Saw this at the Movies That Matter 2024 filmfestival in The Hague. Lots of issues pass by in this story. Women who return after having lived years under ISIS are not always accepted by their original society, for two reasons. (1) They are generally converted (forcefully, but still) to Islam, something in their (Yazidi) beliefs you cannot simply shake off. (2) Children who came forth from their life within ISIS, are separated from their natural mother and she cannot keep them with her. Such obstacles result in alienating these women from their hometown and their own people, depriving them from a useful future. What are these women to do??
Apart from that, when trying to get these women back, it proves very difficult to find them. They usually receive new names, thereby destroying all traces back to their original life. Also, they are often sold more than once, so following their tracks is far from trivial. So-called rescuers are needed as an intermediary. We see part of this demonstrated when searching for Mediha's lost brother. Eventually they find him in Turkey, where his current "parents" are willing to give him away when granted amnesty for their ISIS misdeeds. His return is not easy for him, however, as he seriously misses his "mother". He weeps all day long while suffering homesickness. For him, this homecoming, albeit happy for the family wanting him back, works out as a stressful event. Understandably, he cannot see the big picture and cannot realize this new family is his actual natural family. Moreover, he must unlearn Turkish too, an extra complication in communicating with him.
Another angle is prosecuting the ISIS-men who stole these women from their home in the first place, forcing them into slavery, and even selling them to other men within ISIS. Some numbers were reported about cases where it was possible to identify the men in question. Alas, it was a disappointingly low number (say a handful in total). In other words, another avenue without success.
Finally, the women in question usually don't talk freely about their experiences, mostly due to commonly untreated and ignored PTSS. The main protagonist in this movie was relatively unique, being able to speak about what happened, in fact a rare example. She was able to pinpoint her captor within a long series of photos shown to her, a tedious session but it had to be done as starting point for the search. Not all women can endure this, without getting overwhelmed by emotions or PTSS.
All in all, a solid and multi-facetted overview to demonstrate the difficulties in this field. Undoing the wrongs involved, is met with very many obstacles, not alone for practical reasons but also because of cultural and religious principles. The movie's urgent message shows clearly that solutions are far away.
Apart from that, when trying to get these women back, it proves very difficult to find them. They usually receive new names, thereby destroying all traces back to their original life. Also, they are often sold more than once, so following their tracks is far from trivial. So-called rescuers are needed as an intermediary. We see part of this demonstrated when searching for Mediha's lost brother. Eventually they find him in Turkey, where his current "parents" are willing to give him away when granted amnesty for their ISIS misdeeds. His return is not easy for him, however, as he seriously misses his "mother". He weeps all day long while suffering homesickness. For him, this homecoming, albeit happy for the family wanting him back, works out as a stressful event. Understandably, he cannot see the big picture and cannot realize this new family is his actual natural family. Moreover, he must unlearn Turkish too, an extra complication in communicating with him.
Another angle is prosecuting the ISIS-men who stole these women from their home in the first place, forcing them into slavery, and even selling them to other men within ISIS. Some numbers were reported about cases where it was possible to identify the men in question. Alas, it was a disappointingly low number (say a handful in total). In other words, another avenue without success.
Finally, the women in question usually don't talk freely about their experiences, mostly due to commonly untreated and ignored PTSS. The main protagonist in this movie was relatively unique, being able to speak about what happened, in fact a rare example. She was able to pinpoint her captor within a long series of photos shown to her, a tedious session but it had to be done as starting point for the search. Not all women can endure this, without getting overwhelmed by emotions or PTSS.
All in all, a solid and multi-facetted overview to demonstrate the difficulties in this field. Undoing the wrongs involved, is met with very many obstacles, not alone for practical reasons but also because of cultural and religious principles. The movie's urgent message shows clearly that solutions are far away.