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5/10
Cars, crashes and a few laughs.
Enchorde20 March 2010
Warning: Spoilers
Recap: Paula Powers, daughter of governor candidate Bigby Powers, has decided to spurn the fiancée, Collins, that her parents have chosen for her, and elope with her love Sam. She steals Bigby's Rolls Royce and heads for Vegas. This doesn't sit very well with Bigby and he hires a private investigator to catch them. Paula's wannabe fiancée also has something to say about Paula's idea and sets after them in his Porsche. But when he crashes his car, he calls to a popular radio station offering 25 000 dollars if the pair is caught, then steals a car and restarts the chase. Collin's mother then offers an additional 25 000 dollar if someone can return Collins to her unharmed. And then the chase is really on. Everyone that spots the Rolls wants in on the action, and it doesn't help that the whole circus is reported live.

Comments: One of a few quite similar movies that appeared at the end of the 70's along with such titles as Smokey and the Bandit and Gone in 60 Seconds. Like many of the others, Grand Theft Auto has a simple idea, offer a simple excuse for an extended car chase, crash a lot of vehicles in spectacular ways, and run it for approximately 90 minutes. As it is made in the late 70's, and on a low budget to boot, the special effects is notably poor. The cheapest effect that seemed readily available was to smash and crash cars, so that is repeated extensively. They actually takes it so far so that they actually end up in demolition derby, which just puts a name on what it has been all the way. But at as such it offers some easy entertainment, a few laughs and some very easy watching.

A little extra fun to watch as it is the real directing debut of Ron Howard, who also plays the lead character Sam in the movie. With the story as it is, which was also written partly by Ron, I can't say it is obvious that he would become a famous director. But you got to start somewhere. And as in many other of Ron's movies, brother Clint also appears in the cast.

But other than that, it isn't much to remember. If you enjoy a car chase movie, this is maybe something you want to see. If that doesn't necessarily thrill you, skip it.

5/10
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6/10
See Ron go wild...go wild, Ron, go wild
lee_eisenberg2 June 2005
Before Ron Howard made his most famous movies, he started with this ultra-wacky car chase story. Sam Freeman (Howard) and Paula Powers (Nancy Morgan) try to announce their marriage plans to her parents', but the latter refuse to accept it. So, Sam and Paula run away in a car. As the story progresses, the whole situation snowballs. That is, more and more people get drug in. And of course, a bunch of cars get wrecked. Much like in "It's a Mad, Mad, Mad, Mad World", everyone drives in every direction at top speed, damn the peripheral consequences.

One thing that really caught my eye was that Marion Ross starred in "Grand Theft Auto". You may remember her as Marion Cunningham on "Happy Days". I guess that you could say that Richie decided to cast his mom. Maybe it would look like this:

Marion: "Now Richard, always remember to be careful behind the wheel."

(Richie zooms off.)

Marion: "He always took after Howard when it came to driving."

***

Either way, the movie's outlandish (in fact, it's done like a B-movie), but it's impossible not to like.
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5/10
Ron Howard's Directorial Debut... Don't Worry, He Gets Better!
hokeybutt31 August 2004
GRAND THEFT AUTO (2+ outta 5 stars)

Pretty minor car crash movie from the peak of the car crash movie boom of the mid-to-late-70s. Notable as the directorial debut of star Ron Howard... so producer Roger Corman deserves some credit for the later *good* movies that Howard directed. Actually, this movie isn't bad at all... if you like this sort of thing... cornball plot about 2 young kids in love stealing a Rolls Royce and heading for Vegas to get hitched. Egged on by a loudmouth radio broadcaster who sees the ratings potential, the pair head west... followed by the law and an assortment of comical character actors who want to stop them. Last major film role for Ron Howard... who probably sensed that time was running out on his ability to keep playing these clean-cut teenager roles.
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"Two Thumbs Up!" - Arthur Fonzarelli
RandyRodman20 April 2001
This movie will never be remembered as great filmmaking, but it's sure to go down in history as an eerily accurate time capsule of the 1970's. The seventies, a time when, despite the depressingly high crime rate, people left their keys in the ignition without giving it a second thought; when cars were stolen so often we considered them communal property.(By the way, if you're ever the victim of a car theft, stand in the road shaking your fist as the car drives off, then yell 'come back here!' as loudly as possible. This is sure to get your car back.)The seventies were a magical time, when gubernatorial candidates wore jumpsuits without fear of ridicule and kept hired goons on retainer; when towns had only one radio station and we all listened to it; when whiny polo players were considered good catches.

