La BêteCOMPETITIONComandante (Edoardo De Angelis)The Promised Land (Nikolaj Arcel)Dogman (Luc Besson) La Bête (Bertrand Bonello) Hors-Saison (Stéphane Brizé) Enea (Pietro Castellitto) Maestro (Bradley Cooper)Priscilla (Sofia Coppola)Finalmente L’Alba (Saverio Costanzo)Lubo (Giorgio Diritti) Origin (Ava DuVernay) The Killer (David Fincher)Memory (Michel Franco)Io capitano (Matteo Garrone)Evil Does Not Exist (Ryûsuke Hamaguchi)The Green Border (Agnieszka Holland)The Theory of Everything (Timm Kröger)Poor Things (Yorgos Lanthimos)El conde (Pablo Larrain)Ferrari (Michael Mann)Adagio (Stefano Sollima)Woman OfHolly (Fien Troch)Out Of COMPETITIONFictionSociety of the Snow (J.A. Bayona)Coup de Chance (Woody Allen)The Wonderful Story of Henry Sugar (Wes Anderson)The Penitent (Luca Barbareschi)L’Ordine Del Tempo (Liliana Cavani)Vivants (Alix Delaporte)Welcome to Paradise (Leonardo di Constanzo)Daaaaaali! (Quentin Dupieux)The Caine Mutiny Court-Martial (William Friedkin)Making of (Cedric Kahn)Aggro Dr1ft (Harmony Korine)Hitman (Richard Linklater)The Palace (Roman Polanski...
- 7/29/2023
- MUBI
At a certain point you care less about world premieres and fixate mostly on a festival’s repertory slate. And even by the high standards set with Cannes Classics or NYFF Revivals is this year’s Venice Classics in a class of its own. We could start at the new cuts for three of the greatest directors ever: One from the Heart is the latest film to be given a revision by Francis Ford Coppola, following recuts of Apocalypse Now, Twixt, and Dementia 13––to say nothing of restorations like The Rain People, of which we’re hosting the New York premiere next weekend––while Andrei Tarkovsky’s Andrei Rublev will debut in “the reconstruction of the complete original version, which was censored before its release and has never been seen until now.” Meanwhile one of Yasujiro Ozu’s greatest films, There Was a Father, has been amended by “recent rediscovery...
- 7/21/2023
- by Leonard Pearce
- The Film Stage
The first screening of the uncensored version of ’Andrei Rublev’ by Andrei Tarkovsky has also been programmed.
Venice Classics will include a screening of ‘The Exorcist’ and tributes to late filmmakers Ruggero Deodato and Carlos Saura as part of its line-up of restored features for the 2023 edition.
The Exorcist, by William Friedkin, returns in a restored version, to mark the 100th anniversary of its distributor, Warner Bros.
Italian genre master Deodato passed away last year. One of his most extreme films, Ultimo Mondo Cannibale, has been programmed in tribute. This edition also pays homage to Italian actor Gina Lollobrigida, who died in January,...
Venice Classics will include a screening of ‘The Exorcist’ and tributes to late filmmakers Ruggero Deodato and Carlos Saura as part of its line-up of restored features for the 2023 edition.
The Exorcist, by William Friedkin, returns in a restored version, to mark the 100th anniversary of its distributor, Warner Bros.
Italian genre master Deodato passed away last year. One of his most extreme films, Ultimo Mondo Cannibale, has been programmed in tribute. This edition also pays homage to Italian actor Gina Lollobrigida, who died in January,...
- 7/21/2023
- by Mona Tabbara
- ScreenDaily
Recently restored versions of William Friedkin’s “The Exorcist,” Terrence Malick’s “Days of Heaven” and Francis Ford Coppola’s “One From the Heart” feature in the Venice Classics section of the 80th Venice Film Festival.
The lineup of recently restored films in Venice Classics, which is curated by the festival’s artistic director Alberto Barbera in collaboration with Federico Gironi, was unveiled on Friday.
“The Exorcist” is screened, 50 years after it was produced by Warner Bros., alongside Disney’s “Rebecca of Sunnybrook Farm,” starring Shirley Temple and directed by “the prolific and sometimes brilliant” Allan Dwan, to mark the Hollywood studios’ 100th anniversaries.
“One From the Heart” and Arturo Ripstein’s “Deep Crimson” are “not just restored, but also revised by the filmmakers themselves in what are genuine Director’s Cuts,” Barbera and Gironi said, while Andrei Tarkovsky’s masterpiece “Andrei Rublev” will be presented in the reconstruction of the original version,...
