The sequel to Doctor Satan (1966) centers on the conflict between two infernal powers. Dr. Satan serves the Demon King and his adversary Yei Lin serves Lucifer. Both are after the Sorenson formula, which turns base metal into gold. Yei Lin's henchmen murder Sorenson and steal the formula. Dr. Satan, with the aid of his two zombie women, survives several attacks and defeats his rival. Filmed in Eastmancolor, Dr. Satan v Magia Negra has all the earmarks of '60s Mexican horror films: garish colors, rubber bats, bubbling test tubes and lots of Universal-style ground fog. However, the script is coherent and interesting with the stock characters well defined. Rogelio A. González Jr.'s direction is tight and stylish. Joaquin Cordero is a cool and aloof Dr. Satan working to ensure he achieves his "eternal rest." Noe Murayama is fun as his rival. Murayama's tongue is firmly planted in cheek as he pops his vampire fangs and changes into a bat. He also has the best line in the picture. After biting Dr. Satan's female slaves in the neck as a bat, he transforms back to his usual form and says, "Zombies! Disgusting." The score by Luis Hernández Bretón is an interesting mix of generic horror movie and electronic music. A busy composer, Breton scored some of Luis Bunuel's Mexican films. Dr. Satan v Magia Negra was produced by Sidney T. Bruckner for Producciones Espada S. de R.L. Overall, it is much more entertaining than many of the spy and horror films being produced in Europe at the same time.
3 Reviews
AWESOME
BandSAboutMovies24 June 2020
Warning: Spoilers
How can you make the star of Dr. Satan even better the second time around? Well, you can make him closer to Danger: Diabolik to start. And then, you can put him up against a vampiric black magician from China named Yei Lin (Noe Murayama, the son of a Japanese dentist who moved to Mexico and wanted his son to follow in his footsteps). Oh yeah. You can also have Satan himself show up.
Dr. Satan starts this one off by killing two women, Medusa and Erata, then damning their souls to Hell by asking them to serve him and sleep alongside him in coffins. Of course they say yes.
This movie series didn't just go from black and white to color. It leaped there, blasting your eyes with neon tones that Mario Bava would tell them to mute a little. It's like Hammer meets pop art meets, well, Mexican horror films.
Bad guys that turn into bats and get mad when tea ceremonies are ruined and when they bite into zombie women? Labs full of boiling flasks and more smoke than a Sleep concert? Satan himself cutting promos? This movie is everything you ever wanted and more. Who says it has to make sense?
Dr. Satan starts this one off by killing two women, Medusa and Erata, then damning their souls to Hell by asking them to serve him and sleep alongside him in coffins. Of course they say yes.
This movie series didn't just go from black and white to color. It leaped there, blasting your eyes with neon tones that Mario Bava would tell them to mute a little. It's like Hammer meets pop art meets, well, Mexican horror films.
Bad guys that turn into bats and get mad when tea ceremonies are ruined and when they bite into zombie women? Labs full of boiling flasks and more smoke than a Sleep concert? Satan himself cutting promos? This movie is everything you ever wanted and more. Who says it has to make sense?
Decent and enjoyable non-luchador effort
kannibalcorpsegrinder24 May 2016
Following a bizarre crime-wave, a police inspector working the case of missing girls stumbles onto a plot by an Asian vampire and his followers to get his hands on a secret formula pursued by another criminal leader and sets out to stop them before it's completed.
This here was quite the fun and cheesy effort. This here gets right down to business with the fact that there's a good start here giving away the strong opening in the caves where the ceremony takes place as well as the vampires' encounter at his followers house which is a great cheese-filled sequence by itself that is all the more fun for being the opening of the film. As well, other fun cheesy scenes featuring the henchmen's attack on the professor in his bedroom, the later vampire-bat sequence in their hideout which is truly one of the most hilariously cheesy and goofy scenes in the genre and the scenes of the zombified slaves resting in their garish.Gothic tombs underground full of the bright light illuminating the space in brighter colors than what should be expected in such a situation. Even with this cheese, there's some rather fine moments that really undermine the cheesiness aspect of this one which occur at a few places here, from the somewhat chilling attack at the house where the guard finds the source of a disturbance while out on patrol to be one of the zombie henchwomen and begins retreating as she backs him up to the opposite side of the yard in a really well-done sequence that's quite suspenseful than expected, while the two big action scenes here in the second half come off rather nicely here with the first ambush in their cave hide-out makes for a rather enjoyable series of action set-pieces spread throughout the base before the villains make their getaway leading into the big finale in the high-rise building that's quite fun and enjoyable ending this with a nice bang. Coupled with a stellar pace that never really lets the film drag on despite the several subplots running along at the same time it's quite a fun and wholly enjoyable time here with these providing enough to like against the few flaws on display. The film's biggest issue here is the fact that there's never any real solid information given about why these particular groups are after each other, for there's a big rivalry between these two that's brought up out of the blue as they begin fighting over the invention no real reason. This really could've made mention of a past duel between them that's carried over here over the specific formula, but there's nothing given here which really causes this to feel very shortsighted and quite rushed. As well, the fact this one seems to go to great lengths at incorporating the police's investigation into the two in the second half by showcasing their efforts to recapture the stolen formula but they still seem like such afterthoughts at that point it's hard to wonder why they were even included at that stage as they visually don't do anything to warrant them being present. Otherwise it's still quite a fun and enjoyable effort.
Today's Rating/PG-13: Violence.
This here was quite the fun and cheesy effort. This here gets right down to business with the fact that there's a good start here giving away the strong opening in the caves where the ceremony takes place as well as the vampires' encounter at his followers house which is a great cheese-filled sequence by itself that is all the more fun for being the opening of the film. As well, other fun cheesy scenes featuring the henchmen's attack on the professor in his bedroom, the later vampire-bat sequence in their hideout which is truly one of the most hilariously cheesy and goofy scenes in the genre and the scenes of the zombified slaves resting in their garish.Gothic tombs underground full of the bright light illuminating the space in brighter colors than what should be expected in such a situation. Even with this cheese, there's some rather fine moments that really undermine the cheesiness aspect of this one which occur at a few places here, from the somewhat chilling attack at the house where the guard finds the source of a disturbance while out on patrol to be one of the zombie henchwomen and begins retreating as she backs him up to the opposite side of the yard in a really well-done sequence that's quite suspenseful than expected, while the two big action scenes here in the second half come off rather nicely here with the first ambush in their cave hide-out makes for a rather enjoyable series of action set-pieces spread throughout the base before the villains make their getaway leading into the big finale in the high-rise building that's quite fun and enjoyable ending this with a nice bang. Coupled with a stellar pace that never really lets the film drag on despite the several subplots running along at the same time it's quite a fun and wholly enjoyable time here with these providing enough to like against the few flaws on display. The film's biggest issue here is the fact that there's never any real solid information given about why these particular groups are after each other, for there's a big rivalry between these two that's brought up out of the blue as they begin fighting over the invention no real reason. This really could've made mention of a past duel between them that's carried over here over the specific formula, but there's nothing given here which really causes this to feel very shortsighted and quite rushed. As well, the fact this one seems to go to great lengths at incorporating the police's investigation into the two in the second half by showcasing their efforts to recapture the stolen formula but they still seem like such afterthoughts at that point it's hard to wonder why they were even included at that stage as they visually don't do anything to warrant them being present. Otherwise it's still quite a fun and enjoyable effort.
Today's Rating/PG-13: Violence.
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