"Combat!" Doughboy (TV Episode 1963) Poster

(TV Series)

(1963)

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8/10
Great Guest Stars
claudio_carvalho10 July 2017
Sgt. Saunders, Kirby and two other privates are searching for a hidden German big cannon that is firing at the Allied forces and facilities. Out of the blue, they are surprised by a sniper and Saunders asks the trio to cover him while he tries to flank the shooter. However he is taken prisoner by an old man wearing a World War I American uniform. Soon he realizes that the doughboy's name is Phil that is delusional believing that he is fighting WWI and Saunders is a German soldier. They go to the isolated farm where he lives and his wife Marie explains that Phil was wounded but survived the war and married her. Now he is hearing the cannon fire, he had a breakdown believing he is in 1918. But Saunders also learns that he knows the location of the German cannon. Can Phil be trusted?

"Doughboy" is another great episode of "Combat!" highlighted by the participation of the guest stars Alida Valli and Eddie Albert. The episode could be a comedy, but Eddie Albert gives credibility to his insane character. My vote is eight.

Title (Brazil): "O Soldado Americano" ("The American Soldier")
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8/10
Combat Meets the Twilight Zone in Green Acres
zsenorsock28 April 2007
Warning: Spoilers
Saunders, Kirby and a squad of new men are sent out to locate the location of a big German gun. After looking unsuccessfully, the patrol is fired on by a lone rifleman. When Saunders tries to flank the rifleman he finds himself captured by a US Soldier--a leftover dough boy from World War One! Eddie Albert plays Phil, a shell-shocked vet who remained in France after the war to marry a local French woman (Alida Valli--only rarely seen in US productions like "The Third Man" and "The Cassandra Crossing"). The German invasion made him think its 1918 again and he's been separated from his unit. What's worse is he thinks Saunders is a "heinie" fighting for the Kaiser.

Though it sounds pretty ludicrous, Morrow and Albert are able to pull this off and turn it into a really enjoyable episode. Albert gets a lot of credit for being able to switch from the gung-ho dough boy of 1918 to a confused middle aged man.

There's also a lot of inadvertent comedy in this that only comes out in hindsight. Phil talks about how much he likes "farm living" foreshadowing Albert's "Green Acres" days, and he mentions how he'd like to buy one of those model T tractors Henry Ford started making (and which he drove on "Green Acres"). Not only is he living on a farmhouse, but he's also married to a foreign wife! Good thing Saunders didn't stay for the hotcakes, I guess.

In going back to the allied lines ( a trip that almost ends with them being killed by friendly fire!), Saunders and Phil pass a very familiar landmark--the road Andy and Opie walk up to at the beginning of the "Andy Griffith Show". It is instantly recognizable. Less recognizable is "Rat Patrol" star Eric Braedon as the German vehicle commander.

Other than Kirby, none of the other regulars appear in this episode. It again makes me wonder how Rick Jason managed to get top billing on this series.
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8/10
Combat in the Twilight Zone.
elcoat27 June 2014
I just saw this last night and rather liked it.

First, the casting:

Eddie Albert was a real-life war hero who pulled Marines off a submerging reef at Tarawa under direct Japanese fire.

And Alita Valli was a fascinating lady of intrigue - The Third Man - in a sympathetic role.

Eddie Albert made what could have been a farcical misfire into something believable and compelling, regarding shell shock - ptsd or something worse.

The costuming was convincing, including the WW1 leggings and Springfield rifle with LONG bayonet. The documentary footage of the rail gun was well picked and gave you an idea of how intimidating a railway gun could be, even if it had a very low rate of fire. (I have 2 of the HO scale Bachmann railway guns, with the other military railway trucks, for when my younger son is old enough.)

And the ending seemed logical, although Saunders' long-range marksmanship with a Thompson seemed ... extraordinary.