And the car chases! Every day and twice on holy days, my Dad would tell me. Many times, while driving to his job as Jack Lord's shoe buffer, he would come across an impromptu car chase headed to Las Vegas or Tahiti or some other fun place and you better believe he joined in! He would be gone for weeks at a time but we always understood. Mom and I were never worried about him; we could follow his progress from the constant radio reports given by the DJ flying overhead. In the seventies, radio stations thought nothing of scrapping their entire playlist and sending up a fleet of helicopters manned by skinny DJs in smoked glasses to spend days covering a car chase while whole police forces sat idly by, except for that one wacky policeman who always seemed to show up carrying some personal vendetta against one of the chasers and was in way over his head but didn't know it because he wasn't too bright but we understood and we loved him anyway.

Because it was the seventies.
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4/10
Dumb but coherent
Bill04250-484-6394 January 2023
The big directors have to start somewhere.... From the Roger Corman school of filmmaking. As such, it's a solid product, IF you keep in mind PLENTY of 70's context. It's a fun drive-in movie which were once a staple of American cinema. Ah, simpler times... Read Ron and Clint Howard's co-written memoir {The Boys} before watching this. The back story helps to make sitting through this a little easier. Their dad and Ron wrote the screenplay, Clint has a supporting paet, character actors galore, some celebrity cameos and tons of sweet old cars meet their demise. So much car carnage... Fun, harmless and kitschy.
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7/10
The King of car crash films
helpless_dancer17 November 2001
Nutty, non stop laughfest depicting 2 idealistic, love struck teens determined to make it to Vegas to be wed against the wishes of the bride's parents. This sets off a huge manhunt for the pair by any and every breed of looney, each intent on cashing in on the 25K reward. Never have I seen this many wrecks; dozens and dozens, maybe more. Kooky comedy at it's best.
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7/10
Fasten your seat-belts.
lost-in-limbo12 May 2007
A young couple Sam and Paula are planning to be hitched, but when they confront Paula's influential parents about it. They won't have any of it, and beg her to marry the snobby, rich Colin. Instead she and Sam steal her father's Rolls Royce and head to Las Vegas to elope. From this a large road chase eventuates with Colin calling a radio station to announce a $25,000 reward for Paula. While on their tails, Colin's mother Vivian joins in with another $25,000 for his return. Soon Paula's father has got out the big guns to stop them, while plenty of nutty people join in chase for the doe and the local radio station DJ happens to be commentating the action in a hovering helicopter.

