"Murder, She Wrote" The Body Politic (TV Episode 1988) Poster

(TV Series)

(1988)

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8/10
As Polling Numbers Rise and Fall, So Do the Hammer and the Body
WeatherViolet16 November 2009
On a WITM Television program "Face the Issues," Newscaster Edmund Hall (George Grizzard) interviews candidates competing for their party's nomination in the Primary for a a U.S. Senate seat during a mid-term election cycle, in an unidentified Midwestern state.

A former Mayor, Kathleen Lane (Shirley Jones), challenges Arthur Drelinger (Robert Fuller) for the open seat, each campaign equipped with qualified staff member, who rely upon constantly-updated popular polling figures to chart a course of action.

The interview proceeds amicably between the candidates although Edmund Hall poses as its showcase star, surrounding his questions from a cynical angle to generate his type of sensationalism in newscasting.

While the Drelinger Campaign is itself managed by sensationalist C.W. Butterfield (James Sloyan), the Lane Campaign takes the high road, by employing staff exhibiting professionalism: Campaign Manager Bud Johnson (Peter Fox), Assistant Nan Wynn (Daphne Maxwell Reid) and Staffer Cass (Marie Chambers).

Kathleen's husband, Jackson Lane (Eddie Albert), meanwhile, has seen his professional past exposed, such as his firm's once owing a great deal of money to the government in back taxes, and other sordid details. Allogations also surface regarding marital infidelity on the parts of Kathleen and Jackson, but to no substantiation.

But now Harold, the Lane Campaign's speech writer, has resigned, so Kathleen solicits her dear old friend Jessica Fletcher (Angela Lansbury), whom she has known for seventeen years, to manage the position, or at least on a temporary basis.

Jessica arrives at Hotel Excalibur in time to be settled in, before a scandal breaks after an unidentified informant presents questionable photographs (taken at a retreat at Lake Saint Catherine, in innocent but seemingly compromising positions) with Kathleen and her young, also married, Campaign Manager, Bud Johnson, to the attention of Edmund Hall, in a Bus station terminal locker, for him to broadcast on WITM during his 11:00 PM newscast, which he, of course, eagerly does.

Jessica and Nan Wynn, each noticing the newscast, meet in concern in a Hotel Excalibur corridor to search for the missing Kathleen (away from her Penthouse suite 1811), and so Jessica and Nan search its exteriors, where they stumble across a body upon its sidewalk.

Kathleen arrives to face the crowd outside the Excalibur, after being sent on a wild goose chase because someone has fabricated a mission for her to meet with her state party chairman, who was away from his residence, thereby leaving her no alibi for the time of the murder, which was arranged to frame Kathleen, who overcomes her initial shock to anticipate additional press pillory.

Lieutenat Gowans (Harrison Page) handles the homicide investigation, originally suspected as a suicide by jumping, an initially closes his mind to any other possibility of a perpetrator other than Kathleen Lane, whose poll numbers immediately begin to plummet. Jessica convinces the good Law Enforcer to consider other possibilities, such as who stands to gain by a smear against Kathleen's reputation.

The resulting investigation leads to a trail of loyalty and disloyalty alike, on the road of "The Body Politic."

Robin Bach appears here as Preston the Desk Clerk, in his fourth of five "MSW" roles, once each in this series' first four seasons (possibly the only actor to accomplish this feat playing different roles although others have appeared in Seasons One through Three), and once in Season Six, before passing at a young age. Eddie Albert and George Grizzard have also since passed.

The episode cast is rounded out by Anthony S. Johnson as Reporter 'A,' Ann Walker as Female Reporter Mrs. Brown, Neal Kaz as Policeman #1, David Okarski as Policeman #2, Robert Lewis Cameron as Fingerprint Man, Scott Segall as Drelinger Campaign Staffer, and William Winckler as Campaign Aide.
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7/10
The campaign trail
bkoganbing30 July 2017
This episode of Murder She Wrote finds Jessica Fletcher on the campaign trail donating her writing talents for friend Shirley Jones who is a Geraldine Ferraro type running for the US Senate. Jones's John Zaccaro like husband is Eddie Albert and her unscrupulous opponent is Robert Fuller.

A rumor gets started that Jones is having an affair with her campaign manager. Said manager takes a plunge off a hotel balcony and it's Shirley's room.

This is one of the episodes of the series where there's no direct accusation of murder for someone. Yet murder has been done here and done for a specific reason that seems good to the doer.

Nice casting in this episode.
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6/10
The body politic
coltras355 August 2023
Jessica agrees to help a friend with a political campaign to become a senatorial candidate. A sleazy deal made by a talk-show host with a campaign staff opposition publishes pictures suggesting Lane had an affair with her much younger campaign manager, Bud Johnson, who is found dead, apparently suicide by jumping in her bathrobe from her balcony, which Jessica believes to be staged, but by whom and why?

Eddie Albert is excellent as Lane's supportive husband who tries to help his wife fend off the nasty claims. It's a watchable episode despite politics being a sordid subject, and this episode doesn't mince words in that regard. Campaign politics is shown as underhanded. The mystery is business as usual with Jessica doing what she does best. Robert Fuller stars as the opposition.
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9/10
A powerful episode
shakspryn6 November 2023
"Powerful" isn't an adjective that comes to my mind very often when I'm watching this show. Usually I would say: intriguing, witty, well-plotted, diverting. But this show is rather different than most of the MSW episodes, because in the solution of the mystery, it is indeed powerful, and it has a strong emotional impact. There's an old saying that "character is destiny," and that proves true once again here.

