This post contains light spoilers for "All of Us Strangers."
Andrew Haigh's "All of Us Strangers" is one of the most beautiful films of the year. Andrew Scott plays Adam, a screenwriter living in a largely empty London high-rise, who forms an unexpected romance with a fellow tenant named Harry (Paul Mescal). Adam is trying to write a story about his parents, who died before Adam was a teenager, but when he visits his suburban childhood home, something extraordinary happens: His parents are still living in the house, and they're the same age they were when they died. In this surrealist part of the story, Adam, now older than his own parents, gets the opportunity to have the conversations with them he always wanted to, but never could.
That premise may sound slightly convoluted, but it's a testament to Haigh's fantastic script and his patient filmmaking style that it's...
Andrew Haigh's "All of Us Strangers" is one of the most beautiful films of the year. Andrew Scott plays Adam, a screenwriter living in a largely empty London high-rise, who forms an unexpected romance with a fellow tenant named Harry (Paul Mescal). Adam is trying to write a story about his parents, who died before Adam was a teenager, but when he visits his suburban childhood home, something extraordinary happens: His parents are still living in the house, and they're the same age they were when they died. In this surrealist part of the story, Adam, now older than his own parents, gets the opportunity to have the conversations with them he always wanted to, but never could.
That premise may sound slightly convoluted, but it's a testament to Haigh's fantastic script and his patient filmmaking style that it's...
- 12/25/2023
- by Ben Pearson
- Slash Film
Exclusive: Boutique distributor Juno Films has acquired North American and UK rights to Liv Ullmann: A Road Less Traveled, a portrait of the iconic Norwegian actress and filmmaker from director Dheeraj Akolkar (Liv & Ingmar). World premiering in the Classics section of the 76th Festival de Cannes, the doc will make its North American debut at Doc NYC ahead of a spring 2024 launch in theaters.
Best known as the muse and one-time romantic partner of Swedish filmmaker Ingmar Bergman, Ullmann performed in films of his including Persona, Cries and Whispers, Scenes from a Marriage, The Passion of Anna, and Autumn Sonata, among others. She received an Honorary Oscar in 2022, after scoring noms for The Emigrants and Face to Face, and has also helmed titles like Faithless and the Jessica Chastain starrer Miss Julie. Alongside her career in the arts is a run in philanthropy that’s seen her serve as a Unicef Goodwill Ambassador,...
Best known as the muse and one-time romantic partner of Swedish filmmaker Ingmar Bergman, Ullmann performed in films of his including Persona, Cries and Whispers, Scenes from a Marriage, The Passion of Anna, and Autumn Sonata, among others. She received an Honorary Oscar in 2022, after scoring noms for The Emigrants and Face to Face, and has also helmed titles like Faithless and the Jessica Chastain starrer Miss Julie. Alongside her career in the arts is a run in philanthropy that’s seen her serve as a Unicef Goodwill Ambassador,...
- 10/24/2023
- by Matt Grobar
- Deadline Film + TV
In 2008, the writer-director Azazel Jacobs made a small but vivid splash with “Momma’s Man,” a Sundance comedy about a troubled dweeb hiding out in the cocoon of his parents’ downtown Manhattan apartment. The parents were played by Jacobs’ own (the avant-garde filmmaker Ken Jacobs and his wife Flo), and the movie turned their overstuffed bohemian pack-rat museum of a loft into a tiny city of its own. “Momma’s Man” showed extraordinary promise, and in the 15 years since I’ve been waiting for Azazel Jacobs to make good on it. But while he has given us a compelling movie or two, they have all felt minor, and his last feature, “French Exit,” though it generated Oscar buzz for Michelle Pfeiffer, was equal parts charming and contrived.
Now, though, the angels have smiled. Jacobs has taken the leap I always wanted him to make and become a filmmaker of effortless and moving assurance.
Now, though, the angels have smiled. Jacobs has taken the leap I always wanted him to make and become a filmmaker of effortless and moving assurance.
- 9/11/2023
- by Owen Gleiberman
- Variety Film + TV
Ingmar Bergman is the Oscar-winning Swedish auteur who helped bring international cinema into the American art houses with his stark, brooding dramas. But how many of his titles remain classics? Let’s take a look back at 25 of his greatest films, ranked worst to best.
Born in 1918 in Uppsala, Sweden, Bergman started off as a screenwriter before moving into directing. His early hits “Summer with Monika” (1953), “Sawdust and Tinsel” (1953) and “Smiles of a Summer Night” (1955) helped make him a favorite amongst American audiences hungry for world cinema.
He hit his stride in 1957 with a pair of noteworthy titles: “Wild Strawberries” and “The Seventh Seal.” Both films dealt with the absence of God and the inevitability of mortality — the former concerning an aging professor (Victor Sjostrom) coming to terms with his life, the latter focusing on a medieval knight (Max von Sydow) playing a game of chess with Death (Bengt Ekerot...
Born in 1918 in Uppsala, Sweden, Bergman started off as a screenwriter before moving into directing. His early hits “Summer with Monika” (1953), “Sawdust and Tinsel” (1953) and “Smiles of a Summer Night” (1955) helped make him a favorite amongst American audiences hungry for world cinema.
He hit his stride in 1957 with a pair of noteworthy titles: “Wild Strawberries” and “The Seventh Seal.” Both films dealt with the absence of God and the inevitability of mortality — the former concerning an aging professor (Victor Sjostrom) coming to terms with his life, the latter focusing on a medieval knight (Max von Sydow) playing a game of chess with Death (Bengt Ekerot...
- 7/8/2023
- by Zach Laws and Chris Beachum
- Gold Derby
After giving the green light to Nine Perfect Strangers Season 2, Hulu is all about that cult life. Nicole Kidman is returning to executive produce and star alongside a gathering of new characters. Liv Ullmann, Murray Bartlett, Dolly de Leon, Maisie-Richardson-Sellers (DC’s Legends of Tomorrow), and Aras Aydin star as members of the cast. More actors will follow.
Based on Big Little Lies author Liane Moriarty’s book, Nine Perfect Strangers hails from David E. Kelley, and “it takes place at a boutique health-and-wellness resort that promises healing and transformation as nine stressed city dwellers try to get on a path to a better way of living. Watching over them during this 10-day retreat is the resort’s director Masha (played by Kidman), a woman on a mission to reinvigorate their tired minds and bodies. However, these nine “perfect” strangers have no idea what will hit them.”
Nine Perfect Strangers...
Based on Big Little Lies author Liane Moriarty’s book, Nine Perfect Strangers hails from David E. Kelley, and “it takes place at a boutique health-and-wellness resort that promises healing and transformation as nine stressed city dwellers try to get on a path to a better way of living. Watching over them during this 10-day retreat is the resort’s director Masha (played by Kidman), a woman on a mission to reinvigorate their tired minds and bodies. However, these nine “perfect” strangers have no idea what will hit them.”
Nine Perfect Strangers...
- 6/21/2023
- by Steve Seigh
- JoBlo.com
Liv Ullmann is opening up about her career regrets.
The “Persona” actress revealed that she second-guessed turning down Ingmar Bergman’s 1982 family saga “Fanny and Alexander” and that the auteur “never forgave” her for rejecting the script he wrote for her. Ullmann and Bergman collaborated on “Persona,” “Scenes From a Marriage,” and “Cries and Whispers,” among many other films, and also shared a daughter, Linn Ullmann. He died in 2007.
Ewa Fröling was instead cast in the “Fanny and Alexander” role Bergman wrote specifically for Ullmann.
“I told him I had already accepted another offer. He never forgave me,” Ullmann told Variety while promoting the documentary “Liv Ullmann – A Road Less Travelled.”
Ullmann was Oscar-nominated in 1977 for Bergman’s “Face to Face” and received an Honorary Academy Award in 2022.
She continued, “He kept writing me letters, addressed to ‘Dear Liv Ullmann,’ he was very dramatic. We didn’t talk for a year.
The “Persona” actress revealed that she second-guessed turning down Ingmar Bergman’s 1982 family saga “Fanny and Alexander” and that the auteur “never forgave” her for rejecting the script he wrote for her. Ullmann and Bergman collaborated on “Persona,” “Scenes From a Marriage,” and “Cries and Whispers,” among many other films, and also shared a daughter, Linn Ullmann. He died in 2007.
Ewa Fröling was instead cast in the “Fanny and Alexander” role Bergman wrote specifically for Ullmann.
“I told him I had already accepted another offer. He never forgave me,” Ullmann told Variety while promoting the documentary “Liv Ullmann – A Road Less Travelled.”
