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6/10
The silence of the lamb
kapelusznik1827 August 2017
Warning: Spoilers
***SPOILERS*** A Pre-Columbo "Just one more thing" Peter Falk in a non speaking role as the deft mute Martin at first evokes little sympathy from the audience suffering from manic depression and getting into fights with anyone who as much as looks cross eyed at him. It's until fellow deft mute as well as sign language teacher Elise, Carol Lynley, shows some interest in his plight that he becomes not only human as well as passive as a little kitten. Only to have Elise later drop him for her All-American as well as well spoken- he quotes passages from the deep and philosophical works of Kant & Schopenhauer- boyfriend Don, Fred Beir, whom he developers a psychotic hatred for.

Despite his sad predicament Martin is not really a nice guy going out of his way picking fights with everyone he runs into so you can't really feel sorry for the guy even, after wreaking his apartment and beating up everyone in sight, when he give you or Elise that cute puppy dog look like like a school boy telling his teacher that it's the dog that eat his homework assignment. Still the pretty and caring Elise does everything to make Martin's life better so he can join the human race as a law abiding and productive citizen. Like the job she got him in the rooming house or homeless shelter as a handy man and janitor.

***SPOILERS****It's when a jealous and crazed Martin caught Elise and Don making out on the beach that he completely flipped out. Out for blood as well as revenge the much smaller Martin attacked Don, who didn't even have time to put his pants back on, and pounded him into the sand almost killing him. That's until the state troopers showed up and to keep him from killing Don shot him dead. It's then as he lay dying in her arms that Elise using sign language tells Martin in just how she felt about the nutcase saying that she still-despite his insane and deranged actions-loved and cared about him. Thus making his last moments on earth before he checked out for good happy ones.
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Loneliness of the deaf mute, in a homage to Lon Chaney.
searchanddestroy-117 February 2016
Watch out for the outstanding Peter Falk performance as a poor lonely deaf mute guy secretly in love with his teacher, a beautiful blonde who is also deaf mute as he is. Useless to say that you watch here a moving story, poignant, maybe not so unusual after all, with a Falk's performance that could remind you Cliff Robertson's one in CHARLIE. Some painful scenes in this gripping tale, something that may fell hard to conceive but so close to the actual facts. I felt some ache in the belly seeing very carefully the absolutely terrific performance of Pete Falk in this role. A gruesome performance, I persist, insist. Don't miss this episode, at all cost. Among the highlights of the show, and there are so many. One more point: the absence of dialogue of course emphasizes on music score background, as it was during the silent era. And speaking of the silent era, Peter Falk's character and, I repeat, performance, makes every movie buff think of Lon Chaney's roles, back in the twenties, when he had such sad, desperate and forever unlucky characters. So, to summarize, this story is a great tribute to Lon Chaney. That's my own opinion.
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Misguided melodrama mixed with pathos
lor_23 December 2023
I wanted to like this segment of "The Dick Powell Show" and did admire the performances by Peter Falk and Carol Lynley trying to capture the world of deaf people, but a screenplay emphasizing melodrama and forced pathos sank the hour for me. It was torture to watch its manic-depressive approach to a serious subject.

Falk's pathetic lost soul has a chip on his shoulder and is given to violent outbursts -mad at the world for his misfortune. Lynley is way too beautiful for her role as a deaf teacher he obsesses over -I would have cast a Talia Shire type to go with his Rocky.

The first half is all dread, as we wait for him to constantly blow up and threaten life and limb. Her tender affection helps warm up the final reel but it's too late, as the episode has played like a cheap exploitation movie of the period, but without the sex. In fact, those exploitation movies are far more entertaining as one is not invested in desperate characters played by charismatic performers like Falk and Lynley, and one can stomach their problems far more easily at a safe distance.

Rather than suspense, I watched in dread, waiting for this poor man's Hunchback of Notre Dame to go completely nuts. It's audience manipulation on steroids, perhaps just what producer Aaron Spelling wanted to foist on the audience.
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