This is a film about which everyone disagrees. Those who like it like it for different reasons. Those who hate it also do it for different reasons. Those who find it mediocre... well you get the point.
Tellingly, this is a movie that provokes argument. No one can walk away from the theatre without strong opinions and if you see it with someone else, you're bound to debate certain features for at least as long as the film's running time had been. Any movie that does that has done its job admirably, regardless of its weaknesses. And that, my friends, is the true Kubrick tradition.
Sure, this film was ultimately directed by Spielberg and it bears his signature (especially in the very beginning with its slightly strained political consciousness). But Kubrick's signature is also to be found throughout, right to the very end.
Speaking of the end, everyone who insists that Kubrick would have left the film with a downbeat ending is almost undoubtedly wrong. Kubrick's sense of bleakness is invariably a reference to the past and the present but never the future. Of his thirteen other movies, twelve of them (count 'em!) end on a hopeful note. Sure, Spartacus dies but his son will be free. Alex finally learns to think for himself. HAL is turned off. Ironically, the one downbeat ending in the whole canon is in the comedy, DR. STRANGELOVE!
No question about it. If you do your homework, you will find that Kubrick was every bit as much of a humanist as Spielberg and would surely have kept the hopeful ending had he lived to shoot this film, himself.
Tellingly, this is a movie that provokes argument. No one can walk away from the theatre without strong opinions and if you see it with someone else, you're bound to debate certain features for at least as long as the film's running time had been. Any movie that does that has done its job admirably, regardless of its weaknesses. And that, my friends, is the true Kubrick tradition.
Sure, this film was ultimately directed by Spielberg and it bears his signature (especially in the very beginning with its slightly strained political consciousness). But Kubrick's signature is also to be found throughout, right to the very end.
Speaking of the end, everyone who insists that Kubrick would have left the film with a downbeat ending is almost undoubtedly wrong. Kubrick's sense of bleakness is invariably a reference to the past and the present but never the future. Of his thirteen other movies, twelve of them (count 'em!) end on a hopeful note. Sure, Spartacus dies but his son will be free. Alex finally learns to think for himself. HAL is turned off. Ironically, the one downbeat ending in the whole canon is in the comedy, DR. STRANGELOVE!
No question about it. If you do your homework, you will find that Kubrick was every bit as much of a humanist as Spielberg and would surely have kept the hopeful ending had he lived to shoot this film, himself.
Tell Your Friends