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Pathetic
28 April 2002
Pathetic. Go rent Compulsion, Rope and the last reel of Vertigo and you have seen this film.

(Though it did prod me and my movie going companion to come up with a rather interesting list of "sociopathic young adults try to commit the perfect crime" films, as we ate [no not caviar] after the movie.)
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The Postman (1997)
3/10
A cute little book made into an overblown "epic" film
20 January 2001
Warning: Spoilers
This cute little novel, some of which happens in Roseburg, OR, my home town, was Kevin Costner-ized into an overblown "epic" film (much in the manner of Robin Williams-izing your more "dramatic" film and/or the last few minutes of any episode of Mork and Mindy, but that's another rant for another time).

Oregon is beautiful, both in the film and in real life. Olivia Williams is quite beautiful, as well. Tom Petty is hilarious in a minor role. Will Patton is appropriately vile. I understand the making of the film injected much needed money into the local economy (not here, of course, but rather in trendy Bend, on the other side of the mountains). This is the good news.

The bad news is much worse. First off, it's way long, just short of three hours. It takes less time to read the book. Second, the sound track by James Newton Howard (had to check, thought it might be John Williams on a bad day) is cliched and manipulative (sort of like the script). I am watching it now on TNT, even as I type this, the moment is coming (what, about 2/3 of the way through) when Costner rides past the little boy, then turns around (spoiler: the moment will be immortalized later). Oh, Morning In America music is playing, Costner rides by in slow mo .... Be still my heart, be calm my gut.

Anyhow, finally, just read the book, if you can get it. (Our public library has two copies, but that's probably because Roseburg is mentioned.) The plot in the book is more intricate and deals much more deeply with the issue of lying to keep up hope -- which is, after all, what the movie is about. Kevin Costner seems to have tried to make the book into a movie about building it and they will come, which is not quite the same thing.
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Hide and Seek (2000 Video)
7/10
Surprisingly good performances, frightening home viewing
29 July 2000
We didn't know what to expect when we picked this out at the local video store. (Darryl Hannah has been in a number of one note performance dogs lately, never quite meeting her initial promise of Splash, Wall Street, etc. Meg Tilly has always been a favorite since The Big Chill.) At any rate, Hannah gives a well rounded vengeful, captive/victim, much better than I would have thought, while Tilly out does herself (reminiscent, in a strange way, of Sally Struthers in the original The Getaway, just when you think she can't get any more unhinged ....).

The movie has enough twists and turns and Fargo-ish scenery (filmed in the Canadian great plains, I believe) to be interesting and banally frightening. Enjoy. It's worth it, for a rental. I'd give it a seven.
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Criminal (I) (1994)
2/10
"It is criminal to watch this movie."
7 May 2000
My partner, after renting this movie from the indie rack at our local rental outlet, and sitting through all 77 minutes (I had to beg her to watch the last 9 minutes), remarked, "It is criminal to watch this movie."

I won't bore you with the plot -- which has some relation to the first half of Psycho. I won't bore you with a lengthy description of the acting and writing -- suffice it to say that the pace was glacial, the dialogue contained no art "Where are you going ... I don't know ..." a typical exchange.

The black and white photography was interesting, for about 15 minutes. Up state New York has never looked more bleak.

I only gave it a 2 rather than a 1 because I watched it all the way through.
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scary, well made, predictable, far fetched (spoilers -- be warned)
12 September 1999
Warning: Spoilers
Scary ... but not as scary as Sixth Sense, The Shining, The Dead Zone or bunches of other films that feature communication with some other psychic dimension.

Well made (minor continuity problems with Bacon's facial hair, but I quibble) ... nice atmospherics of working class CHI, nice camera work and special effects which contribute well without saying "look at me."

Predictable ... instead of a descent into madness by the father, or a bonding of the father and son with similar gifts, or, well, I don't know what, we end up with the last 20 minutes remarkably like a Halloween slasher movie, complete with "Oh, how lucky that minor character wasn't really dead, like I thought."

Far fetched ... Why isn't Kevin Bacon's wife more freaked out over the fact that he is losing/has lost his job? Why doesn't someone call the police when Kevin Bacon starts digging up his yard and trashing his home (thanks to another reviewer for comparing it to the similar sequence in Close Encounters)? Why isn't Kevin Bacon searching around for someone to prescribe him antipsychotic medication -- or, alternately, dosing himself liberally with beer, rather than aspirin? Why aren't the police more suspicious when Kevin Bacon is obviously lying when he says he has never seen the young woman who disappeared? Why, if the woman who has disappeared is so eager to be avenged, does she let him dig up the whole yard and basement?

On the plus side, the acting is fine. I watched about 20% of it through my fingers. And I saw it at before 6:00 p.m. prices.
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Elizabeth (1998)
2/10
A misshapen pastiche, a true fiasco. "Botch-a-lism"
4 September 1999
I rented this disgusting, difficult to follow film because I was in an Elizabethan mood, after watching Shakespeare in Love.