Finally, on this centennial of the start of World War 1, the documentary (and feature film) footage of that terrible war is most appropriate.
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7/10
Blast from the past
nickenchuggets5 August 2022
Warning: Spoilers
It should go without saying that Combat is firmly a World War 2 show, but as this episode shows, some veterans of war can be shellshocked to such a degree that they think they're in a different conflict entirely. Being another Combat episode that features a talented guest star, you would think that Doughboy would be better than your average installment, but it does have some negative aspects which I'll talk about later. The episode starts with Saunders and the others creeping through a wooded area in order to reach a large German artillery gun positioned on railroad tracks. They start getting shot at by some unknown assailant. Everyone takes cover until Saunders manages to get close enough and the enemy is revealed: a deranged American soldier named Phil (Eddie Albert) dressed in a First World War uniform. Despite ww1 ending about a quarter century earlier, Phil is convinced that Saunders is a german spy and takes him prisoner. He orders him to walk through the woods until they eventually reach a farmhouse, where Phil's wife Marie (Alida Valli) is. Phil is still convinced Saunders is an enemy and tells his wife to keep an eye on him, so he hands her his vintage Springfield rifle. As soon as he leaves the room, she puts the gun down and starts talking with Saunders. She says how Phil was in world war 1 and never really recovered mentally. He had many of his friends die around him, and Marie (whom he met in those days) is still taking care of him. Shortly after Phil returns, germans start surrounding the farm and riddle the windows and walls with rifle and machine gun fire. Saunders and Phil manage to win the gunfight, and the latter is now less wary of his new ally. Phil says that he knows where the location of the large german artillery cannon is, but decides the best course of action is trying to blow it up by himself after shooting his way into the area. Saunders stops him, knowing he'll get killed. Phil, Saunders and Marie decide to find out if Phil is telling the truth or he's just spouting ww1 era delusions, so they start heading to the hill where Phil says the gun is. After sneaking past a ridiculously long convoy, they are spotted by germans and Phil is shot in the back with a Luger. Saunders decides to evacuate Phil immediately, so he reports the position of the artillery gun to friendly aircraft which blow it to pieces. Phil is brought back to US lines, and in a sadly ironic statement, he asks Saunders if the war he's in right now (ww1, mentally) will stop all future wars from happening. Saunders lies and says yes. After seeing this episode, I was surprised to see others rating it so highly. It's good, but there are several I've seen so far that are better. Eddie Albert plays the PTSD stricken ww1 vet well, but his character kind of annoyed me because he's never willing to give Saunders a chance. Even when Saunders says he has tags proving he's american, Phil disregards them and says they're probably stolen. It's also worth pointing out that the huge railway gun (shown in actual ww2 footage in the episode) fires abnormally fast for something that big. Actual railway artillery could only fire about once every 20 minutes, due to the huge weight and size of their projectiles. I still think Doughboy is a special episode of this show because there are probably no other ones in the series that have such a focus on "the war to end all wars", as Phil seems to think of it. Unfortunately, it turned out to just be the first part of a European catastrophe that would flare up again in just 2 decades. It's also worth noting that the Springfield M1903 that Albert carries is authentic and actually saw ww1 service.
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They must have been kidding!
lor_14 July 2023
An absurdist episode, one that might have been rejected for broadcast but slipped through. One wonders what loyal fans in 1963 thought when sitting through it, as it's so out of place in this series, long before the term "jumped the shark" was coined.

Premise immediately reminds one of those very cornball war movies about some Japanese soldier on a remote island that never heard WW II was over and continues solo to fight it. Instead it's Eddie Albert, who did appear in classic war films like "Attack", and he's gone crazy (the trauma of war) and thinks he's fighting World War I, which he did serve in.

Opening reel has him giving poor Vic a hard time, somehow convinced in his craziness that Vic is a German soldier pretending to be American. Later he and Vic team up to successfully kill some Germans who have them cornered in Eddie's home. Suddenly in this sequence, Alida Valli, that superstar from another era ("The Third Man") pops up as Eddie's wife. She has such a strong face and presence that it's impossible to believe that she strayed onto this set -it might as well have been Sophia Loren toting her Oscar from "Two Women"!

The show then goes off in another direction that strains credibility even more so. Getting back to his real mission, Vic has been stymied by a huge German piece of artillery that's been killing Yanks but then disappearing into the mountain, its location hidden. Eddie claims to have seen it, but Vic doesn't know whether that's true or merely part of his craziness that includes a faulty memory. More violence as they trek to headquarters with Valli in tow, The story tries to make sense but is utterly nuts in terms of hanging together. Vic manages to keep a straight face during the twisty, basically unplayable scenes and Valli proves what a pro she is to give her all to a mindless episode of some American tv series (she never had a career on U. S. TV series). As for Eddie, he gets to look perplexed a lot, as if pondering whether to hire a new agent.
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