Tarnished Angel (1938) Poster

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6/10
Excellent -- All Things Considered
Handlinghandel16 April 2006
This was clearly made on a fairly low budget. Its director was certainly competent but not a distinguished one. When one thinks dark and murky, do the words Ann Miller come to mind? When one thinks star of movie about bad girl who tries a sham evangelist routine does Sally Eilers appear anywhere in the top 25 choices for this time period? Yet, Eilers is convincing. Miller is fine. The male performers are forgettable but adequate. And the mood it creates is on-target and chilling.

Had this come out a few years later, it would qualify as a film noir. The characters are hard-boiled. Eilers tries to dupe kindhearted society matron Alma Kruger. The children's hospital founded and operated by Kruger, which touches Eilers, is a precursor to the plot of "The Naked Kiss," which came almost three decades later.

This dark little movie is well worth a look.
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6/10
B-movie with Sally Eilers similar to Barbara Stanwyck's "Miracle Woman"
jacobs-greenwood18 October 2016
Warning: Spoilers
Directed by Leslie Goodwins, with a screenplay by Jo Pagano from Saul Elkins's story and adaptation, this interesting B movie drama is somewhat similar to The Miracle Woman (1931) and other (later) films of the kind. It begins with the introduction of several 'shady' characters, and the law, and then features a compelling performance from Sally Eilers, in the title role, as a phony evangelist who changes. Lee Bowman, Ann Miller (who sings a song and later dances, briefly), Alma Kruger, Paul Guilfoyle, Jonathan Hale, and Vinton Haworth also play key roles. Cecil Kellaway and Byron Foulger also play small, but significant cameo parts.

The story begins in a New York nightclub which also has an illegal gambling operation going on in its backroom. Violet McMaster (Miller) is the legitimate club's singer and her boyfriend Eddie Fox (Guilfoyle) is the quasi-bouncer who "guards" the door between the club's two halves. Carol Vinson (Eilers) is one of the gambling establishments "hostesses", whose job it is to distract its patrons judgment, or at least entertain them so they don't mind losing their money. Kellaway plays one such gambler, Reggie Roland, who's evidently also an important man about town. Carol had been briefly engaged to a drunken jobless playboy Paul Montgomery (Bowman), but his wealthy father paid her off, so she jilted him on what was to be their wedding day.

While the casino's owner Checkers (Robert Gleckler, uncredited) is paying $12,000 for and accepting stolen jewelry from Dandy Bennett (Haworth, as Jack Arnold), Carol enters Checkers's office to warn him of a pending raid by Detective Cramer (Hale) and his men. All the principals are then able to escape, with Carol using Reggie dressed as Checkers to lead Cramer astray. By helping to make the police force become the laughing stock of the city, and the country, Police Chief Thomas (Robert Middlemass, uncredited) bumps Cramer down to Sergeant.

Carol, Violet, and Eddie leave town and try to make a living elsewhere, with Eddie trying to manage a dancing gig for Vi, but revenge driven Cramer dogs their trail, keeping them from finding legitimate work. Nearly penniless and hungry, the three venture into a mission where coffee and donuts will be served after the preacher's oratory.

After the 90 minute sermon, Carol witnesses the passing of the plate and gets the idea to transform herself (going from a brunette to a blonde) into 'Sister Connie'. Somehow, they're then able to (scrape up the money to) stage a revival meeting with Carol as evangelist Sister Connie but, after counting their proceeds and deducting their expenses, they only make five dollars. Carol decides they need more showbiz to succeed and so, for her next performance, Sister Connie helps a planted, fake crippled man (Barry Macollum, uncredited) to walk. This show is much more successful, so she and Violet and Eddie take their show on the road, and the money pours in.

Unfortunately, publicity about Sister Connie's abilities leads to a society columnist's observation that the evangelist strikes a remarkable resemblance to the formerly notorious Carol Vinson, which brings both Sergeant Cramer and Paul to Sister Connie's next performance. Before the show, Eddie sees Cramer telling an unknown woman within a delegation of clergyman about the Sister's true identity. Though he's unable to warn Carol before she's takes the stage, she sees Cramer in the audience just as she's begun such that she changes her normal "speech" to one about her own transformation, pointing to Cramer as one who can verify her legitimacy. She even pledges to give 80% of that night's proceeds to a worthy charity, which turns out to be a children's hospital whose chief benefactor is the unknown woman, philanthropist Mrs. Harry Stockton (Kruger).

