Yes! (1968) Poster

(1968)

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Sarno!
BandSAboutMovies12 August 2022
Warning: Spoilers
Also known as Kvinnolek, this Joe Sarno-directed and written movie is about Lisa Holmberg (Gunbritt Öhrström), who is the latest Sarno leading lady to be gorgeous and at the same time emotionally unsatisfied, no matter how well the rest of her high fashion life may be.

She heads to the country to rest and meets Ingrid (Gunilla Iwansson), a young girl who she convinces that she could escape her normal life and become a model. Of course, she also has her own designs on her young charge. Can Sapphic May and December - more like February and June - romance blossom?

This was brought to the U. S. by Cannon, which seemingly carried everything Sarno was making.

I love that when this played Pittsburgh, the Pittsburgh Press drama editor Thomas Blakely said "Yes" draws no from one critic: Swedish import is cheap, shoddy, ragged sex romp. They sent the drama editor to a Joe Sarno movie!
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OK, second-rung Scandi filmmaking from Sarno
lor_8 March 2011
One of his lesser known works still in circulation, YES! is a rather standard story of a young girl being introduced to lesbian love, Joe Sarno style.

It's underwhelming reaction among his cult of fans is probably due to it being buried in the Something Weird catalog. Though SWV does provide a Swedish-track coming attraction, the film is only available in a poorly-dubbed into English version.

I had trouble with the central casting: Gunilla Iwansson portrays Ingrid, the cleft-jawed blonde heroine who frankly is unattractive. The fact that she never had a film career following this leading role underscores my point -clearly had Joe cast someone as lovely or exciting as his INGA girl Marie Liljedahl or the fabulous Diana Kjaer his movie would have taken off.

Ingrid is a country girl who quickly joins the Stockholm in-crowd by way of working as a model for fashion designer Lisa (Gun Falck, a striking Claire Bloom type). Latter has the lesbian hots for Lisa, and we must endure reel after reel of unrequited longing until Sarno finally dishes out the promised porn.

At times the plaintive musical score suggests similar moods to Lalo Schifrin's brilliant accompaniment for the most successful lesbian movie of the period, Mark Rydell's adaptation of D.H. Lawrence's THE FOX, but that film's romanticism does not surface here. Instead Sarno settles for lots of the "youth picture" filler that marred INGA, with boring party and nightclub scenes of young people dancing around. It's dated and boring, without say the nostalgia value of watching old kinescopes of Dick Clark's "American Bandstand".

Heinz Hopf, sort of Scandi's answer to Klaus Kinski & Udo Kier, has a fun turn as Lisa's tres gay assistant, constantly insulting or bickering with Ingrid. The characterization of Ingrid's parents is poorly done, with daddy always ready to make excuses and prevaricate in order to let her sow her oats in Stockholm, over the objections of rightly protective mama.

As a Cannon release in America in 1969, before that company made the big time with its hit JOE and later became the plaything of the Israeli Golan-Globus scheisters, YES! is awfully tame in the sex department. Gunilla shows her jugs occasionally, but full nudity and strong sex simulation scenes were already de rigeur at U.S. adult cinemas.
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