Antigua vida mía (2001) Poster

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5/10
My old life
jotix10010 February 2012
Warning: Spoilers
This Argentine melodrama seems to have been a vehicle created to bring together two strong personalities of the Spanish speaking cinema, namely, for Cecilia Roth and Ana Belen. Both actresses had done much better before. The screenplay is by Angeles Gonzalez Sinde, Spain's former minister of culture, the author of a controversial law in her country that bears her name that has been a thorny issue. Alberto Macias also collaborated on the script, based on a novel by Marcela Serrano. Hector Olivera directed.

The premise is pure, unadulterated soap opera. Violeta, an Argentine woman, had seen her mother gone into exile in Guatemala, where she eventually died, away from her daughter. Josefa, is Violeta's best friend. She is a Spaniard who had a long career in the music industry, now living in Buenos Aires with her wealthy lawyer husband. Josefa is undergoing a low point in her career; being the composer of her songs, she cannot get it together anymore.

Violeta, who had a long list of men in her life, meets and falls in love with Eduardo, a writer, trying to write a novel, but he is stuck. In that state, he beats Violeta at times, something that appalls Josefa. When Violeta receives news from some people in Antigua, Guatemala, about her dead mother, she decides to go. Meeting Emilio Palma, in Antigua, turns out to be a key element in the development of the melodrama by being the one that helps Violeta find peace knowing where her mother is buried.

When Violeta gets back, she realizes she is pregnant, something that was denied to her. Eduardo, upon learning of the fact, becomes enraged. He has a potent reason to be. Eduardo begins beating Violeta but she gets a gun and kills him. Josefa comes to her rescue, pressing her husband Andres to get leniency. The motive for the murder is only revealed to Josefa as the story ends.

Cecilia Roth is a good actress, no matter how bad the movie is. She deserved better. Ana Belen also has been more effective in other films. As Josefa, she plays second fiddle to her co-star. Jorge Marrale is seen as Andres and Juan Leyrado plays Eduardo.
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9/10
two classy women helping each other to find a new life
dutchtom117 October 2004
Two upper middle class women from Buenas Aires are trapped in relationships that aren't working well. One is in an abusive relationship, the other is selfish towards her family. The catalyst for change is the murder of the abusive husband by his wife, Cecilia Roth's character. Her best friend, Ana Belen, tries to help her through this process, and by doing so has to tackle her own problems. Cecilia Roth manages to portray very well the shifts of emotion between ignorant bliss and fearfulness. Ana Belen, is truly amazing, as she balances on a the thin line between selfish stuck up diva, and self determined caring confident woman. There are some wonderful scenes shot in Guatamala as well as a nice stylish decor and wardrobe in Argentine. The story loses its intensity from time to time, and tends to become a bit too over-dramatic at times, but in general it is a very pleasant film to watch. The main attraction though are the two leading actresses who carry this story forward with such an amazing power that you won't want to miss one moment of their dialogs.
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10/10
Antigua, Cecilia Roth and Ana Belen.
davidtraversa-121 June 2012
I'm going to be unfair to this film, since I saw it when it came out in 2001, and never again. In my memory is one of the most enjoyable films I've ever seen, maybe because I love (I mean even now) both leading ladies in it.

Cecilia Roth is an excellent actress and Ana Belen a superb Diva. I don't know if the title of this film encloses a pun in it with its double meaning: "Antigua vida mía" says "That Old Life of Mine", but with the addition of a comma: "Antigua, vida mía", it refers to the Guatemalan city Antigua, so, the title changes completely its meaning: "Antigua, beloved city of mine". Nice.

In my recollection, Ana Belen's character was the showy one, a total diva, never letting down her stage persona, no matter the situation and I never forgot her due to the strange sensation I got when looking at her fabulous, larger than life, incredible set of teeth: Optical White, as white as an unpolluted spread of snow under a bright sun.

Was that effect due to a light trick or the work of an overzealous dentist? It was a bit jarring and disconcerting because those super white teeth made her character unreal, artificial, a sort of Chelsea Cat smile in "Alice in Wonderland", where the cat disappears in thin air while its smile floats alone as an afterthought, and in her case, when she was in some dark environment, we saw only her teeth flashing on the screen.

This effect was unnatural, specially next to the earthiness of Cecilia Roth. But again, Ana Belen was a DIVA in this movie, with capital letters (as she is in real life, something that helped enormously to the believability of her character on the screen) so, maybe that was alright for that kind of larger than life figure.

I adored this movie, and found it spectacular in 2001. I don't know what my reaction could be today if I see it again, but now, these few lines are my contribution to those unjustly few comments to this above average, excellent movie that deserved a better, much better consideration.

Walking down on memory lane, I still qualify this movie with a ten (excellent).
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