The lineup of recently restored films in Venice Classics, which is curated by the festival’s artistic director Alberto Barbera in collaboration with Federico Gironi, was unveiled on Friday.
“The Exorcist” is screened, 50 years after it was produced by Warner Bros., alongside Disney’s “Rebecca of Sunnybrook Farm,” starring Shirley Temple and directed by “the prolific and sometimes brilliant” Allan Dwan, to mark the Hollywood studios’ 100th anniversaries.
“One From the Heart” and Arturo Ripstein’s “Deep Crimson” are “not just restored, but also revised by the filmmakers themselves in what are genuine Director’s Cuts,” Barbera and Gironi said, while Andrei Tarkovsky’s masterpiece “Andrei Rublev” will be presented in the reconstruction of the original version,...
- 7/21/2023
- by Leo Barraclough
- Variety Film + TV
The founder and program director of the Etheria Film Festival, Heidi Honeycutt, discusses her favorite films from women filmmakers with Josh and Joe.
Show Notes: Movies Referenced In This Episode
Destroyer (1988)
Army of the Dead (2021)
The Howling (1981) – Josh Olson’s trailer commentary, Randy Fuller’s wine recommendation
Lawrence of Arabia (1962)
Wonder Woman (2017)
The Dirty Dozen (1967) – Ed Neumeier’s trailer commentary
The Wild Bunch (1969) – Josh Olson’s trailer commentary, Joe Dante’s review
The Women (1939) – Allan Arkush’s trailer commentary
The Opposite Sex (1956) – Glenn Erickson’s Blu-ray review
The Women (2008)
Halloween (1978) – Adam Rifkin’s trailer commentary, Alex Kirschenbaum’s series and timeline power rankings, Randy Fuller’s wine recommendation
Valley Girl (1983) – Karyn Kusama’s trailer commentary, Glenn Erickson’s trailer commentary
Valley Girl (2020)
The Wicker Man (1973)
The Wicker Man (2006)
Mandy (2018)
Fast Times At Ridgemont High (1982) – Karyn Kusama’s trailer commentary, Glenn Erickson’s trailer commentary
Clueless (1995)
Legally Blonde (2001)
The Craft (1996)
Runaway...
Show Notes: Movies Referenced In This Episode
Destroyer (1988)
Army of the Dead (2021)
The Howling (1981) – Josh Olson’s trailer commentary, Randy Fuller’s wine recommendation
Lawrence of Arabia (1962)
Wonder Woman (2017)
The Dirty Dozen (1967) – Ed Neumeier’s trailer commentary
The Wild Bunch (1969) – Josh Olson’s trailer commentary, Joe Dante’s review
The Women (1939) – Allan Arkush’s trailer commentary
The Opposite Sex (1956) – Glenn Erickson’s Blu-ray review
The Women (2008)
Halloween (1978) – Adam Rifkin’s trailer commentary, Alex Kirschenbaum’s series and timeline power rankings, Randy Fuller’s wine recommendation
Valley Girl (1983) – Karyn Kusama’s trailer commentary, Glenn Erickson’s trailer commentary
Valley Girl (2020)
The Wicker Man (1973)
The Wicker Man (2006)
Mandy (2018)
Fast Times At Ridgemont High (1982) – Karyn Kusama’s trailer commentary, Glenn Erickson’s trailer commentary
Clueless (1995)
Legally Blonde (2001)
The Craft (1996)
Runaway...
- 7/13/2021
- by Kris Millsap
- Trailers from Hell
February is known as Women in Horror Month, when the spotlight is put on female filmmakers working inside our favorite genre, and many horror sites run pieces about movies directed by women. And that’s great! But there’s no reason why that spotlight should be limited to only one month, particularly when there are so many brilliant and talented female filmmakers working in the genre. Why not use this October to hit up these titles on Shudder and get to know some of the most exciting female voices in horror right now?
Prevenge (2016, dir. Alice Lowe) Alice Lowe writes, directs, and stars in this darkly comic, twisted fantasy about a woman who is very, very pregnant (Lowe herself was pregnant during shooting) and goes on a killing spree when her unborn baby talks to her and tells her to take revenge for a past tragedy. The film never fully transcends its gimmick,...
Prevenge (2016, dir. Alice Lowe) Alice Lowe writes, directs, and stars in this darkly comic, twisted fantasy about a woman who is very, very pregnant (Lowe herself was pregnant during shooting) and goes on a killing spree when her unborn baby talks to her and tells her to take revenge for a past tragedy. The film never fully transcends its gimmick,...
- 10/13/2017
- by Patrick Bromley
- DailyDead
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