User Reviews

The dull, gray story of a Dutch girl(with no accent, mind you)who gets lost in the jungles of Bachman's floral..err..Tanzania. She is found and taken in by the most multi-ethnic 'native tribe' that I've ever seen, including a woman who looks like she put on too much bronzer before she went on set. These people seem to think that she's some kind of 'White Goddess', which is weird since they call the two meaty, wooden white guys who appear to rescue her white devils. These dopes crash in the jungle while looking for this girl, because there's a reward for finding her. One of them, a psychotic with a stupid pencil moustache, pulls out a gun and starts shooting. He kills one of the warriors, and is promptly condemned to death. Which he deserves, but that wouldn't further the plot, would it?

Not that much does. There are long, dry conversations and some tepid flirting between the Goddess and the less looney of the two men, although he manages to patronize her like crazy. Actually, she had managed to hold off the tribe doing her in by keeping up the white goddess front for over six years, plus she learned their language and kept a witch doctor at bay. Sounds like a pretty strong, smart girl, which is why Chunky McWhitey's smug condescension is even more annoying.

They finally all run away together, although why they didn't leave the psycho Snidely Whiplash wannabee behind is beyond me. He eventually tries to kill both of them, and gets stabbed by a warrior after he kills yet another of the tribesmen by 'accident'. The two protagonists get in the plane and fly away, and the woman makes dreamy comments about how when she gets back to civilization she immediately wants to buy a hat. A hat!? Gimme a break, lady!

Wow, you'd think that even B movies would at least TRY to get the facts straight. There were quite a few things wrong with this one, but here were the most annoying for me:

1. Our heroes looking at African animals from the air with binoculars, yet when we are shown the "binocular" view, it's taken from ground level.

2. Huge airplane cockpits. 1940's airplane cockpits were incredibly cramped arrangements that were crammed with instruments, yet the cockpits shown here are massive, with not a dial, switch or gauge to be seen. Convenient for filming perhaps, but completely unreal. Not to mention planes that change models in mid-flight.

3. Indigenous species. The padding in this film included stock footage of the animals supposedly seen on the ground in Africa. These included a cougar and an orangutan, neither of which are native to Africa.

4. While the "Dutch", English-speaking "Jungle Goddess" of the title was in Africa, she taught a local African woman broken English. Yet when the woman spoke the broken English, it was with a Mexican accent. Riddle me that one, Batman!

This one was pretty bad all the way through, with two thoroughly unlikable and annoying male leads. And at just an hour long it still had 20 minutes of padding. If you've only got 40 minutes worth of script, you don't have enough of a story to even make a movie, so why try?

I can't figure out how anybody could make a comment saying they expected more out of the lead actors in this B-feature when the two male leads, George Reeves and Ralph Byrd, gave the exact same performances in this film as they did when playing "Superman" and "Dick Tracy," or any other role they played in their long careers. And the film was made for the express purpose of supplying mid-week and double-feature bill-of-fare for the several thousand small-town and side-street theatres in the U.S. that couldn't afford the rates charged on "The Snake Pit" ( a non-jungle jungle film), which is the one to watch if one is looking for "realism" from films released about the same dates in 1948. Evidently, the ability to look at a film within the context of when it was made and who it was made for---even a low-budget, credibility-lacking, poverty-row potboiler such as "Jungle Goddess"---doesn't exist among the majority of today's television viewers whose sense and understanding of history regarding movies and/or eras in history only dates back to the day-before-yesterday.

Of course, compared to most of the other 1948-produced films, it is a clinker and a clunker, but that is where the comparisons need to be made.

For plot researchers, this one has Greta Venderhorn (Wanda McKay), a young girl, as the only survivor of a plane crash in the "African" jungle at the beginning of World War II, and she is rescued by a tribe of "natives"---no more real than the people populating Camelot---who proclaim her as their "White Goddess." (Gracious, how un-PC.) Six years later, two ex-Army Air Corps pilots, Mike Patton (George "Superman" Reeves) and Bob Simpson (Ralph "Dick Tracy" Byrd), searching for the plane wreckage spot it, and land in an attempt to find the missing girl. It seems that Gloria's father's will stipulates that the person or persons that find his daughter, dead or alive, will receive a large reward.

Well, as fate and screenplay writer Joseph Pagnano would have it, they find the village and Gloria, and learn that she has had all she wants of playing Miss White Goddess of 1948, especially since her father's estate is not going to be depleted none too much by the payments of the reward, so she, Mike and Bob plan to escape and head back for civilization.

