What the hell is that "Carnival of Colors" on Douban, the director of the 1935 film was Tarkovsky, born in 1932.
Tarkovsky's real nominal debutante is a far cry from the other master's earlier film, The Killer, which seems to have set a different style from the start. But this Tarkovsky without his later that the style of the scene shaping, on the contrary, quite a kind of Hollywood in that era of student work. But the audio-visual does have some aura, especially the fat man on the bed part especially has the style of Tarkovsky's kind of subtle mature dialogues.
The ending and some of the shaping is subtle, but not in Tarkovsky's style. Very strange lag, feels like 16 fps.
Tarkovsky's real nominal debutante is a far cry from the other master's earlier film, The Killer, which seems to have set a different style from the start. But this Tarkovsky without his later that the style of the scene shaping, on the contrary, quite a kind of Hollywood in that era of student work. But the audio-visual does have some aura, especially the fat man on the bed part especially has the style of Tarkovsky's kind of subtle mature dialogues.
The ending and some of the shaping is subtle, but not in Tarkovsky's style. Very strange lag, feels like 16 fps.