User Reviews

Next to Erik Van Looy, Dominique Deruddere may well be our, at least internationally, best known director. With his "Iedereen beroemd" or "Everybody Famous" as it is called in English, he was even nominated for an Oscar in the category 'Best Foreign Language Film'. Personally I haven't seen that movie yet, but I liked "Hombres complicados", the movie that he made before "Everybody Famous", a lot. Since then I've decided that I'll try to see all his other movies as well and this "Crazy Love" is the first step into the right direction.

The story of this movie has been divided into three time periods. The first period is situated in the 1950's, when Harry Vos is still a young kid. He's already very interested in everything that has got something to do with love and sexual relationships, but doesn't really know anything about it. An older friend learns him everything there is to know about how to approach a girl and what to do when his method doesn't work. But in all his naivety, Harry finds it very hard to understand that the romantic world which he knows from the movies, doesn't exist in real life. To him the real world is an awful place. In the second part of the movie, we are in the 1960's. Harry has grown up into an intelligent adolescent, but he has one mayor problem. He suffers from an incredibly extreme form of acne, which makes that all people stare at him, that the boys laugh at him, that the girls don't want him and that he is afraid to appear in public. That's also the reason why he still hasn't experienced physical love. Even though he still has one close friend who supports him as much as he can, Harry slowly becomes a bitter, introvert and pessimistic person. In the third part, situated in the 1970's we see him again. This time he is a drunk who is unable to express his feelings towards anybody. When he meets an old friend and they leave a bar, they do something incredible. As as joke, they steal a corpse out of a motor hearse that is parked in front of a hospital and take it home with them. When they open the body bag, they see that this dead body isn't an old man or woman, but a young and very beautiful girl. Harry is so overcome by her beauty that he does the worst thing he could do with the body...

In my opinion this movie was a bit of a slow starter and the first part (the 1950's) didn't always do it for me. Somehow I had the feeling that the story in that part could be developed better. But that 'problem' was easily overcome by the second and the third part. When you see in the second part how he suffers from his acne, you can only feel very sorry for him. And then he comes up with that excellent idea which allows him to dance with the girl of his dreams. That part was absolutely brilliant, funny and sad at the same time and I don't think that it will leave anybody untouched. The same about the third part, although this story is something completely different from the second. When I saw them steal that corpse, I had to laugh with it, but was disgusted by their behavior at the same time. And when you know that he has committed necrophilia, those feelings of disgust only increase. But than the director counters those feelings perfectly by letting him step into the sea, to disappear forever with the dead girl in his arms. Somehow that is a slap in your face and so touching at the same time. Really very strange.

If you are interested in 'foreign' cinema (I mean non-Hollywood movies, because for us Belgians this isn't foreign of course), than you should definitely give this one a try. This isn't the kind of movie that will offer you some big explosions or car chases, but the emotional roller-coaster that it puts you on, the intriguing story and the good acting, will definitely do the trick. Belgium may not be known for its many quality movies, but this one certainly can stand a comparison with other European movies. I give it a 7.5/10.

I'm Belgian…and generally not too proud of the movies that are made here. Either they're vulgar comedies revolving on simply one lame gag or either they're uninspired, wannabe-Hollywood garbage flicks. There are some exceptions, luckily, like Poelvoorde's "C'est Arrivé pres de chez Vous" (our country's only real cult film) and Deruddere's "Crazy Love", of which I feel that it can easily compete with the greatest and most sophisticated international social-dramas ever made. For his long-feature debut, Deruddere based himself on the glamorous work of Charles Bukowski and thus "Crazy Love" tells the chronicles of a man during three essential stadiums of his life. As a child, Harry Voss (Geert Hunaerts) is naive but very curious about love and sexual relationships. A more aged friend teaches him everything there is to know about how to approach a girl and – in case those methods fail – how to temper feelings of lust through masturbation. In the second and most compelling 'chapter' of the movie, Harry (now played by the utterly talented Josse De Pauw) grew out a fairly intelligent adolescent, yet he still hasn't experienced physical love due to a severe (better make that EXTREMELY severe) case of acne. He's too embarrassed to leave his house since boys mock him and girls show no interest in him at all. Even though he still has one close and supportive friend, Harry slowly becomes a bitter, introvert and pessimistic person. At age 33, Harry Voss is an antipathetic drunk, unable to express emotions and developing perverted urges like harassment or – even worse – necrophilia. The astonishing climax is one that'll leave everybody speechless…

