Get in touch to send in cinephile news and discoveries. For regular updates, sign up for our weekly email newsletter and follow us @NotebookMUBI.NEWSGuy Maddin’s next film, Rumours, recently wrapped production in Hungary. The ensemble piece is led by Cate Blanchett and Alicia Vikander, who play world leaders who end up stranded in a forest during the annual G7 summit. Maddin has shared a breathless, spoof press release (below) announcing the film, describing the project as “an elevated dramedy and erotico-political threnody cum sylvan moodbank.”Paul Thomas Anderson is also at work on something new. So far, all we know is that his project is set in the present day and will star Leonardo DiCaprio, Sean Penn, and Regina Hall. Production begins in California later this year.Recommended VIEWINGOne of the most exciting rediscoveries of the 2023 Il Cinema Ritrovato festival was the restoration of David Schickele’s Bushman...
- 1/17/2024
- MUBI
It’s great to be Cate. When “Tar” was announced as one of the 2023 Oscar nominees for Best Picture on January 24, it secured Cate Blanchett a record 10th appearance in movies nominated for the Oscars’ top prize. That ties Blanchett with Leonardo DiCaprio and Jack Nicholson for having appeared in the second-most Best Picture nominees in history behind only Robert De Niro, who has been credited with starring in 11 Best Picture nominees.
The caveat: Actor Ward Bond appeared in 13 films that were nominated for Best Picture, but he was uncredited as a performer in a number of the projects. His roster of Best Picture nominees, however, included “Arrowsmith” (1931/32), “Lady for a Day” (1933), “It Happened One Night” (1934), “Dead End” (1937), “You Can’t Take It with You” (1938), “Gone with the Wind” (1939), “The Grapes of Wrath” (1940), “The Long Voyage Home” (1940), “The Maltese Falcon” (1941), “Sergeant York” (1941), “It’s a Wonderful Life” (1946), “The Quiet Man” (1952), and “Mister Roberts” (1955).
Back to Blanchett.
The caveat: Actor Ward Bond appeared in 13 films that were nominated for Best Picture, but he was uncredited as a performer in a number of the projects. His roster of Best Picture nominees, however, included “Arrowsmith” (1931/32), “Lady for a Day” (1933), “It Happened One Night” (1934), “Dead End” (1937), “You Can’t Take It with You” (1938), “Gone with the Wind” (1939), “The Grapes of Wrath” (1940), “The Long Voyage Home” (1940), “The Maltese Falcon” (1941), “Sergeant York” (1941), “It’s a Wonderful Life” (1946), “The Quiet Man” (1952), and “Mister Roberts” (1955).
Back to Blanchett.
- 1/28/2023
- by Christopher Rosen
- Gold Derby
Conrad Nagel, the handsome matinee idol and co-founder of the Academy Motion Picture Arts & Sciences was the host of the fifth annual Academy Awards on Nov. 18, 1932. The evening marked Nagel’s second stint at Oscars host; the then-academy prez had hosted the festivities two years earlier. He turned on the charm in his sophomore outing at the glamorous banquet at the Fiesta Room of the Ambassador Hotel honoring films released between Aug. 1, 1931 and July 31, 1932. (Nagel would later co-host the first televised Oscars with Bob Hope in 1953.)
Eight films vied for Best Picture: John Ford’s medical drama “Arrowsmith”; Frank Borzage’s marital drama “Bad Girl”; Mervyn LeRoy’s examination of tabloid journalism “Five Star Final,” Edmund Goulding’s stylish drama “Grand Hotel”; Ernst Lubitsch’s pre-Code musical comedies “One Hour with You” and “The Smiling Lieutenant”; and Josef von Sternberg’s luscious pre-Code melodrama “Shanghai Express,” starring his muse Marlene Dietrich.
Eight films vied for Best Picture: John Ford’s medical drama “Arrowsmith”; Frank Borzage’s marital drama “Bad Girl”; Mervyn LeRoy’s examination of tabloid journalism “Five Star Final,” Edmund Goulding’s stylish drama “Grand Hotel”; Ernst Lubitsch’s pre-Code musical comedies “One Hour with You” and “The Smiling Lieutenant”; and Josef von Sternberg’s luscious pre-Code melodrama “Shanghai Express,” starring his muse Marlene Dietrich.