Just sit back, and soak it all up. Following the success of Ron Howard's starring vehicle "Eat My Dust". Another chance was on offer, and this follow up had Ron Howard kicking off his directorial debut under the watchful eye of producer Roger Corman and what we get is purely light-headed fun with non-stop bustle and chaos ensured. This tight budget drive-in, b-film is a madcap chase comedy all the way, which is ebulliently staged and provides such a rush due to Howard's concisely economical and desirable direction. The animatedly mindless screenplay, which is penned by Ron and his father Rance Howard crackles with plenty of freedom to cluster and stretch out the story with mini sub-plots, clever visual gags, highly witty dialogues and a circus show of colourful characters. The concept is simple, old-school and cartoonish, but Howard's knowledgeable timing and honest tailoring lets the film open up naturally with its crackerjack pacing that never lets the momentum slip and expansively robust and tightly choreographed stunts that lead onto a smash-a-thon of fast and stolen motor vehicles ending in flourish of explosions. Howard captures many well-displayed images. Helping out behind the scenes, is that of Joe Dante's airtight, sped-up editing to Gary Graver' sharply inventive cinematography and giving the film some heart is the casually, cosy music score that can spruce up when needed. Being shot on location in open desert back roads gave it a down 'n' dirty feel of authenticity. Attached to it are joyful performances from the entire cast who like to gesture a lot. Nancy Morgan shines excellently in a sprightly cheeky turn as Paula and Ron Howard amusedly sits on cruise control as Sam. The Corman-regulars that co-star on this one range from the eccentrically self-absorbed performance by a fantastic Don Steele, Clint Howard, Rance Howard and a minor appearance by Paul Bartel. Marion Ross and Paul Linke are a riot as Vivian and Collin Hedgeworth. Playing Paula's snotty parents are the enjoyably comic Elizabeth Rogers and Barry Cahill. Also Jim Ritz, Hoke Howell and Garry Marshall give capable, snappy and crazy support. Oh, they don't make 'em like this anymore. Man, these type of spirited features really put these wannabe shallow Hollywood dosh to shame. Something about these outings just seem to stay fresh.

"Grand Theft Auto" is a groovy, no-nonsense splurge into high-octane overload, which is considerably well executed with clarity and precision for what it is. So go ahead and floor it for one pleasurable and fulfilling genre romp.
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5/10
A stunt-filled 70s car movie
finercreative25 December 2023
"Grand Theft Auto" is Ron Howard's second attempt at a car chase n' crash movie. It is a lot better than his first, "Eat my Dust", but it still isn't the best. The plot is that a girl runs away to Las Vegas with a guy she likes, and is being Chased down by her parents, a jealous lover, cops, and many other randos trying to collect a bounty on them. The script writing wasn't the best. It starts off good enough, then downgraded to just being jam packed with stuff, and by stuff I mean excuses to put car crashes and stunts. The car action was really nice, but it gets old after a while. Near the end, a lot of sense in writing and direction is lost, rather just being cars mindlessly crashing into each other. There are some pros to the script, as every once in a while you'll get a funny joke. The the cast of characters participating in the chase Aren't the best people. They aren't really fleshed out, and there's way too many of them. By the end, over 20 people are chasing and racing against each other, and after a while I just stopped keeping track of them. The acting saved this film a bit. Overall, a wild car action comedy, jam packed with cars, crashes, and explosions.
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6/10
GRAND THEFT AUTO (Ron Howard, 1977) **1/2
Bunuel197618 April 2007
I've never considered Howard much of a director - and I only rented this, his debut feature, because I've been on a 'grindhouse' kick ever since I watched the recent Robert Rodriguez/Quentin Tarantino homage! Made for Roger Corman's low-budget outfit (he explains how it all came about in the accompanying interview), this road movie on the lines of VANISHING POINT (1971) and THE SUGARLAND EXPRESS (1974) evolves into one uninterrupted chase along the American midwest. It's undeniably enjoyable on a non-think level, relying on an endless stream of energetic stunts (mostly gratuitous car crashes and explosions) to carry its thin plot as far as it can go. Howard also took the lead role and co-wrote the script with his father Rance; fellow cast members from Howard's popular HAPPY DAYS TV series also put in appearances…and there's even a cameo by director Paul Bartel! The technical crew holds some surprise: Allan Arkush (who later helmed the Corman-produced ROCK 'N' ROLL HIGH SCHOOL [1979]) served as second-unit director, Gary Graver (best-known for his collaborations with Orson Welles) was the cinematographer, and Joe Dante (even after having started his own directorial career) edited the film!
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5/10
Ron Howard's competent debut
SnoopyStyle19 April 2016
Paula Powers and Sam Freeman (Ron Howard) shock her rich parents with news of their engagement. Her father Bigby Powers is running for governor and they forbid it. She sneaks out from her room and steals the family Rolls-Royce driving off for Vegas. Her mother informs unrequited suitor Collins Hedgeworth who goes on the chase. After a couple of crashes, Collins offers a reward over the radio and the mad chase go into high gear.

