"Combat!" Gulliver (TV Episode 1966) Poster

(TV Series)

(1966)

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9/10
Realistic War Orphans on Combat
jmarchese12 December 2014
"Gulliver" is a realistic story about war orphans fending for themselves and what it was like to be in their shoes stuck in the middle of Allied-German bombings.

After Littlejohn is wounded while on leave till 0800 the next morning, a group of war orphans hold him for ransom.

Paul Playdon & Bob Frederick adapted Shimon Wincelberg & Richard Shapiro's fine story for television. Hardness comes out in children torn by war doing what they must to survive. Scenes are graphic & moving as the story unfolds; and the viewing audience sees the kids in action dealing with both Littlejohn and the Germans. Empathize and put yourself in their shoes. Dick Peabody does an excellent job complimenting the fine cast of child actors. Stefan Arngrim as "Henri" plays the alpha kid running the show while exuding streetwise bitterness. Vicki Malkin as Christina compliments Henri as the silent strong one; and she puts on a show in 4 outstanding memorable sequences. Her sequence with Sergeant Kolcheck (excellently played by Paul Busch) portrays some fine acting on both parts.

Vic Morrow did an outstanding job directing; multiple close-ups throughout tell the story in the children's' faces. Words are almost unnecessary. Graphic scenes of the orphans actions with respect to dead Germans will horrify some and move most. The excellent cast and their story more than compensates for a general lack of combat, the show's essence.

The ending sequence is beautifully done as we see Christina come into her own not only seeing the light, but also convincing the younger ones; a very moving episode.
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9/10
One of the top Combat! episodes
jimmydb12 July 2021
Warning: Spoilers
This episode has some complex nuances that are entirely lacking in modern television, and is one of the top 10 in the series. Any episode featuring Littlejohn (Dick Peabody) is a good one in my book, but this one pulls at you. Vic Morrow's directing may have a lot to do with that, but so does the script and the acting.

The children are an orphaned family. They are pathetic, reduced to robbing from dead soldiers and trying to sell wounded ones. Henri is the hard-core leader, and the youngest, Marcel, wants to be like Henri. John just goes along. Christina (Vicki Malkin), though, is a standout. She is the glue that holds them together, and their conscience. Her acting is amazing.

Christina, while following Henri's order to watch Littlejohn, tries to give him water and food and bandage his wound. Marcel rats her out to Henri when Henri returns.

When Henri tries to sell Littlejohn to the Germans, claiming he is an officer, the Germans find that he has robbed dead Germans and force him to take him to the American officer. Henri arranges to have two of them step on the mined porch, killing them. When the German Sergeant (Paul Busch) comes out of the building carrying Marcel, Christina regretfully shoots him.

