenes.
9 October 2010
Inglorious Bastards has one of the greatest first acts of any war movie I have ever watched. With a perfect combination of acting, directing and set design, the scene is both unbearably tense yet painfully subtle. By simply changing it to black and white, the entire performance could be slipped right into Shindler's List without any additional modifications. It seemed to be a prelude to what would be perhaps the best war movie to hit theaters in this century. But I was mislead.

As soon as the next 'chapter' began, it became obvious that the rest of the movie would not be able to live up to it's introduction. Going back and forth between excruciatingly dull and unrealistically Hollywood, you have to start to wonder if there were two different production teams making the same movie. It only comes close to reaching the initial level in a later scene that takes place in a pub containing both Germans soldiers and undercover English agents, but even that is slightly distracted by a very brief flashback with an electric guitar overplay.

The actual plot of the film apparently takes place in some bizarre alternate universe where the events that occur are not even close to reality. Perhaps there is some higher artistic goal here, but it is completely lost on me. In addition, the Nazi high command is portrayed so unrealistically, that you can't even hate Hitler because he comes off more like a cartoon character than the leader of the Third Reich.

I do not want to say Inglorious Bastards is not worth seeing, but rather don't expect a serious World War II movie, even after watching the first act.
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Man vs. Wild (2006–2020)
6/10
Good entertainment, but forget what you learn
27 August 2010
Out of all the survival shows being made today, this one is by far the least realistic. Many scenes are often staged (as mentioned in the disclaimer before each episode) and the the survival techniques are suspect. Additionally, some things are done purely for the shock value, such as the way he eats live insects, reptiles, fish, etc with his mouth open and so close to the camera. This is NOT a show to watch to learn survival skills. If you go out and do what you've seen here, you will most likely die a painful and embarrassing death. Your obituary will read like that of a teenage kid who died imitating something he saw on Jackass.

However, with that understood, there is something to be said for the entertainment value, provided that you almost watch it as if it were a fictional TV series. The scenery is amazing and Bear Grylls is fun to follow through the different locations. He's got a great personality and can even be amusing at times. And there may even be a good survival tip in there now and again, but you have to be able to distinguish it from the rest of the stuff and realize that it will almost never be as easy as he makes it out to be. Plus I gotta admit, the concept of always taking a knife, a canteen with a pot and a fire starter of some sort as a minimum of equipment for any trip in the wilds seems to be good advice.
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Survivorman (2004– )
10/10
As good as survival shows get
27 August 2010
After being put through the test of time with other survival shows making it on to the scene, Les Stroud's Survivorman still reigns supreme. Unlike the rest, Survivorman is the only one where the host is completely alone throughout the filming of every episode. And each one is done for seven days, as opposed to some usually unknown (and probably shorter) length of time, as in the case of Man versus Wild, Dual Survival, etc.

Although it is not as exciting as some of the competition, using what you learn from Les will not get you killed. There is no climbing into bottomless crevasses of glaciers or doing butt slaloms down scree slopes, but rather just straight forward survival techniques displayed in easy to understand presentations.

And perhaps most important aspect of the show is the amount of failures that Les encounters. Even with the years of experience that he has accumulated, many of his attempts fall flat simply due to the actual difficulty of what he is trying to do. This not only presents a realistic image of how hard true survival is, but it also shows that in a survival situation, you can fail many times and still survive.
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Man, Woman, Wild (2010– )
8/10
Adds a new element not present in other survival shows
27 August 2010
Man, Woman, Wild gives a new unique perspective to the ever growing list of survival shows. I am not referring to the fact that one of the hosts is a woman, but rather that one of the hosts is a ordinary person, who just happens to be a woman.

Although I consider myself a bit of an outdoorsman, I find that out of all the different people making shows of this sort, it is Ruth Hawke that I can relate to the most. That she has a hard time with different aspects of each episode really does give viewers a much more realistic idea of what it would be like to be in the same situation. Whether anyone wants to admit it or not, the vast majority of us would be a lot more like her if we were lost in the wilds than we would be like her husband or Bear Grylls.

As for her husband, Mykel Hawkes is a military trained survival expert. His personality is what you would expect from a someone with this background and his disposition can be somewhat rigid. But the interaction he has with his wife definitely improves it and together they can even be funny at times. And he does know his stuff pretty well.

Overall, the show fits into the same category as others like Man versus Wild and Dual Survival. All of these are staged at points (as mentioned in the disclaimer before each episode) and are not real survival like Survivorman. Regardless, it is still educational and very entertaining.
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Wizards of Waverly Place (2007–2012)
3/10
What happened to this show?
17 August 2010
I am one of those parents who like to watch television with my children. Partly to find out what they are watching, but also just to spend time with them. And occasionally I actually enjoy the shows that we watch together. One of the shows that used to be pretty good was Wizards of Waverly Place. At least in the beginning. The characters had positive attitudes, when someone did something they shouldn't they ended up paying for it and the adults acted responsibly.

However, starting with the 2009 season (and even the late half of 2008), there was a steady decline in the show. The characters in the family started changing and none of it for the better.

Alex, the main character, was originally a typical (for a wizard) trouble making kid who's scheming always ended up backfiring in the end. But as of the last couple of seasons she has transformed into an image obsessed, self absorbed teenager who puts little to no effort into anything yet still comes out on top in the end (a message also present in the WoWP movie).

Justin, Alex's older brother, started out as a smart, clean cut though geeky teenager who acted responsibly and would often be the voice of reason. But as of the last couple of seasons, he has become some bizarre manifestation of a Gestapo nerd with big muscles and hip hair. He tries to do the right thing, though the show often makes him out as the bad guy because of this.

Max, the youngest son was originally an innocent and naïve kid, but has now grown into an incredibly goofy moron with bouts of uncharacteristic seriousness.

Jerry, used to be the responsible father who kept the kids in line and punished them when they did something wrong. He has since been reduced to a laughable buffoon who is more being taught by his kids then the other way around. And when they are up to something that does need his attention, he avoids any involvement because it is easier to do so.

Theresa, the mother, is the one person who actually needed a little change, but instead got worse. Never much an authority figure in the first place, she, like the father, has become nothing more than parental doofus.

One thing to realize is that the Disney Channel is often watched by children even younger than the actors on their programs. So it kind of makes you wonder why they have shows with the messages like - parents are useless, following rules is wrong and image is the most important thing in a teenager's existence. Is this being done just to get ratings or are they intentionally trying turn kids into cool little rebels? To be honest, I have stopped my kids from watching this show now. At least if I see that it was made in 2009 or later.
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