This is Ron Howard's full length directorial debut. He's calling in plenty of favors including Marion Ross. The plot is only an excuse to put on a cross-country car chase like "It's a Mad, Mad, Mad, Mad World". The female lead Nancy Morgan is sufficient but nothing special. It's all about the car action. There are lots of crashes and destruction. Howard is doing a few good camera shots but it's nothing revolutionary. For a first time effort, this movie shows his professionalism and excellence before his years. It also shows that action is not going to be his forte. He can have some fun but he's not changing the way car chases are done.
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9/10
Ron Howard is making headlines here!
GOWBTW15 August 2012
Ever since his breakthrough with "American Graffiti", and TV'S "Happy Days", this movie should be making the headlines all the way! Transitioning from actor to director and writer, Ron Howard is at the top of his game. In "Grand Theft Auto", Ron plays Sam, a smart, simple man who runs off with a rich man's daughter named Paula ( Nancy Morgan) , whom her father and mother disapproves completely. They set her up with a wealthy man, whom she doesn't like. In order to put them in their places, she runs off in her father's Rolls Royce. And the chase is on! The two couple go on into a high speed chase all the way to Las Vegas to elope.Unfortunately, the father wants to put a stop to it. After avoided all the roadblocks set by her father, the duo never stopped. Even the fiancé wants her back. But, stealing every car cost everyone their chances to stop the couple from heading to Las Vegas. The fiancé mother (Marion Ross) was in so much trouble with the law from stealing a car, to assault to a policeman, I don't think she''ll ever see the light again. With all the wrecks and totals, the insurance rates have skyrocketed. With so many stars including Happy Days producer Garry Marshall, Marion and Ron weren't very Cunningham like in this movie: the language, obscene gestures, and Marion hitting the officer in the groin. The grand theft auto turned into a media circus for the two, but they ended up instant celebrities at the end. Who says you won't have a happy ending? Make your dream come true. This movie was excellent. I enjoyed it very much. 4 out of 5 stars.
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7/10
Grand Theft Auto
Scarecrow-8825 May 2010
Warning: Spoilers
Eloping because her parents were not happy of her marrying against their wishes, Nancy Morgan and boyfriend Ron Howard(who also directed)head for Vegas in papa's(Barry Cahill) Rolls Royce with many vehicles damaged along the way. Morgan was supposed to marry a rich prick(Paul Linke, who is hilarious) she doesn't even like because her parents wanted her to be a part of his wealthy family. Set out on the highway, Linke chases after them, with his mom(Marion Ross, Howard's Happy Days co-star)trying to find him. Linke thinks Nancy's been brainwashed and he plans to find her while placing a bond for anyone who will hunt them down and bring her to him. Then Ross is caught driving a stolen car(her chauffeur's!), to be arrested after front ending a tree, flees the scene of the accident, and is followed by a cop whose police car was in turn "borrowed" by a preacher(Hoke Howell who is a hoot, always using the police car intercom as a means of communicating to Linke that he must turn himself over in the name of the Lord!) who sees dollar signs when he learns of a reward for the return of her son! There's nothing quite like vehicle carnage and director Howard lets out all the stops, with a car destroying something(or being destroyed by something)every five minutes it seems. This is also a movie about "evasive action". Howard and Morgan evading those out to catch them, constantly avoiding "reward seekers", hired men paid by her father(using "G-men", or at least they look like them, and a helicopter crew), and nutty Linke who thinks she's under Howard's mind control(in his mind, he's a hero in pursuit of a damsel in distress). The reward seekers come out of the woodwork, too..gas station attendant, two gearheads, the aforementioned preacher, and so on and so forth. I'll just tell the viewer to prepare for plenty of explosions and noise. Like other cross country chase movies, Howard and Morgan's "odyssey" becomes popular news and they reach a form of celebrity. You have a showstopping finale in a demolition derby where the orgy of car violence reaches it's climax. But, Howard doesn't end there..an obnoxious radio personality, who had been following them from a helicopter, decides to continue bugging them, finding instead a suburban house and outside pool awaiting him(there's nothing quite like seeing a station wagon exploding through the living room of a house). Clint Howard shows up as one of the gearheads who chases after our eloping young lovers. Rance Howard, Ron's dad, is hired by Morgan's father to find the kids. GRAND THEFT AUTO is exactly what it was intended to be, an entertaining comedy action drive-in movie. I thought Morgan and Howard has wonderful chemistry as the eloping couple, and the cast really inhibit their roles with a great deal of oomph.
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Not Bad For What It Is
G-Man-2511 July 1999
Ron Howard's directorial debut (in which he also stars) is a pretty good piece of drive-in movie fun, with a silly but fast-paced story and enough car chases and crashes to keep those who go for this kind of thing plenty satisfied. A handful of familiar faces in amusing cameos add to the fun.
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6/10
Opie Grows Up & Has Fun Coming Out
DKosty12311 January 2009
The Howard brothers, Ron & Rance got together to write this film. The script is not great, but the direction is solid. What holds this film together is the crashes and the direction. Plot wise, at least it has a plot, but it gets a little wild at times.