Although surely sounding like one hell of a devastating and depressing film, "Crazy Love" actually isn't too 'heavy' to look at. Deruddere admirably succeeds in telling the demanding premise very wittily and almost comically. The pace is rather slow, but never boring and the character drawing of Harry Voss is truly fascinating. The inspirational work of Charles Bukowski's is processed with great respect. The matter would easily lean itself to make it a sleazy and exploitative film, yet Deruddere's style remains sophisticated and truthful at all times. Since the story spreads itself over three decades, the film required different atmospheres and scenery. Especially the 'hip' sixties is masterfully illustrated, with great contemporary music and a well-crafted high school prom. In short: "Crazy Love" is a near-perfect motion picture and every person slightly interested in cinema is destined to love it. My only regret was that it's so short! 90 minutes never passed by so fast.

This handsome triptych of stories by LA gutter poet Charles Bukowski is an oddly clinical and artless meditation on the subject of sex, following one young man's pathetic attempts to cope with his sexual frustration throughout his life. As a child he learns the lonely joys of masturbation; as a teenager he mummifies his face to hide the ultimate outbreak of acne (and dulls his libido with alcohol); and as an adult he commits suicide after enjoying a beautiful one night stand with an obliging corpse (roll the credits, please). But what might have been an ironic (if perverse) short film is stretched to feature length in way too cautious and deliberate a manner, moving from Point A to Point B in its protagonist's brief but miserable life without much in the way of motivation or purpose. Worse yet, the lush, coffee table photography doesn't exactly suit the sordid details of the story, in much the same way that Bukowski's skid row prose doesn't translate well to suburban Flemish. (My one-word summary above is a nod to the film's alternate, and much better, title: 'Love is a Dog From Hell')

One of the few movies that has the power to bring a tear to my eye. We see the life of Harry, as a young boy, as an acne-scarred teen, and as a lost soul thirtysomething. As a child, he has a naive enthusiasm for romance. But his socially awkward self and repulsive appearance lead to a lifetime of rejections. Until the end when he finally finds somebody who accepts him. Repulsive and unacceptable as his last acts may be, they are not a violation so much as they are his desperately grasping for somebody, anybody, to love.

For me the movie is simultaneously depressing and uplifting. I will never forget the "invisible man" strategy he employs to get a girl to give him one dance. Or the painful scene of him as a young boy on the carnival ride with a girl, paralyzed with fear and unable to make any advances.

Anyway, SEE this movie. It was released on DVD last year, and should not be too hard to find. Order yourself a copy if you don't see it at your local stores.

this movie really has nothing to do with bukowski. there is the terrible acne, the yearning for love, and the alcoholism. other than that, when writer has made everything his own, and the people releasing this film should have billed it as "inspired by charles bukowski" not based of the poems of.

it is told in 3 sections, and while the fist two sections are beautifully acted by the two boys/men playing "henry voss" (must not have gotten the rights to play henry chinaski), the 3rd and worst section is played by an actor trying to recreate Mickey Rourke in "Barlfy," only the make-up artists made him up to look even greasier. throw in masturbation with a 12 year old boy, a direct "elephant man" allusion, and an ending that makes one want to throw up, and you have a combination of ingredients that would make bukowski punch someone in the jaw. only i didn't even get that: i felt deflated and cheated. as a fan of bukowski's work, at arm's length, this is purely garbage.

but i did get a kick out of thinking that it is possibly johnny depp playing guitar in the prom scene (which in bukowski's poem, he only looks through the window and observes, why the director decided to fictionalize this, i don't understand).

rent this if you're a huge bukowski fan ready to be let down hard. it's in the same category of fante's "ask the dust" adaptation, about a struggling Italian writer in his teens, played by collin farrel.