In the final entry to the series, the ladies return to their penthouse to find their cleaning lady Alma (character actress Virginia Christine, the Folgers Coffee Woman) upset. A man from her hometown, Harold Johnson, that she has been exchanging letters with is coming to town. She's used the penthouse address and he believes that she is a wealthy resident there. They've never met. Loco's (Barbara Eden) idea is to pretend to be Alma and see if he's good enough for Alma, then introduce them. Mr. Johnson (Jay Douglas), a strapping young man, arrives and is surprised when he sees what Alma (Loco) looks like. They quickly fall for one another and Loco dreads telling Alma. When Alma is told the major age difference, she is sad, but gives Loco her blessing and prepares to leave for Seattle. Mr. Johnson goes back to report to his father (Jay Jostyn)- THE Mr. Johnson. Can the confusion be cleared up as predictable as it seems?
Reflecting upon the series after just watching every episode, "How to Marry a Millionaire" had moments of fine comedy writing, but was more often than not predictable- a mere footnote of 50s sitcoms. When you have a talent like Morey Amsterdam disappear in his lone appearance, you have to question the writing. For a long stretch of the series it felt predictable like "Gilligan's Island", without much comedy. (You know they're not going to achieve their goal when you're watching an episode.) But, there are episodes I'll enjoy watching again and as a fan of classic television, I'm happy to have it in my collection.
The clear pleasure was the zany comedy of Barbara Eden's beautiful but ditzy Loco. Nearly all of the comedy came from her. ("For the Love of Art" was a favorite. In one scene, Loco is trying to impress without her glasses and browsing through an art gallery admiring how realistic this one painting was... She was unknowingly looking out the window.) Merry Ander's Mike was given virtually no character development, just a straight-faced de facto leader of the trio. Lori Nelson's Greta was also a serious character, but given more to be likable. In short, for the characters of Mike and Greta, landing a millionaire was no laughing matter. I liked the gorgeous Lisa Gaye's brief, but wholesome character. Thanks for the entertainment girls.
Reflecting upon the series after just watching every episode, "How to Marry a Millionaire" had moments of fine comedy writing, but was more often than not predictable- a mere footnote of 50s sitcoms. When you have a talent like Morey Amsterdam disappear in his lone appearance, you have to question the writing. For a long stretch of the series it felt predictable like "Gilligan's Island", without much comedy. (You know they're not going to achieve their goal when you're watching an episode.) But, there are episodes I'll enjoy watching again and as a fan of classic television, I'm happy to have it in my collection.
The clear pleasure was the zany comedy of Barbara Eden's beautiful but ditzy Loco. Nearly all of the comedy came from her. ("For the Love of Art" was a favorite. In one scene, Loco is trying to impress without her glasses and browsing through an art gallery admiring how realistic this one painting was... She was unknowingly looking out the window.) Merry Ander's Mike was given virtually no character development, just a straight-faced de facto leader of the trio. Lori Nelson's Greta was also a serious character, but given more to be likable. In short, for the characters of Mike and Greta, landing a millionaire was no laughing matter. I liked the gorgeous Lisa Gaye's brief, but wholesome character. Thanks for the entertainment girls.