Amazing Howards direction is good enough here that for his first film it comes out OK. Ron & his girlfriend are running off to get married in spite of both their parents objections. Her family is rich, while Ron's TV mom (Marion Ross) is just against the whole thing. The theme here is the classic chase movie which has sold many tickets.

For a comparison, think Smokey & the Bandit, the first one. Now if this film had the great music soundtrack as the Bandit had, it might have been held just as good. The difference here is not just Jerry Reed, though. It is the character development too. You get the feeling fairly late in the film that some of the characters including Ron & the girlfriends own are just getting developed. In the Bandit film, the characters get developed stronger and earlier in the film.

As far as direction, Howard is already close to Hal Needham here. He just isn't quite there yet. Still, this film shows me enough that I am glad Howard is behind the camera as his later films prove that this launching pad effort showed his promise.
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6/10
Grand Theft Auto
BandSAboutMovies26 March 2023
Warning: Spoilers
Using the name that came in second for Eat My Dust and working on the script with his father Rance, this was the first movie that Ron Howard directed. It takes what worked in that aforementioned New World Pictures movie and makes it even more charming.

Paula Powers (Nancy Morgan) wants to marry Sam Freeman (Howard) but as far as her parents - Bigby (Barry Cahill) and Priscilla Powers (Elizabeth Rogers, who was the substitute communications officer for Uhara on Star Trek) - are interested, she should be with the wealthy Collins Hedgeworth (Paul Linke, Motel Hell) instead of a poor kid who is studying the environment. She responds by stealing their Rolls-Royce Silver Cloud and racing out to Las Vegas.

Bigby is running for political office, so he sends Ned Slinke (Rance Howard) after the couple to stop this whole foolish enterprise, while Collins heads out after his would-be fiancee, but not before he steals a car, which sends the police - and his mother, played by Howard's Happy Days castmate Marion Ross - after him.

He also calls KTNQ's DJ Curly Q, who is the "Real Deal" Don Steele, a fixture in so many Corman movies like The Student Teachers, Death Race 2000 and Rock 'n' Roll High School as well as Corman alumni films like Gremlins and Eating Raoul. Speaking of high speed and cars, one of the promotions Steele was involved in ended in tragedy. When he was at KHJ in the summer of 1970, the station had a "Super Summer Spectacular" with Steele driving around Los Angeles in a red sports car. They would broadcast clues about his location and. Give $25 to anyone who found him. During this contest, two teenagers attempting to track Steele by car at speeds of roughly 80 miles per hour rammed another car into a highway divider, causing the death of Ronald Weirum. Weirum's family sued and won, saying that the promotion caused recklessness. Steele would also often yell. "Tina Delgado is alive! Alive!" on the air and would never reveal why. I've heard two stories: one that she was a girl whose obituary was incorrectly written and he was always trying to make up for it. Or it was the scary version, where she was a teenager listening to Steele on the air and not paying attention, which led to her walking right into a train. His guilt led to him saying her name on every broadcast to pay tribute. You can also hear him in the Cheap Trick song "On the Radio" ("Heaven Tonight") and when his career was down in the 80s, Ernie Anderson - the one-time Ghoulardi and the father of Paul Thomas Anderson - got him the agent he needed to return to stardom, to the point that he has a star on the Hollywood Walk of Fame.