Ullmann was Oscar-nominated in 1977 for Bergman’s “Face to Face” and received an Honorary Academy Award in 2022.
She continued, “He kept writing me letters, addressed to ‘Dear Liv Ullmann,’ he was very dramatic. We didn’t talk for a year.
- 5/23/2023
- by Samantha Bergeson
- Indiewire
In Cannes, nobody talks to Liv Ullmann at parties.
“We went to this event and nobody noticed us. When I am around many people, they don’t always include me in the group. With Dheeraj, we both felt a little humiliated. But then we decided we will just tell great stories about it: ‘Catherine Deneuve was there too and she danced!,’” she laughs.
The legendary actor – “I am no legend,” she insists – has presented documentary “Liv Ullmann – A Road Less Travelled” at the French fest, directed by Dheeraj Akolkar, further cementing her status as an artist who never conformed. Even in the U.S., where she was expected to look a certain way. In the film, she states: “I didn’t wear makeup. I am Norwegian.”
“Yes, and look at me now,” howls Ullmann.
“I have my own makeup artist here! It will make me look better in photos, but that’s not real life.
“We went to this event and nobody noticed us. When I am around many people, they don’t always include me in the group. With Dheeraj, we both felt a little humiliated. But then we decided we will just tell great stories about it: ‘Catherine Deneuve was there too and she danced!,’” she laughs.
The legendary actor – “I am no legend,” she insists – has presented documentary “Liv Ullmann – A Road Less Travelled” at the French fest, directed by Dheeraj Akolkar, further cementing her status as an artist who never conformed. Even in the U.S., where she was expected to look a certain way. In the film, she states: “I didn’t wear makeup. I am Norwegian.”
“Yes, and look at me now,” howls Ullmann.
“I have my own makeup artist here! It will make me look better in photos, but that’s not real life.
- 5/23/2023
- by Marta Balaga
- Variety Film + TV
Bleak Week just got a whole lot bleaker.
The American Cinematheque in Los Angeles has set the second edition of its “Bleak Week: Cinema of Despair” series, and this year’s guest of honor will be none other than Béla Tarr, Hungarian master of plumbing the nadirs of the human experience from his last feature “The Turin Horse” to his beloved epic “Sátántangó,” about a farming village in crisis. IndieWire can announce that Tarr will make a rare appearance in the U.S. beginning June 6 at the Aero Theatre for a series of Q&As.
“Hi LA! It will be nice to see you again, after a very long time. I am curious how you are now and what is going on in the town! I hope we will have a good meeting and we will spend a good time together. See you there!” said the filmmaker in a statement shared with IndieWire.
The American Cinematheque in Los Angeles has set the second edition of its “Bleak Week: Cinema of Despair” series, and this year’s guest of honor will be none other than Béla Tarr, Hungarian master of plumbing the nadirs of the human experience from his last feature “The Turin Horse” to his beloved epic “Sátántangó,” about a farming village in crisis. IndieWire can announce that Tarr will make a rare appearance in the U.S. beginning June 6 at the Aero Theatre for a series of Q&As.
“Hi LA! It will be nice to see you again, after a very long time. I am curious how you are now and what is going on in the town! I hope we will have a good meeting and we will spend a good time together. See you there!” said the filmmaker in a statement shared with IndieWire.
- 4/26/2023
- by Ryan Lattanzio
- Indiewire
Of the 94 filmmakers who have clinched the coveted Palme d’Or prize at the Cannes Film Festival, only 10 have achieved the honor twice. The latest one to follow the dual win precedent established by Alf Sjoberg (1944’s “Torment” and 1951’s “Miss Julie”) is another Swedish director, Ruben Ostlund, whose first and second victories came for 2017’s “The Square” and 2022’s “Triangle of Sadness.” The latter film has, by all accounts, become his most successful yet and is now in the running for three Oscars, including Best Director.
In this year’s directing Oscar race, Ostlund faces Todd Field (“Tar”), Daniel Kwan and Daniel Scheinert (“Everything Everywhere All at Once”), Martin McDonagh (“The Banshees of Inisherin”) and Steven Spielberg (“The Fabelmans”). The Daniels are also first-time Oscar nominees, while Spielberg stands as the only past directing contender in the group, with a pair of wins for “Schindler’s List” (1993) and “Saving Private Ryan...
In this year’s directing Oscar race, Ostlund faces Todd Field (“Tar”), Daniel Kwan and Daniel Scheinert (“Everything Everywhere All at Once”), Martin McDonagh (“The Banshees of Inisherin”) and Steven Spielberg (“The Fabelmans”). The Daniels are also first-time Oscar nominees, while Spielberg stands as the only past directing contender in the group, with a pair of wins for “Schindler’s List” (1993) and “Saving Private Ryan...
- 3/10/2023
- by Matthew Stewart
- Gold Derby
Triangle of Sadness not only marks producer Erik Hemmendorff’s first Oscar nomination, but it is also his first English-language feature film. Alongside producing partner Ruben Östlund, who wrote and directed the satire, Hemmendorff set out to cast international actors like Harris Dickinson, Woody Harrelson and Charlbi Dean (who died three months after the film premiered at Cannes), to pair with the global theme of the fashion industry.
Hemmendorff recently spoke with THR about what the Oscar nominations mean for the Swedish film industry, the legacy Dean left before her death in August at age 32 due to bacterial sepsis and the challenges they faced during production.
What does the Academy’s recognition mean to you?
From my point of view, we already won. I’m really proud that the film has made a name for itself, and it means a lot because in the Swedish context, it’s already historical.
Hemmendorff recently spoke with THR about what the Oscar nominations mean for the Swedish film industry, the legacy Dean left before her death in August at age 32 due to bacterial sepsis and the challenges they faced during production.
What does the Academy’s recognition mean to you?
From my point of view, we already won. I’m really proud that the film has made a name for itself, and it means a lot because in the Swedish context, it’s already historical.
- 3/6/2023
- by Beatrice Verhoeven
- The Hollywood Reporter - Movie News
It might be obvious to say, but a film getting nominated for an Oscar doesn’t automatically make it good.
In fact, there have been many deserving movies over the years that were somehow overlooked by the Academy.
It’s easy to assume that certain releases don’t get nominated because they’re not what Oscar voters would usually go for, but there have been some surprises in the past.
For example, pretty much every new superhero film earns a nomination thanks to the technical or makeup categories, while random animated films are acknowledged most likely because of the low number on offer in a certain year.
This means films likem say, DC’s Suicide Squad may get mauled by the critics, but they still gain recognition from the Academy (it went on to win).
This is even more ridiculous when you consider that classics such as Don’t Look Now...
In fact, there have been many deserving movies over the years that were somehow overlooked by the Academy.
It’s easy to assume that certain releases don’t get nominated because they’re not what Oscar voters would usually go for, but there have been some surprises in the past.
For example, pretty much every new superhero film earns a nomination thanks to the technical or makeup categories, while random animated films are acknowledged most likely because of the low number on offer in a certain year.
This means films likem say, DC’s Suicide Squad may get mauled by the critics, but they still gain recognition from the Academy (it went on to win).
This is even more ridiculous when you consider that classics such as Don’t Look Now...
- 3/3/2023
- by Jacob Stolworthy
- The Independent - Film
It might be obvious to say, but a film getting nominated for an Oscar doesn’t automatically make it good.
In fact, there have been many deserving movies over the years that were somehow overlooked by the Academy.
It’s easy to assume that certain releases don’t get nominated because they’re not what Oscar voters would usually go for, but there have been some surprises in the past.
For example, pretty much every new superhero film earns a nomination thanks to the technical or makeup categories, while random animated films are acknowledged most likely because of the low number on offer in a certain year.
This means films likem say, DC’s Suicide Squad may get mauled by the critics, but they still gain recognition from the Academy (it went on to win).
This is even more ridiculous when you consider that classics such as Don’t Look Now...
In fact, there have been many deserving movies over the years that were somehow overlooked by the Academy.
It’s easy to assume that certain releases don’t get nominated because they’re not what Oscar voters would usually go for, but there have been some surprises in the past.
For example, pretty much every new superhero film earns a nomination thanks to the technical or makeup categories, while random animated films are acknowledged most likely because of the low number on offer in a certain year.
This means films likem say, DC’s Suicide Squad may get mauled by the critics, but they still gain recognition from the Academy (it went on to win).
This is even more ridiculous when you consider that classics such as Don’t Look Now...
- 3/3/2023
- by Jacob Stolworthy
- The Independent - Film
The love affair between Swedish filmmaker Ruben Östlund and the Cannes Film Festival continues.
