Well if you want monsters you get not one but *two* in this weird episode. John Diehl (Miami Vice) is a strange horror novelist who feeds female pick-ups to his bed! Yep, we see one victim suffer a terrible fate when she believes her favorite author, Miles Magnus (Diehl), is about to make love to her, laying on his bed, being eaten alive (she is trapped by these appendages which come from its mouth, pulled through the middle of the bed; we see her reaching arms-open to Miles who just stands and watches her slowly disappear in its mouth, the beast's teeth visible briefly after finishing din-din). Magnus, however, isn't prepared for his chosen next victim, romance novelist, Viki (cult icon Mary Woronov), who has a secret of her own, *lifting* a personal manuscript from his apartment, fleeing while his back is turned. This manuscript is a personally detailed writing of his own experiences, thoughts, and feelings about the bed monster, such as how he is psychically linked to it, mentioning how he feels trapped, while also explaining what it tells him in his dreams. Viki seems to be smitten with this manuscript, calling and inviting Magnus over to her place. Viki just might have a surprise in store for Miles..
For some reason, I found "Pillow Talk", despite the welcome presence of Woronov who plays these clever and intelligent female characters (that sense of mystery and danger she often has is also present as well) really well, rather flat. It has these monsters which are so silly looking I couldn't consider too horrifying. The bed that eats might be a familiar monster to those who have seen the cult flick, "Death Bed: The Bed That Eats", others might find the one in "Pillow Talk" just as grotesque. The other one however, a refrigerator, is just too much; maybe this will give others a nice giggle. The bed monster, according to Diehl, is an ancient creature that has lived since the dinosaurs. The death scenes are done without music, quite an interesting choice since most shows would contain some type of score to place emphasis on the horrible situation befalling victims. Diehl plays his character as absent personality, a real oddball who seems to have an awkward way with women, while Woronov seems capable of luring all sorts of men, because she seems more seductive and sensual (cunning and slick). See this one for Woronov; I would probably even say this is essential viewing for Woronov completists.
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