I digress, but man, whenever Don Steele shows up in a movie, I love it.

By this point, our leads are being chased - for a $25,000 reward given by Collins' mother for the safe return of her beloved boy - by all manner of weirdos like mechanics Ace (Ron's brother Clint) and Sparky (Pete Isacksen); a preacher (Hoke Howell, who had been on The Andy Griffith Show with Howard); a demolition derby and even an organized crime family led by Garry Marshall (Howard was calling in all his Happy Days people) that has Leo Rossi - Bud from Halloween 2! - amongst its members.

I love how the radio station takes the couple as bad guys, then good guys, then bad, then by the end Don Steele is chasing them from their wedding on the way to their honeymoon, promising coverage of their lovemaking before crashing into a house. A total New World all-star film, this also has Allan Arkush as a clown and Paul Bartel as a groom.

Shot without permits in 15 days, Howard impressed the crew with how fast he was able to understand directing a movie. Then again, he'd been on films sets for a decade. Corman told him, "Do a really good job on this one, kid, and you'll never have to work for me again."
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6/10
A crash course in debut film making
DEPRESSEDcherry7 March 2021
Incredibly fast-paced car chase caper that never lets up from the off. Apparently shot in just 15 days, which would explain the frantic chaos throughout the movie. It's surprisingly well put together, Ron Howard knocking his first feature-length directing effort out the park. The crashes arent really that special, but there sure are a lot of them.
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8/10
Hugely enjoyable 70's drive-in action comedy blast
Woodyanders29 July 2014
Warning: Spoilers
Headstrong rich gal Paula Powers (a winningly spunky portrayal by the fetching Nancy Morgan) steals the family Rolls Royce and heads off to Las Vegas to marry her amiable working class boyfriend Sam Freeman (a likable turn by Ron Howard, who also made his directorial debut with this film). A motley slew of folks give chase. Director Howard, who also co-wrote the simple script with his dad Rance, tells the entertaining story at a zippy pace, maintains an engaging light-hearted and good-natured tone throughout, and stages the assorted wild'n'wacky vehicular carnage with considerable go-for-it brio. Moreover, this picture benefits tremendously from being so straightforward and unpretentious: After a few initial minutes of basic plot set-up, the rest is essentially one lengthy car chase that culminates in one hysterical doozy of a demolition derby climax. Better yet, the enthusiastic cast attack the material with infectious aplomb, with especially energetic contributions from Marion Ross as the disapproving Vivian Hedgeworth, Peter Isacksen and Clint Howard as a pair of loony hot-rodders, Rance Howard as no-no0nsense private eye Ned Slinker, Paul Linke as pompous preppy Collins, Don Steele as obnoxious disc jockey Curly Q. Brown, and Barry Cahill as huffy millionaire Bigby Powers. The jaunty score by Peter Ivers hits the stirring spot. The always dependable Gary Graver does his usual ace job with the glossy cinematography. An immensely fun flick.
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7/10
If there was a genre "Car-chase Movie"...
Grégoire "Freak" Dubost19 December 1999
This would definitely be it. The only point of the film is to show car chase after one another, on highways and in the desert. Oh yes, they are a few helicopters too. So if you take it for what it is, the film is rather good. Lots of gags, irony, ... And a number of stunts amazing considering it's a Corman-produced movie.. how did they find the money ?
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Highly underrated comedy film
nko_12322 March 2007
I did buy the DVD of this film because it was a Ron Howard's first movie. Since the film he has made a few good films and few really bad Hollywood entertaining films.

