Directed by
| David Moore | ||
Writing Credits (in alphabetical order)
| Peter Bowker | ... | (written by) |
Cast (in credits order)
Produced by
| Howard Ella | ... | co-producer |
| Jennie Scanlon | ... | producer |
Music by
| Dominik Scherrer | ||
Cinematography by
| Mike Spragg | ||
Editing by
| Lois Bygrave | ||
Production Design by
| Anna Higginson | ||
Art Direction by
| Richard Downes | ||
Costume Design by
| Philip O'Connor | ||
Makeup Department
| Mike Dargan | ... | prosthetics supervisor |
| Jodie Fidell-Walker | ... | makeup supervisor |
| Adele Firth | ... | makeup artist |
| Laura Flynn | ... | special makeup effects artist |
| Samantha Marshall | ... | makeup designer |
| Debbie Ormrod | ... | makeup trainee |
Second Unit Director or Assistant Director
| Heidi Gower | ... | third assistant director |
| Jude Harrison | ... | second assistant director |
| Jo Lea | ... | first assistant director |
Art Department
| Kat Gardner | ... | petty cash buyer |
| Amrita Ghir | ... | art department assistant |
| Tom Higgins | ... | standby carpenter |
| Lisa Kenny | ... | graphic designer |
| Tilly Scandrett | ... | assistant art director |
Sound Department
| Martin Beresford | ... | sound recordist: second unit |
| Ben Cross | ... | foley mixer |
| Mark DeSimone | ... | adr mixer |
| Helen Dickson | ... | sound effects editor |
| Lynne Hegarty | ... | dialogue editor |
| Nick Kray | ... | adr mixer |
| Markus Moll | ... | assistant rerecording mixer |
| John Pearson | ... | sound recordist |
| Adam Severs | ... | dubbing mixer |
| Ian Southby | ... | sound assistant: dailies |
| Chris Ward | ... | adr mixer |
Visual Effects by
| Dan Marbrook | ... | post producer: The Look |
Camera and Electrical Department
| David Ashby | ... | grip |
| Andrei Austin | ... | a camera / steadicam operator / director of photography: second unit |
| Darren Campbell | ... | electrician |
| Kirsten de Maid | ... | clapper loader (as Kirsten Budd) |
| Llyr Evans | ... | gaffer |
| Emma Friend | ... | clapper loader: dailies |
| Andrew Llewellyn | ... | electrician |
| Jorge Luengas | ... | director of photography: second unit |
| Daniel Moger | ... | assistant grip: dailies |
| Steve Murray | ... | a-camera/steadicam operator |
| Chris Sowden | ... | best boy |
| Esther Vardy | ... | a camera trainee / b camera clapper loader |
| Kim Vinegrad | ... | clapper loader / focus puller: "b" camera |
| Paul Hanning | ... | b camera first assistant: dailies (uncredited) |
Costume and Wardrobe Department
| Sophie Doncaster | ... | costume supervisor |
| Paul Gregory | ... | stand-by costumer |
| Cara Stevens | ... | costume trainee |
Editorial Department
| Mark Maltby | ... | on-line editor: The Look |
| Dan Marbrook | ... | post producer: The Look |
| Mandy Miller | ... | post-production paperwork |
| Becky Moore | ... | edit assistant |
| Vicky Tooms | ... | assistant editor |
| Thomas Urbye | ... | colourist: The Look |
Location Management
| Alastair Don | ... | locations scout |
| Ben Hepworth | ... | location manager |
Music Department
| Steve Parr | ... | music recording & mixing |
| Martin Thornton | ... | technical score assistant |
Script and Continuity Department
| Helen Jenkins | ... | script editor |
Additional Crew
| Natasha Bayford | ... | publicity manager |
| Nic Benns | ... | title designer |
| Yousef El Awage | ... | behind the scenes director/producer |
| Marie Fargus | ... | production secretary |
| Bob Farrell | ... | floor runner |
| Matthew Hamilton | ... | production executive |
| Tom Horn | ... | floor runner |
| Jen Rooks | ... | production assistant |
| Carlos Thions | ... | acting coach: Christina Chong (uncredited) |