"The Alfred Hitchcock Hour" The Thirty-First of February (TV Episode 1963) Poster

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8/10
The apparently DOES justify the means...at least to this jerk!
planktonrules2 May 2021
"The Thirty-First of February" is a very interesting episode of "The Alfred Hitchcock Hour" that stars David Wayne and William Conrad. Wayne plays Andrew Anderson, a man whose wife was found dead. The inquest ruled that the woman's death was an accident due to a fall down some stairs. But Sgt. Cresse (Conrad) is obviously NOT convinced it was an accident. Someone else, or perhaps Cresse, is also willing to do pretty much anything to prove it was murder...and they wage a game of psychological warfare on Andrew...trying to make him crack and admit the crime.

This episode is very interesting because you never are sure that Andrew did anything wrong. Sure, he acts pretty weird...but he was also being tormented and his paranoia is substantiated because someone is definitely pushing his buttons! Well written and an episode where you feel sorry for the guy...whether or not he committed any crime.
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6/10
Did he kill his wife?
coltras3516 May 2022
An inquest rules a wife's death as accidental, but when the widower returns to work, it seems someone is tricking him, including a letter accusing him of murder and one of his wife's letters appearing, revealing she had a lover. Increasingly the widower's own mind tricks him, rejecting logical explanations, instead angrily confronting his co-workers.

A well-written mix of noir, business world and murder which is quite interesting, has solid acting, particularly from Wayne, but the ending is unorthodox, though a bit unsatisfactory. It's never really known whether Wayne is guilty of his wife, but Willian Conrad thinks so and goes to any lengths to make him crack and confess. Most likely Wayne isn't guilty, as indicated the box of matches: he acts weird but that's due to his WW2 experiences; nervous breakdown beckons.
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7/10
"I'm afraid there was no burned out match."
classicsoncall1 September 2022
Warning: Spoilers
Even though this program had a stunning conclusion, you can't really say anything definitive about the book of matches that was found beside the body of Valerie Anderson (Kathleen O'Malley) at the time of her death. There's a strong implication that police sergeant Cresse might have been responsible due to a hole in his pocket, but we can't know that for sure. What we do know for sure is that Cresse went to extraordinary lengths to frame Andrew Anderson (David Wayne) for his wife's murder. Ransacking Anderson's home should have been enough to get him fired had his associate (King Calder) voiced his suspicions to a higher authority. And how would Cresse have had access to Anderson's office at the Vincent Industrial Design Company in order to fool with the calendar and leave a handwritten note purportedly from Anderson's wife. Wouldn't Andy have known what Valerie's handwriting looked like? And speaking of that calendar, how and where do you find one with a page for February 31st? That might have been a neat hook for the title of the story, but it really doesn't hold up if you think about it. There's also the matter of the switched business letter with the inter-office memo that got sent to Gordon of Kiddie Modes. Shouldn't Miss Wright, the secretary have been called on the carpet for that error causing major embarrassment to the company? Given the anomalies and plot holes throughout the story, the best I can say about it is David Wayne's characterization of a business executive slowly going mad over a situation he couldn't control or explain. The closing shot of Sergeant Cresse contemplating the damage he'd done to destroy an individual wasn't enough to make you feel good about the episode, knowing that he should have been held to account for his abuse and flawed investigation.
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Sly Suspenser
dougdoepke20 November 2015
It's a standout 60-minutes featuring a highly unorthodox ending. Anderson (Wayne) is an executive with a high-powered industrial design firm. Unfortunately, his wife dies in what appears an accidental fall in a darkened basement. An inquest rules the death accidental, but cop Cresse (Conrad) has suspicions. Meanwhile, Anderson's under a lot of pressure at work, and begins to fall apart when he starts receiving evidence that his wife was unfaithful. So who's trying to wreck him and why.

I imagine stage actor Wayne was hired because the role's pretty demanding, having to go through a number of emotional stages. Suspense kicks in early, and though I suspect some of the office events pad the run-time, they're well enough done not to matter. In fact, office maneuvering almost amount to a sub-text, suggesting a Madison Ave. milieu popular with movies of the time. I suppose a side-draw would be an appearance of ill-fated Bob Crane as ambitious junior executive Lessing. Crane's murder in 1978 was a much publicized scandal at the time, with a controversial outcome.

