User Reviews

It would be far too simplistic to label Goldfish Memory as Love Actually meets Queer As Folk (US Version) but there are elements of both productions in this movie.

In many ways, this was the movie that "Love Actually" could have been. Unlike "Love Actually" which had too many plot lines going on, this film concentrates on three or four main plot lines and it does them well! But there are also elements of the US version of "Queer As Folk" with its emphasis on the common experience of gay and lesbian culture and the close friendships that gays and lesbians can experience. Mind you, there are shades of Go Fish when Angie describes the rather incestuous nature of a Dublin lesbian dinner party. Curiously enough, Red doesn't appear to have any gay male friends.

Actually, the two most rounded, and most interesting characters, were Red (played by Keith McErlean) and Angie (played by Flora Montgomery).

And while I really enjoyed seeing the intimacy of their friendship, I was a little disappointed when the plot line went down a predictable path. Actually, a few of the plot lines went down the predictable path and that's what I thought was a weakness in this movie.

And because of the predictability, although there are moments of genuine emotion I wasn't especially "touched" by the movie. I also thought there were moments of great implausibility; is everyone in Dublin bisexual, gay or lesbian or at least "on the turn"? The one straight male in this is Tom (played by Sean Campion, a 40 something university lecturer - who bore a remarkable resemblance to a younger Neil Tennant from The Pet Shop Boys - is the real loser. The movie starts and finishes with his tragic pickup lines about the memories of goldfish and reading Goethe in German (didn't Mouse like that in Tales Of The City, too?).

Although the version screened in Perth at the Gay & Lesbian Film Festival looked like it had been videotaped off television - complete with screen problems! - the scenery of Dublin was terrific and made me want to go back there. I'd forgotten there were so many bridges over the Liffey.

Despite some misgivings, I think it's a good film. And I can really relate to the film's central premise that, as far as love is concerned, human beings are just like goldfish which are said to have three-second memories... we forget how hard love can be when we fall in love again.

Anyway, the film comes to a happy ending, so I guess that's a good thing. Really enjoyable!

This steaming pile is the reason that there's no Irish Film industry. I swear to you, I have seen better acting in Primary School plays, Sean Campion in particular is atrocious. it speaks volumes that the pinnacle of his career has been Hollyoaks. Absolutely horrid, every line he utters sounds like a Kerrygold commercial.

Low-budget or not, this film is also poorly shot and poorly directed, the whole thing looks like an episode of Nationwide. The lighting in particular was awful. Like I said, a low-budget is no excuse for substandard work. Because the whole film relied on natural or available light, light bulbs shine far too brightly as the camera compensates for the darkness of the scene, and it just ends up looking cheap. The creators were also obviously far too proud of composing the shots carefully as they lingered on them for so long. Slow edits, and poxy camera movements that come off as cheap...I mean, they even used that cross-dissolving sex scene gimmick twice... Then they just got trigger-happy with Dutch angles. It really says a lot about this film when it bears one of the hallmarks of the Batman TV-series...

There's just so much crap here to sift through, I won't go into the wafer-thin characterisation and the fact that almost every character can become gay. They may be straight for most of the film, but all it takes is a wink and a few drinks and BANG! they're gay! And its not funny. Despite what anyone else here says, its not funny in the slightest, unless you find double-takes and shocked faces funny. I don't. And thats because I'm not 10. Or an idiot. If this is a comedy, then a bebo page is a literary masterpiece. Then again, the bebo generation probably thinks this film is "class"....