Afterwards, Mrs. Harry Stockton, who'd been suitably impressed by Sister Connie, believing her to be authentic and genuine, invites Carol and her friends Eddie and Vi to dinner and, later, to stay at her country estate.

After seeing the children's hospital, Carol is touched and affected by the experience. About this time, she sees Paul again. He's now working a simple steady low paying laborer's job, but he thanks her for prompting him into it, and his sobriety, because he's never been happier.

Later, Dandy arrives on the scene and tells her that Mrs. Stockton has a valuable piece of jewelry, a necklace that's worth $100,000. Feeling that she's through with the evangelist sham, she agrees to help him steal it. Once everything has been arranged, Dandy has a duplicate necklace made to substitute for the real thing, Sister Connie has to give one last performance (for no apparent reason). But the fake cripple that Dandy had arranged for the show can't make it, unbeknownst to Carol but, as Sister Connie, she actually preaches enough about faith and belief in one's self to enable a real cripple in the audience (Foulger) to walk! When Carol learns about what she's done, she's stunned.

Later, at Mrs. Stockton's home, Carol is asked to perform the feat again for one of the children. Though she doesn't believe she can do it, she tries and fails. Meanwhile, Eddie was helping Dandy with the exchange, about which he, Vi, and Carol had been having second thoughts. In fact, after the failure, Carol proclaims that she's a fake and shouts, in front of everybody in the home, that she was in cahoots to rob Mrs. Stockton of her necklace.

About this time, Dandy comes out from behind the curtain in the room's doorway holding a gun but, before anything else can happen, Cramer then comes out from behind another. Dandy is arrested but Cramer, having heard everything, lets Sister Connie go, stating that he'd told his chief that Carol Vinson was dead. Naturally, Paul and 'Connie' will get together too.
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7/10
Compelling expose of fake evangelist perked by Miller song and dance.
BrentCarleton17 July 2007
Sally Eilers proves genuinely convincing as a woman who poses as a Protestant faith healer in order to dupe a gullible public. To this end, she fills theaters with a ticket buying public by affecting Kathryn Kuhlman style robes and hieratic mannerisms, which reach their emotional pitch when her "stooge" rises up and walks.

Her plans go awry, however, when her better nature becomes emotionally involved in the life of a rich benefactress, and it is she herself, who is exposed. The film's most gripping moment comes when Miss Eilers desperately tries to actually make a crippled child walk.

Ann Miller, playing a nightclub chanteuse, (at age 15!), opens the film with a beautifully delivered swing song, "It's the Doctor's Orders" that demonstrates even at this young age, that she possessed oodles of showmanship and a fine singing voice. Her fans will not be disappointed in the one dance she is allotted either.
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6/10
Redemption
boblipton6 August 2020
Sally Eilers is a tough girl, on her own since she was 15. Lee Bowman wants to marry her, but she's just gotten a check from his father, so she blows town with companions Edward Norris and Ann Miller before detective Jonathan Hale can arrest them. Looking for a free cup of coffee, they attend a tent revival meeting. Norris and Miss Miller are bored, but Miss Eilers sees a great new racket.

It's a tale of redemption, with Miss Eilers' character modeled on Aimee Semple MacPherson; her clothes are based on the televangelist's costumes. It's a tightly repressed movie, an attempt to recharge Miss EIlers' career with some interesting casting against type. Despite some interesting attitudes about redemption, however, the movie, while always watchable, doesn't quite work. Miss Eilers lacks the presence, and despite some concessions to the leads' specialties -- Miss Miller does a terrific tap number early on -- it never exceeds being a very watchable little programmer. I expect that at 67 minutes, editor Desmond Maruquette was ordered to trim tightly to bring it down to second feature length.
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Taglines told all.
horn-510 June 2001
One didn't have to pay the admission price to this film in 1938 to know all about the plot, and if all of the posters were read before entering,there wasn't much chance of getting surprised i.e,; Sensational Expose of "Miracle Racket." Thrilling drama of show girl who turned "revivalist" for money gives inside stuff on phoneys. Fake evangelism exposed in a sensational story of Crime and Faith. She Lived A Scarlet Lie! Broadway show girl becomes revivalist..in a drama of night clubs and camp meetings that packs a mighty heart wallop. (and for those who couldn't guess the ending); She laughed at "suckers" who fell for her "line"...and fell herself for the oldest "line" of all. Monogram and PRC had better ideas regarding taglines on their posters; write something enticing that had nothing at all to do with the film being shown.
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7/10
a YOUNG ann miller in an okay film
ksf-212 April 2016
Warning: Spoilers
Thar be minor spoilers ahead. Apple pie, chevrolet, and Ann Miller. In one of her earlier credited roles. Was she really only 15 years old in this? She looked like she was 25 or 30. And the trivia on IMDb describes her as spiritual and dabbling in psychic phenomena. Ironic that the plot of this story involves spirituality and psychic phenomena. And such a complicated plan to steal the necklace. Seems overly complicated. Everyone does a fine job, but it's kind of a (short) snoozer. Sally Eilers is "Sister Connie", the faith healer who will distract the rich lady while they steal her necklace. And the ending is a bit unrealistic... not to give too much away, but she was just as guilty as everyone else. Directed by Leslie Goodwins. Not a lot of info on him in IMDb or wikipedia, but one of his shorties "Dummy Ache" was nominated for best short film. "Angel" is pretty okay, but nothing real special. Only 55 votes so far, so TCM must not show this one very often.
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4/10
The Revival Racket
bkoganbing5 August 2020
Nightclub entertainers Sally Eilers, Paul Guilfoyle, and Ann Miller elude a nightclub raid and become the special project of Detective Jonathan Hale. Failing to find work they end up at a revival meeting of Earl Hodgins where Eilers is convinced there's a better way to work this game. So the former Broadway chorus girl becomes a regular Aimee Semple McPherson, a regular Tarnished Angel.

