Friday Yo Gotti dropped a remix of his latest single “Pose,” featuring Lil Uzi Vert and a new verse by Megan Thee Stallion, who had teased the release yesterday on her Instagram.
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- 10/18/2019
- by Claire Shaffer
- Rollingstone.com
The sci-fi TV series has been co-created by Baltasar Kormákur and Sigurjón Kjartansson for Rvk Studios. Award-winning Icelandic filmmaker Baltasar Kormákur has announced via nordicfilmandtvnews.com the pre-production of the country’s first Netflix Original series, entitled Katla. The project, co-created with Sigurjón Kjartansson, will start principal photography in spring next year, and casting is already under way. The eight-episode sci-fi thriller series, penned in its entirety by crime writer and playwright Lilja Sigurðardóttir, screenwriter Davíð Már Stefánsson and show-runner Kjartansson, is set in Vik, a remote seafront village devastated by the eruption of a sub-glacial volcano, called Katla. One year later, the few remaining people manage to provide the necessary community service, and despite its magnificent location, the area turns out to be somewhat apocalyptic. Mysterious elements that had been hidden, frozen into the glacier from prehistoric times, start to emerge, with consequences no one could...
- 10/14/2019
- Cineuropa - The Best of European Cinema
Two guys, some guns, a suitcase full of cash and the open road: what could go wrong? Val Kilmer and Michael Madsen meet their match in Joanne Whalley Kilmer, a neo-noir bad news dame if there ever was one. The murderous melodrama stretches the length of Nevada; director John Dahl adds the cops and the Mob to his annihilating cocktail. Kill Me Again Blu-ray Olive Films 1989 / Color / 1:85 widescreen / 95 min. / Street Date March 22, 2016 / Starring Val Kilmer, Joanne Whalley-Kilmer, Michael Madsen, Jon Gries. Cinematography Jaques Steyn Film Editors Eric Beason, Frank Jiminez, Jonathan Shaw Original Music William Olvis Written by John Dahl, David W. Warfield Produced by Steve Golin, Sigurjon Sighvatsson, David W. Warfield Directed by John Dahl
Reviewed by Glenn Erickson
One of the best of the neo-noirs, Kill Me Again put director John Dahl on the map as a man to watch, much like Carl Franklin and the nervous mini-classic One False Move.
Reviewed by Glenn Erickson
One of the best of the neo-noirs, Kill Me Again put director John Dahl on the map as a man to watch, much like Carl Franklin and the nervous mini-classic One False Move.
- 3/22/2016
- by Glenn Erickson
- Trailers from Hell
“Money alone sets all the world in motion.”
—Publilius Syrus, Maxim 656
The desire for money, for personal gain or business interests, is a frequent catalyst for dramatic action in William Friedkin’s films. In The Night They Raided Minsky’s (1968), The French Connection (1971), Sorcerer (1977), The Brink’s Job (1978), Deal of the Century (1983), To Live and Die in L.A. (1985), Blue Chips (1994) and, more recently, Killer Joe (2011), the pursuit of money entails underhand tactics, struggle, betrayal and violence. Dollar bills are passed from one person to another, in plain view or sight unseen; or promised at the completion of a job; or seized, burned or spent. But the money always materializes again, somehow, coursing into the narrative economy and organizing social relations.
In a notable sequence in To Live and Die in L.A. we see this material created illegally, and witness its eruption and flow into the system. Friedkin here offers an...
—Publilius Syrus, Maxim 656
The desire for money, for personal gain or business interests, is a frequent catalyst for dramatic action in William Friedkin’s films. In The Night They Raided Minsky’s (1968), The French Connection (1971), Sorcerer (1977), The Brink’s Job (1978), Deal of the Century (1983), To Live and Die in L.A. (1985), Blue Chips (1994) and, more recently, Killer Joe (2011), the pursuit of money entails underhand tactics, struggle, betrayal and violence. Dollar bills are passed from one person to another, in plain view or sight unseen; or promised at the completion of a job; or seized, burned or spent. But the money always materializes again, somehow, coursing into the narrative economy and organizing social relations.
In a notable sequence in To Live and Die in L.A. we see this material created illegally, and witness its eruption and flow into the system. Friedkin here offers an...
- 4/22/2014
- by Yusef Sayed
- MUBI
If you’ve hunted around for movie bargains, you’ve probably seen some of Mill Creek Entertainment’s 50-Movie Packs on DVD. Apart from other great releases by Mill Creek, these packs are phenomenal boons to cinephiles looking to collect older titles.
There are three new packs available, and I want to not only let you in on a discount code, but I have one of the packs available for you to win.
I know a lot of people may be quick to overlook these packs, and not every movie included stands out as a major value, but there are some great titles in each of them, and fans of the genres will be pleasantly surprised by what they get out of the deal. I have to admit that there is something about seeing a 50-movie pack, especially when it doesn’t cost a couple of hundred dollars, or more,...
There are three new packs available, and I want to not only let you in on a discount code, but I have one of the packs available for you to win.
I know a lot of people may be quick to overlook these packs, and not every movie included stands out as a major value, but there are some great titles in each of them, and fans of the genres will be pleasantly surprised by what they get out of the deal. I have to admit that there is something about seeing a 50-movie pack, especially when it doesn’t cost a couple of hundred dollars, or more,...
- 5/10/2012
- by Marc Eastman
- AreYouScreening.com
"It's not uncommon for movies to drop out of circulation and simply disappear, as fans of Deep End will attest," begins Ryan Gilbey in the Guardian. "Barely seen since its release in 1971, the film concerns Mike (played by John Moulder-Brown), a floppy-fringed 15-year-old who becomes dangerously infatuated with Susan (Jane Asher), his co-worker at the public baths. What's unusual about this prolonged absence is that it should have befallen a film so passionately admired. The influential critic Andrew Sarris thought it measured up to the best of Godard, Truffaut and Polanski. The New Yorker's Penelope Gilliatt called it 'a work of peculiar, cock-a-hoop gifts.' If something as venerated as Deep End can sink, what hope for the rest of cinema?"
Some, at least. After all, Jerzy Skolimowski's film, kept off screens for decades due to rights issues, has been restored and will screen tomorrow night at London's BFI Southbank,...
Some, at least. After all, Jerzy Skolimowski's film, kept off screens for decades due to rights issues, has been restored and will screen tomorrow night at London's BFI Southbank,...
- 5/3/2011
- MUBI
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