Anyway, real life murder aside, it's primo Hitchcock in most all respects and well worth a look-see.
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9/10
excellent
HEFILM11 October 2013
Expertly written--under the name LOGAN SWANSON--by Richard Matheson and acted this is a fast paced twisty episode, among the best of the hour long Hitchcock shows.

The plot may ultimately be a bit outlandish but dramatically it works and the pay off is powerful. Very good music score by Robert Dassin and well directed by regular actor/director Kejllin.

The moments that could, and do, turn towards soap opera in other episodes produced by Joan Harrison hold together here as drama, thanks to well written dialogue and Wayne's slowly coming apart performance.

Bob Crane is good in a small role. All the possible suspects come and go in convincing fashion and the story of the corporate world also works. Conrad has a great final close up.

It's a well done combination of noir, business world, and even elements of horror and the hand of fate.

Hithcock's segments feature him crammed into the orchestra pit at an Opera.

Top drawer episode for the series all around.
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10/10
WHAT ABOUT THE MATCHES?
tcchelsey4 May 2023
With Alf Kjellin directing, the man behind such tv classics as HAWAII FIVE O, I SPY and THE MAN FROM UNCLE, you know its going to be entertaining. Kjellin actually began his long career directing Alfred Hitchcock's tv show.

This is more mystery and character study, for that matter, co-starring David Wayne as a man, on the brink of a nervous breakdown, whose wife died accidentally. Without giving too much away, matches found on her body further complicate the case and drag him down even further. Also, did his wife have a secret lover?

Enter overly suspicious Sergeant Creese (played by William Conrad) who is on Wayne's back and refusing to let it all go. If you are a fan of the show, you may recognize bits and pieces from other episodes worked into this one, especially the dogged police detective who never gives up! Your worst nightmare.

Another big question; who is the secret lover, and is it one of Wayne's co-workers? Look for a young Bob Crane as one of the suspects, who at the time was appearing on the DONNA REED SHOW before HOGANS HEROES a few years later. Bob was also a popular Hollywood dj on KNX (CBS) radio.

Of course.... William Conrad resembles a much younger CANNON with more hair, about eight years before his famous cop show. At the time Bill Conrad was long associated with Warner Brothers/ABC tv as producer, director and character actor, and how did they get him to be on this show? Directors stick together and Hitch may have given him a call, ya think?

As always.... wait for the ending. It will stick with you.

SEASON 1 EPISODE 15 remastered Universal dvd box set.
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7/10
The Alfred Hitchcock Hour - January 4, 1963 - Season 1 Episode 15
Episodes-at-a-Glance18 October 2020
Title: The Alfred Hitchcock Hour - January 4, 1963 - Season 1 Episode 15

Director: Alf Kjellin

Details: Crime, Drama, Mystery; Release date (September 27, 1963 ); B&W

Starring: David Wayne, William Conrad, Elizabeth Allen

Synopsis: Even though an inquest absolves a marketing execcutive (David Wayne) of any wrongdoing in the death of his wife after a fall down the stairs in the family home, a police detective (William Conrad) isn't quite as convinced. Things begin to unravel for Wayne when he starts to receive strange messages upon his return to his job.

Quick Review: Even though the plot is a bit contrived and over-played, this is a archetypal Hitchcock style episode. A heavy dose of suspense with a twist ending in this 'did he or didn't he do it' episode makes it one of the stronger season 1 entries.