The 48-year-old director will return to the scene of his recent triumph, as it was just last year that his “Triangle of Sadness” came away with the coveted Palme d’Or, the top prize at the most prestigious festival in world cinema. (Don’t tell Venice I said that.)
“I am happy, proud, and humbled to be trusted with the honor of jury president for this year’s competition at the Festival de Cannes,” he wrote in an announcement released by the festival early Tuesday morning. “I am sincere when I say that cinema culture is in its most important period ever,” he continued.
Östlund’s “Triangle” is, of course, currently a long-shot Oscar candidate in three categories: Best Director (a nomination for Östlund), Best Original Screenplay (another nomination for Östlund), and Best Picture (a nomination...
The 48-year-old director will return to the scene of his recent triumph, as it was just last year that his “Triangle of Sadness” came away with the coveted Palme d’Or, the top prize at the most prestigious festival in world cinema. (Don’t tell Venice I said that.)
“I am happy, proud, and humbled to be trusted with the honor of jury president for this year’s competition at the Festival de Cannes,” he wrote in an announcement released by the festival early Tuesday morning. “I am sincere when I say that cinema culture is in its most important period ever,” he continued.
Östlund’s “Triangle” is, of course, currently a long-shot Oscar candidate in three categories: Best Director (a nomination for Östlund), Best Original Screenplay (another nomination for Östlund), and Best Picture (a nomination...
- 2/28/2023
- by Jordan Hoffman
- Gold Derby
by Nathaniel R
Sweden's Guldbagge Award, designed by Karl Axel Pehrson, looks like something out of a Cronenberg movie and we respect that. It doesn't look much like any other golden film award. It's chased in copper and enameled before the gold enters the picture. The Guidbagges were first handed out in 1964 when the late Ingmar Bergman, still Sweden's most famous auteur, took home Best Film and Best Director for The Silence. Other Swedish classics that have won the top prize include other Bergman masterpieces like Persona, Fanny & Alexander, and Cries and Whispers, arthouse auteur pics like You the Living and Border, Oscar darlings like The Emigrants, Pelle the Conquerer, and My Life as a Dog, and LGBTQ favourites like the teen lesbian drama Show Me Love and gay dance drama And Then We Danced.
This year's big winner was Oscar-nominated satire Triangle of Sadness which took home six prizes.
Sweden's Guldbagge Award, designed by Karl Axel Pehrson, looks like something out of a Cronenberg movie and we respect that. It doesn't look much like any other golden film award. It's chased in copper and enameled before the gold enters the picture. The Guidbagges were first handed out in 1964 when the late Ingmar Bergman, still Sweden's most famous auteur, took home Best Film and Best Director for The Silence. Other Swedish classics that have won the top prize include other Bergman masterpieces like Persona, Fanny & Alexander, and Cries and Whispers, arthouse auteur pics like You the Living and Border, Oscar darlings like The Emigrants, Pelle the Conquerer, and My Life as a Dog, and LGBTQ favourites like the teen lesbian drama Show Me Love and gay dance drama And Then We Danced.
This year's big winner was Oscar-nominated satire Triangle of Sadness which took home six prizes.
- 2/10/2023
- by NATHANIEL R
- FilmExperience
Thor: Love And Thunder charts a difficult course. A sequel which talks about the pain of revisiting past relationships, a story that tries to stand on its own but is the 29th film release in a cinematic universe, a tale that's about one character (twice) and the responsibilities of power, not just those of our personally-trained protagonists but of creators.
Rooted in the minutiae of actual and comicbook mythology and the comic sensibilities of writer/director Taika Waititi, that journey is is fraught. Jojo Rabbit's massive tonal shifts were in service of something intentionally shocking, leaving one hanging to leave one speechless. Here the tone veers between light entertainment and heavy Scandinavian drama, the (Lego-friendly) goat boat caught between Cilla and Cries And Whispers.
Waititi co-writes with Jennifer Kaytin Robinson. Her work includes works that draw from college campus conflicts, both internal and external, for MTV, HBOMax, and, soon, Netflix.
Rooted in the minutiae of actual and comicbook mythology and the comic sensibilities of writer/director Taika Waititi, that journey is is fraught. Jojo Rabbit's massive tonal shifts were in service of something intentionally shocking, leaving one hanging to leave one speechless. Here the tone veers between light entertainment and heavy Scandinavian drama, the (Lego-friendly) goat boat caught between Cilla and Cries And Whispers.
Waititi co-writes with Jennifer Kaytin Robinson. Her work includes works that draw from college campus conflicts, both internal and external, for MTV, HBOMax, and, soon, Netflix.
- 9/7/2022
- by Andrew Robertson
- eyeforfilm.co.uk
Writer / Director / Actor Halina Reijn discusses some of her favorite movies with Josh Olson and Joe Dante.
Show Notes: Movies Referenced In This Episode
Rrr (2022)
Bodies Bodies Bodies (2022)
Gothic (1986)
Warlock (1989)
Annie (1982)
Midsommar (2019) – Dennis Cozzalio’s 2019 year-end movie roundup
Bambi (1942) – Brian Trenchard-Smith’s trailer commentary
Annie (2014)
A Woman Under The Influence (1974)
Husbands (1970) – Glenn Erickson’s Criterion Blu-ray review
Opening Night (1977)
The Piano Teacher (2001) – Charlie Largent’s Criterion Blu-ray review
Black Book (2006)
Elle (2016) – Charlie Largent’s Blu-ray review, Dennis Cozzalio’s 2016 year-end movie roundup
The Fourth Man (1983)
Basic Instinct (1992) – Dan Ireland’s trailer commentary
Showgirls (1995)
Indecent Proposal (1993)
Fatal Attraction (1987) – Allan Arkush’s trailer commentary
9 ½ Weeks (1986)
Fifty Shades Of Grey (2015)
365 Days (2020)
A History Of Violence (2005)
Last Tango In Paris (1972) – Larry Karaszewski’s trailer commentary
Chinatown (1974) – Ernest Dickerson’s trailer commentary
Marathon Man (1976)
The Abyss (1989)
Apocalypse Now (1979) – Josh Olson’s trailer commentary, Glenn Erickson’s Blu-ray review
Who’s Afraid Of Virginia Woolf?...
Show Notes: Movies Referenced In This Episode
Rrr (2022)
Bodies Bodies Bodies (2022)
Gothic (1986)
Warlock (1989)
Annie (1982)
Midsommar (2019) – Dennis Cozzalio’s 2019 year-end movie roundup
Bambi (1942) – Brian Trenchard-Smith’s trailer commentary
Annie (2014)
A Woman Under The Influence (1974)
Husbands (1970) – Glenn Erickson’s Criterion Blu-ray review
Opening Night (1977)
The Piano Teacher (2001) – Charlie Largent’s Criterion Blu-ray review
Black Book (2006)
Elle (2016) – Charlie Largent’s Blu-ray review, Dennis Cozzalio’s 2016 year-end movie roundup
The Fourth Man (1983)
Basic Instinct (1992) – Dan Ireland’s trailer commentary
Showgirls (1995)
Indecent Proposal (1993)
Fatal Attraction (1987) – Allan Arkush’s trailer commentary
9 ½ Weeks (1986)
Fifty Shades Of Grey (2015)
365 Days (2020)
A History Of Violence (2005)
Last Tango In Paris (1972) – Larry Karaszewski’s trailer commentary
Chinatown (1974) – Ernest Dickerson’s trailer commentary
Marathon Man (1976)
The Abyss (1989)
Apocalypse Now (1979) – Josh Olson’s trailer commentary, Glenn Erickson’s Blu-ray review
Who’s Afraid Of Virginia Woolf?...
- 9/6/2022
- by Kris Millsap
- Trailers from Hell
(Welcome to The Daily Stream, an ongoing series in which the /Film team shares what they've been watching, why it's worth checking out, and where you can stream it.)
The Movie: "Hard Ticket to Hawaii"
Where You Can Stream It: Tubi
The Pitch: "Hard Ticket to Hawaii" may be nothing less than the best B-movie ever made. It is the "Die Hard" of schlock and the "Bicycle Thieves" of gratuitous nudity. Imagine Ingmar Bergman's "Cries and Whispers," but Harriet Andersson and Ingrid Thulin are played by Playboy centerfold models, Liv Ullmann is a hunky dumb jock who can't shoot straight, they're actually spies on the island of...
The post The Daily Stream: Experience the Glory of Hard Ticket to Hawaii appeared first on /Film.