BUT...and a big but it is...one of the two men discovers that there is nearby a valuable deposit of ore, and he decides that he wants the ore and the reward and Gloria all to himself (no dummy, he), and conflict rears its ugly head, and the two male leads are soon scuffling on the plank floors of the rear-lot jungle set. Plus, the tribe witch doctor, Oolonga (Smoki Whitfield), isn't all that happy that these two intruders are making off with the White Goddess and the tribe's ore (even if the tribe didn't know they had some valuable ore and Wanama (Armida)is on hand to claim the title of Off-White Goddess with a Spanish accent) and Oolonga is pursuing their oom-gawa, bad-juju white butts with intent to punish. (Hey, lighten up, it's just a b-feature from the late 40's and a film of its time or, at least, the makers thought it was.)

Now, we wouldn't dare disclose whether "Superman" or "Dick Tracy" is the semi-bad and slightly misguided hero, who finally sees the light but catches a chukked spear and dies anyway, because that would be a bell-ringing, light-flashing, five-star SPOILER-SPOILER-SPOILER-SPOILER-SPOILER...for the few who aren't hip to 1940's cast-order listings.

Thats about the only point of interest of this turkey. To be honest, I've only seen the MST3K version, but it is still easy to deduce that this is a total clunker, with horrendous use of stock footage, dialouge that can induce a grand mal seizure, cheap, CHEAP cardboard back drops, and terrible acting all make this movie, one to avoid. Although, I do recommend watching the MST3K version.

What century was this film made in? The racial attitudes in this snooze-fest are unbelievable. Yeah sure. Any self-respecting black tribe in Africa will bow down at the first white person who walks along. Ridiculous.

There's very little plot here: Pilots look for girl, find her, try to escape. The end. For the life of me, I don't know why this film was made. There's absolutely no point, and it would fail as an action/adeventure film because there's so little action (and some pathetic insertions of stock footage).

I would expect better from the two lead actors.

I have seen well over a thousand 1930's, 1940's and 1950's B movies. So I find it quite amusing that the viewers of that junk series Mystery Science 3000 have made a public flogging of poor old Jungle Goddess. If you hate old films, why watch them? To make fun of them? Only the feeble minded look back at the past and go "Hardee-har-har look at how stupid they were." Film history is rich, rewarding and these old Saturday Matinée films can be lots of fun. This is a standard little B from the era that I quite enjoyed.

I suspect that the 200 ratings of 1 that this film has received are mostly from the same person. That seems to be a popular trend now on this site where a person gives multiple votes to warp the rating.

A couple of players known for portraying comic strip heroes George Reeves as Superman and Ralph Byrd as Dick Tracy play a pair of post World War II pilots who run a charter aviation company in Africa. Byrd sees a big opportunity now that the war is over for a big financial windfall if they can find a missing heiress alive or dead who was on a flight missing since the first day of World War II.

Wanda McKay turns out to be alive and living with a tribe where she's revered as a white goddess who healed the chief's daughter. That and the fact that blondes are scarce in the jungle make her an object of worship. Reeves and Byrd find her and after that they come to a parting of the ways.

Nothing much to recommend this film other than McKay's legs which are on ample display. She was a poor man's Betty Grable. As for Reeves and Byrd they act like a pair of idiots in heat, especially Byrd.

You'd better be a leg man to appreciate this turkey.

This film was featured on the comedy riffing show Mystery Science Theater 3000 and is one of the more dull films to be featured on the show. The number one is the time they did Hamlet. This one was done by Lippert who had many of his films featured on the show and are mainly known for being extremely short yet somehow full of nothing. Usually lots and lots of padding which is strange that he would feel the need to put so much filler in when his films were always generally so short. This one has a couple of stars of note, the one that is most recognizable to me is George Reeves best known as playing Clark Kent/Superman. Other than seeing him, there really isn't a lot else to comment on. The plot is a bore and most of the movie is spent inside native's huts as the characters talk about how to escape. Just not a lot to recommend here.

The story has a couple of guys who fly a plane going to search of an heiress despite the objections of one of the pilots (Reeve's character). The other pilot is a bit of a jerk and he becomes more unstable as the film moves on though. They fly and look through binoculars to find the missing plane and of course are capable of seeing animals from an on the ground perspective. They find the wreckage and then trek through the jungle where they encounter the natives and the jerk immediately gets on their bad side. Soon they will learn the fate of the heiress and have to plan an escape before it's too late!

This film did not make a particularly strong episode of MST3K. A few good Superman references and jokes here and there, but there simply was not enough substance to it. There was literally nothing going on through most of the very short running time of this one. Most of the film is the hero and heroine talking and then the hero and jerk punching each other. Add some stoke footage and some angry natives and that is that. The big escape took a whopping few minutes to complete.

So overall a very dull film that plays out like most Lippert films do. Though, honestly, King Dinosaur and a couple of the other ones are a bit more exciting than this one. This film with its plot would have thrived during the 70's and 80's, however. Look at Zombie Holocaust where a blonde is inexplicably sort of worshiped at the end and she gets nude. Just add cannibals or make it a soft core and this one would have had something to it. As is, a bore where people talk in between stock footage shots.