What I found was a misshapen love story/drama/documentary-on-how to-torture-someone/difficult-to-follow-history-lesson-on -mid-1500's-European-politics. (I am not unfamiliar with the nasty nature of Tudor England and its history, I just hadn't planned on seeing it played out, in close ups, jump cuts and cute the first time but gradually annoying overexposures.)

The best part was the costumes (and I'm not sure I don't mean the costumes of the men).

My dear partner summed it up best, "botch-a-lism!"
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Rounders (1998)
3/10
I cared more about the monster in Godzilla than about anyone in this film
6 July 1999
I cared more about the monster in Godzilla than about anyone in this film.

The amount of talent wasted in this boring, elliptical, passionless, over long celebration of sociopathy and addiction is mind boggling.

Matt Damon, charming, boyish as always, loses a lot of money, gets beaten up, suffers relationship difficulties and in the end, as he himself notes, just ends up where he started. Edward Norton, the pride of Columbia, Maryland, shows why he will be this generation's Eric Roberts as he portrays the buddy who gets Matt Damon in trouble and whom I personally would have shunned. John Malkovich (Who has been guiding his career lately? Con Air, now this?) chews the scenery (and large amounts of Oreos) as the evil Russian mafia connected gambler. And Martin Landau is wasted as the sympathetic law school professor who loans Matt Damon $10,000 (more money than most law school professors I know have).

On a positive note, I continue to be amazed by the depth of talent of John Turturro, who fleshed out a minor role as Damon's somewhat more law abiding friend.

My nephew Ben put it best, "It's hard to care about the characters when they're all losers."
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12 Monkeys (1995)
7/10
Random thoughts on Twelve Monkeys
30 March 1999
First, I remember seeing La Jetee (can't do the accent, sorry) in a film class in 1973. If you have not seen it, try somehow. It is a compelling, mysterious, wonderful 29 minutes of film, very French.

Second, as a psychiatric social worker, I was struck by what I thought was the most authentic piece of dialogue in the whole film. Madeline Stowe's character (a psychologist, if I remember correctly) wakes up next to Bruce Willis' character. He slobberingly turns to her and says, "I saw you in my dream." (Or words to that effect). Rather than attempting to run screaming from the room (the normal human reaction), Stowe turns to him and says, in a wonderful, even voice, "Tell me about your dream."

I almost fell out of my seat laughing. It was so perfect.

Third, I used to live in Baltimore, Maryland. One Sunday morning, I saw Madeline Stowe jogging by. (She was on location in Baltimore. I didn't know it.) A lovely woman. A lovely moment.
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9/10
My two favorite lines
20 March 1999
Claude Lacombe (Trauffaut): "Listen to me, Major Walsh, it is not scientific. It is an event sociological."

But even better: Neary/Dreyfuss to Lacombe/Truffaut: "He can't be in charge. He's not even an American."

So much of this film's dream like quality (noted by others) gets better with its and my age. But I've only just noted, after immersing myself in 70's paranoia, such as The Parallax View, and Hitchcock, the North by Northwest bits do just jump out, the high level of "of course they [whoever they are] are going to lie to us, it's their job" attitude that jumps out and presages X-Files, etc.

A perfect film for 1999 - 2001.
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9/10
My two favorite lines
20 March 1999
Claude Lacombe (Trauffaut): "Listen to me, Major Walsh, it is not scientific. It is an event socioligcal."

But even better: Neary/Dreyfuss to Lacombe/Truffaut: "He can't be in charge. He's not even an American."

So much of this film's dream like quality (noted by others) gets better with its and my age. But I've only just noted, after immersing myself in 70's paranoia, such as The Parallax View, and Hitchcock, the North by Northwest bits do just jump out, the high level of "of course they [whoever they are] are going to lie to us, it's their job" attitude that jumps out and presages X-Files, etc.

A perfect film for 1999 - 2001.
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Who Is the Black Dahlia? (1975 TV Movie)
7/10
terrified me when I first saw it on t.v. in 1975
2 March 1999
This made for t.v. movie terrified me when I saw it in 1975. One of the people with whom I was living at the time said, "Watch this and tell me how it turns out," then left to go out.

By the end, in which the Sgt. Harry Hansen character looks at the camera and speculates about the murderer (I won't say any more than that), I was so scared that I ran around the whole house and turned on the lights and didn't go to bed until my housemates returned at 2:00 a.m.

The plot develops well, in a series of flashbacks. The characters are sympathetic. The period atmosphere seems/seemed right. And most of all, unusual for the time before "docudramas," this film was based on a real case.

I am not the world's largest Efrem Zimbalist, Jr. fan (though I did enjoy 77 Sunset Strip as a child), but his work here is very good.

Enjoy .
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