A rare film which will satisfy both the gore hounds and the cerebral, this hidden gem is going to earn a cult following.
When Evil Lurks places us in a world where evil is so common place, it's become routine. Mundane and dismissible, this film explores the dangers of when people start to think bad things can only happen to other people, shared community and belief are lost, and the institutions put in place to protect us become complacent and disinterested.
The rules for safety are clearly stated, but watch as each character's downfall comes from the thoughtless certainty that they are the exception and nothing will come of *them* doing it, just this one time.
The unique demonic entities of this modern setting are alien to, yet play with, the tropes of just about every standard possession film: at once familiar and extremely inscrutable. Audiences are left to muddle through figuring things out as the protagonists do, and I strongly urge you to enter the film with as little knowledge as possible.
Good for when you want a little thought to your gore, or a lot of gore in your thought, are tired of stereotypical Catholic-based possession films, and those who enjoy well-executed worldbuilding. You can expect high production values (you can practically *smell* the Rotted through the screen) and a balance between the brutal shocks and the lingering creepies.
Those disturbed by the graphic harm of children or animals should steer clear.
When Evil Lurks places us in a world where evil is so common place, it's become routine. Mundane and dismissible, this film explores the dangers of when people start to think bad things can only happen to other people, shared community and belief are lost, and the institutions put in place to protect us become complacent and disinterested.
The rules for safety are clearly stated, but watch as each character's downfall comes from the thoughtless certainty that they are the exception and nothing will come of *them* doing it, just this one time.
The unique demonic entities of this modern setting are alien to, yet play with, the tropes of just about every standard possession film: at once familiar and extremely inscrutable. Audiences are left to muddle through figuring things out as the protagonists do, and I strongly urge you to enter the film with as little knowledge as possible.
Good for when you want a little thought to your gore, or a lot of gore in your thought, are tired of stereotypical Catholic-based possession films, and those who enjoy well-executed worldbuilding. You can expect high production values (you can practically *smell* the Rotted through the screen) and a balance between the brutal shocks and the lingering creepies.
Those disturbed by the graphic harm of children or animals should steer clear.