Note-Worthy Because the 2 Male Leads were None-Other than "TV Superman" (George Reeves) and "Dick Tracy" (Ralph Byrd).

Discovering the Lost in the Jungle "White-Girl", who Inevitably Becomes a "Goddess"...

Like Carl Denham Said on "Skull Island"..."Blondes are pretty scarce around here."

So, Wanda McKay, B-Movie-Babe who Made 59 Movie and TV Pictures in a Career from 1939-57. Ending with Roles in "The Lone Ranger" and "Cisco Kid" for Example.

She was a Good Looking Gal with "Legs" that Went All the Way Up and are On Constant Display,

in this Unfairly Eviscerated Show that is About Average in a Genre that Spans the History of Hollywood Hokum from the Silents Through the Mid-60's.

A Prime Example of its Brethren are the "Jungle Jim" Prolific Series that Starred Everyone's Favorite "Tarzan", Johnny Weissmuller,

when He Became too Old for the Role and Hung Up the Loin-Cloth in Exchange for a Safari-Helmet.

This is Neither Much Worse nor Better than Those "Forgiven" Back-Lot, Stock-Footage "Fillers".

Admittedly, Nothing Much Happens than a Few Gun-Shots and Numerous "Fisticuffs" over a Pistol, but it Fills the Running Time with a Chance for the 3 Actors to "Strut Their Stuff" for a Paycheck.

Mostly to the Delight of Kids that Ate This Stuff Up At a Saturday Matinee or On TV. It's Always been a Popular Escapist Format.

Another Embarrassment for those TV Ghouls that Poison the Minds of Movie-Buffs, Young and Old, by Making Fun of the Films that were and are Fun for a Lot of Fans.

They Should be Ashamed Cash-Grabbing on the Backs of B-Movies Cash-Grabbing, but with a Good-Time Presentation that Pleased a Lot of People.

"Jungle Goddess" is a Good-Time with the Right Attitude, to Forget Your Troubles and "Flashback" to a More Good-Natured Entertainment of Yesteryear.

Something that the Aforementioned "TV-B-Movie-Ghouls" are Definitely Not.

In this low rent adventure, two aviators search for a missing heiress who vanished in the African jungle at the onset of World War Two. Our intrepid explorers discover she is alive and well and is being viewed by the local natives as some kind of "white goddess".

Many of these old time, low rent, ludicrous jungle flicks are quite entertaining when viewed in the right frame of mind and if the films are lively. However, JUNGLE GODDESS is just bad. It has a few campy scenes, but overall it is very uneventful. About half the film consists of scenes of the lead characters sitting around inside a hut and talking. There is also an overlong and dull flashback sequence. I was disappointed that there was nothing that really stood out as vivid. This film lacks the elements of the type that sometimes make these silly little pictures entertaining; ludicrous native rituals, the heroine being carted off by a gorilla, hero battling with a stuffed lion etc.

A FEW NOTES: George Reeves made two cheap jungle pictures the same year. This and JUNGLE JIM, where he played the villain. The set used for the pub at the start of this film, looks like the one used in UNKNOWN ISLAND, made the same year.

If this film had at least a thousand votes, it would be on the IMDb Bottom 100! I don't find the film to be that awful...but it's still awful. It was at least nice to see a familiar face with George Reeves. Then again, I never watched the original "Superman" show. It's extremely boring and is mostly nothing but talk. There's a bunch of scenes of the two main characters fighting, usually for no reason. The special effects are just bad, as you can easily tell it's just nothing but a bunch of cheap stock footage of random animals. There is way too much exposition, as in way too much talking. In the end, the entire film is too boring and too pointless.

Maybe it was just the MST3K version, but the quality just seemed terrible. The shading was way off in this and it seemed like some vague blue color. It just wasn't pleasant to look at. It could have been dumber, but that's not saying much. *1/2.

In this dystopian time, I have not made a lot of good choices with all the time I have not been working, and one of the choices was to gang watch all the Mystery Science Theater 3000 episodes. This movie was one of the episodes. So, I watched it. When it was over, I stopped watching. I am sure things happened but all I remember was a Mexican girl who seemed to have a lesbian or bisexual relation with a white goddess while a bunch of Black guys were acting very black for even that time. Oh, and in the end, you get to see a weird plane moving so slowly that it violated several laws of physics at the same time. It is not worth watching even through the eyes of two robots. And be sure to vote. May as well. THE END

Show 203 of the popular Mystery Science Theater 3000. It's typical of many 40's Hollywood movies in which the white characters play God to the native Africans. Of course, the Africans with lines are played by white actors in dark makeup (sometimes in blackface.) It gets its proper roasting in MST3K.