Rating: B+
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8/10
Answers Aren't Clear
Hitchcoc8 May 2023
David Wayne is sitting before a tribunal to see if he should stand trial for the death of his wife. She has been found at the foot of some basement stairs, in the dark, her neck broken. But this is more about the psychological destruction of Wayne as someone is throwing incriminating things his way. It could be one of many possible suspects, or he could have done it. William Conrad plays a sleazy cop who won't let things go. It's a pretty decent episode where not everything gets an answer. Wayne is really convincing as the loose cannon who flies off the handle anytime there is something remotely appropriate to the evidence of the killing of his wife.
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6/10
Somebody is out to get me!
kapelusznik1819 November 2013
Warning: Spoilers
***SPOILERS*** It was the tragic and accidental death of his wife Valerie, Kathleen O'Halley, that touch off this paranoia that in the end drove her grieving husband advertising executive Andrew Anderson, David Wayne, mad and into a lifetime stay in a mental institution.If that, his wife's death, wasn't enough the cop assigned, or better yet who assigned himself, to the case Sgt.Cresse, William Connerd,did his best to put him there.

It's just after his wife's death that strange things started to happen to Andy Anderson that in fact made him feel guilty for a crime that he didn't commit. Either he was going out of his mind or better yet someone was driving him mad didn't present itself until the Alfred Hitchcock episode was just about over. Not all that wrapped too thigh to begin with it didn't take much to unravel the guy into going nuts and on a road to self destruction by convincing him that his loyal wife Valerie was cheating on him and giving him every reason to convince himself that he in fact murdered her! Slowing losing his mind and being unable to do his job as an advertising executive Anderson started to flip out and start to get unusually friendly with his pretty co-worker Holly O'Rouke, Elizabeth Allen, even going so far, just days after his wife's death, as to propose marriage to her. This after a fit of insanity where he almost ended up ringing her neck in mistaking her for his diseased wife Valerie

.***SPOILERS***It was in the end when Anderson was beyond help that the truth came out in just what drove him to end up in the funny farm and it was non other then the person in charge of his wife's so-called "Murder" case Sgt. Creese himself! Not in him just doing his job but going far beyond doing it! Which caused an innocent man, Andrew Anderson, to end up insane and in a mental ward and having himself having to live the rest of his life with the terrible thought that he was responsible for it!
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4/10
David Wayne and William Conrad
kevinolzak28 February 2012
"The Thirty-First of February" had great potential, a battle of wills between Andy Anderson (David Wayne), a husband whose wife has just died in an accidental fall, and Sgt. Cresse (William Conrad), a somewhat unethical detective convinced he's guilty of murder. The coroner's inquest rules that Mrs. Anderson's death was an accident, falling down the cellar steps with a pack of matches by her side, because the basement lights were burned out. After a span of three weeks, Anderson returns to his regular job at an advertising agency, immediately finding trouble when his daily calendar is still set on the day his wife died, while receiving special messages revealing an affair his late wife was apparently having with a fellow employee. At first, Anderson accuses the boss, Mr. Vincent (Staats Cotsworth), then decides to focus on Charlie Lessing (Bob Crane), believing him to be angling for his job. All the while, Sgt. Cresse continually hounds Anderson, feeling he planted the matches next to his wife's body, but failing to acknowledge the widower's background, the victim of a nervous breakdown during WW2 due to battle fatigue. The conclusion is unsatisfying, and a subplot involving Anderson's affair with a co-worker (Elizabeth Allen) doesn't lead to anything. Writer Richard Matheson, best known for THE TWILIGHT ZONE and novels like I AM LEGEND, must also have been disappointed in the final result, signing his usual pseudonym 'Logan Swanson.'
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So terrific
searchanddestroy-13 July 2015
Warning: Spoilers
BEWARE: MAJOR SPOILERS.

Yes, I agree to the other comment. I have rarely seen such a story with so few morals. Let me explain: from the very start, the audience knows that the unfortunate husband did not kill his wife. So when he starts receiving mysterious letters, everybody wonders where they may come from. The climax is when we find out these letters and many other clues were made by the unscrupulous cop Conrad to put he blame on the husband whom he suspected to have committed murder; but, unfortunately for him, without sufficient evidences. So, the cop made these evidences. The match trick at the very end, is not so useful after all, it only shows that the cop finally was fooled because of a match found on the woman death scene, and supposed have been dropped by the husband. But we, the audience, had already known that the poor husband was for nothing in his wife's death. The poor husband who finally got mad, convinced that he killed his own wife. Yes, a very sad and moral less story. But what a terrific tale. One of the best for sure of th whole show.
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