The Bear and the Beavers (1942) Poster

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6/10
root for the beavers
SnoopyStyle2 May 2020
It's an MGM color cartoon by Rudolf Ising. Barney is an old bear who had built himself a cabin to spend the winter. He runs out of firewood and so he goes into the woods with an ax. He has many difficulties unlike the busy beavers who are much more in their elements. He decides to steal from the beavers and they're not too happy.

The bear is fine but I would have liked to have a voice go with the character. The only dialogue comes from a beaver saying Timber! The 'war' is not that inventive although it does end with a Defense Bond advertisement. If WW2 is the inspiration, the leads should be the beavers who are surprise attacked by the bear. Then the war would be more patriotic which is what the short is trying to do. It doesn't work if the audience is rooting for the bear and it doesn't work with the WW2 narrative.
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6/10
Proof that Rudolf Ising could make fun cartoons.
planktonrules3 May 2020
In the 1930s, Hugh Harmon and Rudolf Ising paired together to make a ton of truly insipid cartoons for Looney Tunes. The films, apart from being rather dull, had something else in common...they were sacchariney and filled with cutesy characters who love to sing. While this might have worked okay back in the 1930s, Looney Tunes took a huge shift when the pair left the studio....making much more edgy and funny cartoons. Gone were singing cuties and Bosco (one of their dullest stars)...in were the likes of Porky Pig and Bugs Bunny. Rudolf Ising went to MGM to make more cartoons and at first, they too, were kind of the sappy variety. Fortunately, they did get better....and "The Bear and the Beavers" is proof the man could make fun cartoons. He joined the likes of Hanna-Barbera (who specialized in the Tom & Jerry shorts) and Tex Avery (who simply made insanely strange and funny shorts) and remained there for a few years.

This cartoon stars Barney Bear....a character that Ising worked with frequently. Barney awakens mid-winter as he's run out of wood and his home is getting cold. So, he goes out to chop wood....and discovers the beavers' stash instead. Is Barney going to get away with stealing this or will the beavers get their revenge?

The cartoon is not insanely funny nor especially great....but it's NOT cutesy and there's no singing...a huge improvement over the 1930s shorts. Not a must-see film but a decent time-passer.
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6/10
The Beavers Get Busy
boblipton2 May 2020
Warning: Spoilers
Barney Bear settles into his self-built log cabin for his long winter's nap. However, when the wood box for his hand-crafted fireplace grows empty, he goes out to chop some more wood. While he is doing so, he spots some beavers doing likewise.... and they have a lot of wood.. At least, they do until they wake up and find it all gone. What will they do?

This is pretty near the tail end of Harman & Ising's releasing through MGM. Metro had found that its own, in-house production under Fred Quimby, was more efficient, produced regular Oscars, and, for my taste, snappier, funnier cartoons. Hamrman and Ising, despite the beautiful look of their cartoons, produced them a little too sentimental, a little too aimed at the kiddies and their grandmothers for my taste.

That said, this is a funny cartoon, with some nice gags and some good setpieces; the beavers looking like the famous painting "The Spirit of 1776" is a gag that I might have seen coming, but didn't.
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10/10
My sympathies are entirely with the beavers in this short (Spoilers of a sort)
llltdesq7 April 2005
Warning: Spoilers
This is a very well-animated and well-executed short that doesn't happen to be terribly funny in spots, particularly in the last half. I really have to discuss details to describe this, so be warned: here there be spoilers!

Barney Bear, a gruff and crusty character modeled on Wallace Beery, a star in the 1920s and 1930s, doesn't have enough firewood for the winter and about the only comic bits are his attempts to harvest wood on his own hook. He doesn't find much success in this endeavor. The beavers have had a good deal more success. So Barney decides they should share the wealth with him. A smart thief would take only a little wood. This does not cover Einstein Bear, who takes it ALL. He then leaves a trail that Pauly Shore could follow, puts enough wood on the fire that he risks engulfing his cabin in flames and settles down for a long winter's nap.

Enter beavers, who (strangely enough) notice their entire store of wood is gone, aren't too happy about this and find Barney's trail. Putting two and two together and getting the logical four, they start work. They take not only THEIR wood, but Barney's cabin into the bargain. Interest on the wood he "borrowed", I'd venture to guess. Not a very funny cartoon, but I love the animation and the final scenes. Too bad it isn't in print. I'd buy a Barney Bear collection on DVD for this, Rookie Bear and Barney Bear's Victory Garden singly or as a group. Most recommended.
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8/10
Beaver time with Barney Bear
TheLittleSongbird2 November 2017
While not one of my favourite cartoon characters, Barney Bear was a very funny and likable character where his sluggishness was a huge part of his charm. He was also interesting for being modelled on both his creator Rudolf Ising (who also was his first voice actor until 1941) and the mannerisms of Wallace Beery.

To me, the early Barney Bear cartoons are among Ising's better cartoons. The same goes to 'The Bear and the Beavers', which may not be one of Barney's best or funniest efforts but it is very hard to dislike. It may be slight and there are funnier Barney cartoons, for Barney it's a comparatively serious effort in the latter half in particular. Generally 'The Bear and the Beavers' is like the other Ising-directed Barney cartoons in general, pretty much everything is well executed but it doesn't blow the mind.

Barney's personality again is very well established and he proves again why he was deserving of his own series and it was sad he didn't last longer. The animation is colourful and beautifully drawn with fluid movements and meticulous attention to detail. The amount of detail given to Barney's character design was incredibly and it was a shame that it became simplified later on and lost its special uniqueness.

Music, courtesy of Scott Bradley, is lushly and cleverly orchestrated, with lively and energetic rhythms and fits very well indeed, even enhancing the impact of actions and gestures. It's charming, has some silly chuckles and is paced beautifully.

While all is done well, the scene-stealing beavers are particularly good and one does feel sympathy for them.

All in all, doesn't blow the mind but very nice to watch. 8/10 Bethany Cox
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