- 2/23/2022
- by Susan King
- Gold Derby
Cate Blanchett failed to land among this year’s nominees in the Best Supporting Actress race, but the two-time Oscar winner made history anyway with the 94th Academy Awards nominations. By starring in two Best Picture nominees, “Don’t Look Up” and “Nightmare Alley,” Blanchett has been credited in nine movies nominated for the Oscars’ top picture prize. That makes her the only actress ever credited in that many Best Picture nominees, surpassing a record previously held by Olivia de Havilland.
Blanchett’s first role in a Best Picture nominee came for “Elizabeth,” the 1998 film that also gave Blanchett her first Best Actress nomination. Her other Best Picture nominees before this year included all three films in the “The Lord of the Rings” trilogy, “The Aviator”, “Babel,” and “The Curious Case of Benjamin Button.” The twosome of “Don’t Look Up” and “Nightmare Alley” marks the first time Blanchett has appeared in...
Blanchett’s first role in a Best Picture nominee came for “Elizabeth,” the 1998 film that also gave Blanchett her first Best Actress nomination. Her other Best Picture nominees before this year included all three films in the “The Lord of the Rings” trilogy, “The Aviator”, “Babel,” and “The Curious Case of Benjamin Button.” The twosome of “Don’t Look Up” and “Nightmare Alley” marks the first time Blanchett has appeared in...
- 2/10/2022
- by Christopher Rosen
- Gold Derby
Before Steven Tyler and Joe Perry became the “Toxic Twins,” they were merely intoxicated. On a newly unearthed demo tape, which is coming out with the regrettably punny title The Road Starts Hear, that Aerosmith cut in 1971 — two years before releasing their self-titled debut — the band sounds loose and lubricated on embryonic versions of “Dream On,” “Mama Kin,” and other ditties they would be performing live for the next 50 years. It’s at once both a sonogram of the band as journeymen and a testament to the vision they had early on,...
- 11/24/2021
- by Kory Grow
- Rollingstone.com
Ronald Colman: Turner Classic Movies' Star of the Month in two major 1930s classics Updated: Turner Classic Movies' July 2017 Star of the Month is Ronald Colman, one of the finest performers of the studio era. On Thursday night, TCM presented five Colman star vehicles that should be popping up again in the not-too-distant future: A Tale of Two Cities, The Prisoner of Zenda, Kismet, Lucky Partners, and My Life with Caroline. The first two movies are among not only Colman's best, but also among Hollywood's best during its so-called Golden Age. Based on Charles Dickens' classic novel, Jack Conway's Academy Award-nominated A Tale of Two Cities (1936) is a rare Hollywood production indeed: it manages to effectively condense its sprawling source, it boasts first-rate production values, and it features a phenomenal central performance. Ah, it also shows its star without his trademark mustache – about as famous at the time as Clark Gable's. Perhaps...
- 7/21/2017
- by Andre Soares
- Alt Film Guide
Teresa Wright-Samuel Goldwyn association comes to a nasty end (See preceding post: "Teresa Wright in 'Shadow of a Doubt': Alfred Hitchcock Heroine in His Favorite Film.") Whether or not because she was aware that Enchantment wasn't going to be the hit she needed – or perhaps some other disagreement with Samuel Goldwyn or personal issue with husband Niven Busch – Teresa Wright, claiming illness, refused to go to New York City to promote the film. (Top image: Teresa Wright in a publicity shot for The Men.) Goldwyn had previously announced that Wright, whose contract still had another four and half years to run, was to star in a film version of J.D. Salinger's 1948 short story "Uncle Wiggily in Connecticut." Instead, he unceremoniously – and quite publicly – fired her.[1] The Goldwyn organization issued a statement, explaining that besides refusing the assignment to travel to New York to help generate pre-opening publicity for Enchantment,...