With Roger Corman producing this has always been considered as an "B" film. Well, it certainly isn't that. It is a funny action comedy with good cast, good director and good writers. And what a name for the film!

If you're looking for fun, non-boring, happy and even romantic film, you should definitely get this.

7 of 10
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7/10
Ron Howards' humble but diverting beginning as a director.
Hey_Sweden3 August 2014
Warning: Spoilers
Ever amiable Ron Howard stars in this typical enough entry into the chase-and-car-crash genre. He plays Sam Freeman, the young man whom rich girl Paula Powers (Nancy Morgan) intends to marry, against the wishes of her snooty, judgmental father Bigby (Barry Cahill). Bigby, who's running for governor, would rather she marry another rich person, the *really* schmucky Collins Hedgeworth (Paul Linke). So what Paula does is appropriate her fathers' Rolls Royce and take off with Sam for Las Vegas. The story escalates into a circus as Collins takes off after Sam & Paula, Collins's mother Vivian (Howards' 'Happy Days' mom Marion Ross) takes off after *him*, and other assorted greedy individuals join in the pursuit hoping to obtain the awards offered for the return of both Paula and Collins.

Howard had already starred in the thematically similar "Eat My Dust" for Roger Corman, with the proviso that he get to direct their next joint effort. Howard and his dad, character actor Rance Howard, devised this story, in which Ron could technically be billed as the star but not have to be in every scene so that Ron could focus on the direction. Of course, despite the game efforts of this cast (also including Rance, Rons' brother Clint, The Real Don Steele, Hoke Howell, Ken Lerner, and Leo Rossi, with Paul Bartel and Garry Marshall in cameos), the real "star" of course is the intense action; Allan Arkush (who has an uncredited bit as the clown) handled the second unit direction and the vehicle stunts are absolutely first rate. The script by Jr. and Sr. Howard does have some good laughs going for it, to be sure; it's a hoot to see Ross actually flip off a cop!

The music by Peter Ivers is quite catchy, Gary Graver handles the cinematography, and the editor was Joe Dante. Overall the movie is quite noisy and senseless, but that still proves to be a big part of the attraction in movies like this. At least it does have two appealing performances at the core, by Howard and Morgan, and does have a fitting wrap-up as super obnoxious DJ Curly Q. Brown (Steele) finally gets his comeuppance.

Seven out of 10.
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Great Fun!
bannonanthony30 December 2002
Warning: Spoilers
I've always had a soft spot for car chase movies, so naturally this one interested me. I wasn't disappointed. It has the usual elements of a film of it's type, the most prominent being the cast of eccentric characters constantly trying to get the better of each other.

SPOILER WARNINGS:

In his directorial debut, Ron Howard plays high school kid Sam who is in love with rich girl Paula. Needless to say, Paula's Ma and Pa, rich snobs who care only about their reputations (Her jogging-suit clad dad is running for Governor of California), disapprove. Her dad wants her to marry rich kid Collins Hedgeworth, whom Paula denounces as a 'flake'. Her dad tries to get the better of her by confiscating her car keys, but then she gets the last laugh as she purloins her old man's Rolls-Royce and picks up Sam. The two then set off for Las Vegas to get married.

Polo-playing wimp Collins tries to give chase, as does his mother, who is trying to get him back before he hurts himself. Collins calls DJ Don Steele and offers a $25,000 reward for Paula's safe return. His mother then calls up and offers another $25,000 for his return. At this point, the fun begins as a bunch of assorted nutcases join the chase. They include: a pair of horny mechanics, a bunch of bumbling private eyes hired by Paula's dad, a money-hungry preacher, a group of dynamite toting rednecks, a group of Hispanic low-riders and an LA cop looking to bust most of the group for grand theft auto.

