If "Farewell My Concubine" is the comma of Chen Kaige's directing, then "Volunteers: The Male Soldiers Strike" can be said to be the period of Chen Kaige's and even this era of Chinese movies.
In the film, even a child without any knowledge of film studies, can be seen in the film on the great abuse of the swing arm, the most abstract is the two-person cultural drama camera can be around the person three times in a row, even the French director Godard in the VIVRE SA VIE have not been so experimental filming dialog, director Chen Kaige can be said to be quite bold. You can have fun, but...
The coherence of the movie is played like a child's play. The movie keeps stirring up the nerves of the audience, just like an advertisement or a trailer, and one doesn't know when the movie will start, and the inclusion of the Internationale seems to be a deliberate choice for the sake of political correctness. Passed out in the theater
Piling on a slice of feel-bad special effects war drama like a page-turner advertisement with the pace of the entire movie, was I watching a jitterbug mash-up of war history? Or was it a movie by Cannes Palme d'Or-winning director Chen Kaige?
A war history movie is obviously mixed with private goods, the intention is not even to record history, but at this point in time to stir up nationalist sentiment to the end of the montage can not help but let a person have the illusion that this is the Wolf Warrior 3?
The face of the aggressor to anti-war is not wrong, but the film as an important medium of philosophical ideological output, at this point in time seems to have become a completely promote the war wolves emotions of the film.
If the run at the end of Francis Truffaut's The 400 Blows changed world cinema, then the moment Wu Jing raises his flag in War Wolf changed Chinese movie history.
Chen Kaige you've been kidnapped just blink.
In the film, even a child without any knowledge of film studies, can be seen in the film on the great abuse of the swing arm, the most abstract is the two-person cultural drama camera can be around the person three times in a row, even the French director Godard in the VIVRE SA VIE have not been so experimental filming dialog, director Chen Kaige can be said to be quite bold. You can have fun, but...
The coherence of the movie is played like a child's play. The movie keeps stirring up the nerves of the audience, just like an advertisement or a trailer, and one doesn't know when the movie will start, and the inclusion of the Internationale seems to be a deliberate choice for the sake of political correctness. Passed out in the theater
Piling on a slice of feel-bad special effects war drama like a page-turner advertisement with the pace of the entire movie, was I watching a jitterbug mash-up of war history? Or was it a movie by Cannes Palme d'Or-winning director Chen Kaige?
A war history movie is obviously mixed with private goods, the intention is not even to record history, but at this point in time to stir up nationalist sentiment to the end of the montage can not help but let a person have the illusion that this is the Wolf Warrior 3?
The face of the aggressor to anti-war is not wrong, but the film as an important medium of philosophical ideological output, at this point in time seems to have become a completely promote the war wolves emotions of the film.
If the run at the end of Francis Truffaut's The 400 Blows changed world cinema, then the moment Wu Jing raises his flag in War Wolf changed Chinese movie history.
Chen Kaige you've been kidnapped just blink.