The Movie: "Hard Ticket to Hawaii"
Where You Can Stream It: Tubi
The Pitch: "Hard Ticket to Hawaii" may be nothing less than the best B-movie ever made. It is the "Die Hard" of schlock and the "Bicycle Thieves" of gratuitous nudity. Imagine Ingmar Bergman's "Cries and Whispers," but Harriet Andersson and Ingrid Thulin are played by Playboy centerfold models, Liv Ullmann is a hunky dumb jock who can't shoot straight, they're actually spies on the island of...
The post The Daily Stream: Experience the Glory of Hard Ticket to Hawaii appeared first on /Film.
- 4/8/2022
- by Witney Seibold
- Slash Film
‘Morbius’, ‘The Bad Guys’ also make wide debuts.
Twelve films make their debut in UK-Ireland cinemas this weekend, with sequel Sonic The Hedgehog 2 one of three wide releases looking to revive a flagging box office.
Paramount is opening Sonic 2 in 651 locations – a five percent increase on the 620 locations of 2020’s Sonic The Hedgehog.
That film opened to a substantial £4.7m in February 2020, topping the charts for two weeks. It played in cinemas for five weekends, reaching £19.3m; before its run was cut short by the closure of all UK-Ireland cinemas due to the pandemic.
The Sonic franchise is...
Twelve films make their debut in UK-Ireland cinemas this weekend, with sequel Sonic The Hedgehog 2 one of three wide releases looking to revive a flagging box office.
Paramount is opening Sonic 2 in 651 locations – a five percent increase on the 620 locations of 2020’s Sonic The Hedgehog.
That film opened to a substantial £4.7m in February 2020, topping the charts for two weeks. It played in cinemas for five weekends, reaching £19.3m; before its run was cut short by the closure of all UK-Ireland cinemas due to the pandemic.
The Sonic franchise is...
- 4/1/2022
- by Ben Dalton
- ScreenDaily
Warner Bros.’ “The Batman” dominated the U.K. and Ireland box office for the fourth weekend in a row with £1.66 million ($2.1 million), according to numbers released by Comscore. The film now has a total of £35.6 million.
Dreamz Entertainment release “Rrr,” directed by S.S. Rajamouli and starring Ntr Jr, Ram Charan, Ajay Devgn and Alia Bhatt, released wide in the Telugu, Tamil, Malayalam and Hindi languages, and debuted in second position with £650,204.
Universal release, Michael Bay’s “Ambulance,” starring Jake Gyllenhaal, Yahya Abdul-Mateen II and Eiza González, debuted in third place with £521,049.
In fourth position, Sony’s “Uncharted” collected £349,457 and now has a total of £23.2 million after seven weekends.
Rounding off the top five was Warner Bros.’ “The Nan Movie” with £289,731 and now has £1.1 million after two weekends.
EOne’s “The Phantom of the Open” took £218,626 in sixth place in its second weekend and has a total of £1.06 million.
Mubi release,...
Dreamz Entertainment release “Rrr,” directed by S.S. Rajamouli and starring Ntr Jr, Ram Charan, Ajay Devgn and Alia Bhatt, released wide in the Telugu, Tamil, Malayalam and Hindi languages, and debuted in second position with £650,204.
Universal release, Michael Bay’s “Ambulance,” starring Jake Gyllenhaal, Yahya Abdul-Mateen II and Eiza González, debuted in third place with £521,049.
In fourth position, Sony’s “Uncharted” collected £349,457 and now has a total of £23.2 million after seven weekends.
Rounding off the top five was Warner Bros.’ “The Nan Movie” with £289,731 and now has £1.1 million after two weekends.
EOne’s “The Phantom of the Open” took £218,626 in sixth place in its second weekend and has a total of £1.06 million.
Mubi release,...
- 3/29/2022
- by Naman Ramachandran
- Variety Film + TV
After a hiatus as theaters in New York City and beyond closed their doors during the pandemic, we’re delighted to announce the return of NYC Weekend Watch, our weekly round-up of repertory offerings. While many theaters are still focused on a selection of new releases, there’s a handful of worthwhile repertory screenings taking place.
Anthology Film Archives
One of the great filmmakers, experimental or otherwise, is given a major retrospective—it’s Michael Snow Season.
Spectacle
A muse of Godard and Rivette, Juliet Berto made her directorial debut with the crime film Neige; long unavailable, it’s been restored and screens this Saturday.
Film at Lincoln Center
A series on Danny Glover and Louverture Films features Uncle Boonmee Who Can Recall His Past Lives on 35mm, Zama, and more.
IFC Center
As World of Wong Kar-wai keeps going, Death Proof (on 35mm), Showgirls, Lost Highway, Mulholland Dr., House,...
Anthology Film Archives
One of the great filmmakers, experimental or otherwise, is given a major retrospective—it’s Michael Snow Season.
Spectacle
A muse of Godard and Rivette, Juliet Berto made her directorial debut with the crime film Neige; long unavailable, it’s been restored and screens this Saturday.
Film at Lincoln Center
A series on Danny Glover and Louverture Films features Uncle Boonmee Who Can Recall His Past Lives on 35mm, Zama, and more.
IFC Center
As World of Wong Kar-wai keeps going, Death Proof (on 35mm), Showgirls, Lost Highway, Mulholland Dr., House,...
- 12/2/2021
- by Nick Newman
- The Film Stage
“I watched a very bad print of my father’s Shatranj-e-Baad [Chess of the Wind] when I was 12 and I remember watching Cries and Whispers. We didn’t have a TV but we had a VHS player,” Iranian filmmaker Amin Aslani told me over Zoom when I asked about his childhood during a conversation on Chess of the Wind (1976), the long-lost feature debut of his father, Mohammed Reza Aslani. “You can imagine what it’s like to be 12 and watching the films without understanding any word, seeing all these scary images. So psychologically, I don't know what happened to us.” Mohammad Reza Aslani and his wife, Soudabeh Fazaeli were poets of the Iranian New Wave, both members of the She'er-e-Digar and Nathr-e-Digar literary movements. “Growing up with parents like them, it's like not living on earth. It was like living on the moon or another planet,” added Gita Aslani Shahrestani,...
- 11/10/2021
- MUBI
Alex Wolff has done his fair share of emotionally-daunting films, coming off movies like "Hereditary" and "Pig." But working with director M. Night Shyamalan on his laterst film "Old," the actor says he learned something new from the man he calls his "hero."
"I feel like a big thing I learned from him is to not bring your process into a movie necessarily, and instead to adapt to his process," Wolff told TheWrap. "I felt my best performances in the movie, my best scenes, were when I completely committed to what he was looking to do. When he says do this, this, this, your first instinct as an actor is go, 'Ok, well, I want to understand why am I doing this?' And sometimes if you just go, 'Ok, I'm going to do that without asking questions,' usually your questions get more easily answered."
Wolff said Shyamalan is...
"I feel like a big thing I learned from him is to not bring your process into a movie necessarily, and instead to adapt to his process," Wolff told TheWrap. "I felt my best performances in the movie, my best scenes, were when I completely committed to what he was looking to do. When he says do this, this, this, your first instinct as an actor is go, 'Ok, well, I want to understand why am I doing this?' And sometimes if you just go, 'Ok, I'm going to do that without asking questions,' usually your questions get more easily answered."
Wolff said Shyamalan is...
- 7/23/2021
- by Beatrice Verhoeven
- The Wrap
In 1973, Jan Troell’s “The Emigrants” became the third non-English language film to contend for the Best Picture Oscar, and the first to also earn directing, writing, and acting nominations. Leading lady Liv Ullmann’s bid made her the first person recognized for a Swedish language performance. With this achievement, the Norwegian native brought further pride to the Nordic countries after having already established herself as a singularly talented artist. Half a century later, her reputation as one of the world’s most revered actresses has finally led to Oscar glory in the form of an honorary award.
Along with Danny Glover, Samuel L. Jackson, and Elaine May, Ullmann is set to be recognized at the upcoming 12th annual Governors Awards. The 82-year-old’s tribute comes in honor of her “bravery and emotional transparency,” which “has gifted audiences with deeply affecting screen portrayals.” She has displayed her range in over...
Along with Danny Glover, Samuel L. Jackson, and Elaine May, Ullmann is set to be recognized at the upcoming 12th annual Governors Awards. The 82-year-old’s tribute comes in honor of her “bravery and emotional transparency,” which “has gifted audiences with deeply affecting screen portrayals.” She has displayed her range in over...
- 6/30/2021
- by Matthew Stewart
- Gold Derby
Samuel L. Jackson, Elaine May, Danny Glover also to be honoured.
Norwegian actor and director Liv Ullmann will receive an Honorary Award from the Academy at the 12th Governors Awards on January 15, 2022.
