Although I am no great fan of Paul Terry's cartoons, this early sound cartoon from his studio has a number of technical virtues, particularly for its era, that make it noteworthy.
First is the fluidity of movement. The various characters move extremely well for cartoons of this period. Although there are no extant credits, the work of the sequence supervisors and the in-betweeners is extraordinary for this period, trapped, as so many of the cartoonists were in this period, in the 'rubber tube' era of animation.
The background work is also good and if there is the usual amount of cheating to bring down the production costs -- lots of repetitive sequences that could simply be looped -- there are also a goodly number of well-timed gags to make this one worthwhile.
First is the fluidity of movement. The various characters move extremely well for cartoons of this period. Although there are no extant credits, the work of the sequence supervisors and the in-betweeners is extraordinary for this period, trapped, as so many of the cartoonists were in this period, in the 'rubber tube' era of animation.
The background work is also good and if there is the usual amount of cheating to bring down the production costs -- lots of repetitive sequences that could simply be looped -- there are also a goodly number of well-timed gags to make this one worthwhile.