User Reviews

With "All women of the man from nowhere" once again succeeded in hitting the mark, every Roger Fratter film I watched represents a crescendo of cinematic quality and at the same time a crescendo of emotions and reflections. With this film the director continues unabated in the wake of the introspective cinema, inaugurating always starting from the aforementioned title a kind of trilogy that although the next two titles appear disconnected from each other, always have the ambition to have many elements in common , primarily the concept "woman", or rather I should say "femininity and who for Cymbaline ratio and a director of several young actresses" clearly shows how the director it indicates a connoisseur and connoisseur, using as happened in previously a refined style, real, truthful and above all direct. Also from this film, is (finally) shot in real time and without the use of dubbing, giving a further liking to the undersigned, in fact, the original diction of the actors I found it very good and I hope Fratter always continue on this path. Here, too, the aforementioned director plays as an actor the lead role, playing a certain Paul Null, (whose name says it all and is perfectly in line with the context and with the title of the film), quite different character from that played in the previous "Report of a director of several young actresses", where here apart from his unquestionable talent, you put totally in play, (because it is not ... also naked) and manages to be an "element" very interesting and that I think we see ourselves in many, namely the eternal loser, always incapable of taking initiatives, lacking bite and perpetually submissive women (especially his wife) that today (and the film does clearly note) are becoming more aggressive and masculine, character also losing even professionally (despite a satisfactory went from photographer), a man without any location and without balance. Despite being a handsome man, and has a certain charm, his obvious insecure character combined with low self-esteem it will inevitably lead to having serious repercussions just as said before with the female universe, in this film are analyzed five main : His wife Lorenza, a stern woman character, strong and authoritarian, that never fails to diminish the protagonist, Cleta the girlfriend of troubled Donato, slayer of men from the sometimes moody character, and that humiliates and tortures Paul on several occasions, then we have a student of about twenty years and candied seemingly innocent character definitely not negative and that has some relevance, then move Lorella pompous fiction actress too self-confident and cocky on several occasions, and finally Giorgia 's psychologist friend, always ready to be on the side of the unlucky protagonist and symbolizing a kind of "lifeboat." The plot is very well thought out, very tasty and interesting to follow, and as tradition has it for this kind of film the protagonist in the end find a ransom for all ... especially to all. By spending a few lines on the actors, I have to admit that the good Fratter chose them as always very well and in great, we've seen actors previously, well-proved and versatile including a daisy Sarno recitative level that compares favorably to Mimesis, indeed in this case represented in a creditable his character and then as it should be some nice new entry (beautiful in all senses), here Fratter has even managed to enter (hear hear) Luana Borgia a star of Italian porn, probably at his first experience in traditional cinema. More to say about all the women a man from nowhere "and that to be an independent production, is not lacking as always the obsessive attention to the music, to the effect, for setting and for the shots. Indeed I will say something more: Compared to previous self-produced film you can clearly see that it uses more professional equipment, visually it is a joy for the eyes ... and I am not referring only to beautiful women and scenes soft core which as always are present without excess or exaggeration. What else to say? To see absolutely, it is an analytical film work that denotes a certain charm and that is really very intriguing and demonstrating how cinema thanks to the brave Italian indie directors like Fratter is strong and vital!