Directed by
| John Korty | ||
Writing Credits (WGA)
| Rudyard Kipling | ... | (short story) |
| Edithe Swensen | ... | (teleplay) |
Cast (in credits order)
Produced by
| Art Seidel | ... | co-producer |
| Bridget Terry | ... | producer |
Music by
| Gerald Gouriet | ||
Cinematography by
| Hiro Narita | ||
Editing by
| Jim Oliver | ||
Casting By
| Len Hunt | ||
| Beth Klein | ||
Production Design by
| Vaughan Edwards | ||
Set Decoration by
| Sara Andrews | ||
Costume Design by
| Linda Fisher | ||
Makeup Department
| Elan Bongiorno | ... | hair stylist |
| Rudy Eavey | ... | makeup artist |
| Shelly Hutchins | ... | key hair stylist |
| Kelly Jefferson | ... | makeup department head (as Kelley Raye Gore) |
Production Management
| Hal Harrison | ... | post-production supervisor |
| Art Seidel | ... | unit production manager |
Second Unit Director or Assistant Director
| Gwyneth Horder-Payton | ... | second assistant director |
| Annie Spiegelman | ... | first assistant director |
Art Department
| Jamie Arbuckle | ... | set dresser |
| Dwight Benjamin-Creel | ... | property master |
| Joe Connolly | ... | assistant property master |
| Andrew Seward Duncan | ... | property assistant |
| Frank M. Fleming | ... | lead man |
| Michael Lane | ... | set dresser |
| Thomas A. Morris Jr. | ... | construction coordinator |
| Ricky Riggs | ... | lead scenic / scenic charge |
Sound Department
| Neal J. Anderson | ... | sound editor |
| Linda Corbin | ... | foley mixer |
| Peter J. Devlin | ... | sound mixer (as Peter Devlin) |
| Tim Grace | ... | sound recordist |
| Peter J. Lehman | ... | sound editor |
| Andy MacDonald | ... | re-recording mixer (as Andrew McDonald) |
| Chris Main | ... | cable person |
| Brian McPherson | ... | sound editor |
| Thomas Meloeny | ... | re-recording mixer |
| Anthony Miceli | ... | supervising sound designer (as Anthony J. Miceli) |
| Glenn T. Morgan | ... | supervising sound designer |
| Bill Nicholson | ... | supervising re-recording mixer |
| Patrick N. Sellers | ... | sound editor |
| Scott Warren | ... | boom operator |
Special Effects by
| Larry Dean Bivins | ... | special effects foreman |
| Ray Bivins | ... | special effects coordinator |
Stunts
| Chuck Picerni Jr. | ... | stunt coordinator |
Camera and Electrical Department
| Thomas Browne | ... | key grip |
| Lynn Houston | ... | still photographer |
| Rob Morey | ... | first assistant camera |
| Claire Sutherland | ... | second assistant camera |
Costume and Wardrobe Department
| Dana Campbell | ... | wardrobe supervisor |
| Kelly Mitchell | ... | key wardrobe |
| Lise Smith | ... | wardrobe assistant |
Editorial Department
| Brian Fassett | ... | assistant editor |
| Angela Spieles | ... | post-production coordinator |
Location Management
| Linda Lee | ... | location assistant |
| Steve Rhea | ... | location manager |
Music Department
| Stan Jones | ... | music editor |
| Lolita Ritmanis | ... | orchestrator (uncredited) |
Script and Continuity Department
| Wendy Dallas | ... | script supervisor |
Transportation Department
| Christie Chaplin | ... | driver |
Additional Crew
| Cheryle Bourgeois | ... | assistant coordinator |
| Tess Collette | ... | stand-in |
| Joan Egan Foglia | ... | assistant accountant |
| Melissa Pracht | ... | stand-in |
| Judith Pritchard | ... | production coordinator |
| Libby Stark | ... | set production assistant |
| Jeff Wickline | ... | set production assistant (as Jeffrey Wickline) |
