(1941)

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5/10
Not too terribly memorable variant on the tortoise and the hare fable
llltdesq18 July 2015
Warning: Spoilers
This is a one-shot cartoon produced by the Terrytoon studio. There will be spoilers ahead:

This starts out rather cleverly and the ending has a twist of sorts, but this is a rather dull retelling of the old fable about the tortoise racing the hare. The tortoise is still slow and steady, the hare is still a jerk, but the cartoon may well have been better served had it gone in another direction.

It starts out well with two female rabbits skating, followed by a tree skating, with three rather eager dogs following it avidly. The rabbits skate over to the tortoise and his son, who clap enthusiastically for the rabbits. Dad starts teaching son to skate. The son learning to skate is a bit repetitive (skate a few feet, fall, get up, repeat) but it's cute and there's a nice bit where the son "fishes" for his skate with a magnet when it falls through a hole in the ice.

The last time the boy falls, two young rabbits come along and us him as a hockey puck and then laugh at him when they notice him. Words are said and son writes a check for his father to cash. Another race, this time on ice. This is where the cartoon goes off the rails. Disney, among others, did this better.

There's a curve thrown in, but the short is predictable. It is worth seeing once.
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5/10
Competition on ice
TheLittleSongbird23 October 2018
The Terrytoons are oddly interesting, mainly for anybody wanting to see (generally) older cartoons made by lesser known and lower-budget studios. They are a mixed bag in quality, with some better than others, often with outstanding music and with some mild amusement and charm and variable in animation, characterisation and content.

1941, like all the other years for Terrytoons, saw a hit and miss batch, though slightly more consistent than previous years. Of which 'Ice Carnival' is one of the average-middle ones ranking it in correlation with the rest of the Terrytoons and one of the middling 1941 cartoons. It is an unexceptional, nothing exactly special cartoon, being generally average, and has the same amount of problems as it has the amount of strengths. 'Ice Carnival' is watchable but unexceptional, completest sake is the main reason to see it.

Best asset is the music, which predictably is incredible. It is so beautifully and cleverly orchestrated and arranged, is great fun to listen to and full of lively energy, doing so well with enhancing the action. The ambitious, elaborate detail in the backgrounds is still great to see, as is the comparatively improved fluidity of drawing and movement, and some synchronisation in movement and sound is neat.

There is some zest and natural charm and a few amusing moments, and parts of it and the basic set up are nicely done. The characters carry the cartoon nicely and the conflict nicely done though predictable.

A few transitions are not always polished however. Likewise, the story is paper thin and formulaic with not an awful lot to it (like the cartoon in general) and doing little with a premise that's hardly new.

Gags aren't enough, a few are not particularly surprising and there is a deja vu feeling throughout. There is definitely a sense of the studio having run out of ideas and just re-treading old premises and material. Parts are repetitive.

Summing up, worth a one-time watch but not much special. 5/10 Bethany Cox
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5/10
"Come Out Like a Man" Said the Hare to the Tortoise
boblipton6 March 2015
The animals of the forest -- and one dead tree -- are having fun skating on the ice. When the tortoise's son boasts to the hare's son, their fathers are off on another race in this average Terrytoon.

One thing that I find worth noting in this cartoon, as I often do, is the score offered by Terrytoon's musical director, Philip Scheib. In this period, he offers a couple of instruments with brief solos; in one, a piccolo carries the theme, and in a couple of places there is a fine vibraphone player at work. I've heard them before and wonder who they were.

Alas, Terry's on-screen credits are sparse, even by the standards of the era and I can only recall a couple of occasions on which individual performers were credited. It's sad to think this might have been the peak of their careers and their names are forgotten.
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