The ending is the most poignant scene, with Marcel robbing the body of the German who was just shot carrying him, while Christina insists on returning Littlejohn to the American lines and getting to an orphanage. Henri refuses to believe there is such a thing and does not join them, remaining to pick over the dead Germans.
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2/10
Garbage
nickenchuggets3 August 2023
Warning: Spoilers
If this episode was a physical object I'd stab it in the knees. It's not very often where I arrive at an installment of Combat that I outright hate, but there's so many problems with this one I don't even know where to begin, and it pains me to see Vic Morrow was behind it. Gulliver starts with Saunders and Little John riding in a GMC. Saunders tells Little John he should have the rest of the day to himself and sends him to walk alone back to American lines. He hitches a ride in a jeep with another soldier and then gets attacked by a Messerschmitt (which is actually a repainted American P-51). The driver is killed and the plane strafes Little John as he tries to run, hitting the right side of his abdomen. Little John manages to make it to a forest but becomes too weak to move due to his injury and collapses. He is eventually discovered by a band of very young children not much older than 9. He is put on a cart, tied down, and taken to a houseboat. One of the kids, Henri, orders Little John inside. As Little John tries to walk away, Henri reveals that he (somehow) has a handgun. Little John is taken inside and has his hands tied behind his back. Henri and his friend John tell two young girls, Christina and Marcel, that they're going to american lines in order to see if they'll have any success ransoming Little John. If the americans aren't willing to pay to get him back, they'll sell him to the Nazis. Henri and John reach american lines, but because they're just kids, they're told to get lost. When German artillery starts attacking, they call the americans stupid and run off. Meanwhile, Little John begs for water inside the houseboat but Marcel taunts him by keeping it just out of his reach and then pouring it on her doll. Christina disapproves of this and gives Little John water. She seems to be the only one sympathetic to him. After Henri and John get back, the kids eat dinner, and Little John tells them they don't have to live like animals trying to scavenge things from dead combatants. Henri announces his new plan to give Little John to the germans. When the latter scoffs at the idea, Henri tells him they'll tell the germans Little John lied about being an officer when he's really a lowly private. Henri and John set out to find the germans and come across a camp they set up. A german lieutenant in charge is told by the boys they have located an american officer and want money for him. The lieutenant seems enthusiastic at first, but when he discovers Henri has a stolen ring with a swastika on it, he smacks him in the face. The lieutenant tells his sergeant and two other men to go to the houseboat and retrieve Little John. After they arrive, Little John tries to leave, but is held at gunpoint by Christina. As the germans see Little John is not going to come out, two of them decide to go in, but set off a mine and get killed. The last german goes inside and gets Little John, but as he's leading him away, he's shot in the back by Christina. Little John is saved, but Henri still doesn't trust him. Christina and the others put him back on the cart and wheel him away while Henri aloofly kneels by the road. It was a struggle to sit through this. Children in tv shows about war are rarely a good idea, and these ones have no idea what they're trying to do or how to tell a convincing story. That's not to say Combat can't get competent child actors when it needed to (Andrea Darvi for example) but the difference is that she didn't single-handedly carry the episode. These ones do. Little John is given absolutely nothing to work with. The entire episode from beginning to end is him standing (or rather slumping) around wounded. We don't even know if he gets back to Saunders safely by the end of it. Ironically, Dick Peabody actually injured himself for real during the scene in which he gets chased by the plane (which bears an uncanny resemblance to a famous Hollywood movie) and had to be in crutches for months. It's like this episode is nothing but bad luck. I don't know what Morrow was thinking.
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4/10
Where is Vic Morrow? Behind the camera
fkelleghan9 November 2013
I wish I could say that any "Combat!" episode is exciting, but except for having a Littlejohn-centric episode, this one fell flat, for me.

Morrow does what he can with shots of Littlejohn stumbling deliriously through the woods, but once the children take over, only Peter Pan fans can really enjoy this episode.

Littlejohn is great, as always; and it's always fascinating to see, or not see, Vic behind the camera. But the children take over the show, and there are no children actors of the quality of Billy Mumy, Drew Barrymore, or even (hell) Asa Butterfield to give us some real scares. (Yes, I know, they were too young.)

Morrow did what he could with a floppy script. Not a great episode, though I want again to praise Littlejohn for doing all he could do to save it.

Morrow filmed some spooky woods and other spooky moments; almost, but not quite enough to save this episode. I hope that other viewers will like it more than I did.
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5/10
Annoying kids make for mediocre episode
grantss27 June 2022
If there's anything that leads to instant disengagement on my part it's the appearance of annoying kids in films and TV shows. Here we have such kids, with a weak plot to boot, making for a mediocre episode.
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Vic spotlights Littlejohn
lor_3 November 2023
Vic directed this vehicle for his regular squad member Litttlejohn, who stars opposite a cast of child actors. It's an unusual episode, not related to the ordinary patrol segments.

Littlejohn is wounded by fire from a German aircraft, and on his own is captured by a band of young children who have been left orphaned by bombings. They tie up the tall soldier, creating a resemblance to Gulliver of the Jonathan Swift tale.

The kids rob the belongings of dead soldiers from both armies and have a quest to someday find a new life together (after the war). They are straight out of "Lord of the Flies", unsympathetic on the surface as they refuse to give Littlejohn food, water or medical help.

It's a story with its own, very downbeat sense of hopelessness, with Vic getting natural, underplayed performances for the ensemble of children. They are led by child actor Stefan Arngrim (in a precociously villainous role), who grew up to star in the horror movie "Fear No Evil" in the 1980s and who is desperately in need of a REAL bio in IMDb, stuck without balance currently with just trivia listings about his attempted career as a musician written by some misguided sycophant.

Story has a macabre set of plot twists, in which the kids prove deadly, killing Germans after selling out Littlejohn to them, with our hero surviving strictly by luck. The amorality of the kids is alarming (a la "Flies") but a little girl among them proves to be honorable.
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