Ullmann worked with Swedish director Ingmar Bergman on The Passion Of Anna, Cries And Whispers, and Autumn Sonata, and earned best actress Oscar nominations for The Emigrants and Face To Face.
She made her directorial debut in 1992 with Sofie and later directed Faithless from a script by Bergman. The actor started her career in theatre in her native Norway, made her New York stage debut in 1975 in A Doll’s House,...
Norwegian actor and director Liv Ullmann will receive an Honorary Award from the Academy at the 12th Governors Awards on January 15, 2022.
Ullmann worked with Swedish director Ingmar Bergman on The Passion Of Anna, Cries And Whispers, and Autumn Sonata, and earned best actress Oscar nominations for The Emigrants and Face To Face.
She made her directorial debut in 1992 with Sofie and later directed Faithless from a script by Bergman. The actor started her career in theatre in her native Norway, made her New York stage debut in 1975 in A Doll’s House,...
- 6/24/2021
- by Jeremy Kay
- ScreenDaily
Samuel L. Jackson, Elaine May, Danny Glover also to be honoured.
Norwegian actor and director Liv Ullmann will receive an Honorary Award from the Academy at the 12th Governors Awards on January 15, 2022.
Ullmann worked with Swedish director Ingmar Bergman on The Passion Of Anna, Cries And Whispers, and Autumn Sonata, and earned best actress Oscar nominations for The Emigrants and Face To Face.
She made her directorial debut in 1992 with Sofie and later directed Faithless from a script by Bergman. The actor started her career in theatre in her native Norway, made her New York stage debut in 1975 in A Doll’s House,...
Norwegian actor and director Liv Ullmann will receive an Honorary Award from the Academy at the 12th Governors Awards on January 15, 2022.
Ullmann worked with Swedish director Ingmar Bergman on The Passion Of Anna, Cries And Whispers, and Autumn Sonata, and earned best actress Oscar nominations for The Emigrants and Face To Face.
She made her directorial debut in 1992 with Sofie and later directed Faithless from a script by Bergman. The actor started her career in theatre in her native Norway, made her New York stage debut in 1975 in A Doll’s House,...
- 6/24/2021
- by Jeremy Kay
- ScreenDaily
The Academy of Motion Pictures Arts and Sciences announced today that early next year, Honorary Oscars will be presented to actors Samuel L. Jackson (Pulp Fiction), Liv Ullmann (Cries & Whispers), and writer/director/actor Elaine May (A New Leaf). These honorary awards are intended “to honor extraordinary distinction in lifetime achievement, exceptional contributions to the state of motion […]
The post Samuel L. Jackson, Danny Glover, Elaine May, and More to Receive Honorary Oscars appeared first on /Film.
The post Samuel L. Jackson, Danny Glover, Elaine May, and More to Receive Honorary Oscars appeared first on /Film.
- 6/24/2021
- by Ben Pearson
- Slash Film
Samuel L. Jackson, Elaine May and Liv Ullmann will receive honorary Oscars this year, the Academy of Motion Picture Arts and Sciences announced Thursday. Danny Glover will also receive the Jean Hersholt Humanitarian Award. The four Oscar statuettes will be presented at the Governors Awards ceremony on Jan. 15, 2022.
“We are thrilled to present this year’s Governors Awards to four honorees who have had a profound impact on both film and society,” Academy president David Rubin said in a statement. “Sam Jackson is a cultural icon whose dynamic work has resonated across genres and generations and audiences worldwide, while Elaine May’s bold, uncompromising approach to filmmaking, as a writer, director and actress, reverberates as loudly as ever with movie lovers. Liv Ullmann’s bravery and emotional transparency has gifted audiences with deeply affecting screen portrayals, and Danny Glover’s decades-long advocacy for justice and human rights reflects his dedication...
“We are thrilled to present this year’s Governors Awards to four honorees who have had a profound impact on both film and society,” Academy president David Rubin said in a statement. “Sam Jackson is a cultural icon whose dynamic work has resonated across genres and generations and audiences worldwide, while Elaine May’s bold, uncompromising approach to filmmaking, as a writer, director and actress, reverberates as loudly as ever with movie lovers. Liv Ullmann’s bravery and emotional transparency has gifted audiences with deeply affecting screen portrayals, and Danny Glover’s decades-long advocacy for justice and human rights reflects his dedication...
- 6/24/2021
- by Antonio Ferme
- Variety Film + TV
The Academy of Motion Picture Arts and Sciences announced Thursday that its Board of Governors voted to present the annual Honorary Awards to Samuel L. Jackson, Elaine May, and Liv Ullmann. The Jean Hersholt Humanitarian Award will be given to Danny Glover. The four Oscar statuettes will be presented at the Academy’s 12th annual Governors Awards on Saturday, January 15, 2022, in Los Angeles.
Academy President David Rubin summed up the recipients’ impact, cinematic and otherwise, in the following statement: “Sam Jackson is a cultural icon whose dynamic work has resonated across genres and generations and audiences worldwide, while Elaine May’s bold, uncompromising approach to filmmaking, as a writer, director and actress, reverberates as loudly as ever with movie lovers.”
Rubin added, “Liv Ullmann’s bravery and emotional transparency has gifted audiences with deeply affecting screen portrayals, and Danny Glover’s decades-long advocacy for justice and human rights reflects his...
Academy President David Rubin summed up the recipients’ impact, cinematic and otherwise, in the following statement: “Sam Jackson is a cultural icon whose dynamic work has resonated across genres and generations and audiences worldwide, while Elaine May’s bold, uncompromising approach to filmmaking, as a writer, director and actress, reverberates as loudly as ever with movie lovers.”
Rubin added, “Liv Ullmann’s bravery and emotional transparency has gifted audiences with deeply affecting screen portrayals, and Danny Glover’s decades-long advocacy for justice and human rights reflects his...
- 6/24/2021
- by Ryan Lattanzio
- Indiewire
The Academy of Motion Picture Arts and Sciences Board of Governors voted to present Honorary Oscars to Samuel L. Jackson, Elaine May and Liv Ullmann, and the Jean Hersholt Humanitarian Award to Danny Glover, the Academy announced on Thursday.
The four Honorary Oscars will be presented at the Academy’s 12th Governors Awards on Saturday, Jan. 15, 2022, in Los Angeles.
“We are thrilled to present this year’s Governors Awards to four honorees who have had a profound impact on both film and society,” Academy president David Rubin said in a statement. “Sam Jackson is a cultural icon whose dynamic work has resonated across genres and generations and audiences worldwide, while Elaine May’s bold, uncompromising approach to filmmaking, as a writer, director and actress, reverberates as loudly as ever with movie lovers. Liv Ullmann’s bravery and emotional transparency has gifted audiences with deeply affecting screen portrayals, and Danny Glover...
The four Honorary Oscars will be presented at the Academy’s 12th Governors Awards on Saturday, Jan. 15, 2022, in Los Angeles.
“We are thrilled to present this year’s Governors Awards to four honorees who have had a profound impact on both film and society,” Academy president David Rubin said in a statement. “Sam Jackson is a cultural icon whose dynamic work has resonated across genres and generations and audiences worldwide, while Elaine May’s bold, uncompromising approach to filmmaking, as a writer, director and actress, reverberates as loudly as ever with movie lovers. Liv Ullmann’s bravery and emotional transparency has gifted audiences with deeply affecting screen portrayals, and Danny Glover...
- 6/24/2021
- by Umberto Gonzalez
- The Wrap
Writer, director and actress Rebecca Miller discusses a few of her favorite films with hosts Josh Olson and Joe Dante.
Show Notes: Movies Referenced In This Episode
Personal Velocity: Three Portraits (2002)
The Ballad Of Jack And Rose (2005)
The Private Lives Of Pippa Lee (2009)
Maggie’s Plan (2015)
Explorers (1985)
The Way We Were (1973)
Battleship Potemkin (1925)
Monsieur Hulot’s Holiday (1953)
Annie Hall (1977)
Repulsion (1965)
Rosemary’s Baby (1968)
Knife In The Water (1962)
The Tenant (1976)
Cries and Whispers (1972)
Persona (1966)
The Magician (1958)
Hour Of The Wolf (1968)
The Virgin Spring (1960)
The Seventh Seal (1957)
Abbott and Costello Meet Frankenstein (1948)
The Exorcist (1973)
The Shining (1980)
La Dolce Vita (1960)
Regarding Henry (1991)
Angela (1995)
Badlands (1973)
Casino (1995)
On The Waterfront (1954)
My Dinner with Andre (1981)
Jules and Jim (1962)
The Bitter Tears Of Petra von Kant (1972)
Wings Of Desire (1987)
The Killer Inside Me (1976)
The Killer Inside Me (2010)
Married To The Mob (1988)
Blue Velvet (1986)
Dune (1984)
Imitation Of Life (1934)
Imitation Of Life (1959)
Written On The Wind (1956)
Magnificent Obsession (1954)
All That Heaven Allows...