Of course with the Code now firmly in place there were now certain parameters that dictated how the plot would go. Our three miscreants try to be bad but can't help being good. In fact Jonathan Hale makes a career bust and his good name is restored.

The pre-Code <iracle Woman was a lot better with the same subject matter though Ann Miller has a nice dance number.
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8/10
faith and money
RanchoTuVu12 April 2007
Warning: Spoilers
A pretty good movie, all things considered, with a can't-miss story (at least for me) that includes old-time revivalism and faith healing. Plus the cinematography by Nicolas Musuraca certainly helps make the lack of a budget look better. Sister Connie (Sally Eilers) is a fake faith healer who gets religion so to speak when she gets involved in a plot to rip off a wealthy matron of her diamond and emerald necklace. But Connie can't quite carry it through because she goes soft-hearted for the poor Depression era child polio victims at the sanitarium that the matron has established and wants her to eventually run. The story is kind of run-of-the-mill but there are a few great scenes involving faith-healing that are loaded with a kind of 30's era drama that appeals even up to today on several levels.
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8/10
I might have given it a 9...but the ending was a tad disappointing.
planktonrules6 August 2020
There's a context to "Tarnished Angel" that many folks today might miss. In the 1920s, the biggest traveling evangelist was Aimee Semple McPherson. She was HUGE but ultimately many folks came to doubt her sincerity and allegations of all sorts of naughty behaviors reduced much of her fame and public adoration. As a result, a few years later, Frank Capra and Barbara Stanwyck made "The Miracle Woman" (1931)...an exposee of a lady evangelist who was in reality a fake. It was obviously modeled after McPherson, but for legal reasons they denied it was a veiled biography of her and her work.

In addition to this influence, I think the early Claude Rains film, "The Clairvoyant" (1935) must have influenced the writing of "Tarnished Angel". Rains plays a fake mentalist who, inexplicably, develops the real ability to tell the future...which horrified him when he saw death in some of his patrons! This sort of revelation is important to "Tarnished Angel".

"Tarnished Angel" begins with a police raid on a gambling clip joint. Carol (Sally Eilers) manages to escape and the man behind the raid is intent on catching her one day, as she is a crook. Later, Carol attends an evangelistic meeting just for the free food. After all, she is really down and out. But the meeting gives her the idea to reinvent herself....posing as a fake miracle worker who can heal the sick. Not surprisingly, she pays shills to pretend to be disabled and in the meetings she 'heals' them! But 'Sister Connie' is no dummy and soon is able to gain respectability...and even admits in one of her meetings that she was once a 'bad girl' named Carol! This fake sincerity act works like a charm....and soon all sorts of people believe in her and her cause....except for that cop who knows what sort she really is. Where does all this go next? See the film.

While the film did pull its punches at the end, this is an excellent B-movie. While the budget was relatively low, the actors mostly second-tier and the running time just over an hour (all hallmarks of a B), it is far better than you'd expect. It also is rather timeless, as the story, sadly, isn't so unusual today with some very famous fake faith healers being exposed in recent years.

By the way, the word 'cripple' is used a lot. Of course it's not politically correct to say that...but crooks would use words like that, so it added to the realism.
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