The pace is frantic, and at times, you forget about certain characters because of the amount of time being focused on certain groups of them. The performances are rather good. Nancy Morgan as Paula seems to be the dominant one in their couple as she does most of the talking. The late Don Steele is great in his role as DJ Curly Q. Brown, which is essentially a reprise of his role of Junior Bruce in DEATH RACE 2000 (also produced by Roger Corman. DEATH RACE director Paul Bartel has a cameo here.). Ron's brother Clint of course appears here as one of the mechanics. He and his partner Pete Isacksen are both great as the sex-mad mechanics.

The car wrecks sometimes happen for no real reason, but they are all brilliantly done. Appropriately, the action reaches it's climax at a demolition derby outside Vegas. This film is brilliant and is a must for car chase fans, like me!
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The funniest car chase movie of all time!
wishkah728 August 2000
Forget Smokey and the Bandit, check out Grand Theft Auto if you want a car-chase movie in the comedy genre! This was also Ron Howard's directorial debut. And everyone knows him as Opie from The Andy Griffith Show, and Richie from Happy Days. It's about these teenagers who go joyriding in stolen cars, and they get into the most deliriously funny situations anyone could imagine in a car-chase movie!

I don't care if this movie didn't get any good reviews or if it wasn't considered 'cool', but hey, after all it was Ron Howard's first movie he ever produced. The movie may have lowbrow humor, but it's still an awesome movie worth watching! I saw this movie for the first time when I was a preteen, and to this day I still find it to be outrageously funny! If you're in the mood for a serious car-chase movie, rent something like Bullitt or The French Connection. If you want to see a funny one, rent this movie! IMHO, I think it's the funniest movie of 1977!
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Good For What It Is
Michael_Elliott3 June 2012
Grand Theft Auto (1977)

** 1/2 (out of 4)

Ron Howard made his directorial debut with this Roger Corman chase picture. In the film Howard plays Sam Freeman, a man who runs off with his rich girlfriend (Paula Powers) who just happened to steal her father's Rolls Royce. Soon her fiancé (Paul Linke) from a pre-arranged marriage is on the chase as is his mother, various cops and countless other people who jump in on the bounty placed on the runaways. This certainly isn't APOLLO 13 or A BEAUTIFUL MIND but even with his first film I think it's clear to see that there was some talent sitting in that director's chair. Howard does a pretty good job with this film as there's really not too much you can ask for in a chase picture except that it be fast and fun. GRAND THEFT AUTO is certainly a lot of fun for fans of the genre because it offers up some non-stop chases, plenty of action and some pretty memorable characters as well. The action in the film pretty much starts at the two-minute mark and never lets up as we get all sorts of wild chases and car crashes. It really does seem as if everyone just sat around trying to come up with the various ways you could crash cars either into one another or into various objects. Not only do we get a Rolls Royce but there's also a redneck truck, an ice cream truck, cop cars, a church bus and just about everything else as well. With the action certainly there, the next important thing was coming up with memorable characters and that's here. I thought the supporting group of "chasers" were a lot of fun and especially Marion Ross as the fiancé's mother who won't back down until she gets her baby back. I thought it was pretty funny watching her go against a cop who is constantly trying to arrest her. The obnoxious fiancé is another good part and it's made quite memorable by actor Paul Linke who does a good job making him someone we can laugh at. We even get a nice bit from Clint Howard playing a dimwitted mechanic. Howard and Nancy Morgan do a nice job together even with their characters being the least interesting in the film. I think some of the biggest credit should go to Joe Dante who edited the picture. Howard was obviously working with a very small budget but the editing really kept the film going, made it rather stylish and also made it look like it was a much bigger picture. GRAND THEFT AUTO isn't a masterpiece but it's a fun piece of drive-in entertainment.
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Dang, I thought it was something to do with the game!
LEE-4724 April 1999
I rented this out for the reason stated above, and was disappointed to find that it was nothing to do with its violent video game namesake. Quite funny though, good stunts. Mediocre plum.
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