- 3/11/2015
- by Andre Soares
- Alt Film Guide
Schoolgirl Zoë Smith was penning lucid movie reviews back in 1932, and when our veteran film critic retired, she sent him her work. He was so impressed, he drove to her home to meet her
A few months ago a rather special present arrived on my 80th birthday, my final day as film critic of the Observer. It was a small, lined notebook, seven by four-and-a half inches. On the first page was a drawing of the matinee idol Clive Brook under the title "Film Criticisms 1932". It had been sent from south London by the 97-year-old Zoë Di Biase. She'd been a regular Observer reader since the age of 18, she said, and this was a gift to mark my retirement. "I've always enjoyed the cinema and you were a great follow-on to CA Lejeune," she wrote, referring to my predecessor who was this paper's critic from 1928 to 1960. "Turning out the other day,...
A few months ago a rather special present arrived on my 80th birthday, my final day as film critic of the Observer. It was a small, lined notebook, seven by four-and-a half inches. On the first page was a drawing of the matinee idol Clive Brook under the title "Film Criticisms 1932". It had been sent from south London by the 97-year-old Zoë Di Biase. She'd been a regular Observer reader since the age of 18, she said, and this was a gift to mark my retirement. "I've always enjoyed the cinema and you were a great follow-on to CA Lejeune," she wrote, referring to my predecessor who was this paper's critic from 1928 to 1960. "Turning out the other day,...
- 12/29/2013
- by Philip French
- The Guardian - Film News
There are few things in this world more warm and cozy than digging into a humanistic John Ford picture. Few things more downright entertaining. I’m inclined to call Ford my favorite filmmaker of all time, if I felt it necessary to make such distinctions. Steamboat Round the Bend was to be, for all intents and purposes, a minor Ford experience for me; a film one watches when they’ve run out of the “better” Ford and wanna see what else he made in between and around Stagecoach and The Searchers. Steamboat Round the Bend came four years prior to Stagecoach – the film inevitably referred to as more or less the starting point of Ford’s lucrative Western stint and, more egregious and wrongheadedly, when he started to get “good”. Not only had he made good films before Stagecoach, he’d made better films Than Stagecoach before Stagecoach. He’d...
- 1/5/2013
- by Chris Clark
- SoundOnSight
Ronald Colman, Jane Wyatt, Lost Horizon Ronald Colman on TCM: Random Harvest, Kiki, A Tale Of Two Cities Schedule (Et) and synopses from the TCM website: 6:00 Am Lucky Partners (1940) Two strangers who share a sweepstakes ticket take it on the lam. Dir: Lewis Milestone. Cast: Ronald Colman, Ginger Rogers, Jack Carson. Bw-99 mins. 7:45 Am My Life With Caroline (1941) A man thinks his high-spirited wife is cheating on him. Dir: Lewis Milestone. Cast: Ronald Colman, Anna Lee, Charles Winninger. Bw-81 mins. 9:15 Am The White Sister (1923) Thinking her lover was killed in the war, a young woman becomes a nun. Dir: Henry King. Cast: Lillian Gish, Ronald Colman, Gail Kane. Bw-135 mins. 11:30 Am Kiki (1926) A Parisian dancer vies with a glamorous actress for a producer's heart. Dir: Clarence Brown. Cast: Norma Talmadge, Ronald Colman, Gertrude Astor. Bw-97 mins. 1:30 Pm Raffles (1930) A distinguished British gentleman hides his true...
- 8/4/2011
- by Andre Soares
- Alt Film Guide
The Smiling Lieutenant (Ernst Lubitsch) City Lights (Charlie Chaplin) Tabu (F.W. Murnau & Robert Flaherty) Street Scene (King Vidor) Dishonored (Josef von Sternberg) The Champ (King Vidor) The Struggle (D.W. Griffith) The Criminal Code (Howard Hawks) Arrowsmith (John Ford) An American Tragedy (Josef von Sternberg) The Skin Game (Alfred Hitchcock) Private Lives (Sidney Franklin) Wicked (Allan Dwan) Bad Girl (Frank Borzage) Chances (Allan Dwan) The Miracle Woman (Frank Capra) Girls About Town (George Cukor) Frankenstein (James Whale) The Public Enemy (William Wellman) Seas Beneath (John Ford) The Yellow Ticket (Raoul Walsh) Tarnished Lady (George Cukor) The Guardsman (Sidney Franklin) Dirigible…...
- 2/18/2011
- Blogdanovich
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