Show Notes: Movies Referenced In This Episode
Personal Velocity: Three Portraits (2002)
The Ballad Of Jack And Rose (2005)
The Private Lives Of Pippa Lee (2009)
Maggie’s Plan (2015)
Explorers (1985)
The Way We Were (1973)
Battleship Potemkin (1925)
Monsieur Hulot’s Holiday (1953)
Annie Hall (1977)
Repulsion (1965)
Rosemary’s Baby (1968)
Knife In The Water (1962)
The Tenant (1976)
Cries and Whispers (1972)
Persona (1966)
The Magician (1958)
Hour Of The Wolf (1968)
The Virgin Spring (1960)
The Seventh Seal (1957)
Abbott and Costello Meet Frankenstein (1948)
The Exorcist (1973)
The Shining (1980)
La Dolce Vita (1960)
Regarding Henry (1991)
Angela (1995)
Badlands (1973)
Casino (1995)
On The Waterfront (1954)
My Dinner with Andre (1981)
Jules and Jim (1962)
The Bitter Tears Of Petra von Kant (1972)
Wings Of Desire (1987)
The Killer Inside Me (1976)
The Killer Inside Me (2010)
Married To The Mob (1988)
Blue Velvet (1986)
Dune (1984)
Imitation Of Life (1934)
Imitation Of Life (1959)
Written On The Wind (1956)
Magnificent Obsession (1954)
All That Heaven Allows...
- 5/11/2021
- by Kris Millsap
- Trailers from Hell
Among the Oscar nominations surprises every year is the Best Director lineup. Remember when Steven Spielberg (“The Color Purple”), Ron Howard (“Apollo 13”) and Ben Affleck (“Argo”) all won at the Directors Guild of America Awards but were snubbed by the directors branch of the academy. This year DGA nominee Aaron Sorkin (“The Trial of the Chicago 7”) was likewise left off the list of Oscar contenders. He was replaced by Danish director Thomas Vinterberg for his superb “Another Round,” which also picked up a bid for Best International Feature. He joins a long roster of Best Director nominees for films other than in English.
The academy first embraced international filmmakers in the 1960s. Italian auteur Federico Fellini was nominated for his 1961 classic “La Dolce Vita.” He contended again two years later for “8 1/2.” He reaped two more bids for “Fellini Satyricon” (1970) and “Amarcord’ (1975).
Predict the 2021 Oscars winners through...
The academy first embraced international filmmakers in the 1960s. Italian auteur Federico Fellini was nominated for his 1961 classic “La Dolce Vita.” He contended again two years later for “8 1/2.” He reaped two more bids for “Fellini Satyricon” (1970) and “Amarcord’ (1975).
Predict the 2021 Oscars winners through...
- 3/18/2021
- by Susan King
- Gold Derby
Q&a: Writer/Director Ivan Kavanagh Discusses Working with Andi Matichak and Luke David Blumm for Son
A mother's fierce love stands between her child and a mysterious cult in the new movie Son, and with the horror film now available in theaters, On Demand, and Digital from Rlje Films, we caught up with writer/director Ivan Kavanagh (The Canal) to discuss the inspiration for his chilling new story, collaborating with Andi Matichak and Luke David Blumm to create a realistic mother-son bond, and the joys of working with Rlje Films and Shudder.
Thanks for taking the time to answer questions for us, Ivan, and congratulations on your new movie, Son! How and when did you first come up with the idea for this film?
Ivan Kavanagh: The initial idea came to me just after the birth of my first son, five years ago. He had a very difficult birth and my wife and I were very worried about him for months afterwards, and it was a very stressful time for us,...
Thanks for taking the time to answer questions for us, Ivan, and congratulations on your new movie, Son! How and when did you first come up with the idea for this film?
Ivan Kavanagh: The initial idea came to me just after the birth of my first son, five years ago. He had a very difficult birth and my wife and I were very worried about him for months afterwards, and it was a very stressful time for us,...
- 3/5/2021
- by Derek Anderson
- DailyDead
Frank Moreno, who was known for screening films at Cannes for Roger Corman’s New World Pictures to purchase and distribute in the United States in the 1970s and 1980s, died Wednesday in Florida. He was 82 and died after a brief battle with cancer, according to his daughter.
Moreno was a promoter for such Art films as Ingmar Bergman’s Cries and Whispers and Federico Fellini’s Amarcord, both the biggest US grossing pictures of the directors’ careers up to that point.
He also touted Volker Scholondorff’s The Tin Drum, which won the Academy Award for Best Foreign Film in 1980; Bruce Beresford’s Breaker Morant; Fantastic Planet, the winner of numerous animated awards; and Bergman’s The Magic Flute.
In addition, Moreno acquired and distributed many mainstream commercial pictures, including The Private Eyes, starring Tim Conway and Don Knotts; managed theater circuits, including one out of Florida; and was a consultant to movie producers,...
Moreno was a promoter for such Art films as Ingmar Bergman’s Cries and Whispers and Federico Fellini’s Amarcord, both the biggest US grossing pictures of the directors’ careers up to that point.
He also touted Volker Scholondorff’s The Tin Drum, which won the Academy Award for Best Foreign Film in 1980; Bruce Beresford’s Breaker Morant; Fantastic Planet, the winner of numerous animated awards; and Bergman’s The Magic Flute.
In addition, Moreno acquired and distributed many mainstream commercial pictures, including The Private Eyes, starring Tim Conway and Don Knotts; managed theater circuits, including one out of Florida; and was a consultant to movie producers,...
- 2/12/2021
- by Bruce Haring
- Deadline Film + TV
Robert Altman's Images (1972) is showing on Mubi starting November 15, 2020 in the United Kingdom, Ireland, United States, and Canada.Robert Altman’s dizzying psychological horror film Images (1972) is one of those slippery films that has inspired a wide variety of poster art ranging from the sublime to the ridiculous. I only recently came upon the stunning British double crown poster above, thanks to New York poster house Posteritati (more on that in a minute), but I’d long been aware of a number of very different pieces for the film. Seemingly tossed off in between Altman’s two indisputable masterpieces McCabe & Mrs. Miller (1971) and The Long Goodbye (1973), Images is unusual in the Altman canon for being a horror film of sorts (though it has been said to form a loose trilogy of female psychosis with That Cold Day in the Park [1969] and Three Women [1977]), and also for its non-American...
- 11/13/2020
- MUBI
In the canon of religious horror films—exemplified by Rosemary’s Baby (1968) and The Exorcist (1973)—the devil has long made a habit of weaponizing the female body. If a possession intervenes between the body and soul, for the pious and unbelieving alike, the corporeal tends to betray or eclipse the spiritual, and so the devil seems to have the upper hand. In Saint Maud, the sophisticated debut feature from writer-director Rose Glass, the divine could not be more physical, as flesh-ripping as it is orgasmic. Morfydd Clark plays an eccentric young nurse who, in the wake of trauma, has converted to what looks an awful lot like Catholicism and has newly christened herself Maud. Now working in hospice care, her latest charge is a formerly feted dancer, Amanda (Jennifer Ehle), debilitated by what appears to be cancer. Amanda, an atheist, generally finds Maud’s piety amusing, if sometimes endearing. Maud, meanwhile,...
- 10/8/2020
- MUBI
No Best Picture win could mean more to the future of the Academy than our most recent one. It wasn’t just an historic victory for Parasite, it was one that could mean something major for Oscar going forward. It’s almost as if voters listened to filmmaker Bong Joon Ho as the writer/director accepted his Golden Globe award for Best Foreign Language Film. He said the following: “Once you overcome the one-inch tall barrier of subtitles, you will be introduced to so many more amazing films.” Those words are obviously true, but up until now, Academy members had been averse to rewarding this type of movie in the top category. Now that they have, where do they go from here? There are two clear and very different paths ahead… As you all know by now, Parasite is the first Best Picture winner not in the English language. In fact,...
- 2/20/2020
- by Joey Magidson
- Hollywoodnews.com
Arnaud Desplechin (with Anne-Katrin Titze) on an Ingmar Bergman film: "I remember this scene that I saw so young … in Cries & Whispers, where Erland Josephson is visiting Liv Ullmann.” Photo: Ed Bahlman
Arnaud Desplechin’s Oh Mercy!, co-written with Léa Mysius, shot by Irina Lubtchansky, music composed by Grégoire Hetzel stars Léa Seydoux, Roschdy Zem, Sara Forestier, and Antoine Reinartz.
