There's frustration thrown 'Golden Years' way because it doesn't spell things out. As the law, real life tell us everything isn't always airtight. Customary suspects are here per usual, but it's clear what the real story is. People should be less upset about it not being cut 'n dry and acknowledge that in a roundabout way the lack of real justice at the end shows how little society cares about old people.
Mildred Bauer an elderly lady in failing health is found deceased and cause of death is ruled starvation. Enter granddaughter Laura (Julie Dretzin) who's law school is being paid for amongst other financial favors. Soon the lies, suspect decisions amount to a mole hill. She takes the stand in her own defense and presents a picture of a caring family member. A piece of evidence gained last minute casts more shade on her character. Suddenly a religious component is introduced to explain that Mildred herself wanted to die without any collaboration to the fact and Laura was just ceding her wishes.
The only problem I had with 'Golden Years' was the phony way Stone (Moriarty) & Kincaid (Hennessy) waiver near the end on Laura's guilt. Remind me to toss away my conscious, lie repeatedly to an elderly family member to gain favor. Then put them behind lock & key and wait for the financial windfall to come my way. When confronted with my series of suspect decisions by the legal system, I'll claim they wanted to die. Pull out some religious, suicide rhetoric as a defense. This episode works on your emotions - perhaps not as intended - but that alone makes it worth a view.
Mildred Bauer an elderly lady in failing health is found deceased and cause of death is ruled starvation. Enter granddaughter Laura (Julie Dretzin) who's law school is being paid for amongst other financial favors. Soon the lies, suspect decisions amount to a mole hill. She takes the stand in her own defense and presents a picture of a caring family member. A piece of evidence gained last minute casts more shade on her character. Suddenly a religious component is introduced to explain that Mildred herself wanted to die without any collaboration to the fact and Laura was just ceding her wishes.
The only problem I had with 'Golden Years' was the phony way Stone (Moriarty) & Kincaid (Hennessy) waiver near the end on Laura's guilt. Remind me to toss away my conscious, lie repeatedly to an elderly family member to gain favor. Then put them behind lock & key and wait for the financial windfall to come my way. When confronted with my series of suspect decisions by the legal system, I'll claim they wanted to die. Pull out some religious, suicide rhetoric as a defense. This episode works on your emotions - perhaps not as intended - but that alone makes it worth a view.