Some of the good points of this outing are the excellent pacing of the story, and, as usual, the great lineup of guest stars. As for the pacing, there are no "slow" stretches in this episode--every scene in interesting. And it's a pleasure to watch such outstanding actors as Shirley Jones and Eddie Albert in main roles. They still have "star power;" which may just be a way of saying both are very, very fine actors. The other cast members excel also. This is one of the best episodes of Season 4.
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7/10
'Murder She Wrote' goes political
TheLittleSongbird6 September 2017
Have always been quite fond of 'Murder She Wrote'. It is a fun and relaxing watch that makes you think as you try to unwind in the evening. If one wants more complex, twisty mysteries with lots of tension and suspense 'Murder She Wrote' may not be for you, but if you want something light-hearted and entertaining but still provide good mysteries 'Murder She Wrote' fits the bill just fine.

"The Body Politic" isn't quite the cracker going-out-on-a-bang season finale to Season 4, generally one of 'Murder She Wrote's' best and most consistent seasons (apart from two episodes "It Runs in the Family" and "Just Another Fish Story"), and a bit of a let-down after the outstanding previous episode "Deadpan". It is nonetheless a good episode.

It is a bit limited however in how it explores its political elements and motivations. While it still engages, the mystery is one of the season's most obvious, especially after the ingenuity of the mystery and denouement of "Deadpan". Was not surprised by the identity of the killer at all and suspected them straight away in a case with few suspects. The motive was a decent one though and not as obvious as it seemed at first.

However, Angela Lansbury shows again how she hasn't put a foot wrong in one of her best-remembered roles. In support, Eddie Albert and George Grizzard are excellent and Shirley Jones is pure class.

Production values are slick and stylish as ever with 'Murder She Wrote'. The music has energy and has presence but also not making the mistake of over-scoring, while it is hard to forget or resist the theme tune.

The writing is thought-provoking and amiable and the episode does intrigue and interesting for being one of few where Jessica's accusations are not as direct.

In summary, interesting and good episode if a slightly disappointing one. 7/10 Bethany Cox
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7/10
PROPHETIC AND ABSURD AT THE SAME TIME
rms125a16 November 2019
Warning: Spoilers
Filmed in 1988, this brings some rather simplistic but still appreciated (in retrospect) attention to the dangers of increasingly sleazy political news reporting (and making) that foreshadowed the 24/7 news cycle that has, three decades later, metastasized almost out of recognition to the relative normalcy of the era when when this episode aired.

That being said, while the murderer's identity was undoubtedly a shock to most MSW viewers, the reason for the killing is ludicrously convoluted. The threat that Kathleen's candidacy poses to someone would be far more simply and directly resolved than murder. Kathleen's opponent is a rather pitiful Nixon-sounding clone but his sleazy campaign manager rings true. Usually these are the guys whom Jessica eats for lunch but here they seem to be romping to victory as the credits start falling.

Nice, for a change, to escape the simplistic good and bad dichotomy that most MSW episodes suffer from, i.e. the usually paper-thin "bad" (dicey, threatening, sleazy) character is also almost always the victim or the killer.
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6/10
I had a hard time imagining the killer tossing this man off a balcony.
planktonrules25 November 2022
Warning: Spoilers
An old friend of Jessica's, Kathleen (Shirley Jones) is running for political office. However, the closer the polls show her catching up to her rival, the dirtier the campaign becomes against her. In particular, a sleazy TV host (George Grizzard) seems more than happy to smear her with his innuendos. Soon, however, this host doesn't need to make up tales, as an unknown person gives him some dirty on Kathleen. If that isn't bad enough, the man that is her supposed lover is soon murdered. What's really happening here?

The story isn't bad at all. My only gripe is that the killer turns out to be an 80 year-old man who tosses another guy off a highrise's balcony...which seems incredibly hard to believe. Still, it's quite interesting and worth seeing.
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6/10
Flet-cherrr! In my office, right now!
For the finale of season 4, Murder, She Wrote once again dips it's toe into politics.

It has pretty much everything youwould expect from a political episode: caniving, slandering, tv channels lusting after sensation,... The tone however is more down you would expect and Jessica is less bubbly and more caring and worried than usual. And yes, Harrison Page makes for a good cameo. He shows a bit of the exasperation he brings to the table in Sledgehammer, albeit while screaming a whole lot less here. The rest of the cast delivers decent performances.

While the formulaic plot is part of the show's charm, you would expect the season finale to be a bit harder to unravel.

Without spoiling anything, the ending is a bit of a downer too with a last line that's pretty wah waaah.

So, in sommation: a glum season finale with a plot that should have been a tad more elusive, but with a good cast. Six out of ten.
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5/10
A pretty weak series finale.
Sleepin_Dragon12 March 2021
Kathleen Lane, an old friend of Jessica's, is going for a role of Senator, but she's the victim of a smear campaign.

One of the weaker episodes of this strong series, it's such a strange one to round the series off with. I found UK politics a headache, American politics is a migraine, this episode is exactly what you'd expect, there's none of the cheery, upbeat fun, it's a dour, almost depressing episode.

It could have had a bit of humour injected into it, that may have made it a more wash watch, it simply doesn't offer up anything. I liked Shirley Jones in it, but her character is so meek, if she were going into Politics she'd have had fire in her belly.

The outcome is just so hard to swallow.

I've scored if relatively lowly, because the standard in this series was so high, 5/10.
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