Arnaud Desplechin on his Oh Mercy! composer: “It was not a Bernard Herrmann inspiration or George Delerue inspiration. It was just pure Grégoire Hetzel. It was a perfect fit with the plot. ” Photo: Anne-Katrin Titze
In the first instalment of my in-depth conversation with the director the morning before the North American premiere at the New York Film Festival we discussed his work with editor Laurence Briaud, listening to Ryuchi Sakamoto and Toru Takemitsu, not having a Bernard Herrmann or George Delerue inspiration for Grégoire Hetzel’s score, what...
Arnaud Desplechin’s Oh Mercy!, co-written with Léa Mysius, shot by Irina Lubtchansky, music composed by Grégoire Hetzel stars Léa Seydoux, Roschdy Zem, Sara Forestier, and Antoine Reinartz.
Arnaud Desplechin on his Oh Mercy! composer: “It was not a Bernard Herrmann inspiration or George Delerue inspiration. It was just pure Grégoire Hetzel. It was a perfect fit with the plot. ” Photo: Anne-Katrin Titze
In the first instalment of my in-depth conversation with the director the morning before the North American premiere at the New York Film Festival we discussed his work with editor Laurence Briaud, listening to Ryuchi Sakamoto and Toru Takemitsu, not having a Bernard Herrmann or George Delerue inspiration for Grégoire Hetzel’s score, what...
- 10/12/2019
- by Anne-Katrin Titze
- eyeforfilm.co.uk
July 14 marks the 100th birthday of writer-director Ingmar Bergman, whom Variety declared on Nov. 24, 1954, to be “Sweden’s top director.” Within three years, Bergman went beyond that: He was recognized as one of the top filmmakers in the entire world, thanks to the 1957 duo of “The Seventh Seal” and “Wild Strawberries.” A year later, Carl Dymling, president of Sweden’s leading production unit Svensk Filmindustri, told Variety that “Seventh Seal” marked a new era in moviemaking: “Bergman uses the film much as an author does his book. As a rule, one can’t afford to be too explicit about one’s own feelings in making a picture. But Bergman does it.” The director made global stars of Liv Ullmann and Max von Sydow and inspired young filmmakers around the world for decades with his tales of existential crisis, the tenderness and brutality between individuals, and the pleasures and insanity of sex.
- 6/22/2018
- by Tim Gray
- Variety Film + TV
Mubi is showing the retrospective The Inner Demons of Ingmar Bergman from June 8 - August 28, 2017 in the United Kingdom.I've told this brief story of how I fell under the spell of cinema so many times I've become brazen to it. At eighteen years, in February 1993, I found Ingmar Bergman's Cries and Whispers (dubbed) at the video store. As Woody Allen spoke of the Swede in hushed tones, I decided I should try a film. Ninety minutes later I sat stunned and spellbound, not sure what to do or think, but surely sure I must be onto something. Cinematic rapture still has a psychical aspect for me, the torque the sedentary body goes through while coping with the images before it. I can always tell how good a film is if my armpits smell after. The body doesn't lie. Ingmar Bergman is an easy crush—one writer I know...
- 6/20/2017
- MUBI
Cmg to handle sales in Cannes on Ingmar Bergman – Legacy Of A Defining Genius from C-Films, Mondex & Cie co-production
Germany’s C-Films is partnering with Mondex & Cie of France on Ingmar Bergman – Legacy Of A Defining Genius that Cinema Management Group will introduce to buyers on the Croisette.
Margarethe von Trotta will direct the documentary and production is scheduled to commence this summer.
The film – which is scheduled for delivery in 2018 to mark the centenary of the Swedish auteur’s birth – will explore Bergman’s legacy through interviews with close collaborators and younger filmmakers.
His credits include The Seventh Seal, Cries And Whispers, Wild Strawberries, Scenes From A Marriage, and Persona. Bergman received the Palm of Palms at the 1997 Cannes Film Festival.
Von Trotta has a close connection to the subject matter. She worked with Bergman’s cinematographer Sven Nykvist as an actress on her husband Volker Schlöndorff’s 1972 film A Free Woman.
In 1982 Bergman...
Germany’s C-Films is partnering with Mondex & Cie of France on Ingmar Bergman – Legacy Of A Defining Genius that Cinema Management Group will introduce to buyers on the Croisette.
Margarethe von Trotta will direct the documentary and production is scheduled to commence this summer.
The film – which is scheduled for delivery in 2018 to mark the centenary of the Swedish auteur’s birth – will explore Bergman’s legacy through interviews with close collaborators and younger filmmakers.
His credits include The Seventh Seal, Cries And Whispers, Wild Strawberries, Scenes From A Marriage, and Persona. Bergman received the Palm of Palms at the 1997 Cannes Film Festival.
Von Trotta has a close connection to the subject matter. She worked with Bergman’s cinematographer Sven Nykvist as an actress on her husband Volker Schlöndorff’s 1972 film A Free Woman.
In 1982 Bergman...
- 5/14/2017
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
This past weekend, the American Society of Cinematographers awarded Greig Fraser for his contribution to Lion as last year’s greatest accomplishment in the field. Of course, his achievement was just a small sampling of the fantastic work from directors of photography, but it did give us a stronger hint at what may be the winner on Oscar night. Ahead of the ceremony, we have a new video compilation that honors all the past winners in the category at the Academy Awards
Created by Burger Fiction, it spans the stunning silent landmark Sunrise: A Song of Two Humans all the way up to the end of Emmanuel Lubezki‘s three-peat win for The Revenant. Aside from the advancements in color and aspect ration, it’s a thrill to see some of cinema’s most iconic shots side-by-side. However, the best way to experience the evolution of the craft is by...
Created by Burger Fiction, it spans the stunning silent landmark Sunrise: A Song of Two Humans all the way up to the end of Emmanuel Lubezki‘s three-peat win for The Revenant. Aside from the advancements in color and aspect ration, it’s a thrill to see some of cinema’s most iconic shots side-by-side. However, the best way to experience the evolution of the craft is by...
- 2/6/2017
- by Jordan Raup
- The Film Stage
‘Toni Erdmann’ (Courtesy: Tiff)
By: Carson Blackwelder
Managing Editor
It’s not too often that foreign-language films get recognized for anything at the Oscars beyond the best foreign-language film category — but it does happen. And, believe it or not, it happens more for best original screenplay and best adapted screenplay than many other categories. A prime example of that is Toni Erdmann, Germany’s submission this year that is proving to be a cross-category threat, which could score a nomination — or a win — for its writing.
The story of Toni Erdmann — which has a solid Rotten Tomatoes score of 91% — follows a father who is trying to reconnect with his adult daughter after the death of his dog. It sounds simple enough but, of course, the two couldn’t be more unalike. The film premiered at the Cannes Film Festival in 2016 and where it won the Fipresci Prize. Since then, it...
By: Carson Blackwelder
Managing Editor
It’s not too often that foreign-language films get recognized for anything at the Oscars beyond the best foreign-language film category — but it does happen. And, believe it or not, it happens more for best original screenplay and best adapted screenplay than many other categories. A prime example of that is Toni Erdmann, Germany’s submission this year that is proving to be a cross-category threat, which could score a nomination — or a win — for its writing.
The story of Toni Erdmann — which has a solid Rotten Tomatoes score of 91% — follows a father who is trying to reconnect with his adult daughter after the death of his dog. It sounds simple enough but, of course, the two couldn’t be more unalike. The film premiered at the Cannes Film Festival in 2016 and where it won the Fipresci Prize. Since then, it...
- 1/4/2017
- by Carson Blackwelder
- Scott Feinberg
Dev Patel in ‘Lion’ (Courtesy: Long Way Productions)
By: Carson Blackwelder
Managing Editor
Aside from the amazing characters, acting, and storytelling in Lion, the film had another unique aspect to it: just how much non-English is spoken. The Garth Davis-directed drama is considered a frontrunner by most critics in the best picture at the 2017 Oscars — but will language hold it back in the long run? Let’s take a look at history and see what we can learn.
While a large part of Lion is in English, there is also a substantial part of it that is in Bengali and Hindi. That’s because the plot — based on a 2013 memoir titled A Long Way Home — follows the true story of Saroo Brierley from becoming lost at the age of five, surviving many challenges, getting adopted by an Australian couple, and finding his birth family 25 years later. With the five-year-old...
By: Carson Blackwelder
Managing Editor
Aside from the amazing characters, acting, and storytelling in Lion, the film had another unique aspect to it: just how much non-English is spoken. The Garth Davis-directed drama is considered a frontrunner by most critics in the best picture at the 2017 Oscars — but will language hold it back in the long run? Let’s take a look at history and see what we can learn.
While a large part of Lion is in English, there is also a substantial part of it that is in Bengali and Hindi. That’s because the plot — based on a 2013 memoir titled A Long Way Home — follows the true story of Saroo Brierley from becoming lost at the age of five, surviving many challenges, getting adopted by an Australian couple, and finding his birth family 25 years later. With the five-year-old...
- 12/15/2016
- by Carson Blackwelder
- Scott Feinberg
Pablo Larraín (Courtesy: Andrew Cowie/Afp)
By: Carson Blackwelder
Managing Editor
There’s one director this year that has a chance at being a major crossover success by having two separate films nominated in both the best picture and best foreign language film categories: Pablo Larraín. This filmmaker has Jackie as well as Neruda and could join an elite group of directors who been able to have films — or even one film — in both of these major categories.
Jackie, which stars Natalie Portman as Jacqueline Kennedy Onassis, is considered a frontrunner in the Oscars race this year by this site’s namesake, The Hollywood Reporter’s Scott Feinberg. Neruda, which follows an inspector who hunts down Nobel Prize-winning Chilean poet Pablo Neruda, is Chile’s submission for best foreign language film this year and is considered a major threat in that contest. This would be a great feat — especially for someone who,...
By: Carson Blackwelder
Managing Editor
There’s one director this year that has a chance at being a major crossover success by having two separate films nominated in both the best picture and best foreign language film categories: Pablo Larraín. This filmmaker has Jackie as well as Neruda and could join an elite group of directors who been able to have films — or even one film — in both of these major categories.
Jackie, which stars Natalie Portman as Jacqueline Kennedy Onassis, is considered a frontrunner in the Oscars race this year by this site’s namesake, The Hollywood Reporter’s Scott Feinberg. Neruda, which follows an inspector who hunts down Nobel Prize-winning Chilean poet Pablo Neruda, is Chile’s submission for best foreign language film this year and is considered a major threat in that contest. This would be a great feat — especially for someone who,...
- 11/17/2016
- by Carson Blackwelder
- Scott Feinberg
No one manipulated light like Sven Nykvist. Perhaps the greatest cinematographer of our time, the Swedish-born, two time Oscar-winner (“Cries and Whispers,” “Fanny and Alexander“) saw something in people and their surroundings that most of us can hardly fathom. He was a true master, working with notable directors such as Roman Polanski (“The Tenant“), Louis Malle (“Black Moon,” “Pretty Baby“), Philip Kaufman […]
The post 20-Minute Video Essay On The Brilliant Cinematography Of Sven Nykvist appeared first on The Playlist.
The post 20-Minute Video Essay On The Brilliant Cinematography Of Sven Nykvist appeared first on The Playlist.
- 7/14/2016
- by Samantha Vacca
- The Playlist
With The Witch opening this week, we sat down with writer/director Robert Eggers to do something a little different. We asked him to name the three films that most influenced his tremendous new horror movie and we would discuss his work through the lens of what inspired him. In part one of this series, we talked about Stanley Kubrick’s The Shining In part […]
The post The Influences of ‘The Witch’ Part Three: Director Robert Eggers on ‘Cries and Whispers’ appeared first on /Film.
The post The Influences of ‘The Witch’ Part Three: Director Robert Eggers on ‘Cries and Whispers’ appeared first on /Film.
- 2/18/2016
- by Jacob Hall
- Slash Film
The Barnes & Noble sale may have ended a couple of weeks ago, but that doesn’t mean that you can’t still buy some Criterion Collection releases for 50% off. Best Buy is currently having a 50% off sale on a number of Criterion releases, and Amazon has begun to match their prices.
Thanks to everyone for supporting our site by buying through our affiliate links.
A note on Amazon deals, for those curious: sometimes third party sellers will suddenly appear as the main purchasing option on a product page, even though Amazon will sell it directly from themselves for the sale price that we have listed. If the sale price doesn’t show up, click on the “new” options, and look for Amazon’s listing.
I’ll keep this list updated throughout the week, as new deals are found, and others expire. If you find something that’s wrong, a broken link or price difference,...
Thanks to everyone for supporting our site by buying through our affiliate links.
A note on Amazon deals, for those curious: sometimes third party sellers will suddenly appear as the main purchasing option on a product page, even though Amazon will sell it directly from themselves for the sale price that we have listed. If the sale price doesn’t show up, click on the “new” options, and look for Amazon’s listing.
I’ll keep this list updated throughout the week, as new deals are found, and others expire. If you find something that’s wrong, a broken link or price difference,...
- 12/17/2015
- by Ryan Gallagher
- CriterionCast
To celebrate the past year of Criterion Collection releases, Ryan is joined by David Blakeslee, Scott Nye, Aaron West, Arik Devens and Keith Enright to discuss their favorite releases of 2015.
Subscribe to the podcast via RSS or in iTunes
Corrections: In the episode, I should have had Aaron go before Arik, since I said I was going alphabetically.
Episode Links & Notes Favorite Covers Arik Odd Man Out by Eric Skillman Aaron Hiroshima mon amour by Sarah Habibi David Moonrise Kingdom by Michael Gaskell Keith Day for Night by Roman Muradov Process post Ryan The Black Stallion by Nicolas Delort Scott Blind Chance by Gérard Dubois Favorite Supplement Arik 65 Revisited Aaron Un tournage a la campagne David Interview with Gregor Dorfmeister, author of The Bridge Keith Reflections on … My Beautiful Laundrette – Colin MacCabe and Stephen Frears Ryan Restoring the Apu Trilogy by kogonada Scott Interview with Jean-Pierre and Luc Dardenne on Two Days,...
Subscribe to the podcast via RSS or in iTunes
Corrections: In the episode, I should have had Aaron go before Arik, since I said I was going alphabetically.
Episode Links & Notes Favorite Covers Arik Odd Man Out by Eric Skillman Aaron Hiroshima mon amour by Sarah Habibi David Moonrise Kingdom by Michael Gaskell Keith Day for Night by Roman Muradov Process post Ryan The Black Stallion by Nicolas Delort Scott Blind Chance by Gérard Dubois Favorite Supplement Arik 65 Revisited Aaron Un tournage a la campagne David Interview with Gregor Dorfmeister, author of The Bridge Keith Reflections on … My Beautiful Laundrette – Colin MacCabe and Stephen Frears Ryan Restoring the Apu Trilogy by kogonada Scott Interview with Jean-Pierre and Luc Dardenne on Two Days,...
- 12/17/2015
- by Ryan Gallagher
- CriterionCast
“Son of Saul,” Hungary’s official entry to the Oscars, is the early frontrunner to win Best Foreign Language Film. This compelling drama tells the harrowing story of a guard at an Auschwitz death camp who, believing a young boy’s corpse to be that of his son, becomes determined to give him a proper burial. This Sony Pictures Classics release was a senation at Cannes, winning the Grand Prix. And it well could be that rare foreign-language film to cross over into the Best Picture race. -Break- Only nine films in languages other than English have been deemed worthy of a Best Picture bid -- “Grand Illusion” (1938); “Z” (1969); “The Emigrants” (1972); “Cries and Whispers” (1973); “Il Postino” (1995); “Life is Beautiful” (1998); “Crouching Tiger, Hidden Dragon” (2000); “Letters from Iwo Jima” (2006); and “Amour” (2012) -- and none won. Whethe...
- 10/27/2015
- Gold Derby
On Halloween, the tradition is to indulge in films replete with monsters, zombies, and creatures that go bump in the night. But those types of films don’t always provide the psychological terror cineastes may be craving. International and alternative cinema has always been willing to tread where conventional genre cinema dares not be it in films with strong themes, abrasive tones, or emotional depravity. Halloween can be a time not just to indulge in slimy viscera, but in the general suffering of humanity. These are eleven films whose punishment of the viewer with intense emotions and ideas make them not unlike horror films.
The Passion of Joan of Arc (1928) / Day of Wrath (1943)
The original king of despair, Carl Dreyer didn’t just gravitate toward miserable material, he embraced it with a technique so perfected, it felt predestined. In The Passion of Joan of Arc, a film consisting almost solely of close-ups,...
The Passion of Joan of Arc (1928) / Day of Wrath (1943)
The original king of despair, Carl Dreyer didn’t just gravitate toward miserable material, he embraced it with a technique so perfected, it felt predestined. In The Passion of Joan of Arc, a film consisting almost solely of close-ups,...
- 10/3/2015
- by Shane Ramirez
- SoundOnSight
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